Elizabeth Peyton
Elizabeth Peyton
ELIZABETH PEYTONBorn: 1965, Danbury, CT
Lives and works in New York
Education
School of Visual Arts, New York, BFA 1984 - 87
Public collections
Carnegie Museum of Arts, Pittsburgh, PA
Centre Georges Pompidou, Paris, France
Kunstmuseum, Wolfsburg, Germany
Museum fur Gegenwartskunst, Basel, Switzerland
Museum of Fine Arts, Boston, MA
Museum of Modern Art, New York, NY
New Museum of Contemporary Art, New York, NY
San Francisco Museum of Modern Art, San Francisco, CA
Seattle Art Museum, Seattle, WA
St. Louis Art Museum, St. Louis, MO
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY
Solo Exhibitions
2012
Regen Projects, Los Angeles
2011
Gagosian, Paris, France
“Ghost,” Opelvillen Russelsheim Zentrum Fur Kunst, Rüsselsheim, Germany
“Wagner,” Metropolitan Opera at Lincoln Center, New York
“Ghost,” Mildred Lane Kemper Art Museum, Washington University in St. Louis
2010
Nuegerriemschneider, Berlin
2009
Barbara Gladstone Gallery,
“Live Forever: Elizabeth Peyton,” The Bonnefanten Museum, Maastricht, The Netherlands
“Blood of Two: Matthew Barney and Elizabeth Peyton,” Slaughterhouse, DESTE Foundation Project Space, Hydra
Sadie Coles HQ, London
“Elizabeth Peyton: Reading & Writing,” Irish Museum of Modern Art, Dublin
2008
“Live Forever: Elizabeth Peyton,” New Museum of Contemporary Art, New York;
travels to Walker Art Center, Minneapolis, MN; Whitechapel, London; and
Bonnefanten Museum, Maastricht, Netherlands
Aldrich Contemporary Art Museum, Ridgefield, CT
Gavin Brown’s enterprise, New York, NY
2007
Regen Projects, Los Angeles, CA
2006
Paintings 1994-2002, Gavin Brown’s enterprise, Sadie Coles HQ, Barbara Gladstone, at Jane Holzer apartment, New York
Neugerriemschneider, Berlin
Guild Hall, Easthampton, NY
2005
Glenn Horowitz Bookseller, East Hampton, NY
Sadie Coles HQ, London
2004
Gavin Brown’s enterprise, New York, NY
2003
Neugerriemschneider, Berlin
Regen Projects, Los Angeles, CA
Elizabeth Peyton and Tony Just, New Works on Paper, Orient Historical Society,
Orient, NY
Roma Roma Roma, Rome, Italy
2002
Royal Academy, London
Neugerriemschneider, Berlin, Germany
Salzburger Kunstverein, Salzburg, Austria
2001
Gavin Brown’s enterprise, NY
Deichtorhallen, Hamburg, Gerrmany (cat.)
2000
Westfalischer Kunstverein, Munster, Germany (cat.)
Aspen Art Museum, Aspen, CO (cat.)
Sadie Coles HQ, London, UK
Gavin Brown's enterprise, New York, NY
1999
Regen Projects, Los Angeles, CA
Museum of Contemporary Art, Castello di Rivoli, Torino, Italy
Neugerriemschneider, Berlin, Germany
Gavin Brown's enterprise, New York, NY
1998
Georg Kargl, Vienna, Austria
Galleria Il Capricorno, Venice, Italy
Museum fur Gegenwartskunst, Basel, Switzerland (traveled to Kunstmuseum, Wolfsburg, Germany) (cat.)
Seattle Art Museum, Seattle, WA
Sadie Coles HQ, London, UK
1997
Gallery Side 2, Tokyo, Japan
Galerie Daniel Buchholz, Koln, Germany
St. Louis Art Museum, St. Louis, MO (cat.)
Gavin Brown's enterprise, New York, NY
Regen Projects, Los Angeles, CA
1996
Gavin Brown's enterprise, New York, NY
Galleria Il Capricorno, Venice, Italy
Neugerriemschneider, Berlin, Germany
1995
Cabinet Gallery at The Prince Albert, London, England
Burkhard Riemschneider, Koln, Germany
Gavin Brown's enterprise, New York, NY
1993
Gavin Brown’s enterprise at Hotel Chelsea, Rm 828, New York, NY
Group Exhibitions
2012
“Regarding Warhol; Fifty Artists, Fifty Years,” Metropolitan Museum of Art, New York (forthcoming)
2011
“Jack Smith: ‘Thanks for Explaining Me’,” curated by Neville Wakefield, Barbara
Gladstone Gallery
“Kompass – Zeichnungern aus dem MoMA,” New York, Gropius Bau, Berlin
"Age of Innocence," Yvonne Lambert Gallery, NY
“Invitation to the Voyage,” Algus Greenspon, New York
2010
"At Home/Not at Home," Hessel Museum of Art, New York
“In The Company of Alice,” Victoria Miro Gallery, London
“Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection,” Institut Valencia d'Art Modern
2009
“Landscape,” Armory, NY
“Something about Mary,” Gallery Met, The Metropolitan Opera, NY
“The living and the dead,” Gavin Brown’s enterprise, New York
“Modern Modern,” Chelsea Art Museum, New York, curated by Pati Hertling
“Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection,” Museum of Modern Art, New York
2008
"New Acquisition-[Sanbi Shosha] Ueda Collection,” Museum of Contemporary Art
Tokyo, Japan
2007
“The Painting of Modern Life,” Hayward Gallery, London (cat.)
