Gavin Brown's enterprise

FRANZ ACKERMANN


Born 1963, Neumarkt St. Veit
Lives and works in Berlin


Education

Akademie der Bildenden Kunste, Munich
Hochschule fur Bildende Kunst, Hamburg
DAAD, Hong Kong


Solo Exhibitions

2011
New Ads for São Paulo, Galeria Fortes Vilaça, São Paulo

2010
Wait, White Cube, London, UK
No Roof But the Sky, Neugerriemschneider, Berlin

2009
Kunstmuseum Bonn, Germany
Franz Ackermann and Richard Jackson, Otero Plassart, Los Angeles

2008
Kunstmuseum St. Gallen, Germany
Terminal, Meyer-Riegger, Karlsruhe, Germany

2007
neugerriemschneider, Berlin
home, home again, 23 ghosts, DA2. Domus Artium 2002, Salamanca, Spain
Gavin Brown’s enterprise, New York

2006
home, home again, 23 ghosts, kestnergesellschaft, Hannover, Germany
White Cube, London

2005
Galeria Fortes Vilaça, São Paulo, Brazil
Irish Museum of Modern Art, Dublin, Ireland (cat.)
Fonds Régional d'Art Contemporain Champagne-Ardenne, Rheims, France (cat.)
Tomio Koyama Gallery, Tokyo

2004
NONSTOP with HHC, Gavin Brown’s enterprise, New York
tourist, Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany
travelantitravel, neugerriemschneider, Berlin, Germany

2003
Eine Nacht in den Tropen, Kunsthalle Nurenberg, Nurenberg, Germany (cat.)
Naherholungsgebiet, Wolfsburg Museum, Wolfsburg, Germany (cat.)

2002
Basel Public, Wandinstallation Nordtangente, Basel, Switzerland
The Waterfall, MCA, Chicago
Mai 36 Galerie, Zurich, Switzerland
Seasons in the sun, Stedelijk Museum, Amsterdam (cat.)
Transatlantic, mit Rupprecht Geiger; Städtische Galerie im Lenbachhaus und Kunstbau,
München, Germany
Eine Nacht in den Tropen, Kunsthalle Basel, Switzerland (cat.)

2001
Gavin Brown’s enterprise, New York, NY
Giò Marconi, Milano, Italy

2000
B.I.T., Castello di Rivoli, Torino, Italy
Galeria Camargo Vilaça, São Paulo, Brazil
welt 1…and no one elsewanted to play, Meyer Riegger Galerie, Karlruhe, Germany
reisterrassen von Basel, Wandmalerel, Rückwand der Kunsthalle Basel, Switzerland

1999
Works on paper inc., Los Angeles, CA (cat.)
OFF, Kasseler Kunstverein, Kassel, Germany (cat.)
Trawler, Mai 36, Zürich, Switzerland

1998
White Cube, London, UK
neugerriemschneider, Berlin, Germany
Das Haus am Strand und wie man dorthin kommt, Meyer Riegger Galerie,
Karlsruhe, Germany

1998
Pacific, White Cube, London, UK
Songline, Neuer Aachener Kunstverein, Aachen, Germany

1997
unexpected, Gavin Brown's enterprise, New York, NY
unerwartet, Kunstpreis der Stadt Nordhorn 1997 (cat.)
Mai 36 Galerie, Zurich, Switzerland
Portikus, Frankfurt, Germany (cat.)
Giò Marconi, Milano, Italy

1996
Das weiche Zimmer, Hann. Munden, curated by Florian Waldvogel, neugerriemschneider, Berlin, Germany

1995
Thomas Solomon's Garage, Los Angeles, CA
Gavin Brown's enterprise, New York, NY

1994
Ackermanns Worterbuch der Tatigkeiten, Buchpublikation
Dialo(o)g, Belgisches Haus, Cologne , Germany (cat.)
condominium, neugerriemschneider, Berlin, Germany

1991
Art Acker, Berlin, Germany

1990
Galerie Fischer, Hamburg, Germany

1989
Galerie Komat, Braunschweig, Germany


Group Exhibitions
2011
Precarious Worlds: Contemporary Art from Germany, Mildred Lane Kemper Art Museum, St Louis
2010
Kupferstichkabinett: Between Thought and Action, White Cube, London
Lost and Found, Galerie Neugerriemschneider, Berlin
Fremde Heimat, Mannheim Kunsthalle, Stuttgart

2009
Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York
Altermodern: Tate Triennial 2009, Tate Britain, London
2008
Person of the Crowd: The Contemporary Art of Flânerie, Neuberger Museum, New York
2007
Imagination Becomes Reality: Expanded Painting; Works From the Goetz Collection,
ZKM Center for Art and Media, Karlsruhe, Germany
2006
Anstoss Berlin: Kunst macht Welt, Haus am Waldsee, Berlin, Germany
Archipeinture: artists build architecture, Le Plateau, Paris, France; Camden Arts Center, London, U.K.
Infinite Painting, Villa Manin Centre for Contemporary Art, Codroipo. Italy
Dark Places, Santa Monica Museum of Art, Santa Monica, CA (cat.)
2005
Lichtkunst aus Kunstlicht, ZKM Karlsruhe, Germany
Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles
Vertiges, Printemps de Septembre, Toulouse, France
La Biennale de Lyon, Lyon, France (cat.)
La Nouvelle Peinture Allemagne, Carré d’Art – Musée d’Art Contemporain de Nîmes, France
Desired Constellations, Daniel Reich Gallery, New York
Surface, Lucas Schoormans Gallery, New York
Remote Visions: Invented Worlds in Recent Painting and Drawing, Whitney Museum of American Art, New York (cat.)
The Triumph of Painting, Saatchi Gallery, London (cat.)
2004
Short listed, Hugo Boss Prize
Busan Biennale, Busan, Korea
Champs de vision, Musée des Beaux Arts, Rouen, France
Close by – time space architecture, Mai 36 Galerie, Zurich, Switzerland
Monument to now, The Dakis Joannou Collection, Deste Foundation for Contemporary
Art, Athens, Greece (cat.)
realityReal, Arbeiten auf Papier, Galerie Gebr. Lehmann, Dresde, Germay
Global World/Private Universe, Kustverein St. Gallen Kunstmuseum, Switzerland (cat.)
Treasure Island, 10 Jahre Sammlung Kunstmuseum, Wolfsburg, Germany
2004
Werke aus der Sammlung Boros, Museum für neue Kunst, ZKM, Karlsruhe,
Germany (cat.)
A New Modernism for a New Millenium: Abstraction and Surrealism Are Reinvented in the Internet Age, The Logan Collection, Vail, Colorado (cat.)
2003
Inaugural Exhibition, Gavin Brown’s enterprise, New York
A Nova Geometria, Galeria Fortes Vilaça, São Paulo, Brazil
un-built cities, Bonner Kunstverein, Bonn, Germany (cat.)
Die Sehnsucht des Kartografen, Kunstverein Hannover, Hannover, Germany (cat.)
Heißkalt. Aktuelle Malerei aus der Sammlung Scharpff, Hamburger Kunsthalle,
Hamburg; Staatsgalerie, Stuttgart, Germany (cat.)
Frahm Ltd, London, UK
Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of
Modern Art, San Francisco (cat.)
Outlook, “The Factory”, Athens school of Fine Arts, Athens, Greece (cat.)
Berlin-Moskau/Moskau-Berlin, Martin Gropius Bau, Berlin, Germany (cat.)
Chaotic Order, Houldsworth, London UK
EU3, Stephen Friedman Gallery, London, UK
Hand up, baby, hand up!, Oldenburger Kunstverein, Oldenburg, Germany
Global Navigation System, Palais de Tokyo, Paris France
Dreams and Conflicts – The Viewer’s Dictatorship, Venice Biennial, Venice, Italy (cat.)
Painting abstract now, Museum Morsbroich, Leverkusen, Germany
Mit Harald Klingelhöller, Meuser, Andreas Slominski, Galerie Georg Kargl, Wien
Love is a batterfield, New York, USA
There’s no land but the land (up there is just a sea of possibilities), Meyer Riegger
Galerie, Karlsruhe, Germany
Contemporary German Art: Recent Aquisition, Washington University, St Louis,
Missouri
Painting pictures, Malerei und Medien im Digitalen Zeitalter; Kunstmuseum Wolsburg,
Wolsburg, Germany (cat.)
Subscribe: recent art in print, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Away from Home, Wexner Center for Arts, Columbus, OH (commissioned work) (cat.)
Gavin Brown’s enterprise, ‘20th Anniversary- Welcome home, New York
2002
Reality Check: Painting in the Exploded Field, Selections from the Vicki and Kent
Logan Collection, California College of Arts and Crafts, San Francisco (cat.)
Psychodrome 02, Fundaciò Juan Mirò, Barcelona, Spain
En Route, Serpentine Gallery London, UK (cat.)
The 8th Baltic Triennial of International Art, Contemporary Art Center, Vilnius, Lt (cat.)
Drawing Now: Eight Propositions, Museum of Modern Art, New York (cat.)
Hossa. Arte Alemàn del 2000, Centro Cultural Andratx, Mallorca, Spain
Lila, Weiss und andere Farben, Galerie Max Hetzler, Berlin, Germany
Reverberator, Houldsworth, London, UK
Nashville II, Kunstverein Harburger Bahnhof, Hamburg-Hamburg, Germany
Kopfreisen, Seedamm Kulturzentrum, Pfäffikon CH (cat.), Kunsthalle Bern, Bern, CH
XXV Bienal de São Paulo, São Paulo, Brazil
2001
Rotativa, Galeria Fortes Vilaça, São Paulo, Brazil
HEAD TRIPS. JULES VERNE, ADOLF WOELFLI AND OTHER COMMUTERS OF THE MIND, Seedamm Kutlurzentrum Pfaeffikon, Schweiz
Arte Contemporaneo Internacional, Museo de Arte Moderno, Mexico City, Mexico
Casino 2001, SMAK, Ghent, Belgium (cat.)
2001
Tempted to pretend, Kunsthaus Kaufbeuren, Kaufbeuren, Germany
Field, Market, Glasgow, UK
EU, Stephen Friedman Gallery, London, UK
Form follows Fiction, Castello di Rivoli, Torino, Italy (cat.)
Brown Field, Market, Glasgow (cat.)
Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, Odense
Freizeit, Kokerei Zollverein, Essen, Germany
Musterkarte, Modelos de Pintura en Alemania, Goethe Institut/ Centro Cultural Conde
duque/ Galeria Heinrich Erhard/ Galeria Elba Benitez, Madrid, Spain
Germania. La costruzione di un’ immagine, Palazzo delle Papesse, Centro Arte, Siena, Italy
Hybrids, Tate Liverpool, Liverpool, UK (cat.)
mirror’s edge, Tramway, Glagow, UK
Painting at the Edge of the World, Walker Art Center, Minneapolis (cat.)
Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT (cat.)
Palm Beach Institute of Contemporary Art, Palm Beach
close up, Kunstverein Hannover, Hannover, Germany
comfort: reclaiming place in a virtual world, Cleveland Center for Contemporary Art,
Cleveland (cat.)
abstraction and hybridity, Tate Liverpool, Liverpool, UK
2000
more works about buildings and food, Fundição de Oeiras, Hangar K7, Oeiras, P (cat.)
Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield;
Palm Beach Institute of Contemporary Art, Palm Beach (cat.)
home is where the heArt is, Museum van Loon, Amsterdam, Netherlands
DAAD: weltwarts, Kunstmuseum, Bonn, Germany
Salon, Delfina Project Space, London, UK
Millefleurs, Picture Show, Berlin, Germany
Malkunst, Fondazione Mudima, Mailand, Italy
Kunst und Mode, Picture Show, Berlin, Germany
Re_public, Grazer Kunstverein, Graz, Austria (with Rirkrit Tiravanija)
Loneliness in the City, Migros Museum, Zurich, Switzerland (with Rirkrit Tiravanija)
M Art in (n), M Art in (n) c/o Martin Schibli, Helsingborg
LKW, Lebenskunstwerke, Kunst in der Stadt 4, Kunsthaus Bregenz, Austria
Bleibe, Akademie der Kunst, Berlin, Germany
[re:songlines], hall_fur_kunst e.V., Lüneburg, Germany
Close Up, Kunstverein Freiburg, Germany, and Kunsthalle Baselland, Basel, Switzerland
Hausschau-das haus in der kunst, Deichtorhallen Hamburg, Germany (cat.)
CITY-INDEX, Festspielhaus Helerau, Dresden, Germany
Mysliwska, Kunstlerhaus Bethanien, Berlin, Germany
“Utopische Burger?”, workweb art, Köln, Germany
1999
German Open, Kunstmuseum Wolfsburg, Wolfsburg (cat.)
Carnegie International 1999/2000, Carnegie Museum of Art, Pittsburgh, PA (cat.)
Mirror's Edge, BildMuseet, Umea, SE; Vancouver Art Gallery, Vancouver, Canada;
Castello di Rivoli, Italy; Tramway, Glasgow, GB (cat.); Charlottenborg Exhibition Hall, Copenhagen, Danemark (cat.)
Officina Europa, Galleria d' Arte Moderna, Bologna, Italy (cat.)
Malerei, INIT Kunst-Halle, Berlin, Germany
Drawn from Artists' Collections, The Drawing Center, New York, NY
amAzonas Kunstlerbücher, Villa Minimo, Hannover
zoom, Sammlung Landesbank Baden-Württemberg, Stuttgart; Museum Abteiberg,
Monchengladbach, Kunsthalle zu Kiel, Kiel (cat.)
1999
go away: artists and travel, Royal College of Art, London, GB (cat.)
Dream City, Kunstverein München, Germany (cat.)
Otto & Otto, Copenhagen, Danemark
<Anderswo 1>, Kunstraum, Kreuzlingen, Switzerland
Frieze, ICA Boston, MA (cat.)
1998
Franz Ackermann und Jonathan Meese, Sammlung Volkmann, Berlin
Ferien, Utopie, Altag, Kunstlerwerkstatt Lothringer Straße, Munchen, Germany
Osygus, Produzentengalerie, Hamburg, Germany
Deep Thought. Part II, Basilico Fine Arts, New York, NY
Painting: Now and Forever, Pat Hearn & Matthew Marks, New York, NY
Hanging, Galeria Camargo Vilaca, Sao Paolo; Paco Imperial, Rio de Janeiro;
Museum of Modern Art, Recife, Brazil
sehen sehenm loop-raum fur aktuelle kunst, Berlin, Germany
Atlas mapping, Offenes Kuiturhaus Bregenz, Austria (cat.)
1997
Urban Living, Galerie Fons Welters, Amsterdam, Netherlands
Kunst ... Arbeit, Sudwest LB, Stuttgart, Germany (cat.)
Heaven, P.S.1, Long Island City, NY
Kunstpreis der Bottgerstrasse in Bremen, Bonner Kunstverein, Bonn, Germany
Time Out, Kunsthalle Nürnberg, Germany
Atlas Mapping, Offenes Kulturhaus Linz, Austria
Topping Out, Städtische Galerie Nordhorn, Germany
Gio Marconi, Milan, Italy
Imbiss, Kunstlerhaus, Stuttgart, Germany
a summer group show, neugerriemschneider, Berlin, Germany
1996
Wunderbar, Hamburger Kunstverein, Hamburg, Germany (cat.)
Faustrecht der Freiheit, Sammlung Volkmann, Kunstammlung, Gera; Neues Museum Weserburg, Bremen, Germany
Cruise, Friedensallee 12, Hamburg, Germany (curated by Florian Waldvogel)
Wunderbar, Kunstraum, Vienna, Austria (cat.)
1995
En passant ..., Hamburger Kunstverein, Hamburg, Germany
En passant ..., Akademie der Bildenden Kunste, Vienna, Austria
1994
Cocktail, Kunstverein, Hamburg, Germany
Wiensowski & Harbord, Berlin, Germany
1991
BP, Hamburg, Germany


