Gavin Brown's enterprise

FRANCES STARK

1967 Born Newport Beach, California
Lives and works in Los Angeles, California

Education

1993 MFA, Art Center College of Design, Pasadena, California
1991 BA Humanities, San Francisco State University, San Francisco, California



Solo Exhibitions

2012
“Osservate, leggete con me,” Gavin Brown’s enterprise, New York
“My Best Thing,” Contemporary Art Gallery, Vancouver, Canada

2011
“My Best Thing,” MoMA PS1, New York
“Other parts considered in relation to their whole,” Performa 11, New York
“The whole of all the parts as well as the parts of all the parts,” Mills College Art
Museum, Oakland
“My Best Thing,” Screening, The Banff Centre, Banff, Canada
“My Best Thing,” Screening, Institute of Contemporary Arts, London, UK
“My Best Thing,” Marc Foxx Gallery, Los Angeles
“I’ve Had It and a Half,” Performance, Hammer Museum, Los Angeles
“Selections 1: ‘I Went Through My Bin Again (with Open Robe)’: A Very Short Introduction to Frances Stark,” Pollock Gallery/ Division of Art, Meadows School of the Arts, Southern Methodist University, Dallas

2010
Frances Stark: This could become a gimick [sic] or an honest articulation of the workings of the mind, MIT List Visual Arts Center, Cambridge, Massachusetts
But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet?, Center for Contemporary Art, Glasgow
“I’ve Had It! And I’ve Also Had It!,” Performance, Wheeler Opera House, Aspen

2009
But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet?, Nottingham Contemporary, Nottingham, UK
“and possibly but not certainly Mark Leckey and Frances Stark,” Galerie Daniel Buchholz, Berlin, Germany

2008
The New Vision, Portikus, Frankfurt
A Torment of Follies, Secession, Vienna (catalogue)
A Torment of Follies, greengrassi, London
The Fall of Frances Stark, Culturgest, Lisbon

2007
The Fall of Frances Stark, Frac Bourgogne, Dijon, France; van Abbe Museum, Eindoven, The Netherlands

2006
Structures That Fit My Opening and Other Parts Considered in Relation To Their Whole, Glassel School of Art, Museum of Fine Arts, Houston, TX
Structures That Fit My Opening, MARC FOXX, Los Angeles, CA
Frances Stark at Hudson Showroom, Artpace, San Antonio, TX

2005
In and on an Unergonomic Mind, CRG, New York, NY

2004
Bless This Mess, greengrassi, London
Destroy Date, Daniel Buchholz, Cologne

2003
Gallery Paule Anglim, San Francisco, CA

2002
A Bomb upon the Ceiling, MARC FOXX, Los Angeles, CA
Hammer Projects, UCLA Hammer Museum, Los Angeles, CA
Self-Portraiture, greengrassi, London, England

2001
CRG, New York
ICH SUCHE NACH MEINE FRANCES STARKE SEITE, Munich Kunstverein Galerie
Daniel Buchholz, Cologne, Germany

1999
No, No, No, No, Now., Marc Foxx, Los Angeles, CA
What Part of Now Don’t You Understand, China Art Objects Galleries, Los Angeles, California
like a rainbow and so unlike a rainbow, CRG, New York, NY

1998
Impossible the grassy maxim’s dream.…, greengrassi, London, England
In other places Light’s pitched happy tents, MARC FOXX, Los Angeles, CA

1997
Gallery Paule Anglim, San Francisco, CA

1996
Plain Sheets No Pillow, CRG, New York, NY
Studio 246 Künstlerhaus Bethanien, Berlin, Germany

1995
Last year b/w I hate language, ACME, Santa Monica, CA

1994
Spring for Fall, LEAK, Los Angeles, CA

1993
Slough(it off) b/w Purple Prose, MFA Gallery, ACCD, Pasadena, CA

1991
The Guest Room, Los Angeles, CA (catalogue)



Curated Projects

2010
Frances Stark Selects from the Grunwald Collection, Hammer Museum, Los Angeles



Group Exhibitions

2012
“Spelling the Image,” Marc Jancou Contemporary, New York

2011
“Quodlibet III - Alphabets and Instruments,” Galerie Daniel Buchholz, Berlin, Germany
“Venice Biennale 54th International Art Exhibition,” Venice, Italy
“15th Tallin Print Triennial,” Tallinn, Estonia
“All of this and nothing,” Hammer Museum, Los Angeles
“MADE UP: Design’s Fictions,” Art Center College of Art and Design, Pasadena

2010
“The Artist’s Museum,” The Museum of Contemporary Art, Los Angeles
“Following A Line,” Contemporary Art Gallery, Vancouver, Canada
"Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection," Museum of Modern Art, New York (catalogue)
"for the blind man in the dark room looking for the black cat that isn’t there," Museum of Contemporary Art Detroit, de Appell Arts Centre, Amsterdam, Culturgest, Lisbon (catalogue)
"Restless Empathy," Aspen Art Museum, Aspen, Colorado
"The Page," Kimmerich, New York City
"Dexter Sinister, A Model of The Serving Library," Kunstverein, Amsterdam

2009
Talk Show, Institute of Contemporary Arts, London
The Space of Words, Museum of Contemporary Art (MUDAM), Luxembourg (catalogue forthcoming)
Poor.Old.Tired.Horse., Institute of Contemporary Arts, London.
Picturing the Studio, Sullivan Galleries at The School of the Art Institute Chicago. (publication forthcoming)
for the blind man in the dark room looking for the black cat that isn’t there, Contemporary Art Museum St. Louis, Institute Contemporary Arts, London
Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles
and possibly but not certainly, Mark Leckey and Frances Stark, Galerie Daniel Buchholz, Berlin
1999: Ten Year Anniversary Show, China Art Objects Galleries, Los Angeles
Glue, Paper, Scissors: Collage based work by 15 artists from Los Angeles, Luckman Gallery, Cal State LA

2008
INDEX, conceptualism in California from the permanent collection, Museum of Contemporary Art, Los Angeles
Emerson vs Nietezche, China Art Objects, Los Angeles
Pretty Ugly, Gavin Brown Enterprise and Maccarone Gallery, New York, curated by Alison Gingeras.
Whitney Biennial, Whitney Museum of American Art, New York
Yes No Other Options, Sheffield 08 UK, curated by Jan Verwoert
Cohabitation: 13 artists and Collage, Francesca Kaufman Gallery, Milan
Grabbing at Straws, Studio Guenzani, Milan
Word Event, Kunsthalle Basel, Switzerland

2007
Blind Date Istanbul, Sabanci Museum, Istanbul, Turkey (cat.)
Learn to Read, Tate Modern, London
Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, NY
for REE, MARC FOXX, Los Angeles
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Museum of Contemporary Art, Antwerp, Belgium
Romantic Conceptualism, Nurenberg Kunstverein & BAWAG Foundation, Vienna

2006
If I can’t Dance… “Feminist Legacies and Potentials in Contemporary Art Practice”, De Appel, Amsterdam
The Studio, The Hugh Lane Museum, Dublin, Ireland. Curated by Jens Hoffman and Christina Kennedy
Dereconstruction, Barbara Gladstone Gallery (catalogue)
Galerie Daniel Buchholz, Koln at Metro Pictures, New York
Esquiador en el fondo de un pozo, The Jumex collection, Mexico, curated by Michel Blancsube
Textual Works: Bethan Huws and Frances Stark, New Langton Arts, San Francisco, CA
Galerie Daniel Buchholz, Koln at Metro Pictures, Metro Pictures, New York, NY

2005
Looking at words: the Formal Presence of Text in Modern and Contemporary works on Paper. Andrea Rosen Gallery, New York, NY
Monuments for the USA, White Columns, New York, NY
Gallery Artists, Marc Foxx, Los Angeles, CA
Faculty Exhibiton, USC School of Fine Arts, Los Angeles
Post No Bills, White Columns, New Yorrk

2004
Works on Paper, Philomene Magers, Munich, Germany
Martin Klosterfelde, Berlin, Germany
The World Becomes a Private World: Selections from the collection of Penny Cooper and Rena Rosenwasser, Mills College Art
Museum, Oakland, CA

2003
The Space of Writing, MKG Art Management, Houston, TX
Filmscreening by Florian Pumosl, Galerie Daniel Buchholz, Cologne, Germany
for nobody knows himself if he is only himself and not another at the same time, Marc Foxx, Los Angeles, CA
Korrekturem, Galerie Kamm, Berlin, Germany
The Great Drawing Show: 1550-2003 A.D., Michael Kohn Gallery, Los Angeles, CA
Drop Out!, China Art Objects Galleries, Los Angeles, CA
Creeping Revolution 2, Rooseum, Malmo, Sweden

2002
Air Guitar: Art Reconsidering Rock Music, Milton Keynes Gallery, Central Milton Keynes, United Kingdom
Zusammenhange herstellen, Kunstverein in Hamburg, Germany
A Show That Will Show That A Show Is Not Only A Show, curated by Jens Hoffman, The Project, Los Angeles,CA
Group Show, MARC FOXX, Los Angeles, CA
Jim, Jonathan, Kenny, Frances and Sol, curated by Maxine Kopsa, Stedejilik
Personal Plans, Kunsthalle Basel (catalogue)
Rock My World, CCAC, San Francisco, CA (catalogue)
Paintings, MARC FOXX, Los Angeles, CA