“Makers and Modelers,” Gladstone Gallery, New York, NY
“People Take Pictures of Each Other,” LaMontagne Gallery, Boston MA, curated
by Robert Nickas
“Still Life and Kicking,” A Project with Vogue, Paula Cooper Gallery NYC,
curated by Dodie Kazanjian
“Very Abstract and Hyper Figurative,” Thomas Dane Gallery, London, curated by Jens Hoffmann
2006
“Surprise, Surprise,” Institute of Contemporary Art, London
“The Name of the Show Is Not ‘Gay Art Now’,” curated by Jack Pierson, Paul Kasmin Gallery, New York
“Good Vibrations,” Papesse Centro Arte Contemporanea, Siena , Italy
“Contemporary Masterworks: Saint Louis Collects,” curated by Paul Ha, Contemporary Art Museum of St. Louis, St. Louis, Missouri
“Garden Paradise,” The Arsenal Gallery in Central Park, New York
“Likeness: Portraits of Artists By Other Artists”(traveling exhibition), Illingworth Kerr Gallery, Alberta College of Art & Design Calgary, Alberta, Canada
“Vogue Nudes,” Mitchell-Innes & Nash, New York
2005
“Drunk vs. Stoned 2,” Gavin Brown’s enterprise, NY
“girls on film”, Zwirner & Wirth, New York, curated by Kristine Bell
“Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo,”
curated by Franceso Bonami, Turin, Italy
“Superstars: from Warhol to Madonna”, Vienna Kunstforum/ Vienna Kusthalle
“Getting Emotional”, ICA, Boston, curated by Nicholas Baume
“Mother & Child”, Ferragamo, New York, curated by Andrea Salerno & Carmen Zita
“Likeness: Portraits of Artists By Other Artists”(traveling exhibition), ICA , Boston, Jan.19-May1; Dalhousie University Art Gallery, Halifax, Nuova Scotia, Canada, May 26-July 31; University Art Museum, California State University at Long Beach, Aug. 30-Oct.30
“North Fork/South Fork East End Art Now”, The Parrish Art Museum,
2004
“Likeness: Portraits of Artists By Other Artists” (traveling exhibition), California College of Arts Wattis Institute for Contemporary Arts, San Francisco, CA, Jan.28-May 1; McColl Center for Visual Art, Charlotte, NC, Sept. 3-Nov. 6
“Contemporary Painting,” Colby College Museum of Art, Waterville, ME, curated by Alex Katz
“Beginning Here: 101 Ways,” Visual Arts Gallery, New York, NY curated by Jerry Saltz
“North Fork/South Fork: East End Art Now,” Parrish Art Museum, Southampton, NY
Whitney Biennial, Whitney Museum of American Art, New York (cat.)
2003
“Inaugural Exhibition,” Gavin Brown’s enterprise, New York
“The Fourth Sex: Adolescent Extremes,” Pitti Imagine Discovery, Milan, Italy curated by Francesco Bonami and Raf Simons (cat.)
“Faces and Figures,” Art Museum at Florida International University, Miami
“Il Quarto Sesso,” Stazione Leopolda, Florence
“Under Pressure: Prints from Two Palm Press,” The Cooper Union School of Art, New York“
Inaugural Exhibition,” Regen Projects, Los Angeles
2002
“Drawing Now: Eight Propositions,” Museum of Modern Art, New York (cat.)
“DEAR PAINTER,…Paint Me”, Centre Georges Pompidou, Paris
“Remix,” Tate Liverpool, Liverpool, UK (cat.)
Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, curated by Klaus Kertess (booklet)
2001
“New to the Modern; Recent Acquisition from the Department of Drawing”, Museum of Modern Art, New York, NY, curated by Laura Hoptman
“Abbild recent portraiture and depiction”, Landesmuseum Joanneum, Graz, Austria, curated by Peter Pakesh (cat.)
“Azerty”, Musee National d’Art Modene, Centre Georges Pompidou, Paris, France
“Beautiful Productions: Art to Play, Art to Wear, Art to Own,” The White Chapel Art Gallery, London, England
“Collaborations with Parkett; 184 to now”, The Museum of Modern Art, New York, NY (cat.)
