Gavin Brown's enterprise

1930 Born in Lakewood, Ohio
Lives and works in Paris


Education

Chicago Art Institute, Chicago
Art Students League, New York
University of Zürich, Zürich, Switzerland
BA, University of Iowa
MA, Columbia University, New York


Solo Exhibitions

2012
"Rock & Rap /C Simulacra," Gavin Brown’s enterprise, New York
“Image over Image,” Moderna Museet, Stockholm, Sweden 

2010
“The Razzle Dazzle of Thinking,” Musée d'Art Moderne de la ville de Paris, Paris, France
“Vertical Nomad,” Galerie Neu, Berlin, Germany

2009
“Blow Job,” Air de Paris, Paris, France

2008
“Vertical Monad,” Anthony Reynolds Gallery, London, United Kingdom
“Sturtevant,” Le Consortium, Dijon, France

2007
Galerie Thaddaeus Ropac, Paris, France
Galerie Mezzanin, Vienna, Austria

2006
“Cold Fear,” Anthony Reynolds Gallery, London, United Kingdom
“Sturtevant,” Dillinger Running Series, Site Galerie, Düsseldorf, Germany
Galerie Mezzani, Vienna, Austria
“Digital Click,” Art Unlimited, Basel, Switzerland

2005
“The Brutal Truth,” Mit List, Cambridge, United Kingdom
“Push and Shove,” Perry Rubenstein Gallery, New York

2004
“The Brutal Truth,” Museum fur Moderne Kunst, Frankfurt Am Main, Germany
Perry Rubenstein, New York

2003
“Dark Threat of Absence,” Galerie Thaddaeus Ropac, Paris, France
Galerie Mezzanin, Vienna, Austria
“The Sixties. Lichentenstein, Warhol, Wesselmann, Rosenquist,” Galerie Daniel Blau, Berlin, Germany

2002
“Shifting Mental Structures,” Neuer Berliner Kunstverein, Berlin, Germany
“Sturtevant. Work on paper 1965/66/69,” Galerie Daniel Blau, Munich, Germany
“I love Arlette,” Galerie Thaddaeus Ropac, Paris, France

2001
“Dillinger Running Series,” Galerie Thaddaeus Ropac, Paris, France
“Ça va aller,” Galerie Hans Mayer, Berlin, Germany

2000
“Copy without Origins : self as disappearance,” École Régionale des Beaux-arts de Nantes, Nantes, France

1999
"Duchamp 1200 Coal Bags,” MAMCO, Genève, Switzerland
“Sturtevant. 1225 Objects,” Casino Luxembourg, Forum d'Art Contemporain, Luxembourg

1998
"Int./Ext. Visibilities," Galerie Thaddaeus Ropac, Paris, France
“Ça va aller,” Air de Paris, Paris, France

1997
Galerie Six Friedrich, Munich, Germany

1996
Ecole Régionale des Beaux-Arts, Le Mans, France

1995
“Powerful Reversals,” Galerie Hans Mayer, Dusseldorf, Germany

1994
Galerie Thaddaeus Ropac, Paris, France

1993
Musée d'Art Contemporain, Villa Arson, Nice, France
Stux Gallery, New York
Galerie Hans Mayer, Düsseldorf, Germany

1992
Württembergischer Kunstverein, Stuttgart, Germany
Deichtorhallen, Hamburg, Germany

1991
Galerie Thaddaeus Ropac, Paris, France

1990
Rhona Hoffman Gallery, Chicago

1989
“Sturtevant. Werke aus 25 Jahren,” Galerie Paul Maenz, Köln, Germany
“Art Basel 89,” Galerie Six Friedrich, Munich, Germany

1988
"Drawing 1988-65," Bess Cutler Gallery, New York

1987
Daniel Weinberg Gallery, Los Angeles
Stux Gallery, New York

1986
White Columns, New York

1974
Onnasch Gallery, New York

1973
“Sturtevant. Studies done for Beuys' Action and Objects, Duchamps' etc. Including Film,” Everson Museum, Syracuse

1971
“Sturtevant. Studies done for Beuys' Action Objects and Drawing,” Reese Palley Gallery, New York

1970
“Sturtevant. Huit Tableaux et un Prototype,” Galerie Claude Givaudan, Paris, France

1969
“Sturtevant. Huit Tableaux et un Prototype,” Galerie Claude Givaudan, Paris, France

1967
"The Store of Claes Oldenburg," 623 East, New York
"Relâche," School of Visual Art, New York

1966
“America America,” Galerie J, Paris, France

1965
Bianchini Gallery, New York


Group Exhibitions

2009
“Die Kunst ist Super!” Hamburger Bahnhof, Berlin, Germany
“The Quick and the Dead,” Walker Art Center, Minneapolis
“Pop Life,” Tate Modern, London, United Kingdom
“Mark Wallinger Curates: The Russian Linesman,” Hayward Gallery, London, United Kingdom
“The Danish and the Nordic Pavilions,” Venice Biennale, Venice, Italy
“Inventing Marcel Duchamps: The Dynamics of the portraitures,” National Portrait Gallery, Washington DC

2008
“Set 5,” Fotomuseum Winterthur, Zürich, Switzerland
Galerie Mehdi Chouakri, Berlin, Germany
“The archer and the Goat,” Anthony Reynolds Gallery, London, United Kingdom
“Exposing Flesh,” III CCS Bard, New York