2001
Drawings, Greene Naftali, New York, NY
Frances Stark meets Morgan Fisher, Klosterfelde, Berlin, Germany
Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, DK
The Slide Area,curated by Terry R. Myers, James Van Damme Gallery, Brussels, Belgium
Ileana Tounta, Athens, Greece
Locating Drawing, Lawing Gallery, Houston, TX
White Album, curated by Jan Tumlir, Shoshana Wayne Gallery, Santa Monica, CA

2000
Circles, ZKM, Karlsruhue, Germany
OO, Barbara Gladstone Gallery, New York, NY
made in california: art, image, and identity, 1900–2000, LACMA, Los Angeles, CA
Of the moment: Contemporary Art from the Permanent Collection, San Francisco Museum of Moderrn Art, San Francisco, CA
Daniel Buchholz, Cologne, Germany
Jurgen Becker, Hamburg, Germany
Opere Su Carta, Studio Guenzani, Milan, Italy
L.A., Monika Spruth & Philomene Magers, Cologne, Germany

1999
Philomene Magers Projekte, Munich, Germany
Hot Spots, Weatherspoon Art Gallery, University of North Carolina at Greensboro & Pittsburg Center for the Arts, Pennsylvania

1998
In the Beginning, Murray Guy, New York, NY
Word Perfect, Gallery 400, University of Illinois at Chicago, Chicago, IL
Obscure Camera, 2nd Space Gallery, curated by Mary Ceruti, San Francisco, CA
Paper Thin, Stephen Wirtz Gallery, San Francisco, CA
L.A. on Paper, Three Day Weekend @ Gallerie Krizinger, Vienna, Austria
Der Arbeit des Zeichnens, Gesellschaft für Aktuelle Kunst, Bremen, Germany
New Work: Drawings Today, SFMOMA, San Francisco, CA
Tracing Marks, Los Angeles Museum of Contemporary Art, Los Angeles, CA
Paper, J. Christ Gallery, Boise, Idaho
Drawings: An Annual Bicoastal Invitational ,Meyerson & Nowinski, Seattle, WA
Sharon Lockhart, Laura Owens and Frances Stark, Blum & Poe, Santa Monica CA
Ten Los Angeles Artists,Stephen Wirtz Gallery, San Francisco, CA

1996
The Power of Suggestion: Narrative & Notation in Contemporary Drawings, Los Angeles Museum of Contemporary Art, Los Angeles, CA
Just Past: The Contemporary and Permanent Collection 1975–1996, Museum of Contemporary Art at The Geffen Contemporary, Los Angeles, CA
Stream of Consciousness, 8 Los Angeles Artists, University of California, Santa Barbara, CA, catalogue
Affairs, Institute for Contemporary Art, Vienna, Austria
Controfiguro, Studio Guenzani, Milan, Italy
Krisanamis/Stark, Marc Foxx, Santa Monica, CA
First Person, Marc Foxx, Santa Monica, CA

1995
Dark Memories, Marc Foxx, Santa Monica CA
Filmcuts, Neugerriemschneider, Berlin, Germany
New Testament, Marc Foxx, Santa Monica CA
Smells Like Vinyl, Roger Merians, New York, NY
Gavin Brown’s Enterprise, New York, NY

1994
Inaugural Exhibition, ACME, Santa Monica, CA
The Freed Weed, Richard Telles Fine Art, Los Angeles, CA
Red Rover, Red Rover, Three Day Weekend, Los Angeles, CA
The Grammarians, Chapman College, Orange, CA

1993
Invitational ‘93, Regen Projects, Los Angeles, CA
Zuzuglich, Merz Akademie und Room Tomoyo Kawai, Stuttgart, Germany

Selected Publications

2010
Restless Empathy, Catalogue. Aspen Art Museum. With texts by Heidi Zudckerman Jacobson, Christian Rattemeyer, and Matthew Thompson. Published by Aspen Art Press.
The Space of Words. Interview with Frances Stark and Christophe Gallois. 147–157. Mudam editions, 2010.
“Frances Stark.” the studio reader. Ed. Mary Jane Jacob and Michelle Grabner. The University of Chicago Press, 2010: 47–8.

2009
Insert for Parkett
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné MOMA, 2009.
Huberman, Anthony. For the Blind Man in the Dark Room Looking for the Black Cat That Isn’t There Contemporary Art Museum, St. Louis, 2009.
“Conceptual Painting.” Frieze Projects Frieze Talks 2006–2008: 130–143.
Ruyters, Domeniek. “P.S.—Notes on a work by Frances Stark.” All Around the Periphery Ed. Jack Segbars. Rotterdam, The Hague: Onomatopee, 2009. 65–70.
Ruyters, Domeniek. “PS—Notities bij een werk van Frances Stark.” Rondom Ed. Jack Segbars. Rotterdam, The Hague: Onomatopee, 2009. 65–70.
Hammer Projects 1999–2009 Hammer Museum, University of Southern California, Los Angeles: 2009. 148–151.
“Frances Stark.” Roland Nov. 2009–Jan. 2010: 11.
Holder, Will. “ART AND INDUSTRY.” Roland May 2009: 32–36.
Stark, Frances. “Frances Stark.” Parkett 2009: 188–200.
Fox, Dan. “Poor. Tired. Old. Horse.” Frieze Oct. 2009: 226.
Carey-Thomas, Lizzie “Significant solo shows of 2008: Frances Stark.” Frieze Jan–Feb, 2009.
Fiduccia, Joanna, “The Space of Words.” Artforum April, 2009
Lack, Jessica. “Artist of the week 46: Frances Stark.” Guardian.co.uk Wednesday 24 June 2009
Stark, Frances. “Always the Same, Always Different.” 2HB, vol. 5 Ed. Francis McKee and Louise Shelley. Center for Contemporary Arts, Glasgow, 2009. 8–11.
Macchi de Vilhena, Catherine. “Frances Stark: Why should you not be able to assemble yourself and write?.” ROVEN No. 10, 2010: 105–109.
Bayrle, Helke. Portikus Under Construction (inclusion on DVD and catalogue). Germany: Sternberg Press, 2009. 35.
But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet? Nottingham: Nottingham Contemporary, 2009.
David Hockney: 1960–1968: A Marriage of Styles Nottingham: Nottingham Contemporary, 2009.
Herbert, Martin. “David Hockney and Frances Stark.” Frieze Jan.–Feb. 2010: 116–117.
But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whome one would like to lend a sheet?, Catalogue. Published by Nottingham Contemporary, Nottingham, UK, 2009 with texts by Alex Farquharson, Francis McKee and Mia Jankowicz.

2008
A Torment of Follies, Catalogue. Frances Stark Vienna Secession with text by Martin Prinzhorn, Verlag der Buchhandlung Walther Konig ISBN: 978-3-86560-464-4

2007
Stark, Frances. “Recently I helped repair the broken horn of pan” in THE ARTIST’S JOKE, Whitechapel and MIT press ed. Jennifer Higgie
Stark, Frances. Primer (On the Future of Art School), Roski School of Fine Arts, with Dexter/Sinister
Stark, Frances, Frances Stark: Collected Works, Catalogue. produced by the Van Abbemuseum, Endhoven, Verlag der Buchhandlung Walther Konig. In conjunction with The Fall of Frances Stark, at Van Abbemuseum, Endhoven 12 May- 2 September, 2007. Lecturis BV, Eindhoven, Distrubuted Art Publishers, New York.
READ Edition 1, Emily Carr Institue Press, Print Portfolio (edition of 15)

2006
Stark, Frances.”Dear Maxine” in JUST IN TIME, Catalogue. Stedelijk Museum, Kopsa, Maxine ed.
Stark, Frances. “Not School, not Church, not Home” in Sharon Lockhart’s PINE FLAT, K. Halbreich, L. Norden, F. Stark et al., Charta, Milan
Stark, Frances. “At the Rim of The F*#@ing Paradigm” in UNCERTAIN STATES OF AMERICA, Catalogue. Astrup Fearnley Museum of Modern Art, Oslo
Stark, Frances. “A Little Untoward History: On Chinatown’s Recent Influx of Art…” in RECENT PASTS…, J. Welchman, ed., Jrp/Ringier

2005
Stark, Frances, Ivory, Cabinet, issue 18. pp. 12–14.
Stark, Frances, Always the Same, Always Different, Ed Ruscha: Course of Empire, United States Pavillion, 51st Venice Biennale (ISBN: 3-7757-1654) (with Donna DeSalvo, Linda Norden, Joan Didion)