“About Face; Selections from the prints and illustrated books department”, The Museum of Modern Art , New York, NY
Galerie Jennifer Flay, Paris, France
“Longing and Memory”, Los Angeles County Museum of Art, Los Angeles, CA
2000
"American Academy Invitational Exhibition of Painting and Sculpture", American Academy of Arts and Letters, New York, NY
"Interventions", Milwaukee Art Museum, Milwaukee, WI (cat.)
"Greater New York", PS1, Long Island City, NY (cat.)
1999
ef1ny999, Tomio Koyama Gallery, Japan
Malerei, INIT Kunst-halle, Berlin, Germany
Kunstmuseum Wolfsburg: Gesammalte Werke 1, Zeitgenossische Kunst seit “1968”, Kunstmuseum Wolfsburg, Germany
Museum of Contemporary Art, Chicago, IL
anAzonas Kunstlerbucher, Villa Minimo, Hannover, Germany
“Free Coke”, Greene Naftali, New York ,NY
"Village Disco", Cabinet, London, UK
"Examining Pictures", Whitechapel Art Gallery, London, UK; Museum of Contemporary Art, Chicago, Il; UCLA at the Hammer Museum, Los Angeles, CA (cat.)
"Parallel Lines: Mix and Match" (curated by Barbara Toll), Karen McCready Fine Art, New York, NY
1998
"Sisi, Sisimus, Sisismen", Galerie Menotti, Baden, Austria (cat.)
"Hanging", Galeria Camargo Vilaca, Sao Paulo, Brazil (cat.)
"Young Americans II", Saatchi Gallery, London, UK (cat.)
"Tell me a Story", Magasin, Grenoble,France (cat.)
"People II", Monica de Cardenas, Milan, Italy
"Exterminating Angel" (curated by Joshua Decter), Ghislaine Hussenot Gallery, Paris, France
Auf der Spur, Kunsthalle Zurich, Switzerland
Galerie Daniel Buchholz, Koln, Germany
1997
"Coming Home Again", Visual Arts Gallery, New York, NY
Kunst...Arbeit, Sudwest LB, Stuttgart, Germany (cat.)
“Truce: Echoes of Art in an Age of Endless Conclusions”. Site Santa Fe, NM
The Saint Louis Art Museum, Saint Louis,MS (cat.)
Center for Curatorial Studies, Annandale-on-Hudson, NY (cat.)
"Projects 60" w/ Luc Tuymans and John Currin, The Museum of Modern Art, New York
"Antlitz", Max-Gandolph-Bibliothek, Salzburg, Austria
"New Work: Drawings Today", San Francisco MOMA, San Francisco, CA
"Kunst...Arbeit", Sudwest LB, Stuttgart, Germany (cat.)
"Heaven", P.S.1, New York, NY (cat.0
"Hirsch Farm Project", Hirsch Foundation, Northbrook, IL
1996 "Longing and Memory", Los Angeles County Museum, Los Angeles, CA
"Ein Stuck von Himmel", Kunsthalle Nurnberg, Germany (travelled to: South London Gallery, London, UK; Southampton Art Gallery, Southampton, UK; Cornerhouse, Manchester) (cat.)
"a-drift" (curated by Joshua Dector), Bard College, NY (cat.)
“Universalis”, Sao Paulo Bienal, Sao Paulo, Brazil (cat.)
"Wunderbar", Kunsterverien Hamburg, Hamburg, Germany (cat.)
"Wunderbar", Kunstraum, Wein, Austria (cat.)
Victoria Miro Gallery, London, UK
Stefano Basilico Fine Art, New York, NY
"Screen" (curated by Joshua Decter), Fredrich Petzel Gallery, NY
1995
"Campo" (curated by Francesco Bonami), Venice Bienalle, Italy (cat.)