2007
“Début de siècle,” Musée départemental d'Art Contemporain de Rochechouart, Rochechouart, France
“it (is not) a fake,” Galerie Sho, Tokyo, Japan
“Wack! Art and the feminist revolution,” MOCA, Los Angeles
“Ten Curators,” Colette, Paris, France
“Good Morning Midnight,” Casey Kaplan Gallery, New York
“Steven Parrino - La Marque Noire,” Palais de Tokyo, Paris, France
Group Show, Anthony Reynolds Gallery, London, United Kingdom

2006
“Twice Drawn,” Tang Museum, Skidmore College, Saratoga Springs
Air de Paris, Paris, France
PS1, New York
Whitney Biennial, Whitney Museum of American Art, New York
Museum für Moderne Kunst, Frankfurt am Main, Germany

2005
De Singel, Antwerp, Belgium
Galerie Mezzanin, Vienna, Austria
Mamco, Geneva, Switzerland
Casino Luxembourg, Luxembourg
Kunstforum, Vienna, Austria
Kunsthalle Vienna, Vienna, Austria
Gallery A.R, Frieze, London, United Kingdom

2004
“20 Jahre, 20 Years, 1984-2004,” Galerie Thaddaeus Ropac, Salzburg, Switzerland
“Besides, popularity is a rather lumpy concept, no,” Kunthalle Düsseldorf, Germany
“About Painting,” Tang Museum, Skidmore College, Saratoga Springs
Frac Paca, Marseille, France
“Before the End,” Le Consortium, Dijon, France
Paris Photo, Paris, France

2003
“Aftershock,” Dickinson Roundell, New York
“Das Lebendige Musuem,” Museum fur Moderne Kunst, Frankfurt am Main, Germany
University of Sunderland, Sunderland, United Kingdom
“Ishtar,” Gallery Midway, St. Paul
“The DaimlerChrysler Collection,” Museum fur Modern Kunst, Karlsruhe, Germany
“Influence, Anxiety and Gratitude,” List Visual Arts Center, Cambridge, United Kingdom
“Une Collection de 'Chefs d'oeuvre' - emprunts, pastiches, copies, citations et
interprétations,” Frac Limousin, Limoges, France
“Living with Duchamps,” Tang Museum, Skidmore College, Saratoga Springs
“Re-Production 2,” Georg Kargl Fine Arts, Vienna, Austria
“Un tableau dans le décor, Peintures 1970-2000,” Musée des Ducs de
Bretagne, Nantes, France
Paris Photo, Paris, France
Site, Düsseldorf, Germany

2002
“Virement,” MAMCO, Geneva, Switzerland
Paris Photo, Paris, France
Pace/Macgill Gallery, New York
Nederlande Foto Institut, Rotterdam, Netherlands
“Manifeste oder Ergriffenheit- Was ist das,” Galerie Daniel Blau, Munich, Germany
“Minimalism and After,” DaimlerChrysler Contemporary, Berlin, Germany
“Iconoclash. Jenseits der Bilderkriege in Wissenschalft, Religion und Kunst,” ZKM, Karlsruhe, Germany
“Min Marilyn,” Lijevalchs Konsthall, Stockholm, Sweden
“Art After Art,” Neues Museum Weserburg, Bremen, Germany
“Private/Corporate: A Dialogue,” Haus Huth , Berlin, Germany
“Kunst nach Kunst,” Neues Museum Werserburg, Bremen, Germany

2001
“Répertoire (Replay) 'Oh cet écho!' (Duchampiana) 2, MAMCO, Geneva, Switzerland
“Répertoire (Replay)'ce qu'il plait 2',” MAMCO, Geneva, Switzerland
“Ornament und Abastraktion,” Foundation Beyeler, Basel, Switzerland
“Trade-Waren, Wege und Werte im Welthandel Heute,” Winterthur Foto Museum, Winterthur, Switzerland
“Candice Breitz, Claude Closky, Elaine Sturtevant, Martin Walde, Erwin Wurm,”
Gallery Mezanin, Vienna, Austria
“La Bretagne Collectionne l'Art de notre Temps, les 20 ans du Frac
Bretagne/Mélange,” Domaine de Kerguehennec, Centre d'Art Contemporain, Bignan, France
Georg Karl Fine Arts, Vienna, Austria

2000
“Protest & Survive,” White Chapel, London, United Kingdom
“Copy Right/Copy Wrong,” Ecole des Beaux-Arts de Nantes, Nantes, France
“Les 100 sourires de Mona Lisa,” Tokyo, Japan

1999
“Original. Echt/Falsch,” Neues Museum, Bremen, Germany
Air de Paris, Paris, France
“Werke aus der Sammlung FER, Froelich, Graesslin, Waishaupt,” ZMK, Karlsruhe, Germany
“À propos de Duchamps,” Curt Marcus Gallery, New York
“Patchwork in progress 5 'Oh cet écho!’ (Duchampiana),” MAMCO, Geneva, Switzerland
“Weg aus dem Bild,” Georg Karl Fine Arts, Vienna, Austria

1998
“Das Jahrhundert der Kunslerischen Freiheit,” Wiener Sezession, Vienna, Austria
“Sequence, Edition Schellmann Munich, New York
“Upfreshing Wind from Changing Directions,” Weimar Neues Museum, Weimar, Germany
“Painting Now and Forever,” Pat Hearn Gallery, New York
“One Hundred Years of Artistic Freedom, City Art Musem, Helsinki, Finnland
“Auffrischender Wind aus weschselnden Richtungn. Internationale Avantgarde seit
1960.,”Die Sammlung Paul Maenz, Neues Museum, Weimar, Germany