2003
Stark, Frances, Collected Writing: 1993–2003. Opus 3/Book Works, London (ISBN: 978-1870699631)
Stark, Frances. Afterall, Issue 6, Allan Ruppersberg, p.64–69
Stark, Frances. “A beholder of fragments and ruiner of plans” in PersonlichePlane, Kunsthalle Basel, CH
Stark, Frances. Painting at the Edge of the World, Scared to Death, ed. Douglas Fogle, Walker Art Center, Minneapolis, MN, pp. 206–210
Stark, Frances. Artext No. 75, 10SNE1
Stark, Frances. Artext No. 74, TYPE: Pull-Quoteable
Stark, Frances. Artext No. 73, Type: Hard to Be at Home, pp. 33–4
Stark, Frances. Artext No. 72, Type: Greek Revival, pp. 34–5
Stark, Frances. Artext No. 71, Type: No Values, pp. 20–21
Stark, Frances. on In His Own Write, by John Lennon and Grapefruit, by Yoko Ono” Bookforum, Volume 7, issue 4, p. 37
Stark, Frances. “The Importance of Planning”. X-Tra, Volume 3, Number 4, pp. 28–30
Stark, Frances. “Implosion: Bas Jan Ader, A Craft Too Small”, ed. Christopher Mueller, Verlag der Buchhandlung Walther Koenig, Cologne
Stark, Frances. Texte Zur Kunst, Bildstrecke, June 2000 #38
Jorge Pardo, The Architect and the Housewife, ed. Barbara Steiner & Joern Schafaff, Hatje Cantz Verlag, Ostfilder- Ruit
Mall Punk Magazine, Issue 1, Fall 2000, Dear Reader, Damien Echols, pp. 22–4
Stark, Frances. Artext No. 70, Type: The Secret Life, p. 22–3
Stark, Frances. Artext No. 69, Type: Into the Millenium (The Criminals), pp. 42–3
Stark, Frances. Artext No.68, Type: Knowledge Evanescent, pp. 42–3

1999
Stark, Frances. Artext No. 67, Type: Professional Me, pp. 42–3
Stark, Frances. The Architect & The Housewife, Open House/Book Works Projects, London
Nach Bild, Kunstahalle Basel, 25/1999, Schwabe & Co. AG, Verlag Basel
Stark, Frances. “Top Ten”. Artforum, , November 1999, p. 60
Stark, Frances. “Excerpts from the Architect and the Housewife” X-Tra, Vol. 3, Issue 1, pp. 5–6
Michael Lin, “Complementary”, Dimension Endowment of Art, Taiwan
Michael Craig-Martin und Raymond Pettibon, Wanzeichnungen,
Raymond Pettibon & Frances Stark – A Conversation, Kunstverein, Dusseldorf
Users: Olafur Eliasson, Pennetralia, Sao Paolo Biennial / DCA Foundation, Copenhagen
Great God Pan, No. 11, cover art, pp. 51–2
Fama & Fortune Bulletin, Verlag Pakesch & Schlebrugge, Vienna
Stark, Frances. “Sentiment & Vagrancy: Kevin Hanley”, I-20, New York
Stark, Frances. “More and Less, Bliss”, Editor, Sylvere Lotringer
Stark, Frances. “Asteroid Impaired: Righteous American Fiction”, Upon My Arrival, ed. Benjamin Weissman

1994
Stark, Frances. Framework, Spring ‘94, Untitled Short
More and Less, Premiere Issue, “Your Highness (and mine)”
The Grammarians, Chapman College, Orange, CA

1993
Now Time No. 3: “The Kid”
Stark, Frances. “Untitled”, LACE in conjunction w/ Jean Lowe exhibition “Real Nature”, Editor/Curator, Richard Hawkins
Stark, Frances. Felix, Volume 1, Number 3: “Nymph Text” (with Patti Podesta)

1992
Stark, Frances. The Underthings, catalogue text, Bliss, Pasadena, CA


Bibliography

2012
Sterns, Jamie, “Investigations on Existence at MoMA PS1,” Ya Ya Ya blog, April 23
Russeth, Andrew, "Enhanced Epistles: Frances Stark on Her Show at Gavin Brown’s Enterprise," New York Observer, April
Rutland, Beau, Review, Artforum, April
"Happenings: Frances Stark at MoMA PS1," Conveyor blog, March
“Frances Stark,” Time Out New York, March
Rosenfield, Rachel, "Frances Stark: Not Just Idle Chat," Canadian Art, April 15
Griffin, Kevin, "Frances Stark: using her personal life to make My Best Thing,"
Vancouver Sun, March 16
Fung, Amy, "Frances Stark, Artist Talk, Vancouver 2012," POST pacific POST.com,
February 4

2011
Barber, Jeremiah, "Video Artists Stark and Herschend Embrace Humor, Unbearably
Long Titles, and Power Point," KQED Arts, November 27
Ellegood, Anne, Douglas Fogle, Charles Long, and Corrina Peipon, “All of this and
nothing,” Hammer Museum, University of California, Los Angeles
Herbert, Martin, “Frances Stark,” ILLUMInations, Venice: Fondazione La Biennale di
Venezia, p. 272–273
Yablonsky, Linda, "Artifacts I Frances Stark's Best Thing," T Magazine, October 26
Higgs, Matthew, "Best of 2011," Artforum, December
Berardini, Andrew, “The Letter Writer, Frances Stark,” Mousse, No. 26, p. 106–114
Griffin, Jonathan, “All of This and Nothing,” Frieze, No. 138, April, p. 143
Ollman, Leah, “Frances Stark’s Art and Mind,” The Los Angeles Times, December 26,
E5
Gioni, Massimiliano, “Amore, Bugie e Chatroulette,” Wired Italia, September
Saltz, Jerry, “Generation Blank,” New York Magazine, June 19
Berardini, Andrew, “Not Safe For Work,” Artforum.com, April 25
Princenthal, Nancy, “Margin Trading: Frances Stark,” Art in America, January

2010
Gallois, Christophe, “The Space of Words,” Interview, Mudam editions, p. 147–157.
Jacobson, Heidi Zudckerman, Christian Rattemeyer, and Matthew Thompson, “Restless Empathy,” Catalogue, Aspen Art Press, Aspen Art Museum, Aspen
Jacon, Mary Jane and Michelle Grabner, “The Studio Reader,” The University of Chicago Press, p. 47-8
Smee, Sebastian, “An Artist who Labels Herself,” The Boston Globe, December 5, 2010
Herbert, Martin, “David Hockney & Frances Stark,” Frieze Jan–Feb, p. 116–7
Holte, Michael Ned, “Frances Stark,” Artforum.com, September
Kotzé, Talitha, “But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet?,” The List, March 18–April 1, p. 89
Macchi de Vilhena, Catherine, “Frances Stark: Why should you not be able to assemble yourself and write?,” ROVEN, No. 3, Spring–Summer, p. 105–109
Mansfield, Susan, “Making a minimal disturbance show,” The Scotsman, March 23, p. 37–38
Majeski, Anna, “Frances Stark tackles the riddles of the creative process,” The Tufts Daily, November 1
Jeffrey, Moira, “Textual Relations,” Scotland on Sunday, February 21
Oksenhorn, Stewart, “She’s got it! Stark gives Aspen musical a spin,” The Aspen Times, June 30
Stark, Frances, “Chorus Line,” Metropolis M, February–March, Cover
Stark, Frances, “Dear X, (excerpt),” The New City Reader: Common Circular 5, New York, December 19
“Art Preview: Frances Stark,” The Scotsman, February 23
Stark, Frances, The Times Scotland, March 6–12, p. 21

2009
Segbars, Jack, “All Around the Periphery,” Onomatopee, Eindhoven, the Netherlands
Insert for Parkett
Rattemeyer, Christian, “The Judith Rothschild Foundation Contemporary Drawings
Collection: Catalogue Raisonné,” Museum of Modern Art, New York
Huberman, Anthony, “For the Blind Man in the Dark Room Looking for the Black Cat
That Isn’t There,” Contemporary Art Museum, St. Louis
Stark, Frances, “Conceptual Painting,” in Frieze Projects, Frieze Talks, 2006-2008,
Frieze, London, p. 130-143
Ruyters, Domeniek, “P.S.—Notes on a work by Frances Stark,” All Around the
Periphery, Ed. Jack Segbars, Rotterdam, Onomatopee, p. 65–70
“Frances Stark,” Hammer Projects, 1999–2009, Hammer Museum, University of
Southern California, Los Angeles, pg. 148–151
“Frances Stark,” Roland, ICA Visual Art Program, Boston, Nov. 2009–Jan. 2010, p. 11
Holder, Will, “ART AND INDUSTRY,” Roland, May, p. 32–36
Stark, Frances, “Frances Stark,” Parkett, p. 188–200
Fox, Dan, “Poor. Tired. Old. Horse.” Frieze, October, p. 226
Carey-Thomas, Lizzie, “Significant solo shows of 2008: Frances Stark,” Frieze, January
– February
Fiduccia, Joanna, “The Space of Words,” Artforum, April
Lack, Jessica, “Artist of the week 46: Frances Stark,” Guardian.co.uk, Wednesday,
June 24
Frances Stark Insert, Parkett No. 86
Stark, Frances, “Always the Same, Always Different,” 2HB, Vol. 5, Ed. Francis McKee
and Louise Shelley, Center for Contemporary Arts, Glasgow, p. 8–11
Macchi de Vilhena, Catherine, “Frances Stark: Why should you not be able to assemble
yourself and write?,” ROVEN, No. 10, p. 105–109
Bayrle, Helke, “Portikus Under Construction,” Sternberg Press, Germany, p. 35
“But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom
one would like to lend a sheet?” Catalogue, Nottingham Contemporary, Nottingham,
UK (texts by Alex Farquharson, Francis McKee and Mia Jankowicz)
“David Hockney: 1960–1968: A Marriage of Styles,” Nottingham
Contemporary, Nottingham, UK
Herbert, Martin, “David Hockney and Frances Stark,” Frieze, Jan.–Feb., p. 116–117