"Space Odyssey", Koreneou Gallery, Athens, Greece
"The Enthusiast", Gavin Brown's Enterprise, New York, NY
1994
"Swan", Tom Cugliani Gallery, New York, NY
"Don't Postpone Joy of Collecting Can Be Fun" Austrian Cultural Institute,
New York, NY
1993
"Okay Behaviour" (curated by Gavin Brown and Gareth Jones), 303 Gallery, New York, NY
"Little Thing", (curated by Laura Hoptman), Randolph St Gallery, Chicago, IL; (travelled to: Delta Arts Axis, Memphis, TN; Art in General, New York, NY)
Bibliography
2012
Macchi, Catherine, "Elizabeth Peyton ou la Reevalation de l'art Portrait," Roven, April
2011
Duray, Dan, "No Sleep Till Bovina," New York Observer, September 8
H.K., “Elizabeth Peyton, Star Chez Gagosian,” Art Actuel, July/August
Bloch-Champfort, Guy, "Derniers Jours: Elizabeth Peyton / Gagosian," artnet.fr, July
Lafontaine, M., "Go See - Paris: Elizabeth Peyton at Gagosian Gallery," Art Observed, July 16
L.M., "C'est Qui?" Madame Figaro, July
A. C.-C., "ISA (2010), D'Elizabeth Peyton," L’Express Styles, July 6
“An Exhibition of New Paintings and Drawings by Elizabeth Peyton at Gagosian Gallery Paris,” artdaily.org, July
"La palette apaisée d’Elizabeth Peyton," O.di.C, July
B., Ch., "Elizabeth Peyton," Technikart, July
“Peyton’s Faces,” Vogue Paris, June/July
Moroz, Sarah, “Gagosian Hosts Peyton’s First Solo Show in Paris,” The New York Times, May 29
“Art Show,” Glamour
Zhong, Fan, “Preview: Elizabeth Peyton, Á Paris,” W Magazine, May 27
Willa Davis, Rebecca, “Elizabeth Peyton Takes on Paris,” Elle Magazine, May 26
Porret, Karine, “Elizabeth Peyton,” Stiletto, May 12
Vogel, Carol, “Art and Arias,” New York Times, February 17
R., J., “Elizabeth Peyton,” Trios Couleurs, #3
2009
Tully, Judd, “Nobody Does It Better,” ARTINFO, June 19
Castets, Simon, “Smooth Criminals,” VMagazine.com, June 18
Idem, Item, “Now Viewing | ‘Blood of Two’,” New York Times: The Moment, June 17
Senior, Jennifer, “Mother Earth: Michelle Your Belle,” Sunday Tribune Dublin,
March 29 (cover)
Tscherny, Nadia, “Elizabeth Peyton: Beautiful People,” Art in America, February p. 98-107 (cover)
Wehr, Anne, Review, Frieze, Jan – Feb, p. 145
Wrede, Andreas, “A Question of Preference,” Lufthansa Magazin, p. 58-61
2008
Smee, Sebastian, “Daring Strokes Go Pop,” Boston Globe, November 23
Illustration for “Obamaism,” New York Magazine, November 17, p. 30
Gentile, Francesca, “Alta Societa su Tela,” La Repubblica, October 18
Cocker, Jarvis, Interview with Elizabeth Peyton, Interview, October, p. 150-155
Smith, Roberta, “The Personal and the Painterly,” New York Times, October 10
Tomkins, Calvin, “The Artist of the Portrait,” The New Yorker, October 6, p. 42-47
Rosenberg, Karen, “A Painter’s Social Network, Traced in Her Photographs,”
New York Times, July 11
Saltz, Jerry, “Elizabeth II,” New York Magazine, May 19
Rosenberg, Karen, Review, New York Times, May 16
Carlin, T.J., Review, Time Out New York, May 14
New Yorker, May 12
Saltz, Jerry, “The New York Canon,” Artnet Magazine, April 23
Finch, Charlie, “Running, Jumping, Standing Still,” Artnet Magazine, April 21
Robinson, Walter, Interview, Whitewall Magazine, Spring 2008, p. 114-125
Moisdon, Stephanie, “Quand les artistes s’emparent des people,” Beaux Arts
Magazine, February 2008, p.46
2007
Dillon, Brian, “The Painting of Modern Life,” ArtReview, October 2007, p. 92-95
Muñoz, Jose, “The Sense of Watching Tony Sleep,” South Atlantic Quarterly,
Summer 2007
Bookforum, April-May 2007, cover illustration
2006
Bookforum, February-March 2007, cover illustration
Gasparina, Jill, “Imaginaire: Mode d’Emploi, ‘L’Art Contemporain et la Mode’” published by Editions Cercle d’Art, Paris, 2006
Bald Ego, No. 3, pp. 156-59
Getlein, Mark “Living With Art (8th Edition) “ published by McGraw Hill, New York, p. 179
Bookforum, December-January 2007, cover illustration
Lee, Carol. “Peyton Place,” Paper, Vol. 23, No. 3, September, pp. 74-76
Johnson, Ken, “Beautiful People Caught in Passivity,” New York Times, August
18, pp. E25-26
Herbert, Martin, Book Review: Monographs, Modern Painters, May, pp. 124-25
Saltz, Jerry, “Portrait of the Artist as a Young Artist”, The Village Voice, January 18, p. 72
Kazanjian, Dodie, “Art Goes Naked,” Vogue Nippon, March, p. 109
2005
Higgs, Matthew; Lafreniere, Steve: “Elizabeth Peyton,” published by Rizzoli, New York
Kazanjian, Dodie, “Body Language,” Vogue, December pp. 320-31
Brugger, Ingried, Gerald Matt, Superstars: von Warhol bis Madonna, exhibition catalog, published by Hatje Cantz
Holland, Charles, Review, Modern Painters, June , pp.117-18
Garrett, Craig, Review, Flash Art, May-June, p. 150
Taguchi, Masami, “Creator’s Voice”, MyLohas, May, pp. 104-105
Wilcox, T.J., “Personal Affects,” Artforum, April, p. 167
Saltz, Jerry, “The Richter Resolution,” Modern Painters, April pp. 28-29 (ill.)