1997
Galerie von Lintel, Munich, Germany
"From One Point to Another,” L'Atelier Soardi, Nice, France
“Sous le manteau,” Galerie Thaddaeus Ropac, Paris, France

1996
“Magritte,” Montreal Museum of Fine Arts, Montreal, Canada
Kunstsammlung Nordhein-Westfalen, Düsseldorf
“La Criée,” Centre d'Art, Rennes, France
“L'Art du Plastique,” Ecole Nationale Supérieure des Beaux-Arts, Paris, France
Museum der Kultur der Welt, Berlin, Germany
“Now/Here,” Louisiana Museum of Modern Art, Humlebæk, Denmark
“Shift,” Neue Gesellschaft für Bildne Kunst, Berlin, Germany

1994
MAMCO, Geneva, Switzerland
“Qui est Libre?” Ecole des Beaux-Arts, Rouen, France
“Saut dans le vide,” Maison Centrale des artistes ThDKh, Moscow, Russia
Zentrum Paris, Art Frankfurt 94, Frankfurt, Germany

1993
"Zentrum Paris," Kunsthalle Ritter, Klagenfurt, Germany
"Drawings 30th Anniversary Exhibitions," Leo Castelli Gallery, New York

1992
Galerie Sylvana Lorenz, Paris, France
Galerie Six Friederich, Munich, Germany
"Objects for an Ideal Home," Serpentine Gallery, London, United Kingdom

1991
"Charade of Mastery," Whitney Museum of American Art, New York
"Denk-Bilder", Kunsthalle der Hypo-Kulturstiftung, Munich, Germany; travels to Heydt-Museum, Wuppertal, Germany
"Aspect de l'art du XXéme siécle," Abbaye Saint André, Meymac, France
"(Art)," California State University Fullerton, California
"Hybrid Abstraction," Bennington College, Vermont
"Das Goldene Zeitalter," Württembergischer Kunstverein, Stuttgart, Germany

1990
Permanent Collection, Museum of Contemporary Art, Los Angeles
“Charade of Mastery. Deciphering Modernism in the Contemporary Art,” Whitney
Museum of American Art, New York
“Spellbound,” Mark Richard Gallery, New York

1989
“Prospect 89,” Frankfurter Kunstverein, Frankfurt am Main, Germany
“D&S Ausstellung,” Kunstverein Hamburg, Hamburg, Germany
“A Decade of Drawing,” Daniel Weinberg Gallery, Los Angeles
“The Silent Baroque,” Galerie Thaddaeus Ropac, Salzburg, Austria

1988
"Complexity &Contradiction," Scott Hanson Gallery, New York
“Vraiment Faux,” Fondation Cartier, Jouy-en-Josas, France
“Hommage-Demontage,” Neue Galerie Sammlung Ludwig, Aachen, Germany; travels to Wilhelm-Hack-Museum, Ludwigshafen, Germany; Stadtisches Museum Gelsenkirchen, Germany
“Hedendaage Kunst,” Provinciaal Museum, Hasselt, Netherlands
Museum Moderner Kunst, Vienna, Austria

1987
1st biennal internacional de Pintura au Museo de Arte Moderno, Cuenca, Ecuardor
Glittering Prize, Stux Gallery, New York
“Post-Abstract Abstraction,” Adrich Museum, Ridgefield

1986
“Investigations,” McIntosh/Drysdale Gallery, Washington DC
“Production Re-Production,” Galerie 345, New York

1985
“The Art of Appropriation,” Alternative Museum, New York

1967
“Art in the Mirror,” Museum of Modern Art, New York

1966
Institute Of Contemporary Art, Philadelphia


Selected Bibliography

2012
Calabrese, Nickolas, “New York gallery openings,” art agenda, May 7
Russeth, Andrew, "The Original: Doing the Elastic Tango With Sturtevant," The New York Observer, May 8
Trembley, Nicolas, “Again and Again,” Artforum.com Diary, March 21
Russeth, Andrew, “Top Ten Gallery Shows: Sturtevant,” The Observer Magazine, March 19
Hainley, Bruce, “First Position,” Artforum, March

2011
Moisdon, Stephanie, "Silent Power of Art," Parkett, issue 88
Thatcher, Jennifer, "Sturtevant: Elastic Tango, "Art Review, issue 47, January/ February
"Franz West and Sturtevant Win Venice Biennale's Golden Lions for Lifetime Achievement," Artinfo, May 2

2010
“The Razzle Dazzle of Thinking,” Musée d'Art Moderne de la Ville de Paris, Paris, France
“Chefs-d'oeuvre?” Centre Pompidou-Metz, Metz, France

2009
“Pop Life,” Tate Modern, London, United Kingdom

2008
Obrist, Hans Ulrich, “Sturtevant,” 032c, Issue #16, Winter 2008/2009
“Set 5,” Jerderman Collection, Fotomuseum Winterthur, Zürich, Switzerland

2007
“Début de siècle,” Musée départemental d'Art Contemporain de Rochechouart, Rochechouart, France
“Steven Parrino - La marque Noire,” Palais de Tokyo, Paris, France