2008
Hans-Jürgen Hafner, Double Residence. “Collected Writings” and “Collected Works”, Spike, No. 15, April, pp. 55–63
Brigitte Borchhardt-Birbaumer, Wiener Zeitung, Und ewig lockt die Spottdrossel, April 29
Ann Kathrin Fessler, Der Standard, Teile von Teilen und kein Ganzes, May 2
Verwoert, Jan Exhaustion & Exhuberance, Art Sheffield 08 with dexter/sinister
O’Niel, Paul. “If I can’t dance…” Art Monthely, Feb #313 pp. 31–2
Milliard, Coline. “Frances Stark: A Torment of Follies”, ArtReview, April 2008, p. 129
Rees, Simon “Frances Stark (FRAC Bourgogne, Dijon France)” US Art September 22 issue 21
Cotter, Holland, “Whitney Biennial 2008: Art’s Economic Indicator”, The New York Times, March 7

2007
Champion, Miles. Book Review/Collected Works, Art Monthly.
Leclere, Mary. “FOR SOME PERVERTS THE SENTENCE IS A BODY: ON THE WORK OF FRANCES STARK”, Museum of Fine Arts, Houston
Bell, Kirsty, Frances Stark at van Abbemuseum, September #109, FRIEZE pp. 177–8
Kopsa, Maxine, “Doubting Frances” Art on Paper, September
Verwoert, Jan. “Use Me Up”, Metropolis M, February 2007Hoffman, Jens and Kennedy, Christina. The Studio, Hugh Lane Museum, Dublin
Heiser, Joerg. ROMANTIC CONCEPTUALISM, Kunsthalle Nurenburg, Kerber Verlag
Dominich Eichler, “If I Can’t Dance…”, FRIEZE
Wood, Catherine. “Best of 2007, Best Retrospective Exhibitions” Frieze, December
North Drive Press: NDP NO. 4, Interview Frances Stark and Amy Yao
Fuchs, Albrecht, PORTRAITS, Köln: Snoeck, 2007
THERE’S GONNA BE SOME TROUBLE> THE FIVE YEAR ROOSEUM BOOK 2001–2006, Rooseum, Malmo, 2007
White, Michelle, “Frances Stark: Structures that fit my opening…” The Museum of Fine Arts Houston. ArtLies, Spring 2007, p. 115.

2006
Hainley, Bruce “Artquake”, New York Times Magazine, October 2.
Miles, Christopher, “Saying it in words and in pictures” Los Angeles Times, June 16.

2005
“School of Fine Arts welcomes Distinguished New Faculty,” Artfacts: USC School of Fine Arts. Vol IX, No. I.
Weissman, Benjamin, “Frances Stark: As Eloquence Appears”, Frieze, June–August, pp. 140–5 + cover
ed. Chris Krauss, Jan Tumlir, Jane McFadden. LA Artland, Blackdog: London.
Charlesworth, JJ, “Frances Stark CRG Gallery New York”, Tema Celeste, July/August 2005, issue 110. p.72.
Weissman, Benjamin, “Frances Stark: As Eloquence Appears”, Frieze, June/July/August, pp. 140–5, cover
Short List, New Yorker, May 16, 2005, p. 24

2004
Burnett, Craig. “Preview Frances Stark, London,” Guardian Unlimited, November 13
Abs, Peter. “Mut zur Schaeche: Frances Stark in der Galerie Daniel Buchholz,” Text Zur Kunst, Heft Nr. 54, June
Bell, Kirsty. “Frances Stark: Collected Writing: 1993–2003,” Camera Austria International, 86/2004

2003
Meltzer, Eve. “Frances Stark,” Frieze, Jan/Feb Issue 72, p. 94
Hoffburg, Judith. Artist Books Reviews, Umbrella, Vol. 26, nos. 3/4, Dec., pp. 119–120
Diedrichson, Diedrich. “A Fan’s Notes: On Mike Kelley’s Writings,” Artforum, January
Tumlir, Jan. “Spinning One’s Wheels In Los Angeles,” Flash Art, December/January

2002
Wood, Eve, “Frances Stark at the UCLA Hammer Museum,” Artweek, October, Vol. 33, Issue 8, p. 21
Comer, Stuart, “Air Guitar: Art Reconsidering Rock Music”, CCAC Wattis Institute of Contemporary Art July, p. 58, catalogue
Arnatt, Matthew, “Zusammenhange herstellen,” Contextuale, Kunst-verein Hamburg (12 June–25 Aug), DuMont Literatur und Kunst Verlag, pp. 71–5 (catalogue)
Wilsher, Mark, “Frances Stark Self-Portraiture”, What’s On, 3–10 April, p. 25
Newhouse, Kristina, “Frances Stark at UCLA Hammer Museum, Los Angeles, "art / text, p. 91
Ammirati, Domenick, “Review”, Modern Painters, April, pp. 114–5
Rugoff, Ralph. “Untimely Mediations” Rock My World: Recent Art and Memory of Rock & Roll, CCAC Wattis Institute for Contemporary Arts.
Ebner, Joern. “Nigel Cooke bei Modern Art und Frances Stark bei
greengrassi in London” #75, March 30, p. 56.

2001
Cameron, Dan. “Recurring Patterns” Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, DK
Richard, Frances. Artforum, December
Smith, Roberta. New York Times, October 12
Tumlir, Jan. “Baldessari’s Urn: 90s Art in Los Angeles,” Artext, No. 71, November 2000–January 2001, pp. 42–51
Relyea, Lane. Public Offerings, “L.A. – Based and Superstructure”, p. 265
Prinzhorn, Martin. “The housewife in public”, Afterall, p.104-111, “All things to all people”, pp. 112–120, Issue 04

2000
Hess, Barbara. Flash Art, Vol. XXXIII, no. 215, November–December, p. 111
Cruz, Amanda. Fresh Cream- Contemporary Art in Culture, pp. 574–9
Holert, Tom. Frieze, “Frances Stark – Daniel Buchholz Gallery, Cologne”
Hess, Barbara. “Frances Stark at Daniel Buchholz”, Flash Art, Vol. XXXIII, no. 215, Nov-Dec. p. 111

1999
Erickson, Karl. “Frances Stark: The Architect & The Housewife”, Cakewalk, Fall, No. 3, p. 64
Levin, Kim. “Voice Choices” The Village Voice, February 2. p. 80
D’Souza, Aruna. Art in America, Reviews, May pp. 152–3
Levin, Kim. Village Voice, “Voice Choices”, February 2, 1999, p. 80

1998
Intra, Giovanni, “Frances Stark at Marc Foxx Gallery”, Art/Text, No. 61, May–June 1998, pp. 82–3
Meyers, Terry R. “Frances Stark: In other places light’s pitched happy tents”, On Paper, Vol. 2 No. 5 May–June 1998, p. 49
Harvey, Doug, Art Issues, Summer 1998, p. 42
Laura Owens, Cakewalk, Spring/Summer 1998 pp. 13–4

1997
Rickles, Lawrence, “Already Given at the Office: On Techno Feminism”, Paralax 5, p. 73
Intra, Giovanni. “Sharon Lockhart, Laura Owens & Frances Stark”, FlashArt, November/December, p. 76
Hainley, Bruce. “Sharon Lockhart, Laura Owens & Frances Stark at Blum & Poe”, Artforum, November, pp. 119–20
Kandel, Susan. L.A. Times, Exploring Power of Three Among Friends, July 4, p. F18
Jakobsen, Klaus Thejll. Ojeblikket, #32/33, Summer
Martin, Vitcoria. Art Week, August, Volume 28 #8
Hackett, Regina. “Ephemeral Themes”, Seattle Post Intelligencer, July 11
Helfand, Glen. Art Museum and Galleries, Bay Guardian, May 7
Ferguson, Russell. Sunshine Noir: Art in L.A. 1960–1997, “The Sound of Ripping Canvas”, Louisiana Museum of Modern Art, Humlebaek, Denmark
Schnoor, Chris, “3 Syllables”, Performance on Paper, June 1997, #8
Bonetti, David, “Gallery Watch”, San Francisco Examiner, May 9
Butler, Cornelia. “The Power of Suggestion: Narrative and Notation in Contemporary Drawing”, The Museum of Contemporary Art, Los Angeles.
Cruz, Amanda. “Fresh Cream – Contemporary Art in Culture” Phaidon Press Ltd., pp. 574–9
Knight, Christopher. “Riding Tradition’s Currents to a Higher ‘Consciousness”, L.A. Times, F4, October 9
Pagel, David. “Isolated Concepts”, L.A. Times, February, F12 Orange County Edition
Cooper, Dennis. Artforum, pp. 80–1, April 1997
Auerbach, Lisa Anne. “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe”, L.A. Weekly, June 27–July 3, 1997

1994
Curtis, Cathy. “Freeing Words from their Life Sentence” L.A. Times,

1993
Michael Anderson, “Invitational ‘93”, Art Issues, Number 31
David DiMichele, “Fresh Work, Invitational ‘93”, Artweek, Vol. 24, #21 Nov. 4
Susan Kandel, “Invitational‘93’s Controlling Personas”, L.A. Times, Vol 24, No. 21, Oct.14

Readings and Selected Lectures

2009
“Scholars in Dialogue: Art and Text” with Malik Gaines, Norton Simon Museum of Art
Panel Discussion: Standing anywhere in the space in a relaxed position
Silke Otto-Knapp, Jan Verwoert, Frances Stark, Flora Wiegmann and Ballet Master of National Ballet of Canada, Lindsay Fischer
Monday Night Lecture Series, Portland State University
Art Talk AM on the Radio, May 11, KPSU
Banff, Artist Talk
St. Louis Art Museum, panel discussion with Anthony Huberman, Jimmy Raskin, David Hullfish Bailey
CalArts, Artist Talk
Contra Mundum, Mandrake, Los Angeles

2008
National Gallery of Scotland, Randolf Cliff Residency Artist’s talk
Hey! Hey! Glossolalia! The Eroticism of Pedagogy, Judson Church, New York , A Creative Time event.
Secession, Vienna, Artist talk
Otis College of Art, Visiting Artist lecture
The New Vision, Stadelschule, Frankfurt, Artist talk

2007
Frances Stark, Bruce Hainley and Jeremy Sigler, MAK Center for Art, Los Angeles.
On the Future of Art Schools (Symposium) Roski School of Fine Arts, University of Southern California, Los Angeles.