Bibliography

2009
Ollman, Leah, “Review: Richard Jackson, Franz Ackermann at Otero Plassart,” Culture
Monster, Los Angeles Times, March 26
Danilowicz, Nathan, Review, ArtUS, March 22
Ackermann, Franz, Questionnaire, Frieze, March 2009
2007
Lapp, Axel, Art Review, July/August 2007, p.133
2006 Goodbody, Bridget L., Review, The New York Times, February 2, p. E35
“Franz Ackermann: home, home again, 23 ghosts,” published by kestnergesellschaft, Hannover; Fundacion Salamanca, Ciudad de Cultura, Salamanca; Hatje Cantz Verlag, Ostfildern
“All the Best: The Deutsche Bank Collection and Zaha Hadid,” published by Deutsche Bank, Frankfurt, a.M.
Demos, T.J., Review, Artforum, September, pp. 393-94
“Under Construction. On Institutional Practice,” published by The European Kunsthalle, Cologne
2006
McSweeney’s Quarterly Concern, Issue 20, Summer 2006, pp. 32, 108
“Blind Date”, Published by Deutsche Bank, Frankfurt, 2006
Adams, Brooks, “Report from Lyon: Time After Time,” Art in America, February,
pp. 56-63
Myers, Julian, Review, “Ecstasy,” Frieze, Jan./Feb. pp.145-46
2005
Grosenick, Uta, “Art Now: Vol. 2,” published by Taschen
Schwendener, Martha, Review, Artforum, November, pp. 251-52
Brener, Julie, interview with Elisabeth Sussman, The Writing on the Wall, Artnews, September, pp. 102-03
News and Around: Franz Ackermann, Tema Celeste, July-August, p. 103
News and Around: Biennale de Lyon, Tema Celeste, July-August, p. 96
Panek, Aneta, “Franz Ackermann: What a Long, Long Trip It’s Been,” Art Press, June 18
Grady, Elizabeth, ‘Remote Viewing,” published by the Whitney Museum of American Art, New York
Schwendener, Martha, Reviews, Time Out New York, January 20-26, p, 63
Levin, Kim, Voice Choices: Art, The Village Voice January 12-18, p. 58
Johnson, Ken, Art in Review: Franz Ackermann, The New York Times, Weekends Arts, January 7, p. E43
2004
Daniels, Corinna, ‘Travelantitravel’ vom Reisenden Franz Ackermann, Die Welt, October 8, 2004, p. 34
Bitterli, Konrad, 1500 und elf Perspektiven auf die Welt, Saiten, May 2004, p.42-43
Müller, Silke, Ansichtskarten vom globalen Dorf, Art, May, pp. 16-29
Wittneven, Katrin, Hunger nach Trends, Der Tagesspiegel, April 10, 2004, p. 26
Stoeber, Michael, Die Sehnsucht des Kartografen, Kunstforum, Bd. 169, March / April,
pp. 247-250
Christofori, Ralf, Brückem über den Fluss, Der Tagesspiegel, March 2nd, p. 24
Gleadell, Colin, ‘Smash Hits,’ Art Review, March, pp. 38; 40
Ausst.Kat., Bitterli, Konrad, Mentale Landkarten, in: Global World / Private Universe,
Kunstverein St. Gallen, Verlag für Moderne Kunst, Nürnberg, 2004
Koch, Martina, Dasist hier die Grage, St. Galler Tagblatt, February 13, 2004
Wittneven, Katrin, Die Metropole vergisst ihre Kinder, Der Tagesspiegel, February 10th,
p. 24
Grabher, Ariane, Global World/PrivateUniverse Kultur, February 2004, p. 30-31
Ausst.Kat., Maas, Aline, Franz Ackermann, Werke aus der Sammlung Boros, ZKM,
Karlsruhe, 2004
Burger, Jörg, Kaputt, drecking und voller Ideen, Die Zeit, January 22nd, p. 53
Fokidis, Marina, Outlook, Flash Art, January / February, p. 54
2002
Wilson-Goldie, Kaelen, “Abstractionism, The New Abstractionists”, Art and Auction,
p. 94
Ausst.Kat., Pohlen, Annelie, un-built cities, Bonner Kunstverein 2003
Hoffmann, Justin, Große Reise im Stehen, Süddeutsche Zeitung, 18./19. October, p.51
Hutter, Dominik, Nächster Halt: Kunst-Bahnhof, Süddeutsche Zeitung, 18./19. October,
p.54
Macel. Christine, à l’Est, du nouveau. Actualité de la peinture en Allemagne / New
Painting in Germany, artpress, Nr.294, October, pp. 39-46
Stange, Raimar, Ein utopischer Bürger? / A Utopian Citizen?, Parkett, Nr.68, pp.46-53
Decter, Joshua, Ackermann Hallucinating Maps / Landkarten wie Hallucinationen, Parkett, Nr.68, pp.32-45
Fogle, Douglas, The Occidental Tourist / Die Reisen des Franz Ackermann, Parkett,
Nr.68, pp.20-31
Schlaegel, Andreas, Reviews, Contemporary, Summer 2003
2002
Lapp, Axel, Franz Ackermann, ArtReview, July/August, p. 95
Keil, Frank, Der Kartograph, Frankfurter Rundschau, May 23rd
Hosch, Alexander, Deutschland hat wieder richtige Maler, Architectural Digest, May, p.54
Ausst.Kat, Szope, Domenika, Franz Ackermann, in: Fast Forward. Media Art. Sammlung Goetz, ZKM, 2003
Hinrichsen, Jens, Mit dem Pinsel um die Welt, Der Tagesspiegel, April 17th
Ausst.Kat., Seifermann, Elen, Franz Ackermann. Eine Nacht in den Tropen, Kunsthalle Nürnberg, Edition Minerva, 2003
Gardenr, Belinda Grace, Wolfsburg: “Painting Pictures”, Kunstzeitung, April
Sommer, Tom, Selbst und Fremde, art, April
Fricke, Herald, Reisen in Zeiten des Krieges, TAZ, March 22
Jasper, Martin, Ein Volkswagen ist kein Ikarius, Braunschweiger Zeitung, March 21st
Norton, Sydney, Contemporary German works exhibit features themes of reflection and refraction, St Louis Post-Dispatch, March 9th
Rauterberg; Hanno, Amüsierte Selbstaufgabe, Die Zeit, March 6th, p46
Buhr, Elke, Alles gleich glatt, Frankfurter Rundschau, March 4th
Tilmann, Christina, Das grüne Leuchten, Der Tagesspiegel, March 1st
Recent Acquisitions: Contemporary German Art, Reviews, February/March
Stange, Raimar, Zuruck in die Kunst, published by Rogner & Bernhard GmbH & Co. Verlags KG: Hamburg, Germany pp. 153-161Drolet, Owen, “Drawing Now: Eight Propositions,” Flash Art, January/February, p. 56
Yablonsky, Linda, Drawing Now: Eight Propositions, Artnews, January, p. 119
Sao Paulo Biennale, Sao Paulo, Brazil (cat.)
Molon, Dominic, Vitamin P, Phaidon Press, London, pp. 16-19
Diskussion mit Peter Pakesch, Douglas Fogle and Lauri Firstenberg; Curating Painting,
Flash Art, December, pp. 59-61
Stange, Raimar; Adventures of Uncertainity, Modern Painters, Winter, pp. 98-101
Drawing Now: Eight Propositions, Journal of the Print world, Fall
Schjeldahl, Peter, “The Drawing Board,’” The New Yorker, November 2nd, pp. 102-103
Saltz, Jerry, “Good on Paper,” Village Voice, October 30-November 5
“Halle, Howard, “Papering the House,” Time Out NY, November 7-14, p. 81
Smith Roberta, Retreat from the Wild Shores of Abstraction, The New York Times, Fine Arts Leisure, Friday, October 18th, pp. 31, 33
Gute, Charles; Menin Samuele; Robecchi, Michele; Focus Painting. Part One, Flash Art, October, pp. 78-85
Sumpter, Helen; Get a move on, The Big issue, September
Taylor, John Russel, Road from Nowhere, The Times, September 25th
Güner, Fisun, Everyday drive-by shooting, Metro, September 23rd
Altmann, Alexander, Tiefe trifft auf obsessive Oberflächlichkeit, Bayerisch Staatszeitung, September 13th, p. 24
Jansen, Gregor, , Art Now, published by Taschen, edited by Uta Grosenick and Burkhard Riemschneider, Koln
Reitter, Barbara, Farb-Vitalität pur im Lenbachhaus, Neue Presse, August 6th, p. 14
Schmidbauer, Albert, Die Magie von Farbe und Form, August, pp. 30-35
De Righi, Roberta, Im Energietank der Malerei, Abendzeitung, July 31st, p. 19
Klier, Melanie, Farb-Explosion, Münchner Merkur, July 31st, p. 16
Czöppan, Gabi; Der Popkultourist; Focus, Nr.31, July 29th, p. 77
Liebs, Holger; Der Standtraum – unendliche Weiten; Süddeutsche Zeitung, Nr.174, July 30th, p. 14
Gockel, Cornelia, Aus dem Dschungel in den Keller, Süddeutsche Zeitung Extra, July 30th
--; Bescheidenheit ist eine Zier, Frankfurter Allgemeine Sonntagszeitung, July 28t
2002
Gellatly, Andrew, “Sao Paulo Biennial,” Frieze, June/July/August, pp. 106-107
“Focus Germany,” Flash Art, May-June, p. 114
Karcher, Eva; Metropolenstress o.ä., Die Zeit, May 8th, Nr 20, p. 72
Ein Nacht in den Tropen, published by Kunsthalle Basel, Basel
Heiser, Jorg, “Traveling Light,” Frieze, April 2002, pp. 54-57.
Stange, Raimar, “Franz Ackermann in der Kunsthalle Basel,” Kunst-Bulletin, March, p. 38
Winkelmann, Jan; Franz Ackermann; Metropolis M; February/March, Nr.1, pp. 44-46
Transatlantic, Bienal de São Paulo
Christofori, Ralf; In Bildern reisen, Frankfurter Allgemeine Zeitung; February 27th, Nr.49, p. 51
Herzog, Samuel; Opulent verpflegt von Insel hüpfen; Basler Zeitung 19/20. January, Nr. 16, p. 39
Vitamin P. New Perspectives in Painting, Phaidon Press, London
Stange, Raimar; Triviale Tropen; Frankfurter Rundschau, February 26th, Nr.48, p. 25
2001
Princenthal, Nancy, Art in America, September, pp.152/153
Ryan, David; Painting and its Double; CVA Contemporary Visual Arts; Nr.34
Fricke, Harald; Franz Ackermanns “Mental-Map”-Zeichnungen und “Evasion”-Serien; Kunstforum International; June-July, pp. 177-179
Interview mit Franz Ackermann, in catalogue: tempted to pretend, Versuchung Verheißung Täuschung, Kunsthaus Kaufbeuren
Wiensowski, Ingeborg; Franz Akermann; Spiegel-Kultur; May, Nr.5, p. 30
Meneguzzo, Marco, Franz Ackermann, Artforum, April
Cavallo, Floriana, Franz Ackermann: Il viaggio come arte, Milano sur la terre, Frühling, Nr.6, pp. 34-36
Meneguzzo, Marco, Avventura oltre il Muro, AD/Antiques & Collectors, March, Nr.238, pp. 120-125
Ziegler, Philipp, Reisen in die Städte der Zukunft, frame, January / February, p. 14
Thiel, Wolf-Günter and Nikolova, Milena, Franz Ackermann; Dissolving into the Everyday, Flash Art, January-February, pp.78-82
Conti, Tiziana, Franz Ackermann, Tema Celeste, January/February, p. 89
Lieb, Holger; Generation Klecks; Süddeutsche Zeitung; January 9th, Nr.6, p. 15
Heidenreich, Stefan,; Pflummis, springt auf diese Stadt!; Frankfurter Allgemeine Zeitung; January 3rd
2000
Stange, Raimar, Werkstatten neuer Mensclichkeit, Ausst. Kat. City Index, Kunst Haus, Dresden
Franz Ackermann/ Rirkrit Tiravanija, Ausst. Kat. Re_public, Grazer Kunstverien, October
Franz Ackermann, Griffelkunst, Bliderwahl, Fall
Hübl, Michael, Der Globus zwischen Fächern und Projektionsflächen, Badische Neueste Nachrichten, May 31st
Beccaria, Marcella, Franz Ackermann, B.I.T. Ausst. Publication Castello di Rivoli, Torino, October-January
Lösel, Anja, Emher, Kerstin (photos), Glühende Bilderlust, stern, No. 40, September
Heiser, Jörg, Mirror’s Edge, Bildmuseet, Umea, Frieze, March-April
1999
Koerver, Jens Peter, New Painting, Der Stand del Bilder, frame, No. 3
Wachtmeister, Marika, Samtidskonst I Pittsburg, Kristianstadsbladet, February
Peo, Carol, Mirror’s Edge Reflect the Futur of Art, National Post, March 18th, p. 5
Ritchie, Matthew, The New City, art/text 65., p. 74-79
Daniels, Corinna, Im Wilden dschungel urbanen Lebens, Die Welt, December 27th, p. 31
Pedrosa, Joao, Carnegie International 1999/2000, Casa Vogue Brazil, December
Bonik, Manuel, Kunsthauptstadt Berlin, GQ, No. 12, December, pp. 60-68
Knight, Christopher, Arts and Entertainment, Los Angeles Times, November 26th
1999
Smith, Roberta, Safe Among Seamless Shadows, New York Times, November 17th, p. B1/ B6
Balkenhol, Bernhard, Franz Ackermann-I can’t Remember, Das Fridericianum Magazin, No. 3, Fall, pp. 22-24
Karcher, Eva, Traumstadtsplitter, Der Tagesspiegel, April 9th, p. 25
Sonna, Birgit, Sschone neue Urlaubswelt, Suddeutsche Zeitung, no. 78, April 8th, p. 17
Kotteder, Franz, Entzauberung der Traumstadt, Süddeutsche Zieitung, March 25th, p. 22
Preuss, Sebastian, Deotionalien bis unter die Decke, Sammlung Volkman Berliner Zeitung, March 5th, p. 22
Ross, Trine, Otto er et-sted som ikke findes, Politiken, February 5th, pp. 26-27
Maler, Anne, <Ferien Utopie Altag> in der Kunstlerwekstatt Lothringer Strarre, Kunst-Bulletin, January-February, pp. 43-44
Ackermann, Franz, Wish you Were Here, Frieze, February, pp. 37-38
1998
Denk, Andreas, Franz Ackermann, Songline, Kunstforum, No. 140, April-June, pp. 390-392
Bell, Ralf, Atlas Mapping, Kunstforum, No. 141, July-September, pp. 412-415
Stange, Raimar, Schreccklich nette Familie, zitty, 13/199
Viegas, Camila, Mostra Aponta Rumos da Pintura Moderna, Caderno2, May 4th
Fioravente, Celso, Sobra cor e Falta Rufdo em ”Hanging”, Folha de S. Paolo, May 4th, p. 3
Stange, Raimar, Nordhorn Review, Flash Art, March/April, p.119
Christofori, Ralf, Weltschopfung im Streichholzschachtelformat, Fankfurter Allgemeine Zeitung, March 31st, pp. 44
Blase, Christoph, Tourist mit Terroristischen Blick, Frankfurter Allgemeine Zeitung, March 9th
Scholl, Helga, Moderne Welten, Aachener Nachrichten, February 4th, p. 10
Scholl, Helga, Endlos Film-Bilder, Aachener Nachrichten, January 31st
Stange, Raimar, Franz Ackermannim Neuen Aachener Kunstverein, Kunst-Bulletin, January-February, p. 36
Dih, Ackermann und Friese belm Kunstverein, Aachener Zeitung, January 31st
Titz, Susanne, Ein Gekleided, Franz Ackermann Skulpturales Panorama, Aczente, January 14th
Süto, Wilma, Zinvol Geweld Binnenshuis, De Volkskrant, January
Roos, Robert, Vilf Berliner Proberen het urbane leven te relaviten, Trouw, January 9th
Cotter, Holand, Franz Ackermann “Unexpected”, New York Times, January 2nd
Saltz, Jerry, Franz Ackermann, Time Out New York, January, p. 50
1997
Stange, Raimar, Franz Ackermann, “Unerwatet”, Punkt, 4197
Sunderkemper, Wolfgang, Sprengkraft Weltbild, GIG, 12, Nr. 139
Stange, Raimar, Franz Ackermann, artist Kunstmagazin, 4, pp. 40-43
Schmidt-Wulffen, Stephan, Kunst,Arbeit. Aus der Sammlung der Sudwest LB, Katalog der gleichnamigen Ausstellung, Stuttgart, pp. 226-227
Metronome, No. 2, pp. 2-3
Meschede, Friedrich, Franz Ackermann. Alll the places I’ve never been, Kunstforum International, June-August, pp. 64-69
Herbstreuth, Peter, Wie im Bild, so im Leben, Der Tagesspiegel, March 8, p. 21
Stange, Raimar, Street Drawing Man, Kunst-Bulletin, March 3, pp. 6-11
Grus, Michael, Bluhende Stadtlandschaften, Frankfurter Rundschau, no. 40, February 17, p. 7
Hierholzer, Michael, Bilder zum Ausgleich des Gefuhlshaushalts, Frankfurter Allgemeine Zeitung, February 11
Reski, Gunter, Datenbank auf Sohlen, Kunstpreis der Bottcherstaße in Bremenzu Gast im Bonner Kunstverein, September-October, pp. 8-13
Fricke, Harald, Stadt ohne Legende/City Without a Key, in:Franz Ackermann, Mental
1996
Clewing, Ullrich, Junge Kunst: Statt neuer Ideen am liebsten neue Bilder, Art, October,
p. 44ff
Bonik, Manuel, Die Kunst zu gewinnen, stern, no.41, pp. 124-128
Herbstreuth, Peter, Treffpunkt der Kreativen, Der Tagesspiegel, August 10, p. 21
Herbstreuth, Peter, Tagtraum frustrierter Architekten, Der Tagesspiegel, August 3, p. 21
Fricke, Harald, Die Vergangenheit bleibt in Zukunft eine Leerstelle, taz, July 20/21
Bettina Muller, Katrin, Zeitschleife, Der Tagesspiegel, July 11, p. 26
Herbstreuth, Peter, Muffelt nach Kase, Der Tagesspiegel, July 8, p. 19
Seyfarth, Ludwig, Mein wunderbarer Malsalon, Szene, June, pp. 88-89
Philippi, Anne, Asthetik der Umgebung, Spex, June, p. 46
1995
Decter, Joshua, Franz Ackermann, Thomas Solomon's Garage, Artforum, November
Tager, Alisa, Internationalizing L.A., Art in America, October, pp. 51-53
Pagel, David, Patterns and Postcards, Los Angeles Times, July 27
Spiegel, Andreas, En passant, Akademie der Bildenden Kunste, Wien, p. 2
1994
Schreiber, Doris, Gestohlene Orangen, Kolnische Rundschau, November 24
Kisters, Jurgen, Total ver-ruckte Welt, Kolner Stadtanzeiger, November 16/17
1993
Ackermann, Franz, Junge Touristen, Texte zur Kunste, no. 16, pp. 197-198
Schneider, Christiane, Jahresring 41, pp. 37, 100-103 Wissman, Kathrin, Franz Ackermann, zitty (14/94), July, p. 150
Herbstreuth, Peter, Kalifornische Welle, KDer Tagesspiegel, July 13, p. 17
Fricke, Harald, Popsoziologie des geteilten Berlin, Kunst in Berlin jetzt: Ackermann, Hall, Boltanski, die tageszeitung, July 9, p. 32