2006
Wall Street Journal, June 9
Numéro, August
Frog, October (cover)
Art Review, November, pp. 78-94
Bergdorf Goodman, Fall
“Sitting for Timothy Greenfield-Sanders,” Self-Service

2005
Lobel, Micheal, "Inappropriate Appropriation," Parkett, No. 75, December,. pp. 142 - 147
Princenthal, Nancy, "The Other Truth," Art In America, December, pp 102 -107
Halley, Peter, Index Magazine, September/October, pp 44-51
Johnson, Ken, The New York Times, May 20, p. E23
McQuaid, Cate "Mirror Images," The Boston Globe, May 13, pp D17-18
Homes, A.M. "Visionary Quest," Vanity Fair, no. 537, May, p. 100
Wright, Karen, "Déjà Vu," Modern Painters, May, pp 88 - 93
Moisdon, Stéphanie, "lauréat prix de la meilleure exposition internationale Elaine Sturtevant," Beaux Arts
Magazine, no. 248, January
Janevski, Ana, "The Brutal Truth of Art," domus, January/February, p. 8
Coulson, Amanda, Review from Frankfurt, "Sturtevant: The Brutal Truth", Modern Painters, February, p. 113
"Kunst beim Denken zusehen," Frankfurter Allgemeine Sonntagszeitung, January 30, p. R4
Fricke, Christiane, "Elaine Sturtevants Werke sehen aus wie Kopien - sind aber keine," Handelsblatt, January, p. 39
“Brutale Wahrheit," Süddeutsche Zeitung, January 18, p. 15
“Preis für beste Kunstschau 2004 an MMK," Frankfurter Allgemeine Zeitung, January 14, p.45

2004
Nabakowski, Gislind, "Elaine Sturtevant," artpress, 307, p. 75
Das Magazin für zeitgenössische Kunst, December/January, p. 47
"Elaine Sturtevant in Frankfurt," Feuilleton, December 25, p.52.
Huther, Chraistian., "Geheimnis der Aura entdeckem," Main Echo, December 24
Lamm, April Elizabeth. "As brave as a blizzard," Art Review, International edition, V2N8, pp. 127-31
Birnbaum, Daniel, "Top Ten: Best of 2004," Artforum, December, p 160-1
Hainley, Bruce, "Top Ten: Best of 2004", Artforum, December, p 164-5
"Elaine Sturtevant in Frankfurt: Robert Flace schreibt Udo Kittelmann," Kunstzeitung, Nr. 100, December
Hübner, Klaus, "Sturtevant ‘The Brutal Truth’," Westzeit, December 12
Christofori, Ralf, "Wenn das Original kein Original ist," Kunst-Bulletin, December, pp 26-31
Kuni, Verena, "Reviews," spike, December, p. 106
Peschke, Marc, Kunsttermine, November-January, p. 166
Hafner, Hans-Jürgen, "Sturtevant: ‘The Brutal Truth’," Kunstforum International, November/December, pp 354-5
Kuhn, Nicola, "Oft kopiert, mehr erreicht," Der Tagesspiegel, November 15, p. 23
Olivares, Rosa, "Sturtevant," EXIT Express, November, p. 25
Wagner, Thomas, "Andy, gib mir dein Sieb," Frankfurter Allgemeine Zeitung, November 6, p. 35
Artprice, November, p. 40-1
Tittel, Cornelius, "Sie spielte Tennis, bis die Zeit reif für sie war," Welt am Sonntag, November 21, p. 67.
Huther, Chriatian, "Original und Kopie," Weltkunst - Die Zeitschrift für
Kunst und Antiquitäten, November
“Sturtevant The Brutal Truth," Mitteilungen - Journal des Hessischen Museumsverbandes, p. 16
Kunsthistorische Arbeitslätter, November, p. 64
"Top 15," Monopol - Magazin für Kunst und Leben, Nr. 4, October/November, p 131
Bosetti, Petra, "Warhol sagte: ‘Wow, Elaine!’” Art - Das Kunstmagazin, No. 10, October, p. 82
"Questionnaire: Sturtevant", frieze, Issue 86, October, p 180
Levin, Kim, "Flowers in Chelsea from the original appropriation artist", Village Voice, October 13-19, p c89.
Spinelli, Claudia, "Die Meisterschülerin," Die Weltwoche, October 28, p. 91
Kalle, Janina, "Fragen Sie Elaine," Antiquitäten Zeitung, October 15, p.34
"Wenn ‘Kopien’ zu Originalen werden, " Das Blättche - Ihre Stadtteil Zeitung, October 7.
Heiser, Jörg, "Im Bermudadreieck der Ideen," Süddeutsche Zeitung, October 6, p. 17
Müller, Hans-Joachim, "Freundliche Übernahme," Die Zeit, October 7, p. 49
"Original oder Kopie?" DB mobil, October
Gries, Benjamin, "Keine Fälschungen, alles sind nur Wiederholungen," Rhein Zeitung, September 29, p. 26
"Blaues Wunder, amerikanischer Blick, Kunst über Kunst," Frankfurter Allgemeine Zeitung, September 27, p B
Huther, Christian, "Elaine Sturtevant verdoppelt die Kunst," Krefelder Stadtpost, September 25.
Dreieich, Spiegel, September 25, p. 1.
Nowak, Christine. "Kunst-Klone galten einst als Provokation," Offenbacher Post, September 24.
Höhle, Stephan. "Die nackte Kunst-Wahrheit," Wetzlarer Neue Zeitung, September 24.
Buhr, Elke. "Mit Warhols Sieb," Frankfurter Rundschau, September 24, p. 15
Pisano, Hortense. "Die Kunst des Zitats - oder alles nur geklaut," News, September 24, p. 36
"Brutale Wahrheit," Diepholzer Kreisblatt, Sep 24
"Hier ist garantiert alles original gefälscht," Bild Zeitung, September 24, p. 6
Frankfurter Allgemeine Zeitung, September 24, p. 57
Hierholzer, Michael, "Absolutes und Avantgarde," Frankfurter Allgemeine Zeitung, September 22
"Doubles fürs Museum," Der Spiegel, No. 38, September 13
Hierholzer, Michael, "Die Wiederholung," Frankfurter Allgemeine Sonntagszeitung, September, p. R4
Wolters, Dierk, "Alles falsch - oder auch nicht," Frankfurter Neue Presse, September 24, p. KuS 1
"Originale? Fälschungen?" Die Welt Kompakt, September 22, p. 29
Pisano, Hortense. "Alles Nur Geklaut?" Journal Frankfurt, September, pp 30- 6
Greenan, Althea. "Books", Contemporary Magazine, pp 50-2
Crüwell, Konstanze. "Abkehr vom Mythos des Originals," Frankfurter Allgemeine Zeitung, August 30