Fisun, Guner, “Flattery Gets you Nowhere”, MetroLife, 14 March
Joe, Ambrose, “Elizabeth Peyton”, Outside Left, 12 March
William, Packer, “Art with a Tantalising Freshness” Financial Times, 9 March
Jessica, Lack, “Preview: Elizabeth Peyton”, The Guardian Guide, 5 March
“Crazy in Love”, Paper, February, p. 49 (ill.)
Wei. Lilly, “The Saced Precinct of Modernism”, ARTnews, January, pp. 110-111
2003
Nickas, Bob, “People Take Pictures of Each Other,” Influence, Issue 2, pp. 90- 109
“The Year in Prints: The First Annual. New Prints Review. Technical Porn”, Art on Paper , November/December, Vol. 9, No. 2, p. 58 Kazanjian, Dodie, “Peyton’s Place,” Vogue, USA, October, pp. 358 – 363; 391
Sternberg, Adam, “Why Is Nicole Kidman So Hard To Love?,” New York Magazine, p. 69 (ill.)
LaFreniere, Steve, “My Bohemia,” The New York Times Magazine, October 3, Section 6, pp. 70 – 75
Smith, Roberta, “Caution: Artists at Work,” The New York Times, Fine art Leisure, Friday, August 27, pp. E23; E 25
“American Pie,” Frieze, May, issue No. 83, p. 66 (ill.)
“Electoral Collage, a portfolio,” Artforum, September, Vol XLIII, No. 1, p. 237
photo. Northfork/SouthFork, New Yorker, July 5, p.21
Irael, Nico, “People are Talking About” Northfork/Southfork,Vogue, June p. 142
Hayes, Erin, Hampton Jitney Magazine, June, pp.12-13
Diez, Renato, “Alla Biennale del Whitney,” Arte, April, cover and pp. 104-111
Bankowsky, Jack, “This is Today,” Artforum, May, pp. 170-171; 233
Review, The New Yorker, May 10th, p. 24
Kaplan, Cheryl, Interview with Elizabeth Peyton, deutsche-bank-kunst.com
Finch, Charlie, “Return to Peyton Place,” artnet.com
Kimmelman, Michael, “Touching all Bases at the Biennial, “The New York
Times, Friday March 12, p. 1
Saltz, Jerry, “The OK Corral,” The Village Voice, March 15
Schjeldahl Peter, “What’s New,” The New Yorker, March 22, pp. 100-101
McKenzie, Lucy, ‘”Top Ten,” Artforum, Summer pp. 96
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p.70-77
International Curators International, ICI in 2004, p.11 (ill.)
Neuenschwander, Simone and Raimar Stange, “Elizabeth Peyton”, NeueReview, December, pp. 24-27
Sugatsuke, Masanobu, Invitation, June, p.62
Morton, Tom, Review, Frieze, May, p. 87
Magazin 7, Salzburger Kunstverein. pp. 56-61 (catalogue)
Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins, p. 5
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“Faces and Figures,” Art Museum at Florida International University, January 17-March 9, p.20 (cat)
Drolet, Owen, “Drawing Now: Eight Propositions,” Flash Art, January/February, p. 56
2002
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Saltz, Jerry, “Good on Paper,” The Village Voice, October 30 – November 5
Halle, Howard, “Papering the House,” Time Out NY, November 7-14, p. 81
Smith Roberta, “Retreat from the Wild Shores of Abstraction,” The New York Times, Fine Arts Leisure, Friday, October 18, pp. 31, 33
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“Artist Project,” Tate International Arts and Culture, September/October,
pp. 64-72
Rimanelli, David, “Peyton Palace,” Vogue Paris, June July, pp. 164-169
Steiner, Rochelle, “Art Now,” published by Taschen, Koln
Smith, Roberta, “Europe Shows the Staying Power of Paint,” The New York Times, July 21, 2002, Arts & Leisure’s section
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“Remix,” published by Tate Liverpool, Liverpool, UK
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Amy, Michael, review, Tema Celeste, January/February, p. 75
2001
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Schjeldahl, Peter, “At the museum staightforward paint,” The New Yorker, December 17, p. 38
Srange, Raimar, “Women Artists”, Taschen, edited Uta Grosenick
Review, The New Yorker, November 5, p. 18
Roshani, Anuschka, :Schonheit ist das Synonym fur Liebe”, Brigitte, September, pp. 86-91
Todd, Stephen, “Peyton’s Place”, Jalouse, September, pp. 140-145
Miles Christopher, Review, ArtForum, January
Dziewior, Yilmaz, Art Now, Taschen, Koln