Catalogues

2009
Rattemeyer, Christian, ed., Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art: New York
2006
Decter, Joshua and servo, Dark Places, published by The Santa Monica Museum of Art: Santa Monica, CA
Grosenick, Uta, Art Now: Vol. 2, published by Taschen: Cologne
2005
Irish Museum of Modern Art, Dublin, Ireland (cat.)
La Biennale de Lyon, Lyon, France (cat.)
Fonds Régional d'Art Contemporain Champagne-Ardenne, Rheims, France (cat.)
Remote Visions: Invented Worlds in Recent Painting and Drawing, Whitney Museum of American Art, New York (cat.)
The Triumph of Painting, Saatchi Gallery, London (cat.)
2004
Monument to now, The Dakis Joannou Collection, Deste Foundation for Contemporary
Art, Athens, Greece (cat.)
Global World/Private Universe, Kustverein St. Gallen Kunstmuseum, Switzerland (cat.)
Werke aus der Sammlung Boros, Museum für neue Kunst, ZKM, Karlsruhe,
Germany (cat.)
A New Modernism for a New Millenium: Abstraction and Surrealism Are Reinvented in the Internet Age, The Logan Collection, Vail, Colorado (cat.)
2003
Grynsztejn, Madeleine, et. Al, Supernova: Art of the 1990s from the Logan Collection, published by San Francisco Museum of Modern Art: San Francisco, CA
Outlook, “The Factory”, Athens school of Fine Arts, Athens, Greece (cat.)
Berlin-Moskau/Moskau-Berlin, Martin Gropius Bau, Berlin, Germany (cat.)
un-built cities, Bonner Kunstverein, Bonn, Germany (cat.)
Die Sehnsucht des Kartografen, Kunstverein Hannover, Hannover, Germany (cat.)
Heißkalt. Aktuelle Malerei aus der Sammlung Scharpff, Hamburger Kunsthalle,
Hamburg; Staatsgalerie, Stuttgart, Germany (cat.)

Catalogues (cont’d)

2003
A New Modernism for a New Millenium: Abstraction and Surrealism Are Reinvented in the Internet Age, The Logan Collection Vail: Vail, Colorado
Seifermann, Ellen et. Al, Franz Ackermann: Eine Nacht in den Tropen, published by Kunsthalle Nürnberg: Nürnberg, Germany and Edition Minerva Hermann Farnung: Wolffratshausen, Germany
Naherholungsgebiet, Wolfsburg Museum, Wolfsburg, Germany (cat.)
Massie, Anetta, Away from Home, published by Wexner Center for the Arts, Ohio State University, Columbus, OH
A Portrait of Our Times, The Logan Collection
Végh Christina, Franz Ackermann, published by Kunsthalle Basel: Basel
Dreams and Conflicts – The Viewer’s Dictatorship, Venice Biennial, Venice, Italy (cat.)
van Tuyl, Gijs and Amelie Lütgens, Painting pictures, Malerei und Medien im Digitalen Zeitalter Kunstmuseum Wolfsburg, Kerber Verlag, Bielefeld
2002
Higgs, Matthew, Reality Check: Painting in the Exploded Field, Selections from the Vicki and Kent Logan Collection, published by California College of Arts and Crafts, San Francisco
Franz Ackermann, Naherholungsgebiet, Kunstmuseum Wolfsburg, Kerber Verlag
Franz Ackermann: Seasons in the Sun, published by Stedelijk Museum: Amsterdam
En Route, Serpentine Gallery London, UK (cat.)
The 8th Baltic Triennial of International Art, Contemporary Art Center, Vilnius, Lt (cat.)
Drawing Now: Eight Propositions, Museum of Modern Art, New York (cat.)
Kopfreisen, Seedamm Kulturzentrum, Pfäffikon CH (cat.), Kunsthalle Bern, Bern, CH
2001
Casino 2001, S.M.A.K., Gent
Grosenick, Ute and Burkhard Riemschneider Art Now Icons, published by Taschen, Cologne
Brown Field, Market, Glasgow, UK
Form follows Fiction, Castello di Rivoli, Torino, Italy (cat.)
Wallis, Simon et. Al, Hybrids, published by Tate Liverpool, Liverpool, UK
Painting at the Edge of the World, Walker Art Center, Minneapolis (cat.)
Capellazzo, Amy and Jessica Hough,Glee: Painting Now, published by The Aldrich Museum of Contemporary Art, Ridgefield, CT and Palm Beach Institute of Contemporary Art, Palm Beach, FL
comfort: reclaiming place in a virtual world, Cleveland Center for Contemporary Art,
Cleveland (cat.)
2000
more works about buildings and food, Fundição de Oeiras, Hangar K7, Oeiras, P (cat.)
Felix, Zdenek and Ludwig Seyfarth, Hausschau-das haus in der kunst, published by Deichtorhallen Hamburg: Hamburg, Germany and Hatje Cantz Verlag: Ostfeldern-Ruit, Germany
1999
Works on paper inc., Los Angeles, CA (cat.)
Supernova: Art of the 1990s from the Logan Collection, published by San Francisco Museum of Modern Art: San Francisco
German Open, Kunstmuseum Wolfsburg, Wolfsburg (cat.)
Grynsztejn, Madeleine, et. Al Carnegie International 1999/2000, published by Carnegie Museum of Art, Pittsburgh, PA
Castello di Rivoli, Italy; Tramway, Glasgow, GB (cat.); Charlottenborg Exhibition Hall, Copenhagen, Danemark (cat.)
Officina Europa, Galleria d' Arte Moderna, Bologna, Italy (cat.)
Monchengladbach, Kunsthalle zu Kiel, Kiel (cat.)
go away: artists and travel, Royal College of Art, London, GB (cat.)
Dream City, Kunstverein München, Germany (cat.)
Grunenberg, Christopher, Frieze, published by Institute of Contemporary Art: Boston, MA