2003
Buskirk, M, "The Contingent Object of Contemporary Art,” MIT Press Cambridge, London
"Works on Paper,” Tefaf Maastricht (brochure)
"Der Mensch als Kunstwerk,” Kölner Stadt-Anzeiger, May 2
"Exhibition That Features Exhibitions," New York Times
"Trésor Public," frac, 2003 (cat.)
Die Presse, November 6
Art Magazine, p. 1

2002
"The best of 2002,"Art Forum, December
Metzger, Rainer, "Attitude und Modernitat", Kunstforum, n.162, November-December
Waters John and Hainley, Bruce, "Art Works: Sex," Thames & Hudson
“Stifting Mental Structures,” Hatje Cantz, Stuttgart, Germany
“Sammlung Daimler Chrysler Minimalism and After 2002” (cat.)
Whitneven, Katrin, "Es grünt so grün, wo tausend dollar blühn,” Der Tagesspiegel
"Feuilleton Grünes Ketchup" Berliner Zeitung, March 2
Ingeborg, Ruthe, "Angriff auf die Aura,” Berliner Zeitung, March 8
Wulfen, Thomas, "Der Versuch des Gleichgewichts," Frankfurter Allgemeine Zeitung, April 27
"Min Marilyn," Liljevalchs Konsthall (cat.)
“Private / Corporate,” Daimler Chrysler, Berlin, Germany (cat.)
Kronthaler, Helmut, "Aneignung-Sturtevant Ketchup-Zitat," Kunstzeitung, Nr.69, May

2001
"Sturtevant," Style Magazine, n. 40, May
"Freier Wettbewerb," Tagespielel Berlin, March 21
"Ornement et Abstraction," Fondation Beyeler, Dumont (cat.)
"Fake Sturtevant Proliterris,” Zürich, n. 1
"Trade", Winterthur Foto Museum (cat.)
"Kunst und Markt,” Tagespiegel, March 21
“Women Artists,” Taschen, Köln, Germany

2000
Hainley, Bruce, "Erase and Rewind", frieze, Issue 53, Summer
Site n° 5, October
“Jenseits der Grenzen, Bano III, Dialog der Avantgarden,” DuMont, Köln, Germany
“Protest & Survive,” Whitechapel Art Gallery, London, United Kingdom
“Les 100 sourires de Mona Lisa,” Nihon Keizai Shinbun, Inc., Tokyo, Japan
Texte Zur Kunst, December

1999
“Kunst Sammeln,” ZKM Museum für Neue Kunst, Karlsruhe (cat.)
Rosenblum, R. and Abrams, Harry N., "On Modern American Art," inc NYC
“20 years anniversary,” ART, Hamburg
Glueck G., "Art Review," New York Times, October 22
“Szene,” Der Spiegel
Nordwes- Zeitung, Kultur, July 29
Römer, Stefan, “Original - Echt/Falsch,” Kunstforum International, September-November
Kramer, H., "A Critic's View," New York Times, October 30
Sturtevant, "Fake/Original," Neues Museum Weserburg, Bremen, Germany
Romer, S., "Fake als Original," Internationaler Kunstkritiker Verbaral, Köln
Sturtevant, "Fake/Original", COPYRIGHT, n. 1, Berlin, Germany
SITE, n. 2, April
De Jaeger, C., "Le métalanguage d'Elaine Sturtevant", Luxemburger Wort, August 5
"De l'originalité de l'oeuvre" Tagesblatt, July 30
"Konigan van het plagiat in Casino Luxembourg," De Morgen, July 23

1998
"Sturtevant: Int./Ext. Visibilities," Galerie Thaddaeus Ropac, Paris, France and Salzburg, Austria (cat.)
"Sequences A Collection of Prints," Edition Schellmann, Munich, Germany (cat.)
Bader, Jörg, "L'Eternel Retour des Chefs-d'Oeuvres," Art Press, n. 236, June
"International Avant-guarde Since 1960: The Paul Maenz Collection," Neues Museum, Weimar, Germany (cat.)
Ardenne, Paul, "L'Âge Contemporain," Editions du Regard