2005
Art Center, Pasadena, CA
Claremont College, Claremont, CA
OXBOW High School of the Arts, Napa

2004
Art in Southern California: From the 90s to Now, Southern California
Consortium of Art Schools, Moca Pacific Design Center, West Hollywood
San Francisco Art Institute, CA

2003
University of Southern California, Los Angeles, CA
Gallery Paule Anglim, San Francisco, CA
University of California, San Diego, CA

2002
Royal College of Art, London

2001
Yale, New Haven, CT
Readings from Scripts by Raymond Pettibon, Santa Monica Museum of Art, Santa Monica, CA
In Honor of Raymond Pettibon, Museum of Contemporary Art, Los Angeles, CA
Jurgen Becker Gallery, Hamburg, Germany

1999
Museum of Contemporary Art, Los Angeles, CA
Beyond Baroque Literary Arts Center, Venice, CA
The Hanbury Community Project, Hanbury Hall, London UK

1998
University of Illinois Chicago, Gallery 400, Chicago, IL
Art Center College of Design, Pasadena, CA
University of California Los Angeles, Los Angeles, CA
School of the Art Institute of Chicago, Chicago, IL
SFMOMA, New Collector’s Forum, San Francisco, CA
“One Half Hour of Air”, KXLU, Los Angeles, CA
School of the Art Institute of Chicago, Chicago

1997
CRG, New York, NY
Eagle Rock Cultural Center, Los Angeles, CA
Seca, Gallery Paule Anglim, San Francisco, CA
University of California Santa Barbara, Santa Barbara, CA
Art Institute of Chicago, Chicago
Cal State LA, Women History Month Guest, Los Angeles, CA
Beyond Baroque Literary Arts Center, Venice, CA

1996
University of California Los Angeles, Los Angeles, CA
Studio Guenzani, Milan, Italy
Künstlerhaus Bethanian, Berlin, Germany
Kunstverein in Hamburg, Germany
Merz Akademie, Stuttgart, Germany

1995
Mellon Foundation Guest, CALARTS, Valencia, CA
Beyond Baroque Literary Arts Center, Venice, CA

1994
Beyond BaroquFRANCES STARK

1967
Born Newport Beach, California
Lives and works in Los Angeles, California

Education

1993
MFA, Art Center College of Design, Pasadena, California

1991
BA Humanities, San Francisco State University, San Francisco, California

Solo Exhibitions

2010
Frances Stark: This could become a gimick [sic] or an honest articulation of the workings of the mind, MIT List Visual Arts Center, Cambridge, Massachusetts
But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet?, Center for Contemporary Art, Glasgow

2009
But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet?, Nottingham Contemporary, Nottingham, UK
2008 The New Vision, Portikus, Frankfurt
A Torment of Follies, Secession, Vienna (catalogue)
A Torment of Follies, greengrassi, London
The Fall of Frances Stark, Culturgest, Lisbon

2007
The Fall of Frances Stark, Frac Bourgogne, Dijon, France; van Abbe Museum, Eindoven, The Netherlands

2006
Structures That Fit My Opening and Other Parts Considered in Relation To Their Whole, Glassel School of Art, Museum of Fine Arts, Houston, TX
Structures That Fit My Opening, MARC FOXX, Los Angeles, CA
Frances Stark at Hudson Showroom, Artpace, San Antonio, TX

2005
In and on an Unergonomic Mind, CRG, New York, NY

2004
Bless This Mess, greengrassi, London
Destroy Date, Daniel Buchholz, Cologne

2003
Gallery Paule Anglim, San Francisco, CA

2002
A Bomb upon the Ceiling, MARC FOXX, Los Angeles, CA
Hammer Projects, UCLA Hammer Museum, Los Angeles, CA
Self-Portraiture, greengrassi, London, England

2001
CRG, New York
ICH SUCHE NACH MEINE FRANCES STARKE SEITE, Munich Kunstverein Galerie
Daniel Buchholz, Cologne, Germany

1999
No, No, No, No, Now., Marc Foxx, Los Angeles, CA
What Part of Now Don’t You Understand, China Art Objects Galleries, Los Angeles, California
like a rainbow and so unlike a rainbow, CRG, New York, NY

1998
Impossible the grassy maxim’s dream.…, greengrassi, London, England
In other places Light’s pitched happy tents, MARC FOXX, Los Angeles, CA

1997
Gallery Paule Anglim, San Francisco, CA

1996
Plain Sheets No Pillow, CRG, New York, NY
Studio 246 Künstlerhaus Bethanien, Berlin, Germany

1995
Last year b/w I hate language, ACME, Santa Monica, CA
1994
Spring for Fall, LEAK, Los Angeles, CA
1993
Slough(it off) b/w Purple Prose, MFA Gallery, ACCD, Pasadena, CA
1991
The Guest Room, Los Angeles, CA (catalogue)

Curated Projects

2010
Frances Stark Selects from the Grunwald Collection, Hammer Museum, Los Angeles

Group Exhibitions

2010
Forthcoming: All of This and Nothing, Hammer Museum, Los Angeles
Houseguest, Hammer Museum, Los Angeles
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York (catalogue)
for the blind man in the dark room looking for the black cat that isn’t there, Museum of Contemporary Art Detroit, de Appell Arts Centre, Amsterdam, Culturgest, Lisbon (catalogue)
Restless Empathy, Aspen Art Museum, Aspen, Colorado
The Page, Kimmerich, New York City
Dexter Sinister, A Model of The Serving Library, Kunstverein, Amsterdam

2009
Talk Show, Institute of Contemporary Arts, London
The Space of Words, Museum of Contemporary Art (MUDAM), Luxembourg (catalogue forthcoming)
Poor.Old.Tired.Horse., Institute of Contemporary Arts, London.
Picturing the Studio, Sullivan Galleries at The School of the Art Institute Chicago. (publication forthcoming)
for the blind man in the dark room looking for the black cat that isn’t there, Contemporary Art Museum St. Louis, Institute Contemporary Arts, London
Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles
and possibly but not certainly, Mark Leckey and Frances Stark, Galerie Daniel Buchholz, Berlin
1999: Ten Year Anniversary Show, China Art Objects Galleries, Los Angeles
Glue, Paper, Scissors: Collage based work by 15 artists from Los Angeles, Luckman Gallery, Cal State LA

2008
INDEX, conceptualism in California from the permanent collection, Museum of Contemporary Art, Los Angeles
Emerson vs Nietezche, China Art Objects, Los Angeles
Pretty Ugly, Gavin Brown Enterprise and Maccarone Gallery, New York, curated by Alison Gingeras.
Whitney Biennial, Whitney Museum of American Art, New York
Yes No Other Options, Sheffield 08 UK, curated by Jan Verwoert
Cohabitation: 13 artists and Collage, Francesca Kaufman Gallery, Milan
Grabbing at Straws, Studio Guenzani, Milan
Word Event, Kunsthalle Basel, Switzerland

2007
Blind Date Istanbul, Sabanci Museum, Istanbul, Turkey (cat.)
Learn to Read, Tate Modern, London
Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, NY
for REE, MARC FOXX, Los Angeles
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Museum of Contemporary Art, Antwerp, Belgium
Romantic Conceptualism, Nurenberg Kunstverein & BAWAG Foundation, Vienna

2006
If I can’t Dance… “Feminist Legacies and Potentials in Contemporary Art Practice”, De Appel, Amsterdam
The Studio, The Hugh Lane Museum, Dublin, Ireland. Curated by Jens Hoffman and Christina Kennedy
Dereconstruction, Barbara Gladstone Gallery (catalogue)
Galerie Daniel Buchholz, Koln at Metro Pictures, New York
Esquiador en el fondo de un pozo, The Jumex collection, Mexico, curated by Michel Blancsube
Textual Works: Bethan Huws and Frances Stark, New Langton Arts, San Francisco, CA
Galerie Daniel Buchholz, Koln at Metro Pictures, Metro Pictures, New York, NY

2005
Looking at words: the Formal Presence of Text in Modern and Contemporary works on Paper. Andrea Rosen Gallery, New York, NY
Monuments for the USA, White Columns, New York, NY
Gallery Artists, Marc Foxx, Los Angeles, CA
Faculty Exhibiton, USC School of Fine Arts, Los Angeles
Post No Bills, White Columns, New Yorrk

2004
Works on Paper, Philomene Magers, Munich, Germany
Martin Klosterfelde, Berlin, Germany
The World Becomes a Private World: Selections from the collection of Penny Cooper and Rena Rosenwasser, Mills College Art
Museum, Oakland, CA