Peyton, Elizabeth, photographs, “Real Life”, Index, February
“Kunst Museum Wolfsburg”, Tema Celeste, February
Czopp, Teddy, “Sweepstakes”, Dutch, January/February
2000
Honigman, Ana, “Pretty Boys: Elizabeth Peyton”, Zing Magazine, No. 13, pp. 229-230
Gingeras, Alison, “Subversion du Kitsch”, Art Press, December, pp. 28-36
Soonthornsawad, Jay-Noppanat, “Elizabeth Peyton”, How-To Magazine, September, pp. 48-49
Lettmann, Achim, “Wetferne Aura”, Westfalischer Anzeiger, July
Harvey, Doug, “Elizabeth Peyton”, Art Issues, January/February, p. 51
Kohler, Michael, “Narziss am Morgen”, Frankfurter Rundschau, July
Luz, Kathrin, “Lacheln Verboten”, Die Zeit, August
Lutkemeyer, Marcus.”Tckischer Starschnitt”, 616, No. 171, August
Rasch, Uwe, “Psychosomatik und Marktwert”, WN, July
Halle Howard, “State of the Art”, Time Out New York, p. 80
Gewahr, Keine, “Ausstellungen”, WN, August 8th
Johnson, Ken, Review, The New York Times, March 31st
Danek, Sabine, “Die Aura der Entruckten”, Kultur-Spiegel Online, July 25th
Jennen, Manuel, “Auf Rosaroten Kissen”, MZ, July
“Fine and Dandy”, Blue Print , No. 29
“Elizabeth Peyton”, Brutus, Tokyo, April
“Sub-Culture in Super Culture”, Hanatsbaki, no. 597, Tokyo, March
“Elizabeth Peyton”, Inter Vista, Vol. IV, Summer
“Public Art Fund’annual Spring Benefit”, In Process, Vol. 8,Spring
Kunitz, Daniel, “Pop Portraitist”, Art & Antiques, Summer, pp. 116-119
Moreno, Gean, “High Noon in Desire Country”, Art Papers Magazine, March/April, pp. 30-36
Pruitt, Rob and Lafreniere, Steve, “Elizabeth Peyton”, Index, July, pp. 54-61
Avenue, Special Tribute Issue
Miles, Christopher, Review, Artforum, January
1999
Philippi, Anne, "Elizabeth Peyton", Park & Ride, July/August, pp.8-9
Wong, Gloria M., "from the desk of...", Bazaar, June, p. 52
Lewis, Jim, "Pop Culture's Mirror", Interview, June, p.52
Saltz, Jerry, "Getting Real", The Village Voice, April 20
Scott, Whitney, "Elizabeth Peyton's Place", Detour, April, p. 138
Arning, Bill, "Elizabeth Peyton", Poliester, p.16-21
"Elizabeth Peyton's Top Ten", Artforum, March, p. 38
“Elizabeth Peyton”, Olive, Tokyo, February
Kunitz, Daniel, "Changing Faces", ARTnews, March, p. 106-111
Beil. Ralf, “Elizabeth Peyton,” Band 142, Oct. – Dec. 1998, pp.454-55
Darwent, Charles, "American Gothic", New statement, September 4, 1998
Pagel, David, "Elizabeth Peyton, " Los Angeles Times, November 5, 1999, p.F26
Sobel, Dean, “Interventions”, catalogue, Milwaukee Art Museum
1998
Collings, Mattew, " It Hurts: New York Art From Warhol to Now", 1998 p. 125
Hubbad, Sue, " Elizabeth Peyton" Time Out, March 25-April 1998
Dorment, Richard, "A Brush with Young America", The Daily Telegraph, Aug. 26th, p.19
Renton, Andrew, "A Continuous Displacement", Flash Art, XXXI, p. 94
Vettese, di Angela,"Come dare un contorno agli affetti", Il Sole-24 Ore, July 5th, p.37
Christorfori, Ralf, "Harry und Prinzessin Di beim Fernsehen", Frankfurter Allgemeine Zeitung, June 29, p.47
Pesch, Martin, "Im Schatten junger Mannerblute," die tageszeitung, 03,
June, p.117
Muir, Robin, "Star gazer", Independent Sunday Magazine, Feb 21, p.24-25
Wakefield, Neville, "Elizabeth Peyton", Elle Decor, March, p. 72
Concepcion, Teresa, "Elizabeth Peyton Portrait of an Artist", Heartbeat, March,p.6
Lin, Jeremy, "Elizabeth Peyton Innocent Mission", Surface, issue 13, p.97
Fairbrother, Trevor, "Prime of Life", brochure, Seattle Art Museum
"Paint Pops", J17, Nov., p. 107
Negrotti, Rosanna, "States of Mind", What's on, Oct. 7, pp.8-9
Januszczak, Waldemar, "Young Turk no More", Sunday Times, Sept. 27
Packer, William, "The pointlessness of irony", Financial Times, Sept. 15
Gayford, Martin, "The Art Game", The Spectator, Sept. 12, p. 48
Karcher, Eva, "Im Auge Des Hurrikans", Elle, Sept. 12, pp. 83-84
Searle, Adrian, "The infants Liam and Noel on the sofa...Is this what passes for the new American Dream?", The Guardian, Sept. 7, p. 19
Burton, Jane, "Mad in the USA", The Daily Express, Sept. 5
Coomer, Martin, "Young at Art", Time Out, Sept.