1997
"Who's Who in American Art" 22nd Edition
Pryle, Behrman, "Stolen Images," Contemporary Visual Arts, Issue 15

1996
"Shift," NGBK, Berlin, Germany (cat.)
"Verliere dich," Der Spiegel, n. 21/20, May
Richard, Vine, "Louisiana Techno-Rave," Art in America
Der Spiegel, n. 20, May
Thomas, Crow, "The Rise of the Sixties: American and European Art in the Era of Dissent," Calmann & King Ltd., London, United Kingdom
Laura, Cottingham, "Now/Here," Louisiana Museum of Modern Art (cat.)
Robert, Fleck, "La Criée," Criée Centre d'Art, Rennes, France (cat.)
Le Brun, Annie; Lucien, Stephan and Sturtevant, "La Question du Double," Ecole des Beaux-Arts, Le Mans, France
Cueff, Alain; Ottinger, Didier; Stercks, Pierre; Sturtevan and Magritte, Verschaffez, “les exercices Spirituels," Prestel, Münich, Germany (cat.)
Perrin, Frank, "Collection collective. La question du double," Musée des Beaux-Arts,
Montreal, Canada (cat.)

1995
Eiblmayr, Silvia; Fleck, Robert, "Original," Hatje Cantz
Ziesche, Angela, "Skulpturen, Objeke und Installationen von Künstlerinnen des 20. Jahrhunderts," DuMont, Köln, Germany

1994
Fargier, Jean-Paul, "Duchamp Corse," Le monde, July 18
Isola, Marina, "Mirror Image," The Met, November 3
"Sturtevant Duchamp Nu Descendant un Escalier 1968," ZAPP Magazine, November

1993
"Ansturm der Doppelgänger," Der Spiegel, n. 27
Besacier, Hubert, "Sturtevant," Arte Factum, n. 48
Salz, Jerry, "Critics Diary," Art in America, September

1992
Brunn, Burkhard, "It's not Warhol, It's Sturtevant," ART POSITION, n. 19/20, May/August
Karcher, Eva, "Spiegel der Utopia," Süddeutsche Zeitung, n. 198, August 28
Leturcq, Armelle, Review, ART+TEXT, n. 43, September
Rainer, Wolfgang "Das Original Mal Zwei," Stuttgarter Zeitung, n. 26
Weingarten, Susanne, "Klicken Im Kopf," Der Spiegel, n. 31

1991
De Vries, Gerd, "Paul Maenz Köln, An Avant-Garde Gallery and the Art Of Our Time,"
DuMont, Köln, Germany
Zdenek, Felix and Messler, Norbert, "Denk Bilder," Hirmer, Munich, Germany
Le Foll, Joséphine, Maison Française, March
Zahm, Olivier, Artforum, May
Brutus Magazine, Japan, May
Von Draten, Doris. "Der Dialog mit dem Gleichen," Kunstforum, January/ February.

1990
Kittelmann, Udo, "La peinture américaine des années 80: Nouveau depart," Art Press, November
Faust, Gretchen, Review, Arts Magazine, March
Bauth, Reinhard, "Neues Aus Der New Yorker Szene," Magazin München, January
Leigh, Chritian, "The New (& Improved) Good Old Days", Bijutsu Techno, n. 42, March

1989
Aming, Bill, "Sturtevant," Journal of Contemporary Art
"Art Wheel of Fortune," Avenue, February
Bohnen, Uli, Review, Kunstforum, June
Bohnen, Uli, Review, Kunst, April
Groys, Boris, "Verzicht auf den Mythos," Frankfurter Allegemeine Zeitung, n. 93, April
Kipphoff, Petra, "Die Post kommt immer zu spät," Die Zeit, n.14, March
Koether, Jutta, "Elaine Sturtevant at Paul Maenz," Artscribe, September/October
Heartney, Eleanor, "Elaine Sturtevant at Bess Cutler," Art in America, March
Leigh, Christian, "Art on the Verge of a Nervous Breakdown," Contemporanea, January/February.
Leigh, Christian, "Into the Blue," Art & Auction, May
Leigh, Christian, "New Good Old Days," Galerie Paul Maenz, Köln, Germany (cat.)
Leigh, Christian, "Opening Night at the Whitney Biennal," Contemporanea, July
Leigh, Christian, “The Silent Baroque,” Galerie Thaddaeus Ropac, Salzburg, Austria (cat.)
Liu, Catherine, Review, Artforum, January
Nemeczeck, Alfred, "Die Kunst Ist Gar Nicht So Frei," Art, July
Messler, Norbert, "Sturtevant," Noema, n. 24/25, Summer
Schwendenwien, Jude, Review, Contemporanea, October
Stals, Jose Lebrero, Review, Lapiz, n. 59
Sturtevant, Elaine, "Artist's Pages by Sturtevant," Museum Journal, n. 34, March.
Sturtevant, Elainem, "Sturtevant Film. The Silent Baroque," Galerie Thaddaeus Ropac, Salzburg, Autria (cat.)
"Wolkenkratzer," Art Journal, March/April
Wullten, Thomas, Review, Flash Art, June