Catalogues (cont’d)

1997
Schmidt-Wulffen, Stephan, Time out, in: time out, Catalogue gleichnamigem Ausstellung in der Kunsthalle Numberg
Fricke, Harald Franz Ackermann: Mental Maps, published by Portikus: Frankfurt am Main
Meschede, Friedrich, Mutmassungen uber die Stadt, exhibition catalogue
"DIALO(O)G", November / December
unerwartet, published by Städtische Galerie Nordhorn: Nordhorn, Germany
1996
Wunderbar, Hamburger Kunstverein, Hamburg, Germany (cat.)
1994
Meschede, Friedrich et. Al, Franz Ackermann/Dimitri Vangrunderbeek, published by Belgisches Haus, Cologne

JAMES ANGUS


1970 Perth, Western Australia
Lives and works in New York


Education

1998 MFA, Yale University School of Art
1990 BFA, Curtin University of Technology


Solo Exhibitions

2010
Roslyn Oxley9 Gallery, Sydney

2009
TripleV, Dijon, France

2008
Roslyn Oxley9 Gallery, Sydney
“Tree Trunk,” Upstairs @ GBE, New York

2007
Art Gallery of Western Australia, Perth
Institute of Contemporary Art, Brisbane

2006
“Three Sculptures,” Gavin Brown’s enterprise, New York
Museum of Contemporary Art, Sydney (cat.)

2004
Gavin Brown’s enterprise, New York
"Truck Corridor," Art Gallery of New South Wales, Sydney

2002
Roslyn Oxley9 Gallery, Sydney

2000
Roslyn Oxley9 Gallery, Sydney
Govett-Brewster Art Gallery, New Plymouth, New Zealand
Australian Center for Contemporary Art, Melbourne

1999
Gavin Brown's enterprise, New York

1997
Gavin Brown's enterprise, New York

1995
Roslyn Oxley9 Gallery, Sydney
Perth Institute of Contemporary Arts

1994
200 Gertrude St, Melbourne

1993
Galerie Dusseldorf, Perth, as part of the Festival of Perth
1991 Perth Institute of Contemporary Arts, Perth Australia


Selected Group Exhibitions

2009
"Cubism," Heide Museum of Modern Art, Melbourne
2008
“The Freak Show,” Musee de la Monnaie, Paris, France
“Biennale of Sydney,” Sydney
2007
“The Freak Show,” Musee d’Art Contemporain, Lyon, France (cat.)
2006
“21st Century Modern,” Adelaide Biennial, Art Gallery of South Australia
‘Scape Biennial of Art in Public Space,’ Christchurch, New Zealand (cat.)
2004
“Gridlock: cities, structures, spaces,” Govett-Brewster Art Gallery, New Plymouth,
New Zealand
2003
“Strange Days,” Museum of Contemporary Art, Chicago
“Still Life,” Art Gallery of New South Wales, Sydney (cat.)
“Inaugural Exhibition,” GBE (Modern), New York
“Face Up,” National Galerie im Hamburger Bahnhof, Berlin (cat.)
“20th Anniversary- Welcome home,” Gavin Brown’s enterprise, New York
2002
“Biennale of Sydney,” Sydney (cat.)
2001
“Never Never Land”, USF Contemporary Art Museum, College of Fine Arts, Tampa
2000
“New Urban Sculpture”, Public Art Fund, New York
2000
"Age of Influence: Reflections in the Mirror of American Culture", curated by Francesco
Bonami and Elizabeth Smith, Museum of Contemporary Art, Chicago
1998
"Unfinished History" curated by Francesco Bonami, The Walker Art Center, Minneapolis (cat.)
1997
"Fischli and Weiss, Hans Accola, and James Angus", Gavin Brown's enterprise,
New York
1996
"Adelaide Biennial of Australian Art," Art Gallery of South Australia (cat.)
"Transformers", Auckland City Art Gallery, New Zealand
"Out of Australia," Perth Institute of Contemporary Arts, Perth
"Vernacular Signs", Art Gallery of Western Australia, Perth
1993
"115 degrees 58 minutes East, 91 degrees 56 minutes South", Roslyn Oxley9 Gallery, Sydney
"Movement and Light", Museum of Contemporary Art, Sydney
1992
"Primavera," Museum of Contemporary Art, Sydney (cat.)
"ARX3 (Artists' Regional Exchange)", Lawrence Wilson Gallery, University of Western Australia, Perth


Selected Bibliography

2007
Palmer, Daniel, “Looking Back,” (illus.) Frieze, January-February, p. 128
Rawlins, Jarrod, Review, Flash Art, March-April, Vol. XL, no. 253, p.134
Chapman, Christopher, “Art from the Future: Alberto Giacometti and James Angus,” Art Monthy, March, pp. 30- 33
2006
Kent, Rachel, “Shape Shifter: The Art of James Angus,” James Angus, published by the Museum of Contemporary Art: Sydney
Bretton-Meyer, Henrietta “Between Science and Fiction,” James Angus, published by the Museum of Contemporary Art: Sydney
Conland, Natasha, “James Angus” Scape Biennial of Art in Public Space, Christchurch, New Zealand
2004
Holubizky, Ihor, Truck Corridor, cat. Art Gallery of New South Wales, Sydney
Sullivan, Eve, "Truck Corridor", Broadsheet, December
2003
Turncliff, Wayne, “James Angus,” Still Life: The Inaugural Balnaves Foundation Sculpture Project, Art Gallery of New South Wales Sydney
Schmitz, Britta et. al “ Face Up: Contemporary Art From Australia,” published by Hatje Cantz: Ostfildern-Ruit
“Artist Statement,” Face Up, National Galerie Im Hamburger Bahnhof, Berlin
Grayson, Richard, “Artist Text: Ideal State,” Face Up, National Galerie Im Bahnhof, Berlin
Angus, James, “In Search of Perfect Ambiguity,” Art & Australia, Vol. 40, No. 4, June–July-August
2002
Rees, Simon, “2002 Biennale of Sydney,” Flash Art, Vol. 34, No. 225, July-September
2000
Koop, Stuart, “Look Again- The Art of James Angus,” Monument, No. 40, February-March
Newall, Michael, “James Angus,” Like, Art Magazine, No. 13, Summer
Hunt, David, “Gulliver’s Trouble”, Art/Text, No. 68, February
Chapman, Christopher, “Haptic Geometry”, Eyeline 43, spring, pp. 15-17
Kastner, Jeffery, “New Urban Sculpture at MetroTech Center, Brooklyn”, In Process, Volume 8, #2, winter
1999
Vogel, Carol, “Inside Art”, The New York Times, October 15
Sundell, Margaret, Review, Artforum, November
1998
Bonami, Francesco, “Unfinished History,” published by Waker Art Center: Minneapolis
1997
Saltz, Jerry, Time Out New York, October
Johnson, Ken, 'Art In Review', The New York Times, September 26
1996
Schubert, Robert, " The 1996 Adelaide Biennial of Australian Art", Flash Art, Nov/Dec.
1996
Chapman, Christopher, "1996 Adelaide Biennial of Australian Art", published by Art Gallery of South Australia: Adelaide
1993
Stringer, John, Art + Text, May
1992
Michael, Linda, PRIMAVERA catalogue, published by the Museum of Contemporary Art: Sydney
Barret-Lennard, John, Artlink, vol11/4, summer


Public Collections

Auckland City Art Gallery
Art Gallery of Western Australia
Art Gallery of New South Wales
Art Gallery of South Australia
Museum of Contemporary Art, Sydney
National Gallery of Australia
Museum of Contemporary Art, Chicago

URI ARAN

Born in 1977
Lives and works in New York


Education

Columbia University, MFA Visual Arts 2007
Bezalel Academy, B.Des 2004
The Cooper Union, 2003


Solo Exhibitions

2012
Gavin Brown's enterprise, New York (Forthcoming)

2011
A To Q, Art Statements, Basel, with Mother’s Tankstation (Forthcoming)

2010
Doctor, Dog, Sandwich, Mother’s Tankstation, Dublin, Ireland

2008
Geraniums, Rivington Arms, New York, NY

Group Exhibitions

2011
Commercial Break, Curated by Neville Wakefield, Venice
A Hole is to Dig, Office Baroque, Antwerp Belgium
Partoftheprocess4, Galleria Zero, Milan, Italy
After images, curated by Fionn Meade, Jewish Museum Of Belgium, Brussels
No More Presence 2, With Liam Gillick, The Artist's Institute, New York, NY

2010
Painting and Sculpture: To Benefit the Foundation for Contemporary Arts Lehmann Maupin, New York, NY
It’s All American, New Jersey MoCA, Asbury Park
Wait For Me at the Bottom of the Pool, Organized by Bob Nickas,
Sagaponack, NY
The Coke Factory, Ritter/zamet, London
1848!!! With Liam Gillick, Esther Schipper, Berlin, Germany
Greater New York, PS1, New York, NY, with Tommy Hartung
Knight’s Move, Curated by Fionn Meade, Sculpture Center,
New York, NY (catalogue)
5 Videos, screening at West Street Gallery, New York, NY
No More Presence, With Liam Gillick, Gresham’s Ghost, New York, NY
Gr0up Sh0w, Taxter & Spengemann, New York, NY
Manamal, Herzliya Museum of Contemporary Art, Herzliya, Israel

2009
The Living And The Dead, Gavin Brown’s Enterprise, New York, NY
The Kings County Biennial, James Fuentes & Kidd Yellin, Brooklyn, NY
TIME – LIFE 2, Taxter & Spengemann, New York, NY
Circular File Channel, Curated by Josh Kline, PERFORMA, New York, NY
PRUESSPRESS 2, Ritter/Zamet, London
The Fuzzy Set, LA><ART, LA
“Odeon”, Ritter/Zamet, London
“Video”, Selected by Benjamin Godsill, The New Museum, New York, NY
“Made in the USA”, Philip Deely & Kalika Farmer, Great Barrington, MASS
“On From Here”, Guild & Greyshkul, New York, NY

2008
Closer Now, Rivington Arms, New York, NY
Controversy of The Common Experience, SOIL, Seattle, WA
SINGULAR FRIENDS, 41 Wooster, New York, NY
FRIENDLY, a video night at CRG Gallery
New Work, Mesler & Hug, LA
YES, AR/Contemporary, Milan
PRUESSPRESS 1, Rental, New York, NY
Sunshine, Ritter/Zamet Gallery at Rental, New York, NY
CRG Open Video Series, CRG Gallery, New York, NY
On Paper, Moti Hasson Gallery, New York, NY

2007
Loot from Wars of Nationalist Aggression, Curated by Darren Bader, Passerby, Gavin Brown’s Enterprise, New York, NY
Wu tang/Googolplex show, Curated by Darren Bader, Passerby, Gavin Brown’s Enterprise, New York, NY
Dutch Elm Disease, Curated by Darren Bader, Passerby, Gavin Brown’s Enterprise, New York, NY
Artists' Cinema, curated by Ronnie Bass, Henry Art Gallery, Seattle, WA
New Misunderstandings: Return of the Same, with Jeremy Eilers, Moti Hasson Gallery, New York, NY
Beyond the Pale, Curated by Candice Madey & Tairon Bastien, Moti Hasson Gallery, New York, NY