Italian Vogue, July, pp. 194-195
Viegas, Camila, "Mostra aponta rumos da pintura moderna", Coderno 2, May 4
Swenson, Ingrid, "Not Just a Pretty Face", Make 79, March - May
Hubbard, Sue, Review, Time Out, Mar. 25- April 1
Maloney, Martin, "The Art of Elizabeth Peyton", Frank, March
Price, Dick, "Exhibition of the Month", I-D, The Ego Issue, March, p. 56
Fredericksen, Eric, "Fan's Eye View", The Stranger, Jan 22
Makrogiannis, Eugenie,"Painter Explores Dreamy Worlds", Downtown Source, p.5, Jan 5-11
"UK Artist Q & A, Elizabeth Peyton", The Art Newspaper, March
Borschke, Margie, "Unabashed Celeb Worship", Jane, April
Parkett # 53, pp.58-92. Includes the essays “An Interview with a Painter”, by
Model”, by Linda Pilgrim; “In Praise of Hands. Elizabeth Peyton’s Painting”, by Philip Ursprung”; “A Tender Trap”, Lisa Liebmann.
Stange, Raimar, Artist Kunstmag #37, pp. 46-50
Evening Standard, September 1998
1997
Updike, Robin, "SAM's smaller gems", The Seattle Times, E8, Dec 30
Hickey, Dave, "Top Ten of 1997", Artforum, December, p. 89
Mitchell, Charles Dee, "New Narratives", Art in America, Nov., p. 43-47
Van der Walle, Mark, "Contact with a Coldhearted Muse", Parkett #50/51,
p. 240-245
"Kunst..Arbeit", Katalog, Sudwest LB, Stuttgart, p.210-213
Marcori, Roxana; Murphy, Diana, "Sinaiko, Eve (Hrsg,)", New Art, New York
Muller, Silke, "Pop Art plus Emotion", art das kunstmagasin, October, p.45
Aupetitallot, Yves, "Tell Me A Story", catalogue
Hayt, Elizabeth , US Vogue, September, pp. 464-468
Dobrzynski, Judith, "A Popular Couple Charge into the Future of Art, but in Opposite Directions", The New York Times, Sep 2, p.C11/C13
Smith, Roberta, "Projects", New York Times, August 1
Steiner, Rochelle, "currents 71", brochure, The Saint Louis Art Museum
Schjeldahl, Peter, "The Daub Also Rises", The Village Voice, July, 29, p. 85
Darling, Michael, "The Baggage of Time", LA Weekly, June 20-26, p. 57
McKenna, Kristine, "The Contemporary Not Temporary at LACMA", Los Angeles Times, June 7, p. F15
Knight, Christopher, "Beguiled by 'Longing and Memory'", Los Angeles Times, June 7, pp. F1, F14
Steinke, Darcy, "The Beautiful People", Spin Magazine, June, p. 12
Saltz, Jerry, Review, Time Out New York, Mar 27-April 3, p. 43
Schjeldahl, Peter, "Peyton's Place", The Village Voice, March 25
Cotter, Holland, The New York Times, March 21
"Pop Art", The New Yorker, Feb. 3rd,pp. 62-3
1996
Smith, Roberta, "Finding Art in the Artifacts of the Masses", The New York Times, p. 43
Stange, Raimar, "A star was born", Kunst-Bulletin, November
Herbstreuth, Peter, "Muffelt nach Kase", Der Tagesspiegel, July 8, p.19
Philippi, Anne, "Asthetik der Umgebung", Spex, 6/96, p.46
Seyfarth, Ludwig, "Mein wunderbar Malsalon", Szene, June, p.88-89
Nunes, Joao, "Universalis quer gerar debate e reflexao", Diario Do Grande ABC, p.6
Schreiber, Susanne, "Am Puls der Zeit", Handelsblatt, 19/20, April, p.G3
Herbstreuth, Peter, "Von Napoleon bis Curt Cobain", Der Tagesspiegel, April 20, p.84
Smith, Roberta, "Screen", The New York Times, Feb. 2, p. C26
Smith, Roberta, "Art after a fashion", American Vogue, Jan, p.164-165,184
Savage,Jon, "True Brits", The Guardian, December 20, pp. 2-4
Savage, Jon, "Boys Keep Swinging", Frieze, November/December, pp. 58-61 Universalis, catalog, Sao Paulo Bienal, Sao Paulo, Brasil
Schwendener, Martha,"Catch My Drift?", Time Out New York ,December 12-19, 1996 p.40
Bonami, Francesco, Interview, Flash Art, March/April, pp. 84-86
1995
Adams, Brooke, "Salon and on", Artforum, Summer, p. 18
Muir, Gregor, Review, Frieze, October, pp. 70-71
Decter, Joshua, Review, Artforum, May, pp. 101
Smith, Roberta, "Blood and Punk Royalty to Grunge Royalty", The New York Times", March 24, pp. C32
1994
Ettal, Meicost, Ouverture, Flash Art, November, pp. 88
Saltz, Jerry, Review, Art in America, May, p. 122