1988
Albig, Jörg-Uwe, "Erlich sind nur die Kopisten," Art, n.51, p.28
Art, no. 1, November, p. 54
Bohnen, Uli, "Kommt Die Kunst von Kunst," Kunstforum, November/December, p. 341
Cameron, Dan, "A Conversion with Leo Castelli and Elaine Sturtevant," Flash Art, n.143, November/December
Hahn, Christophe von, "Zynisms in der Kunst," Aachener Nachrichten, March 25
Hentschel, Martin, "Homage-Demontage", Nike-New Art in Europe, Summer, p.35
Leigh, Christian, "Complexity and Contradiction," Scott Hansen Gallery, New York (act.)
Leigh, Christian. "I Teach You The Superman. Sturtevant Drawings 1965-1988," Bess Cutler Gallery, New York (cat.)
Levin, Kim, Review, The Village Voice, n. 46, November 15
Linker, Kate, Review, Artforum, January
Morgan, Robert C., Review, Arts Magazine, January
Muschampp, Herbert, "Elaine Sturtevant. Sturtevant Drawings 1965-88" ibld
Peters, Louis, "Im zeitniter der kopien und kopisyen," Atelier, March-April, pp. 12-14.
Schwartz, Eugene, "Sturtevant Drawings 1988-1965," ibld
Selwyn, Marc, "Los Angeles," Art & Auction, September
Siachy, Ingrid; Mc Evilley, Thomas and Lucas Samaras, "About this Issue: A Project for Artforum," Artforum, February
Weschler, Lawrence "Onward and Upward With The Arts. Value. A Fools Questions,"
The New Yorker, January 18, pp35-56

1987
"The Art Galleries," Los Angeles Times, October 16
Bosis, Kathie, "At The Aldrich, a new perspective," Gannett Westchester Newspapers, June 14
Larson, Kay, "Comedy of Mannerism," New York, August 24
Leigh, Christia, “Introduction to A Different Corner, Definition And Redefinition, Painting in America,” Cuenca, Equador
Leigh, Christian, "Painting is dangerous. Sturtevant 1987" Stux Gallery, New York (cat.)
Levin, Kim, Review, Village Voice, November 10
Ottman, Klaus, "Sturtevant's Paradox. Sturtevant 1987," Ibid
Ottman, Klaus, "Sturtevant: Stux," Flash Art
Raynor, Vivan, "Art in Ridgefield Connecticut, A Post Abstract Show," The New York Times, June 26
Rosenblum, Roberta, "Sturtevant," A Different Corner Definition And Redefinition, Painting in America, Ibid.
Schwartz, Eugene, "Post- Abstract Abstraction," Aldrich Museum, Ridgefield (cat.)
Smith, Roberta, Review, The New York Times, November 6
Zimmer, William, "Post-Abstract Abstraction in Ridgefield," The New York Times, July 5

1986
Ferrer, Elizabeth and John Paoletti, "The Art of Appropriation," Alternative Museum, New York (cat.)
Indiana, Gary, Review, Village Voice, February 12
Luris, David, Review, Arts Magazine, April
Schwartz, Eugene and Douglas Davis, "A Double Take on Sturtevant," File Magazine, December
Westfall, Stephen, Review, Art in America, October

1978
Bell, Jane, "On Sturtevant," Contemporary Artists, St. Martin's Press, New York

1974
Davis, Douglas, "Country Art and City Art," News Week, March 11
Frank, Peter. "On Art," SoHo Weekly News, March 14
Perrault, John, "Crisco Chair on a Coattail Ride," Village Voice, March

1973
Harithas, James, “Sturtevant,” Everson Museum, Syracuse (cat.)

1970
Nanteau, Oliver, "Elaine Stutevant: Le Réalism Au
“Second Degré," L'Art Contemporain, March

1969
"Art for Art's Sake," Time, February 28
Counoll, Lacoste M., "Mai un Après Mai," Le Monde, May 15
Duparc, Christiane, "Faites-le Vous-même," Le Nouvel Observateur, March 17
Hahn, Otto, "Expositions Otto Hahn A Vous," L'Express, March 24
Picard, Lil, "From ABC to Camp Art," Das Kunstwerk, November/December
Restant, Pierre, "Paris: Crise et Critique du Langage," domus, June

1967
Tono, Yoshiaki, "Elaine Sturtevant," Bijutsu Techno, Vol.282, no. 5

1965
Conaday, John, "Art Shows Worth Seeing," The New York Times, October 16
Picard, Lil, "Camp oder Die nimmermüde Phantasie," Die Welt, December 9


Catalogues


2005
“PUSH AND SHOVE," Perry Rubenstein Gallery, New York

2004
“Catalogue Raisonne,” Museum für Moderne Kunst, Frankfurt am Main, Germany

2003
“The Brutal Truth, Museum für Moderne Kunst,” Frankfurt am Mai, Germany
“Ishtar,” Midway Contemporary Art, St. Paul
“Sturtevant,” Daniel Blau, Munich, Germany
“The Dark Threat of Absence,” Galerie Thaddaeus Ropac, Paris, France and Salzburg, Austria

2002
Hainley, Bruce and John Waters, “Art Works: Sex.” Thames & Hudson Ltd., London United Kingdom
“Shifting Mental Structures,” Hatje Cantz, Stuttgart, Germany
“Minimalism and After,” Sammlung Daimler Chrysler, Berlin, Germany
Min Marilyn, Liljevalchs Konsthall, Stolkholm, Sweden
“Private/Corporate,” Daimler Chrysler, Berlin, Germany