Bibliography

2011
Fionn Meade, After Images, exhibition catalogue, Jewish Museum of Belgium

2010
Alemani Cecilia, I Believe in Mimicry, MOUSSE #26, December
Fite-Wasslek Chris, Doctor Dog Sandwich, ArtPapers, November
Herbert Martin, Dispatches, ArtReview, October
Fionn Meade, Knight’s Move exh. Cat, Sculpture Center, New York

2009
Coxhead Gabriel, Odeon, Time Out London, May.
Gillick, Liam, “Future Greats”, ArtReview, March.
Smith Roberta, "Uri Aran", Art in Review, The New York Times, January 23
Warner Emily, "Uri Aran: Geraniums," The Brooklyn Rail, February

2008
Westcott James, Project Space interview, ArtReview.com, March 4

2007
Saltz Jerry, Beyond the Pale, The Village Voice, Febru

THOMAS BAYRLE

1937
born in Berlin
lives and works in Frankfurt


Solo Exhibitions

2011
Thomas Bayrle, dependence, Brussels
Thomas Bayrle, Galerie Johann Widauer, Innsbruck
Thomas Bayrle/Daniel Kohl, La Chaufferie, Strasbourg
2010
Gummibaum and materials, Base Progetti per l'arte, Florence
Alle Jamele sind ein Kamel (Schopenhauer), Galerie Barbara Weiss, Berlin

2009
I’ve a Feeling We’re Not In Kansas Anymore, Museum of Contemporary Art, Barcelona, Spain
Thomas Bayrle, Raven Row, London

2008
A Mustache Is a Man’s Best Friend, Galerie Francesca Pia, Zurich

2007
Superimages, FRAC Limousin, France

2006
Happy Days Are Here Again, Gavin Brown’s enterprise, New York
40 Years of Chinese Rock ‚n’ Roll, Museum fur Moderne Kunst, Frankfurt

2005
Thomas Bayrle, Cubitt Gallery. London

2004
Thomas Bayrle: Carlos, Oldenburger Kunstverein

2003
Autostrada, Galerie Barbara Weiss, Berlin
Eiserner Vorhang/Safety Curtain. A project of museum in progress in co-operation with the Vienna State Opera

2002
Thomas Bayrle, Grazer Kunstverein
Thomas Bayrle, Städelsches Kunstinstitut, Frankfurt

2001
Kartoffelzähler, Johann Widauer, Innsbruck
Thomas Bayrle. Bilder, Zeichnungen, Druckgrafik aus den Jahren 1967 bis 2001, Galerie Meyer-Ellinger, Frankfurt
Layout, CCA, Kitakyushu

2000
flying home..., Museum in Progress, Vienna
Philip Johnson, 1999 und Werke von 1967 - 2000, Galerie Barbara Weiss, Berlin

1998
Galerie Meyer-Ellinger, Frankfurt
Dolly Animation, Galerie Francesca Pia, Bern

1997
Koriyama City Art Museum, Koriyama
Academy of Art & Design, Beijing
TassenTassen, Museum Moderner Kunst, Frankfurt

1996
Kunsthalle St. Gallen

1995
Galerie Meyer-Ellinger, Frankfurt

1994
Film Video Materialien, Portikus, Frankfurt

1990
Autobahnkopf, Portikus, Frankfurt

1989
Pinsel durchgespielt, Kunstverein Freiburg
Thomas Bayrle 1983 - 88, Seed Hall, Tokyo

1988
Madonna Jaguar, Kunsthalle Innsbruck

1987
Thomas Bayrle 1967 und 1987, Frankfurter Kunstverein

1986
GOLF, Auto Museum, Wolfsburg

1984
Capsel, Museum am Ostwall, Dortmund

1983
Druckgrafik 1960-83, Städtische Galerie, Wolfsburg

1980
Rasterfahndung, Goethe-Institut, San Francisco
Graphic Gathering, Stanford University, Palo Alto

1977
Cities and Accumulations, WAKO, Tokyo

1972
Formation Serielle, La Pochade, Paris
Kiko Galleries, Houston

1971
Studio S, Rome

1968
Mäntel - Tragbare Grafik, Art Intermedia, Cologne
produzione Bayrle, Galleria Apollinaire, Milan

1965
Galerie Buchholz, Munich

1964
Städtisches Museum, Göttingen

1963
DRUCK, Galerie Bergsträsser, Darmstadt


Group exhibitions

2012
documenta 13, Kassel
2011
Kistefos Museet, Oslo
Echoes, Centre Culturel Suisse, Paris
2010
10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea
2009
Athens Biennial, Athens
2009
ganz kleines Kino, Galerie Ute Parduhn, Dusseldorf
2009
53. Venice Biennial, Venice
2009
La Recherche, Liam Gillick, Trisha Donnelly, Leonor Antunes, Thomas Bayrle, Philippe Parreno, Air de Paris, Paris
The House the Cat Built, curated by Rirkrit Tiravanija
Heidi au pays de Martin Kippenberger, FRAC Fonds Régional d’Art Contemporain, Bordeaux
Grandfather Clock, Thomas Bayrle/ Will Benedict / Andrei Kochschmieder
Neue Alte Brücke, Fankfurt am Main
Notation. Kalkül und Form in den Künsten. ZKM Karlsruhe
1968. Die große Unschuld, Kunsthalle Bielefeld
Tracer. Thomas Bayrle, Martin Feldbauer, Daniel Kohl, Harald Pridgar, After the Butcher, Berlin
2008
Konstellationen IV. Material / Form / Mensch / Stadt, Städel Museum, Frankfurt
Whatever Happened to Sex in Scandanavia? Office for Contemporary Art Norway, curated by Marta Kuzma
God & Goods: Spirituality and Mass Confusion, Villa Manin Centro d’Arte Contemporanea, Udine, Italy, curated by Francesco Bonami
Recent Acquisitions, Gifts, and Works from Various Exhibitions 1985-2008, White Columns, New York, from the collection of Bob Nickas
Biennale of Sydney, Sydney
Brussels Biennial, Brussels
Experiment Marathon Reykjavík (Reykjavik Arts Festival 2008), Listasafn Reykjavíkur Hafnarhús, Reykjavik, Iceland
Stéphane Dafflon/Thomas Bayrle, Air de Paris, Paris
God and Goods, Villa Manin Centro d’arte contemporanea, Codroipo
Tempo, Tempo! Das Phänomen der Geschwindigkeit im Film, Opelvillen Rüsselsheim
Europop, Kunsthaus Zurich
2007
The Kitakyushu Biennial ´07, Moji-Ko Kitakyushu, Japan
Brussels Biennial, Brusels
Stéphane Dafflon/Thomas Bayrle, Air de Paris, Paris
Tbilisi 4: Everyday is Saturday, Tbilisi, Georgia
Body Politicx, Witte de With, Center for Contemporary Art, Rotterdam
Small Is Beautiful, Ursula Stiftung, Kraichtal-Unterröwisheim
Imagery Play, PKM Gallery, Beijing
Das Kapital-Blue Chips und Masterpieces, Museum für Moderne Kunst, Frankfurt/M Das Kapital-Blue Chips und Masterpieces, Museum für Moderne Kunst, Frankfurt, Germany
What does the jellyfish want?, Ludwig Museum, Cologne, Germany
Whenever it starts it is the right time – Strategies for a discontinuous future, Frankfurter Kunstverein
Studio Jahresgaben, Grazer Kunstverein, Graz, Austria
Screening of Sunbeam, Autobahnkopf, Select: A Night with Rosalind Nashashibi, Tate Modern, London
Imagery Play, PKM Gallery, Beijing
2006
Saigon Open City: First Chapter: Liberation, Ho Chi Minh City, Vietnam
Looking Back: The inaugural White Columns Annual, White Columns, New York
Galerie Mezzanin, Vienna
Of Mice and Men, 4th Berlin Biennale, Berlin
The Expanded Eye, Kunsthaus, Zurich
Dark Places, Santa Monica Museum of Art, Santa Monica, CA
2005
Beijing Case, Zero Field Experimental Art Center, Beijing
Summer of Love, Schirn Kunsthalle Frankfurt
Archive in motion, 50 years Documenta, Fridericianum, Kassel
Automobilisé, Galerie Ilka Bree, Bordeaux
Zur Vorstellung des Terrors: Die RAF. Ausstellung, Kunst-Werke, Institute for Contemporary Art, Berlin
2004
Berlin-Moskau / Moskau-Berlin 1950-2000, Staatliche Tretjakow-Galerie, Moskow
9. Triennale Kleinplastik Fellbach, Alte Kelter, Fellbach
Pop Cars. Amerika-Europa, Wilhelm Lehmbruck Museum, Duisburg
Deutschland sucht, Kölnischer Kunstverein
Grey Goo, Flaca, London
Cupcup and the happy Medium, Dowse-Museum, Wellington, New Zealand
Utopia Station, Haus der Kunst, Munich
2003
Bayrle, Greenfort, Zybach, Galerie Francesca Pai, Bern
Nation, Frankfurter Kunstverein
50. Biennale di Venezia
Berlin-Moskau / Moskau-Berlin 1950-2000, Martin-Gropius Bau, Berlin
Klosterfelde Invite #8, Klosterfelde, Berlin
2002
Europaweit - Kunst der 60er Jahre, Städtische Galerie, Karlsruhe
2001
Frankfurter Kreuz. Transformationen des Alltäglichen in der zeitgenössischen Kunst, Schirn Kunsthalle, Frankfurt
DC: Thomas Bayrle/ Bodys Isek Kingelez, Museum Ludwig, Cologne
2000
Floating Cities. Die europäische Stadt in Bewegung, conference (06-22 - 06-25-2000) Guardini Stiftung e.V. in the Haus der Kulturen der Welt, Berlin
out of space, Schnitt Ausstellungsraum zu Gast im Kölnischen Kunstverein, Cologne
1999
Serien/ Konzepte in Foto/ Video, Museum Ludwig, Cologne
1998
Technoculture FRI ART, Centre Contemporaine, Friburg
Life Style, Kunsthaus Bregenz
Anticipation, Centre pour l'image Contemporaine, Genf
Massornament, Kunsthallen Brandts Klaedefabrik, Odense
... mit Studenten, Shift, Berlin
Die Macht des Alters, Deutsches Historisches Museum, Kronprinzenpalais, Berlin
1997
Urban Space, de Singel, Antwerp
KünstlerInnen, Museum in Progress, Kunsthaus Bregenz
1996
Grafik, Galerie Klosterfelde, Berlin
L'Art de Plastique, Ecole de Beaux Arts, Paris
1995
Elastic Lights, Sidney Gallery
Prix Ars Electronica, Linz
1993
Neue Kunst in Hamburg, Kunstverein Hamburg
Ars Electronica, Linz
Compkuenstlerg, Künstlerwerkstatt Lothringer Straße, Munich
1989
On Kawara - Wieder und Wieder, Portikus, Frankfurt
Ars Electronica, Linz
1985
IBA, Berlin, Milan
Deutsche Graphiker, Gummersons, Stockholm
1984
Orwell, Museum des 20. Jahrhunderts, Vienna
1983
Utopian Visions in Modern Art, Hirshhorn Museum , Washington
1977
documenta 6, Kassel
1975
Der Einzelne und die Masse, Kunsthalle Recklinghausen
1971
Graphik der Welt, Kunsthalle Nürnberg
Contemporary Graphic, Oxford Gallery, London
Kunst und Politik, Frankfurter Kunstverein
1970
Konzepte einer neuen Kunst, Göttinger Kunstverein
Sammlung Feelisch, Museum am Ostwall, Dortmund
Kunst und Politik, Badischer Kunstverein, Karlsruhe
1969
Industrie und Technik in der deutschen Malerei, Lehmbruck-Museum, Duisburg
1968
British International Print Biennale, Bradford
Kunst-Stoffe, Art Intermedia, Cologne
1967
Serielle Formationen, Studio Galerie, Universität Frankfurt
1966
EXTRA, Museum Wiesbaden
1965
Between poetry and painting, Institute of Contemporary Arts, London
1964
documenta 3, Kassel
1963
Schrift und Bild, Kunsthalle Baden-Baden und Stedelijk Museum, Amsterdam