"Don't Postpone Joy of Collecting Can Be Fun", catalogue, Austrian Cultural Institute, essay by Francesco Bonami
1993
catalogue, Hotel Chelsea, New York, essay by Douglas Blau Hoptman, Laura, Balkon, September
1992
Gahnal, Rainer, Review, Pig Magazine, #4
Publications
2012
Weitman, Wendy, "Elizabeth Peyton," Print Quarterly, March
2011
Christine Weidemann and Brad Finger, “50 Contemporary Artists You Should Know,” published by Prestel, Munich, London & New York
“Ghost,” published by Hatje Cantz, Opelvillen Russelsheim Zentrum Fur Kunst,
Germany and Mildred Lane Kemper Art Museum, St. Louis
2009
“Elizabeth Peyton: Reading & Writing,” published by Charta, Italy and the Irish Museum of Modern Art, Dublin
2008
“Elizabeth Peyton: Portrait of an Artist,” published by Damiani, Italy and the Aldrich Contemporary Art Museum, Connecticut
“Live Forever: Elizabeth Peyton,” published by Phaidon, London & New York
2007
“The Painting of Modern Life,” published by Hayward Publishing, London, UK
Davidson, Susan, “Art in America: 300 Years of Innovation,” published by Merrell, New York
2006
Mézil, Éric, “Figures de l‘acteur: Le Paradoxe du comedien,” published by Editions Gallimard, Paris
“Elizabeth Peyton Paintings 1994-2002,” published by Gavin Brown’s enterprise, New York, Sadie Coles HQ, London, and Gladstone Gallery, New York; texts by Nicole Krauss and Meicost Ettal
Nakanishi, Hiroyuki, “Essential Painting,” published by The National Museum of Art Osaka, Osaka
Richer, Francesca and Matthew Rosenzweig, “No. 1: First Works by 362 Artists,”
published by D.A.P., New York
Elizabeth Peyton: Prints 1998-2006, published by Two Palms Press, New York, and Gavin Brown’s enterprise, New York
Pierini, Marco, “Good Vibrations,” published by Giunti Editore, Florence, Milan
2005
Grosenick, Uta, Art Now: Vol. 2, published by Taschen, Cologne, London, L.A., Paris, Madrid, Tokyo
Vitamin D: New Perspectives in Drawing, Phaidon, London, New York
Elizabeth Peyton, published by Rizzoli, New York (with texts by Matthew Higgs, Steve LaFreniere, Dave Hickey, Douglas Blau, Meicost Ettal, Linda Pilgrim, Jerry Saltz, Roberta Smith, and Giorgio Verzotti)
Getting Emotional, published by ICA Boston, text Nicholas Baume
Nick Mauss and Elizabeth Peyton, published by Glenn Horowitz Bookseller, East Hampton, NY
2004
Contemporary Painting, published by Colby College Museum of Art, Waterville, ME
2003
Elizabeth Peyton, published by Two Palms Press, Italy, text by Steve Lafreniere
2001
ABBILD Recent Portrait and Depiction, published by Springer-Verlag/Wien, Austria, edited by Peter Pakesch, Steirischer Herbst
Prince Eagle: an artist’s book, published by powerHouse Books and Thea Westreich, edited by Elizabeth Peyton
2000
Elizabeth Peyton, Tony Sleeping, published by Druckhaus Cramer, Germany, edited by Susanne Gaensheimer
1999/2000
Figuration, published by Ursula Blickle Stiftung, Kraichtal, edition Oehrli
1998
Craig, published by Farbo Druck, Cologne, Germany, edition Salzau and Verlag der Buchhandlung Walter König
Young Americans 2, New American Art At The Saatchi Gallery, published by The Saatchi Gallery, London, Great Britain (essays by Brook Adams and Lisa Liebmann)
Elizabeth Peyton, published by the Museum fur Gegenwartskunst Basel, Kunstmuseum, Wolfsburg (essay by Dave Hickey)
1997
Live Forever, published by Composite press, Tokyo, Japan (essays by David RImanelli and Meicost Ettal)
a/drift, published by the Bard Publications Office, Ginger Shore, New York, edited by Joshua Decter
Some Kind of Heaven, published by Kunsthalle Nurnberg, Germany,
Coming Home Again, SVA Fine Arts Alumni: the 80s to 90s, published by the School of Visual Arts Press Copyright, edited by Jeanne Siegel
1995 Campo, published by Desktop publishing, Editoday, Torino, (essay by Francesco Bonami)
Space Odyssey, published by BELIZABETH PEYTON