2003
The Space of Writing, MKG Art Management, Houston, TX
Filmscreening by Florian Pumosl, Galerie Daniel Buchholz, Cologne, Germany
for nobody knows himself if he is only himself and not another at the same time, Marc Foxx, Los Angeles, CA
Korrekturem, Galerie Kamm, Berlin, Germany
The Great Drawing Show: 1550-2003 A.D., Michael Kohn Gallery, Los Angeles, CA
Drop Out!, China Art Objects Galleries, Los Angeles, CA
Creeping Revolution 2, Rooseum, Malmo, Sweden

2002
Air Guitar: Art Reconsidering Rock Music, Milton Keynes Gallery, Central Milton Keynes, United Kingdom
Zusammenhange herstellen, Kunstverein in Hamburg, Germany
A Show That Will Show That A Show Is Not Only A Show, curated by Jens Hoffman, The Project, Los Angeles,CA
Group Show, MARC FOXX, Los Angeles, CA
Jim, Jonathan, Kenny, Frances and Sol, curated by Maxine Kopsa, Stedejilik
Personal Plans, Kunsthalle Basel (catalogue)
Rock My World, CCAC, San Francisco, CA (catalogue)
Paintings, MARC FOXX, Los Angeles, CA

2001
Drawings, Greene Naftali, New York, NY
Frances Stark meets Morgan Fisher, Klosterfelde, Berlin, Germany
Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, DK
The Slide Area,curated by Terry R. Myers, James Van Damme Gallery, Brussels, Belgium
Ileana Tounta, Athens, Greece
Locating Drawing, Lawing Gallery, Houston, TX
White Album, curated by Jan Tumlir, Shoshana Wayne Gallery, Santa Monica, CA

2000
Circles, ZKM, Karlsruhue, Germany
OO, Barbara Gladstone Gallery, New York, NY
made in california: art, image, and identity, 1900–2000, LACMA, Los Angeles, CA
Of the moment: Contemporary Art from the Permanent Collection, San Francisco Museum of Moderrn Art, San Francisco, CA
Daniel Buchholz, Cologne, Germany
Jurgen Becker, Hamburg, Germany
Opere Su Carta, Studio Guenzani, Milan, Italy
L.A., Monika Spruth & Philomene Magers, Cologne, Germany

1999
Philomene Magers Projekte, Munich, Germany
Hot Spots, Weatherspoon Art Gallery, University of North Carolina at Greensboro & Pittsburg Center for the Arts, Pennsylvania

1998
In the Beginning, Murray Guy, New York, NY
Word Perfect, Gallery 400, University of Illinois at Chicago, Chicago, IL
Obscure Camera, 2nd Space Gallery, curated by Mary Ceruti, San Francisco, CA
Paper Thin, Stephen Wirtz Gallery, San Francisco, CA
L.A. on Paper, Three Day Weekend @ Gallerie Krizinger, Vienna, Austria
Der Arbeit des Zeichnens, Gesellschaft für Aktuelle Kunst, Bremen, Germany
New Work: Drawings Today, SFMOMA, San Francisco, CA
Tracing Marks, Los Angeles Museum of Contemporary Art, Los Angeles, CA
Paper, J. Christ Gallery, Boise, Idaho
Drawings: An Annual Bicoastal Invitational ,Meyerson & Nowinski, Seattle, WA
Sharon Lockhart, Laura Owens and Frances Stark, Blum & Poe, Santa Monica CA
Ten Los Angeles Artists,Stephen Wirtz Gallery, San Francisco, CA

1996
The Power of Suggestion: Narrative & Notation in Contemporary Drawings, Los Angeles Museum of Contemporary Art, Los Angeles, CA
Just Past: The Contemporary and Permanent Collection 1975–1996, Museum of Contemporary Art at The Geffen Contemporary, Los Angeles, CA
Stream of Consciousness, 8 Los Angeles Artists, University of California, Santa Barbara, CA, catalogue
Affairs, Institute for Contemporary Art, Vienna, Austria
Controfiguro, Studio Guenzani, Milan, Italy
Krisanamis/Stark, Marc Foxx, Santa Monica, CA
First Person, Marc Foxx, Santa Monica, CA

1995
Dark Memories, Marc Foxx, Santa Monica CA
Filmcuts, Neugerriemschneider, Berlin, Germany
New Testament, Marc Foxx, Santa Monica CA
Smells Like Vinyl, Roger Merians, New York, NY
Gavin Brown’s Enterprise, New York, NY

1994
Inaugural Exhibition, ACME, Santa Monica, CA
The Freed Weed, Richard Telles Fine Art, Los Angeles, CA
Red Rover, Red Rover, Three Day Weekend, Los Angeles, CA
The Grammarians, Chapman College, Orange, CA

1993
Invitational ‘93, Regen Projects, Los Angeles, CA
Zuzuglich, Merz Akademie und Room Tomoyo Kawai, Stuttgart, Germany

Selected Publications

2010
Restless Empathy, Catalogue. Aspen Art Museum. With texts by Heidi Zudckerman Jacobson, Christian Rattemeyer, and Matthew Thompson. Published by Aspen Art Press.
The Space of Words. Interview with Frances Stark and Christophe Gallois. 147–157. Mudam editions, 2010.
“Frances Stark.” the studio reader. Ed. Mary Jane Jacob and Michelle Grabner. The University of Chicago Press, 2010: 47–8.

2009
Insert for Parkett
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné MOMA, 2009.
Huberman, Anthony. For the Blind Man in the Dark Room Looking for the Black Cat That Isn’t There Contemporary Art Museum, St. Louis, 2009.
“Conceptual Painting.” Frieze Projects Frieze Talks 2006–2008: 130–143.
Ruyters, Domeniek. “P.S.—Notes on a work by Frances Stark.” All Around the Periphery Ed. Jack Segbars. Rotterdam, The Hague: Onomatopee, 2009. 65–70.
Ruyters, Domeniek. “PS—Notities bij een werk van Frances Stark.” Rondom Ed. Jack Segbars. Rotterdam, The Hague: Onomatopee, 2009. 65–70.
Hammer Projects 1999–2009 Hammer Museum, University of Southern California, Los Angeles: 2009. 148–151.
“Frances Stark.” Roland Nov. 2009–Jan. 2010: 11.
Holder, Will. “ART AND INDUSTRY.” Roland May 2009: 32–36.
Stark, Frances. “Frances Stark.” Parkett 2009: 188–200.
Fox, Dan. “Poor. Tired. Old. Horse.” Frieze Oct. 2009: 226.
Carey-Thomas, Lizzie “Significant solo shows of 2008: Frances Stark.” Frieze Jan–Feb, 2009.
Fiduccia, Joanna, “The Space of Words.” Artforum April, 2009
Lack, Jessica. “Artist of the week 46: Frances Stark.” Guardian.co.uk Wednesday 24 June 2009
Stark, Frances. “Always the Same, Always Different.” 2HB, vol. 5 Ed. Francis McKee and Louise Shelley. Center for Contemporary Arts, Glasgow, 2009. 8–11.
Macchi de Vilhena, Catherine. “Frances Stark: Why should you not be able to assemble yourself and write?.” ROVEN No. 10, 2010: 105–109.
Bayrle, Helke. Portikus Under Construction (inclusion on DVD and catalogue). Germany: Sternberg Press, 2009. 35.
But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet? Nottingham: Nottingham Contemporary, 2009.
David Hockney: 1960–1968: A Marriage of Styles Nottingham: Nottingham Contemporary, 2009.
Herbert, Martin. “David Hockney and Frances Stark.” Frieze Jan.–Feb. 2010: 116–117.
But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whome one would like to lend a sheet?, Catalogue. Published by Nottingham Contemporary, Nottingham, UK, 2009 with texts by Alex Farquharson, Francis McKee and Mia Jankowicz.

2008
A Torment of Follies, Catalogue. Frances Stark Vienna Secession with text by Martin Prinzhorn, Verlag der Buchhandlung Walther Konig ISBN: 978-3-86560-464-4

2007
Stark, Frances. “Recently I helped repair the broken horn of pan” in THE ARTIST’S JOKE, Whitechapel and MIT press ed. Jennifer Higgie
Stark, Frances. Primer (On the Future of Art School), Roski School of Fine Arts, with Dexter/Sinister
Stark, Frances, Frances Stark: Collected Works, Catalogue. produced by the Van Abbemuseum, Endhoven, Verlag der Buchhandlung Walther Konig. In conjunction with The Fall of Frances Stark, at Van Abbemuseum, Endhoven 12 May- 2 September, 2007. Lecturis BV, Eindhoven, Distrubuted Art Publishers, New York.
READ Edition 1, Emily Carr Institue Press, Print Portfolio (edition of 15)

2006
Stark, Frances.”Dear Maxine” in JUST IN TIME, Catalogue. Stedelijk Museum, Kopsa, Maxine ed.
Stark, Frances. “Not School, not Church, not Home” in Sharon Lockhart’s PINE FLAT, K. Halbreich, L. Norden, F. Stark et al., Charta, Milan
Stark, Frances. “At the Rim of The F*#@ing Paradigm” in UNCERTAIN STATES OF AMERICA, Catalogue. Astrup Fearnley Museum of Modern Art, Oslo
Stark, Frances. “A Little Untoward History: On Chinatown’s Recent Influx of Art…” in RECENT PASTS…, J. Welchman, ed., Jrp/Ringier

2005
Stark, Frances, Ivory, Cabinet, issue 18. pp. 12–14.
Stark, Frances, Always the Same, Always Different, Ed Ruscha: Course of Empire, United States Pavillion, 51st Venice Biennale (ISBN: 3-7757-1654) (with Donna DeSalvo, Linda Norden, Joan Didion)