Bibliography

2009
La Biennale di Venezia and its collaborators for the 53rd International Art Exhibition, Making Worlds, 2 books, edited by Daniel Birnbaum and Jochen Volz, exhibition catalogue, p.12-13
Wiley, Chris, The Mass Ornament, Kaleidoscope, issue 02, Summer 2009
Eichler, Dominic, „Social Fabric,“ frieze, June 2009
Peran, Marti, Review, Artforum, May 2009
Stolz, George, Review, Art Review, April 2009
Hohmann, Silke, „Die serielle Revolution,“ Monopol, April 2009, p. 62-73
2008
Volzke, Daniel, „Like Yeast in a Cake,“ Deutsche Bank Art Magazine, November 2008, p. 18-19
Ulrike Lehmann, Thomas Bayrle, in the series Künstler. Kritisches Lexikon der Gegenwartskunst, Konstanz
2008
Biennale of Sydney. Revolutions – Forms That Turn, exhibition catalogue, Fishermans Bend, Victoria (Australia), p. 232, and 2008 Biennale of Sydney. Revolutions – Forms That Turn. Free Guide, Sydney 2008, p. 63
God & Goods. Spiritualitá e Confusione di Massa / Spirituality and Mass Confusion, exhibition catalogue Villa Manin Centro d’Arte Contemporanea, Codroipo (Udine), Italy
Q & A with Thomas Bayrle, in: RES Art World / World Art, No. 2, May, p. 68-73
Thomas Bayrle. Bir enstalasyon duvarkagıtları, otoyollar vs. üzerine / An Installation of Wallpapers, Motorways etc., exhibition catalogue, Dirimart, Istanbul
2007
„La vache qui rit: Thomas Bayrle“ published by Frac Limousin, Limousin
Mehring, Christine, „Mass Appeals: The Art of Thomas Bayrle“, Artforum, April, pp. 228-237
Volz, Jochen „Looking Back: Biennials/Survey Shows“ Frieze, January-February, p. 126
2006
Gilmore, Jonathan, Review, Art in America, November, pp.208-9
Kittelmann, Udo, and Klaus Görner, “What’s New Pussycat?” published by
Museum fur Moderne Kunst, Frankfurt, a.M., pp. 134-35
Koolhaas, Charlie, Three Asian Biennales: Shanghai, Gwangju, and Singapore, ArtReview, September, pp. 44-45
Jones, Ronald, Review, Artforum, September, pp. 390-91
Holland Cotter, Experience Matters: Creators in Midcareer and Beyond, New York Times, Friday April 21, pp. E31, E 39
Max Henry, Review, Time Out New York, April 20-26, p. 77
Gianni Jetzer, Verein Kunsthalle St. Gallen (Hg.), 20 Jahre Kunsthalle St. Gallen 1985-2005, catalog,
JRP/Ringier, Zürich
Dark Places, Santa Monica Museum of Art, Santa Monica, p. 12

DIRK BELL

1969
born in Munich
Lives and works in Berlin


Solo Exhibitions

2011
The Modern Institute, Glasgow
Pinakothek der Moderne, Munchen

2010
The Modern Institue, Glasgow
Sadie Coles, London
Baltic Centre for Contemporary Art, Gateshead
BQ, Berlin

2009
Dirk Bell LI’ve is LI’ve, Schinkel Pavillion, Berlin

2008
Gavin Brown’s enterprise, New York

2007
BQ, Cologne
2006 Modern Institute, Glasgow
Kunsthalle Bremerhaven
Dirk Bell (with Kitty Kraus & Ulrich Wulff), 620A/ Gavin Brown’s enterprise, NY

2005
BQ, Cologne

2003
BQ, Cologne (C)
The Modern Institute, Glasgow

2002
Gavin Brown’s enterprise, New York

2001
BQ, Cologne, (C)

2000
"One day it will all make sense", The Modern Institute, Glasgow (with F.
Kunath), weekend-show

1999
Hobbypop, Düsseldorf (with A. Reyle)

1998
"Why are my friends such finks", BQ, Köln (with F. Kunath), (C)


Group Exhibitions

2010
"At Home/Not at Home," Hessel Museum of Art, New York
2009
“You will miss me when I burn,” Mountgomery Gallery, Berlin
“Modern Modern,” Chelsea Art Museum, New York, curated by Pati Hertling
“Berlin 2000,” Pace Wildenstein, New York
2007
“Every Eye sees differently as the Eye,” The Drawing Room, London
“Pure Self Expression,” Kölnischer Kunstverein
2006
Blake & Sons, Model Arts and Niland Gallery ,The Mall, Sligo Ireland
“Bonanza,” Tilton Gallery, New York
“Freier a magazine for sensibilities,” Art:Concept, Paris
2005
Blake & Sons, Lewis Glucksman Gallery, Cork, Ireland (traveling)
“The third peak,” Art:Concept, Paris
2004
‘Kunst macht Schule – l’art fait ecole,’ Saarland Museum; Caves
Sainte Croix, Metz
‘Sommer Photo Ausstellung,’ Galerie Merettich im Glaspavillion an de Volksbuhne, Berlin
‘Jetz und 10 Jahre Davor,’ Kunst-Werke, Berlin
‘Der spate Liebhaber,’ Neue Dokumente, Berlin
2003
“deutschemalereizweitausenddrei’, Frankfurter Kunstverein (C)
‘Painting on the Roof’, Staedtisches Museum Abteiberg, Moenchengladbach (C)
‘Minerals in the Water’, The Changing Room, Stirling, (C)
‘Dirty Pictures’, The Approach, London
‘EU3-Drawing’, Stephen Friedman Gallery, London (September 2003)
“Vom Horror der Kunst,” Grazer Kunstverein, Graz, Austria
2002
RomaRomaRoma, Rome
‘Grosse Kunstausstellung Sommer 2002 im Pazifik’, PAZIFIK, Berlin
‘Friede Freiheit Freunde’, Maschenmode Galerie Guido W.Baudach, Berlin
‘Tiere 2003’, Wohnung der Eheleute Hermann & Elfriede Paime, Immenstad
2001
‘Circles Nr. 5: Berlin – Montagna Sacra’, ZKM, Karlsruhe, (C)
‘Viva November’, Städtische Galerie Wolfsburg, (C)
‘1995-2001,’ BQ, Cologne
2000
Parking Meters, Köln
‘Make my paper sound’, Studiogalerie Kunstverein Braunschweig (C)
‘Malerei VI’ Monika Sprueth Galerie, Cologne
1998
‘Junge Kunst im Zweiten’, Staatstheater Braunschweig


Bibliography (selected)

2008
Harris, Susan, Review, Art in America, May, p. 194-5
Hudson, Suzanne, Review, Artforum, April, p. 366-7
2007
Dirk Bell “69,” published by Kunstverein Bremerhaven, Cologne
2006
Hamill, Jasper, Review, Skinny Magazine, Glasgow, 29 May 2006
2004
Higgie, Jennifer, “Night for Day,” Frieze, January, pp. 76-79.
2003
Dirk Bell “Vol. One,” published by BQ, Cologne
2002
“Minerals in the Water,” published by The Changing Room: Stirling, Scotland
2001
Frankfurt"Darling", Dirk Bell, exhibition catalog, published by BQ: Cologne
"Darling", version 2001 by Mo (EMD), 7-inch record, BQ, Cologne
1998
Friedrich Kunath/Dirk Bell "Why are my friends such finks", exhibition
catalog, published by BQ: Cologne
1997
‘Aura’, Ars Futura, Zurich
“Uberraschung (Surprise II)” Kunsthalle, Nurnberg
1995
‘Malerei III’, Monika Sprüth Galerie, Köln
1994
‘The easiest thing to grow in a garden is tired’, Galerie Peters-Barenbrock, Braunschweig

JENNIFER BORNSTEIN

Born 1970
Lives in Los Angeles and Berlin


Education

Whitney Independent Study Program, New York, 1997
UCLA, M.F.A. in Photography, 1996
UC Berkeley, B.A. in English and Art, Phi Beta Kappa, 1992
Ecole Nationale Superieur des Beaux-Arts, Paris, 1990


Solo Exhibitions

2011
greengrassi, London
DAAD, Berlin (forthcoming)

2009
Gavin Brown's enterprise, New York
Fargfabriken Center for Contemporary Art, Stockholm

2006
Gavin Brown’s enterprise, New York
greengrassi, London

2005
Museum of Contemporary Art, Los Angeles (cat.) 2003
greengrassi, London 2002
Blum & Poe, Santa Monica 1999
Blum & Poe, Santa Monica 1998
greengrassi, London
Jay Gorney Modern Art, New York 1997
Studio Guenzani, Milan


Curated Projects

Jennifer Bornstein Selects from the Grunwald Collection, Hammer Museum, Los Angeles, June 8-September 14, 2008 (brochure)


Selected Group Exhibitions
2012
DAAD, Berlin, Germany (forthcoming)
2011
VW Galerie, Berllin, Germany
“The Object of Observation (Changes By Being Observed),” Johnen Galerie, Berlin, Germany
“frauenkörperbewegur,” Stedelijk, Amsterdam, Netherlands
“Summer Time,” Mary Ryan Gallery, New York

2010
Artists’ Cinema, Nottingham Contemporary
How Many Billboards? MAK Center, Los Angeles
R is for Replicant, CCA Wattis Institute for Contemporary Arts, San Francisco
At Home, Not at Home, Center for Curatorial Studies, Bard College, New York, curated by Matthew Higgs
Endless Bummer, Blum and Poe, Los Angeles, curated by Drew Heitzler
Home and Away, Residence of the Ambassador of the United States to Germany, curated by Johannes Fricke Waldhausen
Etwas Viele… Galerie Niels Borch Jensen, Berlin
Light, Camera, Action: ABC (Film and Stage Program), Berlin, curated by Marc Gloede
2009
15th Anniversary Inaugural Exhibition, Blum and Poe, Los Angeles
Pulling from History: The Old Masters, Print Center, Philadelphia
Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles, curated by Ann Goldstein and Bennett Simpson
Das Gespinst - Die Sammlung Schürmann zu Gast im Museum Abteiberg,
Stadtisches Museum Abteiberg, Germany (September 13, 2009- January 10, 2010)
2008
Biennale d’art contemporain le Havre, Le Havre, France, curated by Ger van Elk
Amateurs, CCA Wattis Institute for Contemporary Art, San Francisco, curated by Ralph Rugoff
Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles; curated by Philipp Kaiser
50 Moons of Saturn, 2nd Torino Triennial, curated by Daniel Birnbaum (catalog)
La Petite Histoire, Kustraum Niederoesterreich, Vienna, Oct. 2-Nov. 29, 2008; curated by Gyonata Bonivicini (catalog)
The Wizard of Oz, CCA Wattis Institute for Contemporary Art, San Francisco, curated by Jens Hoffmann (catalog)
2007
2nd Moscow Biennale, USA: American Video Art at the Beginning of the 3rd Millennium, curated by Daniel Birnbaum, Gunnar B. Kvaran, and Hans Ulrich Obrist, Moscow
Personne ne veut mourir, Arquebuse, Geneva
LA Desire (Part 1), Galerie Dennis Kimmerich, Dusseldorf, curated by Wilhelm Schurmann Uncertain States of America, curated by Daniel Birnbaum, Gunnar B. Kvaran, and Hans Ulrich Obrist, Herning Kunstmuseum; March 4 – June 3, 2007; Herning, Denmark; travels to Centre for Contemporary Art, Warsaw, Poland, March 23 – May 7, 2007; travels to La Musée de Sérignon, Serignan, France, June 23 – September 23, 2007; travels to Beijing, China; cat. Radio Daniele, MAMbo Museo d'Arte Moderna di Bologna, curated by Christopher Williams and John Kelsey; travels to Kunsthalle Zurich
Mobile Museum, Latvian Center for Contemporary Art, Riga, Latvia
Now Your See It, CCS Bard Center for Curatorial Studies, Annandale-on-Hudson, NY
2006
the backroom: San Francisco, hosted by New Langton Arts/SF Camerawork, curated by Renaud Proch
Too Much Love, Angles Gallery, Santa Monica, curated by Amy Adler
Two Friends and So On, Andrew Kreps Gallery, New York
Uncertain States of America, curated by Daniel Birnbaum, Gunnar B. Kvaran, and Hans Ulrich Obrist, Center for Curatorial Studies, Bard College Annandale-on-Houston, New York, NY, June 24-September 10, 2006; travels to Serpentine Gallery, London, England, September 9 – October 15, 2006; travels to Reykjavik Art Museum,Reykjavik, Iceland November 4, 2006 – January 21, 2007; cat.
2005
General Ideas: Rethinking Conceptual Art 1987-2005, CCA Wattis Institute for Contemporary Art, San Francisco, curated by Matthew Higgs; cat.
Finkish Dispositions, Rachmoninoff’s, London
A Walk to Remember, LACE, Los Angeles (curated by Jens Hoffmann, cat.)
2004
Let The Bullshit Run a Marathon, Nicole Klagsbrun, New York, curated by Nate Lowman
2003
Faking Real, Columbia University, New York
2002
A Show That Shows That A Show Is Not Only A Show, The Project, Los Angeles, curated by Jens Hoffman; cat.
2001
Pandaemonium Biennial of Moving Images, Lux Gallery, Centre for Electronic Arts, London.
Face On, Sheffield; Milton Keynes Gallery, Milton Keynes; Photographic and Media Arts, Liverpool; Stills Gallery, Edinburgh. (cat.)
A Passion for Art: The Disaronno Originale Photography Collection, MOCA, Chicago
Jennifer Bornstein, Mark Grotjahn, Florian Maier-Aichen, Dave Muller, Blum and Poe, Santa Monica
2000
An Intelligent Pleasure, Site Gallery, London
Exit: International artist-made film and video, Chisenhale, London, curated by Alison Gingeras
Greater New York, PS1, Long Island City, NY (cat.) Quiet, 359 Broadway, New York, curated by Leo Koenig
Works on Paper from Los Angeles, Studio Guenzani, Milan
1999
Standing Still & Walking in Los Angeles, Gagosian Gallery, Beverly Hills, curated by Terry R. Myers (cat.)
1998
Remix: Images Photographiques, Nantes Musee des Beaux-Arts, Nantes (cat.)
L.A. Times, Fondazione Sandretto Re Rebaudengo Per L'Arte, Guarene, Italy, curated by Francesco Bonami (cat.)
Sightings: New Photographic Art, ICA, London, curated by Tim Dawson (cat.)
Charles Ray, Steve Doughton, Jennifer Bornstein, greengrassi, London
1997
Her Eyes Are a Blue Million Miles, Malmø, Sweden, curated by Dave Muller
Exposition de Jeunes Photographers Femmes, Anne de Villepoix, Paris
Vanessa Beecroft, Jennifer Bornstein, Martin Kersels, Gillian Wearing, S.L. Simpson Gallery, Toronto
The Name of the Place, Casey Kaplan, New York, curated by Laurie Simmons
1996
Making Pictures: Women and Photography, 1975 - Now, Nicole Klagsbrun, New York
Teststrip, Auckland, New Zealand, curated by Giovanni Intra Three Day Weekend, P-House, Tokyo, Japan, curated by Dave Muller
LACE Annuale, LACE, Los Angeles, curated by Suzanne Ghez Blum & Poe, Santa Monica MFA Thesis Exhibition, Wight Art Gallery