2001
“Ornement et Abstraction,” Foundation Beyeler, DuMont, Köln, Germany
“Trade,” Winterthur Foto Museum, Winterthur, Austria
“Women Artists,” Taschen, Köln, Germany

2000
“Protest & Survive,” Whitechapel Art Gallery, London, Cornerhouse Publication, Manchester, United Kingdom
“Les 100 Sourires de Mona Lisa,” Nihon Keizai Shinbun, Inc., Tokyo, Japan

1999
“Kunst Sammeln,” ZKM Museum für Neue Kunst, Karlsruhe
Rosenblum, R., “On Modern American Art,” Harry N. Abrams, Inc., New York
“ART, 20 years anniversary ART.” Gruner & Jahr AG&CD, Hamburg, Germany
Sturtevant, “Fake/Original,” Neues Museum Weserburg, Bremen, Germany

1998
“International Avant-garde Since 1960: The Paul Maenz Collection,” (Sturtevant Vol. 1
and 11), Neues Museum, Weimar, Germany
“Sturtevant: Int./Ext. Visibilities,” Galerie Thaddaeus Ropac, Paris, France and Salzburg, Germany
“Sequences A Collection of Prints,” Edition Schellmann, Munich, Germany

1996
“Shift,” NGBK (Hg) Berlin, Germany
Crow, Thomas, “The Rise of the Sixties: American and European Art in the Era of
Dissent,” Calmann & King Ltd., London, United Kingdom
Cottingham, Laura, “Now/Here,” Louisiana Museum of Modern Art, Humblebaeck, Danemark,
Fleck, Robert, “La Criée. Rennes: Criée Centre d'Art,” Rennes, France
Cueff, Alain, Didier Ottinger, Pierre Stercks, Sturtevant, Verschaffez, Magritte, “les
exercises spirituels,” Prestel-Verlag, Münich, Germany
Perrin, Frank, “Collection collective, La Question du double,” Musée des
Beaux-Arts, Montreal, Canada

1995
Eiblmayr, Sylvia and Robert Fleck, “Original,” Hatje Cantz
Ziesche, Angela, “Skulpturen, Objeke und Installationen von Künstlerinnen des 20.
Jahrhunderts,” DuMont, Köln, Germany

1992
Sturtevant, Württembergischer Kunstverein, Stuttgart, Germany; Deichtorhallen, Hamburg, Germany; Centre National d'Art Contemporian, Villa Arson, Nice, France

1991
Zdenek, Felix and Messler Norbert, “Denk Bilder,” Hirmer
De Vries, Gerd. (ed.) Paul Maenz, “An Avant-Garde Gallery and the Art Of Our
Time,” DuMont, Köln, Germany
Galerie Thaddaeus Ropac, Paris, France
“Aspects de l'Art du XXéme siécle,” Abbaye Saint Andre, Meymac, France
“Objects for the Ideal Home,” Serpentine Gallery, London, United Kingdom
“(Art)2,” California State University, Fullerton

1990
Sturtevant, Rhona Hoffman Gallery, Chicago

1989
Leigh, Christian, “New Good Old Days,” Galerie Paul Maenz, Köln, Germany
“Sturtevant: Works from 25 Years,” Galerie Paul Maenz, Köln, Germany
Sturtevant, Galerie Six Friedrich, Munich, Germany
“D & S Ausstellung,” Kunstverein, Hamburg, Germany
Leigh, Christian. The Silent Baroque. Salzburg: Galerie Thaddaeus Ropac, 1989.
Bilderstreit: 56 Kölner Galerien. Cologne, 1989.
PROSPECT 89. Frankfurt am Main: Frankfurter Kunstverein, 1989.

1988
“Vraiment Faux,” Foundation Cartier, Paris, France
“Sturtevant: Drawings 1988 – 1965,” Bess Cutler Gallery, New York
Leigh, Christian, “Complexity & Contradiction,” Scott Hanson Gallery, New York
“Hommage-Demontage," Aachen: Neue Galerie - Sammlung Ludwig, Aachen, Germany

1987
“Sturtevant 1987,” Stux Gallery, New York
“A Different Corner. Definition and Redefinition. Painting in America,” Museo de Arte Moderno, Cuenca, Equador
Schwartz, Eugene, “Post-Abstract Abstraction,” Aldridge Museum of Contemporary Art, Ridgefield

1986
Ferrer, Elizabeth and John Paoletti, “The Art of Appropriation,” Alternative
Museum, New York

1973
Harithas, James, “Sturtevant,” Everson Museum, New York and Syracuse

1971
“Beuys Actions, Objects and Drawings,” Reese Palley Gallery, New York


Public Collections
Vienna Secession, Vienna, Austria
MAMCO, Geneva, Switzerland
Weimar Neues Museum, Weimar, Germany
MOCA Los, Angeles
ARC, Paris, France
Stedelijk Museum, Amsterdam, Netherlands
ZKM, Karlsruhe, Germany
DAP, Paris, France
FRAC, Bretagne, France
MMK, Museum für Moderne Kunst, Frankfurt am Main, Germany
Sintra Museum of Modern Art, Sintra, Portugals


Awards
2008 Greenburger Award, New Museum, New York
2006 Beaux-arts Magazine Award, best international exhibition, Paris, France
2005 Beaux-arts Award: best international exhibition "Sturtevant: The Brutal Truth," Museum für Moderne Kunst, Frankfurt am Main, Germany
2004 Art Award: best exhibition of the year, Paris, France