2003
Stark, Frances, Collected Writing: 1993–2003. Opus 3/Book Works, London (ISBN: 978-1870699631)
Stark, Frances. Afterall, Issue 6, Allan Ruppersberg, p.64–69
Stark, Frances. “A beholder of fragments and ruiner of plans” in PersonlichePlane, Kunsthalle Basel, CH
Stark, Frances. Painting at the Edge of the World, Scared to Death, ed. Douglas Fogle, Walker Art Center, Minneapolis, MN, pp. 206–210
Stark, Frances. Artext No. 75, 10SNE1
Stark, Frances. Artext No. 74, TYPE: Pull-Quoteable
Stark, Frances. Artext No. 73, Type: Hard to Be at Home, pp. 33–4
Stark, Frances. Artext No. 72, Type: Greek Revival, pp. 34–5
Stark, Frances. Artext No. 71, Type: No Values, pp. 20–21
Stark, Frances. on In His Own Write, by John Lennon and Grapefruit, by Yoko Ono” Bookforum, Volume 7, issue 4, p. 37
Stark, Frances. “The Importance of Planning”. X-Tra, Volume 3, Number 4, pp. 28–30
Stark, Frances. “Implosion: Bas Jan Ader, A Craft Too Small”, ed. Christopher Mueller, Verlag der Buchhandlung Walther Koenig, Cologne
Stark, Frances. Texte Zur Kunst, Bildstrecke, June 2000 #38
Jorge Pardo, The Architect and the Housewife, ed. Barbara Steiner & Joern Schafaff, Hatje Cantz Verlag, Ostfilder- Ruit
Mall Punk Magazine, Issue 1, Fall 2000, Dear Reader, Damien Echols, pp. 22–4
Stark, Frances. Artext No. 70, Type: The Secret Life, p. 22–3
Stark, Frances. Artext No. 69, Type: Into the Millenium (The Criminals), pp. 42–3
Stark, Frances. Artext No.68, Type: Knowledge Evanescent, pp. 42–3

1999
Stark, Frances. Artext No. 67, Type: Professional Me, pp. 42–3
Stark, Frances. The Architect & The Housewife, Open House/Book Works Projects, London
Nach Bild, Kunstahalle Basel, 25/1999, Schwabe & Co. AG, Verlag Basel
Stark, Frances. “Top Ten”. Artforum, , November 1999, p. 60
Stark, Frances. “Excerpts from the Architect and the Housewife” X-Tra, Vol. 3, Issue 1, pp. 5–6
Michael Lin, “Complementary”, Dimension Endowment of Art, Taiwan
Michael Craig-Martin und Raymond Pettibon, Wanzeichnungen,
Raymond Pettibon & Frances Stark – A Conversation, Kunstverein, Dusseldorf
Users: Olafur Eliasson, Pennetralia, Sao Paolo Biennial / DCA Foundation, Copenhagen
Great God Pan, No. 11, cover art, pp. 51–2
Fama & Fortune Bulletin, Verlag Pakesch & Schlebrugge, Vienna
Stark, Frances. “Sentiment & Vagrancy: Kevin Hanley”, I-20, New York
Stark, Frances. “More and Less, Bliss”, Editor, Sylvere Lotringer
Stark, Frances. “Asteroid Impaired: Righteous American Fiction”, Upon My Arrival, ed. Benjamin Weissman

1994
Stark, Frances. Framework, Spring ‘94, Untitled Short
More and Less, Premiere Issue, “Your Highness (and mine)”
The Grammarians, Chapman College, Orange, CA

1993
Now Time No. 3: “The Kid”
Stark, Frances. “Untitled”, LACE in conjunction w/ Jean Lowe exhibition “Real Nature”, Editor/Curator, Richard Hawkins
Stark, Frances. Felix, Volume 1, Number 3: “Nymph Text” (with Patti Podesta)

1992
Stark, Frances. The Underthings, catalogue text, Bliss, Pasadena, CA

Bibliography

2010
Herbert, Martin. David Hockney & Frances Stark. Frieze Jan–Feb pp. 116–7
Art Preview: Frances Stark, The Scotsman, February 23

2009
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, MOMA
Huberman, Anthony. For the Blind Man in the Dark Room Looking for the Black Cat That Isn’t There, Contemporary Art Museum, St. Louis
Frieze Projects Frieze Talks 2006–2008 Conceptual Painting, pp. 130–143
All Around the Periphery, ed. Jack Segbars Onomatopee 2009 Rotterdam, The Hagaue Domenick Ruyters pp. 59–70 “notes on a work by F.S.”
2HB, “always the same, always different” CCA, Glasgow
Helke Bayrle, Portikus Under Construction
Frieze project book
Hammer Projects 1999–2009, Hammer Museum, University of Southern California, Los Angeles pp. 148–151
Roland: The Magazine of the ICA’s Visual Art Programme Issue 4
Parkett 86, Frances Stark Insert.
Fox, Dan,”Poor. Tired. Old. Horse.” Frieze , Issue 126, October 2009.
Carey-Thomas, Lizzie “Significant solo shows of 2008: Frances Stark”, Frieze, Issue 120 , Jan–Feb, 2009
Fiduccia, Joanna, “The Space of Words”, Artforum, April, 2009
Lack, Jessica. “Artist of the week 46: Frances Stark”, Guardian.co.uk., Wednesday 24 June 2009
All Around the Periphery, ed. Jack Segbars Onomatopee 2009 Rotterdam, The Hagaue Domenick Ruyters pp. 59–70 “notes on a work by F.S.”
2HB, Center for Contemporary Arts, Glasgow (reprint of text for Ed Ruscha’s Course of Empire: “always the same, always different”)
Helke Bayrle, Portikus Under Construction

2008
Hans-Jürgen Hafner, Double Residence. “Collected Writings” and “Collected Works”, Spike, No. 15, April, pp. 55–63
Brigitte Borchhardt-Birbaumer, Wiener Zeitung, Und ewig lockt die Spottdrossel, April 29
Ann Kathrin Fessler, Der Standard, Teile von Teilen und kein Ganzes, May 2
Verwoert, Jan Exhaustion & Exhuberance, Art Sheffield 08 with dexter/sinister
O’Niel, Paul. “If I can’t dance…” Art Monthely, Feb #313 pp. 31–2
Milliard, Coline. “Frances Stark: A Torment of Follies”, ArtReview, April 2008, p. 129
Rees, Simon “Frances Stark (FRAC Bourgogne, Dijon France)” US Art September 22 issue 21
Cotter, Holland, “Whitney Biennial 2008: Art’s Economic Indicator”, The New York Times, March 7

2007
Champion, Miles. Book Review/Collected Works, Art Monthly.
Leclere, Mary. “FOR SOME PERVERTS THE SENTENCE IS A BODY: ON THE WORK OF FRANCES STARK”, Museum of Fine Arts, Houston
Bell, Kirsty, Frances Stark at van Abbemuseum, September #109, FRIEZE pp. 177–8
Kopsa, Maxine, “Doubting Frances” Art on Paper, September
Verwoert, Jan. “Use Me Up”, Metropolis M, February 2007Hoffman, Jens and Kennedy, Christina. The Studio, Hugh Lane Museum, Dublin
Heiser, Joerg. ROMANTIC CONCEPTUALISM, Kunsthalle Nurenburg, Kerber Verlag
Dominich Eichler, “If I Can’t Dance…”, FRIEZE
Wood, Catherine. “Best of 2007, Best Retrospective Exhibitions” Frieze, December
North Drive Press: NDP NO. 4, Interview Frances Stark and Amy Yao
Fuchs, Albrecht, PORTRAITS, Köln: Snoeck, 2007
THERE’S GONNA BE SOME TROUBLE> THE FIVE YEAR ROOSEUM BOOK 2001–2006, Rooseum, Malmo, 2007
White, Michelle, “Frances Stark: Structures that fit my opening…” The Museum of Fine Arts Houston. ArtLies, Spring 2007, p. 115.

2006
Hainley, Bruce “Artquake”, New York Times Magazine, October 2.
Miles, Christopher, “Saying it in words and in pictures” Los Angeles Times, June 16.