Awards

DAAD Fellowship, Berlin, 2010-2011
Pollock-Krasner Foundation Award, 2008 Elizabeth Foundation Studio Grant, New York, 2000 Marie Walshe Sharp Foundation Studio Grant, New York, 1999-2000 Delfina Trust, London, 1999 Rema Hort Mann Foundation Award, New York, 1997 UCLA Art Council Award, 1996 Hortense Fishbaugh Scholarship, UCLA, 1995 UCLA Regents Scholarship, 1993-1994 Maybelle Tooms Award, UC Berkeley, 1992
UC Berkeley, Phi Beta Kappa, 1992


Public Collections

Centre Georges Pompidou, Paris Frac des Pays de la Loire, Nantes New School University, New York Museum of Contemporary Art, Chicago Museum of Contemporary Art Los Angeles Orange County Museum of Art, Newport Beach Grunwald Center, Hammer Museum, Los Angeles
Stedelijk Museum, Amsterdam


Published Writings and Artists’ Books

2011
Bornstein, Jennifer. “The Other Eye of Sam Wagstaff,” Frieze, March 2011 pp 128 – 131.
2009
Bornstein, Jennifer. “Perception of Vision.” Frieze Magazine, October 2009, pp. 208-211 (ills.)
Bornstein, Jennifer. Evergreen. Artist’s book, 64 pages. Photographs by the artist with newspaper documents. Published by Blum and Poe, Los Angeles, Gavin Brown’s enterprise, New York, and greengrassi, London.
Jennifer Bornstein. 8 page brochure with interview by Elisabeth Haitto Ahren, ills. Published by Fargfabriken, Stockholm for exhibition March 7, 2009- April 26, 2009.
2008
Bornstein, Jennifer. “Houseguest: Jennifer Bornstein Selects from the Grunwald Collection.” 6 page brochure with essay by the artist. Published by the Hammer Museum, Los Angeles, for eponymous exhibition June 8-September 14, 2008.
2007
Bornstein, Jennifer. How to Ride the Bus. Artist’s book, 48 pages, photographs and text by the artist. Published by Four Corners Books, London.
2005
Jennifer Bornstein: MOCA Focus. 64 pages, ills., Museum of Contemporary Art, Los Angeles, essay by Ann Goldstein.
1999
Bornstein, Jennifer. Documentation of Events That May Not Have Taken Place. Artist’s book, 48 pages, photographs and text by the artist. Published by Imschoot uitgevers, Gent, Belgium (edited by Kaatje Cusse)


Teaching

Spring 2010: Lecturer, Yale University: Sculpture 346b/446b (Intermediate/Advanced Sculpture); Art 630- (Graduate Sculpture Studio Seminar); Art 645 (Graduate Individual Critics Sculpture)

Fall 2004, Spring 2005, & Spring 2006: Lecturer, Loyola Marymount University: Art 280 (Photography 1)

Fall 2004: Lecturer, Otis College of Art and Design: Photo 315 (Photo Genres: Photography and Political Activism)

Spring 2004: Visiting Professor, Art Center College of Design: Art 112 (Performance Art, with Meg Cranston)

Fall 2003: Visiting Professor, Art Center College of Design: Art 117 (Workshop with Visiting Artists, with Christopher Williams)

Spring 2003: Lecturer, Yale University: Sculpture 120b (Introductory Sculpture)

Fall 2001: Adjunct Professor, School of Visual Arts: Photo 105 (Contemporary Photography Since 1960)

Fall 2000: Adjunct Professor, Columbia University: Art R1315X (Sculpture Fundamentals)


Invited Lectures

2010
Yale University, Sculpture Department
2009
Royal University College of Fine Arts, Stockholm
Konstfack/University College of Fine Arts, Stockholm
Art Center College of Art and Design, Pasadena
2007
University of Southern California
2006
Otis College
UC Riverside
2004
Columbia University
2003
Otis College
CalArts
2000
School of Visual Arts
1999
CalArts
1998
Otis College
1997
University of Connecticut, Stamford


Bibliography

2009
O’Neil-Butler, Lauren, Critic’s Picks: Jennifer Bornstein, Artforum.com, April 14, 2009
Bornstein, Jennifer. “The Artists’ Artists,” Artforum, December 2009, p. 88.
2008
Baker, Kenneth, A Bunch of Amateurs, The San Francisco Chronicle, May 25,
2008, p. E8
Vogel, Traci, My Kid Could Make That, SF Weekly, May 14-20, 2008, p. 33 Amateurs, published by CCA Wattis Institute for Contemporary Arts, San Francisco, pp. 30-33
Myers, Jullian. Amateurs, frieze, September 2008, p. 78
Ybarra, Michael. Queen for a Day at the Hammer, LA Times, June 11, 2008, p. E4
Jennifer Bornstein Selects from the Grunwald Collection. Hammer Museum (brochure from exhibition, June-September 2007.)
2007
Catalogue, 2nd Moscow Biennale of Contemporary Art, published by the Moscow Biennale, Russia, 2007, ills.
Baum, Rachel. Jennifer Bornstein: Affinity Aesthetics. Afterall #15, pp. 53-61, ills.
Steiner, Shep. Jennifer Bornstein: Prohibitions…Props…Performatives: Surefire (and Other) Ways to Do Away with Property. Afterall #15, pp. 63-70, ills.
Get Lost: Artists Map Downtown New York, published by the New Museum, edited by Massimiliano Gioni, p. 9
Banai, Nuit. Jennifer Bornstein, Gavin Brown's Enterprise. Modern Painters, February 2007, p. 93, ill.
Kleinberg, Joanna. Jennifer Bornstein, Gavin Brown's Enterprise. frieze, March 2007, p. 197, ill.
2006
Catalogue, Uncertain States of America: American Art in the 3rd Millennium, published by the Astrup Fearnley Museum of Modern Art, Oslo, Norway, p. 56, ill.
Campagnola, Sonia. Focus on Los Angeles. Flash Art, January/February 2006, pg. 68
Leventis, Andreas, “Jennifer Bornstein,” Modern Painters, June 2006, pp 117-118
Coggins, David, “Jennifer Bornstein,” Art in America, p. 221, November 2006
Smith, Roberta. Jennifer Bornstein at Gavin Brown’s Enterprise, New York Times, November 10, 2006, p. B36
Speers-Meers, Emily. Jennifer Bornstein, Artforum, October 2006, p. 280-281
Artists' Picks: Best of 2006, Artforum December 2006, p. 76
Saltz, Jerry, A Two-Headed Butterfly Flaps its Wings, Village Voice, July 6, 2006, p. 72
Schmerler, Sarah, Two Friends and So On, Time Out New York, July 20-26, 2006, p. 65
Smith, Roberta, Endgame Rules: Borrow, Sample, Multiply, Repeat, New York Times, July 7, 2006, p. B23
2005
Higgs, Matthew. General Ideas: Rethinking Conceptual Art 1987-2005, Wattis Institute's Logan Galleries
Kushner, Rachel. Talent Show. C Magazine, November 2005, pg. 115-117
Nunez-Fernandez, Lupe. Etch a sketch. ArtReview, November/December 2005, pg. 26-27
Art Works (Perform Art Works), Jens Hoffmann and Joan Jonas
2004
Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation (ed. Anthony Kiendl), Banff Centre
2003
Thomson, Mungo. Viva Baja, Afterall #7, 2003, pg. 36-39
2002
Knight, Christopher. Where Imagination Is the Special Effect, Los Angeles Times, May 17 2002, pg. F26
Hainley, Bruce. Jennifer Bornstein. Artforum, Summer 2002, p. 187
2001
Knight, Christopher. Art in L.A., Los Angeles Times, May 18, 2001, pg. 52 2000
Brittain, David, D-Pict, Creative Camera, December/January, pp. 16-17.
Corris, Michael. Face On, Art Monthly, October 2000, pg. 29-31
Hoffberg, Judith. Documentation of Events That May Not Have Taken Place, Umbrella Magazine, May 2000, pg. 20 Hoffman, Jens. Aperto Performance, Flash Art, October 2000, pg. 49-51
1999
Cohen, Sande. Art From Los Angeles, Artpress, May 1999, pg. 57-59
Hainley, Bruce. Legend of the Fall, Artforum, March 1999, pg. 56-63
Morrissey, Simon. Contemporary Visual Arts, May 1999
Myers, Terry R. You Keep It Moving, But You're Standing Still, Standing Still & Walking in Los Angeles, pg. 8-9 (cat.)
Slyce, John. Women Photographing Women, Creative Camera #359, pg. 18-25 1998
Ayerza, Josephina. To Resume Again…., Lacanian Ink #13, pg. 10-11 (ills.)
Brittain, David. Jennifer Bornstein, Creative Camera, February/March 1998, pg. 20 - 27 & cover
Durden, Mark. Sightings: New Photographic Art, Art Monthly, March 1998, pg. 30-32
Halle, Howard. Next Wave: Four Emerging Photographers, On Paper, March/April 1998, pg. 32-37
Herbert, Martin. Jennifer Bornstein, Time Out/London, February 16, 1998, pg. 47
McKenna, Max. NY Diary: Jennifer Bornstein, The Art Newspaper, March 1998, pg. 59 Morrissey, Simon. The End is the Beginning is the End, Sightings: New Photographic Art, Institute of Contemporary Arts, London, United Kingdom (cat.)
Morrissey, Simon. Jennifer Bornstein, Contemporary Visual Arts, Issue 18, 1998, pg. 79
Saltz, Jerry. Jennifer Bornstein, Time Out New York, March 5-12, 1998, pg. 45
Volk, Gregory. Jennifer Bornstein, Art in America, November 1998, pg. 82
1997
Cotter, Holland. The Name of the Place, The New York Times, January 31, 1997, pg. C28
Ferguson, Russell. Project: Jennifer Bornstein, Art/Text, May-July 1997, pg. 46-51
Frankel, David. The Name of the Place, Artforum, May 1997, pg. 104
Knight, Christopher. Right Here, Right Now, Los Angeles Times, May 18, 1997, pg. 4-5, 52
Ollier, Brigitte. Flash: Photo A Cahors, La Liberation, June 12, 1997, pg. 29-30
Rodney, Lee. Vanessa Beecroft, Jennifer Bornstein, Martin Kersels, Gillian Wearing, Eye Magazine, September-November 1997, pg. 54
Schorr, Collier. A Pose is a Pose is a Pose: Fashion and Art and Fashion, Frieze,
May 1997, pg. 60-65
Saltz, Jerry. The Name of the Place, Time Out New York, February 6, 1997, pg. 42
1996
Cooper, Dennis. On Tots and Toys, Artforum, January 1997
Kandel, Susan. LACE Annuale Rises Above Its History, Los Angeles Times, October 17, 1996, pg. F13

Kerstin Brätsch
born 1979 Hamburg, Germany
Lives and works in New York

Education

2001-2009 MfA University of Fine Arts Berlin,( Meisterschueler of Professor Lothar baumgarten)
2005-2007 MfA Columbia University NYC



Solo Exhibitions

2012
Glow Rod Tanning with.... ( Kerstin Brätsch with Martino Gamper)
in cooperation with COMCORRÖDER Pop Up Store
Gio Marconi Gallery, Milan (I)

2011
Vorahnung ( United Brothers and Sisters)
Kerstin Brätsch / Adele Röder
Kunsthalle Zürich, Zurich (CH)

BLACKY Blocked Radiants Sunbathed
DAS INSTITUT / UNITED BROTHERS with Nhu Duong
Halle für Kunst Lüneburg (GER)

("Nichts, Nichts!")
Kerstin Brätsch and DAS INSTITUT
Kölnischer Kunstverein, Cologne (GER)

2010
("Rien, Rien!")
Kerstin Brätsch and DAS INSTITUT
Centre D'art Contemporain, Parc saint Leger, Pougues les Eaux (F)

KAYA
Kerstin Brätsch / Debo Eilers
Canal 179, NYC

BwayBrätsch_Corp Ab
Kerstin Brätsch and DAS INSTITUT
Statements art BAsel 41/ BaliceHertling, Basel (CH)

THUS!
DAS INSTITUT
New Jerseyy, Basel (CH)

2009
BuyBrätschWörst
with DAS INSTITUT and Jane Jo
BaliceHertling, Paris (F)

BuyBrätschWörstGhosts
with DAS INSTITUT
Hermes und der Pfau, Stuttgart (GER)