2005
“School of Fine Arts welcomes Distinguished New Faculty,” Artfacts: USC School of Fine Arts. Vol IX, No. I.
Weissman, Benjamin, “Frances Stark: As Eloquence Appears”, Frieze, June–August, pp. 140–5 + cover
ed. Chris Krauss, Jan Tumlir, Jane McFadden. LA Artland, Blackdog: London.
Charlesworth, JJ, “Frances Stark CRG Gallery New York”, Tema Celeste, July/August 2005, issue 110. p.72.
Weissman, Benjamin, “Frances Stark: As Eloquence Appears”, Frieze, June/July/August, pp. 140–5, cover
Short List, New Yorker, May 16, 2005, p. 24

2004
Burnett, Craig. “Preview Frances Stark, London,” Guardian Unlimited, November 13
Abs, Peter. “Mut zur Schaeche: Frances Stark in der Galerie Daniel Buchholz,” Text Zur Kunst, Heft Nr. 54, June
Bell, Kirsty. “Frances Stark: Collected Writing: 1993–2003,” Camera Austria International, 86/2004

2003
Meltzer, Eve. “Frances Stark,” Frieze, Jan/Feb Issue 72, p. 94
Hoffburg, Judith. Artist Books Reviews, Umbrella, Vol. 26, nos. 3/4, Dec., pp. 119–120
Diedrichson, Diedrich. “A Fan’s Notes: On Mike Kelley’s Writings,” Artforum, January
Tumlir, Jan. “Spinning One’s Wheels In Los Angeles,” Flash Art, December/January

2002
Wood, Eve, “Frances Stark at the UCLA Hammer Museum,” Artweek, October, Vol. 33, Issue 8, p. 21
Comer, Stuart, “Air Guitar: Art Reconsidering Rock Music”, CCAC Wattis Institute of Contemporary Art July, p. 58, catalogue
Arnatt, Matthew, “Zusammenhange herstellen,” Contextuale, Kunst-verein Hamburg (12 June–25 Aug), DuMont Literatur und Kunst Verlag, pp. 71–5 (catalogue)
Wilsher, Mark, “Frances Stark Self-Portraiture”, What’s On, 3–10 April, p. 25
Newhouse, Kristina, “Frances Stark at UCLA Hammer Museum, Los Angeles, "art / text, p. 91
Ammirati, Domenick, “Review”, Modern Painters, April, pp. 114–5
Rugoff, Ralph. “Untimely Mediations” Rock My World: Recent Art and Memory of Rock & Roll, CCAC Wattis Institute for Contemporary Arts.
Ebner, Joern. “Nigel Cooke bei Modern Art und Frances Stark bei
greengrassi in London” #75, March 30, p. 56.

2001
Cameron, Dan. “Recurring Patterns” Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, DK
Richard, Frances. Artforum, December
Smith, Roberta. New York Times, October 12
Tumlir, Jan. “Baldessari’s Urn: 90s Art in Los Angeles,” Artext, No. 71, November 2000–January 2001, pp. 42–51
Relyea, Lane. Public Offerings, “L.A. – Based and Superstructure”, p. 265
Prinzhorn, Martin. “The housewife in public”, Afterall, p.104-111, “All things to all people”, pp. 112–120, Issue 04

2000
Hess, Barbara. Flash Art, Vol. XXXIII, no. 215, November–December, p. 111
Cruz, Amanda. Fresh Cream- Contemporary Art in Culture, pp. 574–9
Holert, Tom. Frieze, “Frances Stark – Daniel Buchholz Gallery, Cologne”
Hess, Barbara. “Frances Stark at Daniel Buchholz”, Flash Art, Vol. XXXIII, no. 215, Nov-Dec. p. 111

1999
Erickson, Karl. “Frances Stark: The Architect & The Housewife”, Cakewalk, Fall, No. 3, p. 64
Levin, Kim. “Voice Choices” The Village Voice, February 2. p. 80
D’Souza, Aruna. Art in America, Reviews, May pp. 152–3
Levin, Kim. Village Voice, “Voice Choices”, February 2, 1999, p. 80

1998
Intra, Giovanni, “Frances Stark at Marc Foxx Gallery”, Art/Text, No. 61, May–June 1998, pp. 82–3
Meyers, Terry R. “Frances Stark: In other places light’s pitched happy tents”, On Paper, Vol. 2 No. 5 May–June 1998, p. 49
Harvey, Doug, Art Issues, Summer 1998, p. 42
Laura Owens, Cakewalk, Spring/Summer 1998 pp. 13–4

1997
Rickles, Lawrence, “Already Given at the Office: On Techno Feminism”, Paralax 5, p. 73
Intra, Giovanni. “Sharon Lockhart, Laura Owens & Frances Stark”, FlashArt, November/December, p. 76
Hainley, Bruce. “Sharon Lockhart, Laura Owens & Frances Stark at Blum & Poe”, Artforum, November, pp. 119–20
Kandel, Susan. L.A. Times, Exploring Power of Three Among Friends, July 4, p. F18
Jakobsen, Klaus Thejll. Ojeblikket, #32/33, Summer
Martin, Vitcoria. Art Week, August, Volume 28 #8
Hackett, Regina. “Ephemeral Themes”, Seattle Post Intelligencer, July 11
Helfand, Glen. Art Museum and Galleries, Bay Guardian, May 7
Ferguson, Russell. Sunshine Noir: Art in L.A. 1960–1997, “The Sound of Ripping Canvas”, Louisiana Museum of Modern Art, Humlebaek, Denmark
Schnoor, Chris, “3 Syllables”, Performance on Paper, June 1997, #8
Bonetti, David, “Gallery Watch”, San Francisco Examiner, May 9
Butler, Cornelia. “The Power of Suggestion: Narrative and Notation in Contemporary Drawing”, The Museum of Contemporary Art, Los Angeles.
Cruz, Amanda. “Fresh Cream – Contemporary Art in Culture” Phaidon Press Ltd., pp. 574–9
Knight, Christopher. “Riding Tradition’s Currents to a Higher ‘Consciousness”, L.A. Times, F4, October 9
Pagel, David. “Isolated Concepts”, L.A. Times, February, F12 Orange County Edition
Cooper, Dennis. Artforum, pp. 80–1, April 1997
Auerbach, Lisa Anne. “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe”, L.A. Weekly, June 27–July 3, 1997

1994
Curtis, Cathy. “Freeing Words from their Life Sentence” L.A. Times,

1993
Michael Anderson, “Invitational ‘93”, Art Issues, Number 31
David DiMichele, “Fresh Work, Invitational ‘93”, Artweek, Vol. 24, #21 Nov. 4
Susan Kandel, “Invitational‘93’s Controlling Personas”, L.A. Times, Vol 24, No. 21, Oct.14

Readings and Selected Lectures

2009
“Scholars in Dialogue: Art and Text” with Malik Gaines, Norton Simon Museum of Art
Panel Discussion: Standing anywhere in the space in a relaxed position
Silke Otto-Knapp, Jan Verwoert, Frances Stark, Flora Wiegmann and Ballet Master of National Ballet of Canada, Lindsay Fischer
Monday Night Lecture Series, Portland State University
Art Talk AM on the Radio, May 11, KPSU
Banff, Artist Talk
St. Louis Art Museum, panel discussion with Anthony Huberman, Jimmy Raskin, David Hullfish Bailey
CalArts, Artist Talk
Contra Mundum, Mandrake, Los Angeles

2008
National Gallery of Scotland, Randolf Cliff Residency Artist’s talk
Hey! Hey! Glossolalia! The Eroticism of Pedagogy, Judson Church, New York , A Creative Time event.
Secession, Vienna, Artist talk
Otis College of Art, Visiting Artist lecture
The New Vision, Stadelschule, Frankfurt, Artist talk

2007
Frances Stark, Bruce Hainley and Jeremy Sigler, MAK Center for Art, Los Angeles.
On the Future of Art Schools (Symposium) Roski School of Fine Arts, University of Southern California, Los Angeles.

2005
Art Center, Pasadena, CA
Claremont College, Claremont, CA
OXBOW High School of the Arts, Napa

2004
Art in Southern California: From the 90s to Now, Southern California
Consortium of Art Schools, Moca Pacific Design Center, West Hollywood
San Francisco Art Institute, CA

2003
University of Southern California, Los Angeles, CA
Gallery Paule Anglim, San Francisco, CA
University of California, San Diego, CA

2002
Royal College of Art, London

2001
Yale, New Haven, CT
Readings from Scripts by Raymond Pettibon, Santa Monica Museum of Art, Santa Monica, CA
In Honor of Raymond Pettibon, Museum of Contemporary Art, Los Angeles, CA
Jurgen Becker Gallery, Hamburg, Germany

1999
Museum of Contemporary Art, Los Angeles, CA
Beyond Baroque Literary Arts Center, Venice, CA
The Hanbury Community Project, Hanbury Hall, London UK

1998
University of Illinois Chicago, Gallery 400, Chicago, IL
Art Center College of Design, Pasadena, CA
University of California Los Angeles, Los Angeles, CA
School of the Art Institute of Chicago, Chicago, IL
SFMOMA, New Collector’s Forum, San Francisco, CA
“One Half Hour of Air”, KXLU, Los Angeles, CA
School of the Art Institute of Chicago, Chicago

1997
CRG, New York, NY
Eagle Rock Cultural Center, Los Angeles, CA
Seca, Gallery Paule Anglim, San Francisco, CA
University of California Santa Barbara, Santa Barbara, CA
Art Institute of Chicago, Chicago
Cal State LA, Women History Month Guest, Los Angeles, CA
Beyond Baroque Literary Arts Center, Venice, CA

1996
University of California Los Angeles, Los Angeles, CA
Studio Guenzani, Milan, Italy
Künstlerhaus Bethanian, Berlin, Germany
Kunstverein in Hamburg, Germany
Merz Akademie, Stuttgart, Germany

1995
Mellon Foundation Guest, CALARTS, Valencia, CA
Beyond Baroque Literary Arts Center, Venice, CA

1994
Beyond Baroque Literary Arts Center, Venice,CA

1993
“Twenty Fall Into Three” Museum of Contemporary Art, Los Angeles, CA
Regen Projects, Los Angeles, CA
Los Angeles Poetry Festival, Barnsdall Art Park, Los Angeles, CA
 Literary Arts Center, Venice,CA
“Twenty Fall Into Three” Museum of Contemporary Art, Los Angeles, CA
Regen Projects, Los Angeles, CA
Los Angeles Poetry Festival, Barnsdall Art Park, Los Angeles, CA