D.I.WHY
DAS INSTITUT
Swiss Institute NYC

2008
When You See Me Again It Won't Be Me
Brätsch / Röder with Urania Fasoulidou
Performance by Its Our Pleasure To Serve You
Smith Stewart Gallery, NYC

2007
Evas Arche Und Der Feminist No.8
Passerby NYC
Kerstin Brätsch
Performance by Its Our Pleasure To Serve You / Nic Xedro / Debo Eilers

Group Exhibitions

2011
Marking By Disclosure
DAS INSTITUT / UNITED BROTHERS
Essex Street, NYC

Hasta Manana
DAS INSTITUT / UNITED BROTHERS
Greene Naftali Gallery NYC

Illuminations, 54th Venice Biennial, Venice (I) curated by Bice Curiger
DAS INSTITUT

Treat Your Own Neck
DAS INSTITUT
Deste Foundation, Athens (GR)

2010
Gwangju Biennale, Gwangju, Korea curated by Massimiliano Gioni
Greater New York, PS1 MOMA curated by Klaus Biesenbach, Connie Butler , Neville Wakefield
Leopards In The Temple curated by Fionn Meade
DAS INSTITUT
Sculpture Center New York

Held Up By Columns
Renwick Gallery, NYC

Vertically Integrated Manufacturing curated by Jacob King
DAS INSTITUT
Murray Guy Gallery

And so on, And so on curated by Matt Sheridan Smith
DAS INSTITUT
Harris Lieberman Gallery, NYC

The Inhabitants
DAS INSTITUT
Vilma Gold, London (GB)

Behind The Curtain
Gio Marconi Gallery, Milan (I)

The Pursuer
Greene Naftali Gallery, NYC

2009
Younger Than Jesus curated by Laura Hoptman, Massimiliano Gioni and Lauren Cornell

Solaris
Gio Marconi Gallery, Milan (I)

Besides With Against And Yet curated by Debra Singer
The Kitchen NYC

ModernModern curated by Pati Hertling
Chelsea Art Museum, NYC

Bridges and Tunnels curated by News Jerseyy
DAS INSTITUT
Hard Hat, Genever (I)

Piggy Banks
DAS INSTITUT
Samsa Berlin (GER)

MaxHansDaniel Presents
Autocenter Berlin (GER)

2008
Papers Scissors Stone curated by Gyonata Bonvicini
Galerie Nordenhake, Stockholm (S)

Standart Sizes curated by Joao Ribas
Andrew Krebs Gallery NYC

Would You Like some Coffe?
DAS INSTITUT / Its Our Pleasure To Serve You
The Unfair Fair Rome (I)

Nichts Ist Aufregend, Nichts Ist sexy, Nichst Ist Nicht Peinlich
curated by Achim Hochdörfer and Tanja Widmann
Performance by Its Our Pleasure To Serve You
MUMOK Museum Vienna (AU)

Hidden Treasures
General Public Berlin (GER)

2007
Exposition No.1
BaliceHertling, Paris (F)

Regroup Show
Miguel Abreu NYC

Fractured In Aspect
Andre Kreps Gallery NYC


Grants

2004-2008
Studienstiftung des Deutschen Volkes

2005- 2007
Fulbright ( MfA Columbia University)

2007
Gamblin Award NYC

2007
Rema Hort Mann Foundation NYC

2010
Prix de Quartier de Bain, Genever (CH)
DAS INSTITUT

Kunstzeitraum, Pinakothek der Moderne / Südhausbau, Munich (GER)
DAS INSTITUT

JOE BRADLEY

b. 1975, Maine
Lives and works in New York, NY


Education

BFA, Rhode Island School of Design, Providence, RI 1999


Solo Exhibitions

2011
Duckling Fantasy, Almine Rech Gallery, Paris
Mouth and Foot Painting, Gavin Brown’s enterprise, New York, NY
Human Form, Canada Gallery

2010
Freeks, Peres Projects, Berlin, Germany

2009
Fortescue Avenue/Jonathan Viner, London, UK
Eat at Joe's, Peres Projects, Berlin, Germany
Like a Turkey Through Corn, Peres Projects, Los Angeles, CA

2008
Schmagoo Paintings, CANADA, New York, NY

2007
Knew Wurk, Greener Pastures Contemporary Art, Toronto, Canada
Peres Projects, Los Angeles, CA
Peres Projects, Berlin, Germany

2006
Kurgan Waves, CANADA, New York, NY
PS 1 Contemporary Art, Long Island City, NY

2003
Project Room, ConTEMPorary, New York, NY

2002
New Paintings, Allston Skirt Gallery, Boston, MA


Group Exhibitions

2010
Shape Language, Niclole Klagsburn, New York, NY
In There, Out Here, Leo Koenig Gallery, New York, NY
Chris Martin and Joe Bradley, Mitchell-Innes & Nash, New York, NY
Insider/Outsider, Portugal Arte 10, Lisbon, Portugal
2009
Abstract America, Saatchi Gallery, London, UK
New York Minute, MACRO Foundation, Rome, Italy
Huma Bhabha, Joe Bradley, Jason Fox, Baker Overstreet, Aurel Schmidt, Paolo Curti Gallery, Milan, Italy
Joe Bradley, Mario Correa, Allison Miller, Alex Olsen, Redling Fine Art, Los Angeles, CA
Forgotten in the Smile, ENVOY, New York, NY
Minneapolis, Peres Project, Los Angeles. CA
Whaddya Wanna Be a Flower?, Alexander and Bonin, New York, NY
Slough, David Nolan Gallery, New York, NY
ab-strac-tion-al, Museum 52, New York, NY
The New Yorkers, V1 Gallery, Copenhagen, Denmark
Leaves of Ash, Suzanne Tarasieve, Paris, France
2008
Eyesore, V1 Gallery, Copenhagen, Denmark,
The Whitney Biennial, Whitney Museum of American Art, New York, NY
Constraction, Deitch Projects, New York, NY
Ambivalent Figuration; People, Samson Projects, Boston, MA
2007
Dangling Man, Office Baroque Gallery, Antwerp, Belgium
Cabinet of Curiosities, Journal Gallery, Brooklyn, NY
Heralds of Creative Anachronism, D'Amelio Terras, New York, NY
Beneath the Underdog, Gagosian Gallery, New York, NY
Joe Bradley, Ann Craven, Dana Frankfort, Keith Mayerson, Zach Feuer Gallery, New York, NY
Silicone Valley, PS1 Contemporary Art, Long Island City, NY
Crystal Crunch, Perugi Artecontemporanea, Padua, Italy
Joe Bradley and Sarah Braman, Dicksmith Gallery, London, UK
Beyond the Zero, Peres Projects, Athens, Greece
2006
Goose Steppin, ATM Gallery, New York, NY
Under Pressure, Art:Concept, Paris, France
MANGOES, Peres Projects, Los Angeles, CA
AXIS OF PRAXIS, Midway Contemporary Art, Minneapolis, MN
(CANA)RICO?, Galeria Comercial, San Juan, Puerto Rico
Searching for Love & Fire, David Castillo Gallery, Miami, FL
2005
New York’s Finest, CANADA, New York, NY
2004
Under the Sun, Greener Pastures Contemporary Art, Toronto, Canada
2003
Joy to the Max, ATM Gallery, New York, NY
No Platform, Just a Trampoline, Marcus Ritter Gallery, New York, NY
Art Band, Capitale, New York, NY
Gone Fishing, Allston Skirt Gallery, Boston, MA
What's Growing in Your Garden, ATM Gallery, New York, NY
2002
Friends and Family, Lombard-Freid Fine Arts, New York, NY
2000
Here Comes Rhody, Allston Skirt Gallery, Boston, MA


Bibliography: Reviews

Berwick, Carly. “Color Forms.” ARTnews January 2009: 88-89.
Blair, Dike. "A Conversation: Dike Blair and Joe Bradley.” BOMB Magazine, Summer 2009: 80-87.
Cash, Stephanie and Ebony, David. “Armory Show.” Art in America, May 2008.
Cotter, Holland. "Art's Economic Indicator." The New York Times, 7 March 2008.
Cotter, Holland. "Lower East Side: Art Shoehorned Amid Charm." The New York Times, 14 November 2008.
Gartenfeld, Alex. “Joe Bradley” ArtForum 15 November 2008.
Grayson, Kathy. "In Focus Joe Bradley." The Journal Summer 2007.
Hartman, Darrell. “Portugal Looks Downtown.” Art in America July 2010.
Heuer, Megan. "Eunice Kim and Joe Bradley, Joy to the Max." The Brooklyn Rail, February 2003.
Hromack, Sarah. “Art in America at the Armory.” Art in America March 2009.
“Joe Bradley, Ann Craven, Dana Frankfort, Keith Mayerson.” The New Yorker 20 August 2007.
Jonhson, Ken. "Art in Review: Kurgan Waves." The New York Times, 17 February 2006.
Lacayo, Richard. "The Simple Life." Time Magazine, 24 March 2008: 71.
Latimer, Quinn. “Brightest in Show.” Art in America June 2010.
Lavrador, Judicaël. “Under Pressure.” Les Inrockuptibles 31 October 2006
Maine, Stephen. "Down East." Art In America, May 2006: 65.
Murkus, David. “Hungover at Whitney.” The Brooklyn Rail April 2008.
O’Neill-Butler, Lauren. “Subtraction.” ArtFourm July 2008.
Pagel, David. “Joe Bradley at Peres Projects.” The Los Angeles Times 10 April 2009.
Rubinstein, Raphael. “Provisional Painting.” Art in America May 2009.
"Salon XXIV." The Journal, 2008, Entry No 24: 76-109.
Saltz, Jerry. "When Cool Turns Cold." New York Magazine, 13 March 2008.
Schambelan, Elizabeth. “Joe Bradley and Chris Martin.” ArtForum September 2010.
Schmerler, Sarah. "Off the Wall." The New York Post, 8 March 2008.
Schmidt, Jason. "Art in Progress." V Magazine, February 2007.
Schuker, Lauren A. E.. "The Fine Art of Less." The Wall Street Journal, March 2008.
Schwendener, Martha. "No Platform, Just a Trampoline." artforum.com, 28 June 2003.
Sharp, Chris. “Joe Bradley.” Frieze Magazine February 2008.
Sharp, Chris. “The Idiots.” ArtReview May 2009.
Smith, Roberta. "Art in Review: Joy to the Max." The New York Times, 9 January 2004.
Smith, Roberta. "Art in Review: New York's Finest." The New York Times, 22 May 2005
Smith, Roberta. "Smooth and Safe at Pier 94." The New York Times, 28 March 2008.
Smith, Roberta. “Art in Review: Joe Bradley and Chris Martin.” The New York Times 12 March 2010.
Stern, Steven. “Whitney Biennial 2008.” Frieze Magazine 5 May 2008.
Stillman, Nick. “Joe Bradley, CANADA.” ArtForum January 2009: 213.


Bibliography: Publications

Abstract America. Rizzoli, 2009.
Huldisch, Henriette and Shamim M. Momin. Whitney Biennial 2008 (Whitney Biennial) Yale University Press, 2008: 106-107.
Joe Bradley & Chris Martin, Mitchell-Innes & Nash, 2010.
Joe Bradley: TUFF STUFF. PictureBox, 2007.
New York Minute: Sixty Artists on the New York Scene. New York: O.H.W.O.W., 2009.

MARTIN CREED

1968
Born Wakefield, England
Lives and works in London and Alicudi, Italy


Education

1986-90 Slade School of Fine Art, London, England


Solo Exhibitions

2011
‘Funhouse,’ Western Bridge, Seattle
Work No. 1059, Scotsman Steps, Edinburgh
Rennie Collection, Vancouver, CDN
MARCO Museo d’Arte Contemporaneo, Vigo, ES
‘Paintings,’ Johnen Galerie, Berlin
Nasher Sculpture Center, Dallas, TX, USA
'Mothers,' Hauser & Wirth, London

2010
'Numbers,' Moscow Museum of Modern Art, Moscow
Fruitmarket Gallery, Edinburgh, Scotland
Gavin Brown’s enterprise, New York, NY
‘Work No. 409,’ Royal Festival Hall Elevator, London, England
‘Things,’ The Common Guild, Glasgow, Scotland

2009
‘Work No. 975,’ Scottish National Gallery of Modern Art, Edinburgh, Scotland
‘Work No. 203,’ Tate Britain, London, England
Artsonje Center, Seoul, Korea
Hauser & Wirth, Zurich, Switzerland

2008
Ikon Gallery, Birmingham, England
Duveens Commission, ‘Work No. 850,’ Tate Britain, London, England
Galleria Lorcan O’Neill, Rome, Italy
Gavin Brown’s enterprise, New York, NY

2007
Douglas Hyde Gallery, Trinity College, Dublin, Ireland
Galleria Alberto Peola, Turin, Italy
‘Lights Going On and Off,’ Mills Gallery, Boston Center for the Arts, MA
‘Feelings,’ CCS Bard / Hessel Museum, Annandale-on-Hudson, NY
‘Small Things,’ 508 West 25th St, New York, NY
Hauser & Wirth Coppermill, London, England

2006
‘All of the bells in a city or town rung as quickly and as loudly as possible for three minutes,’ Viejo San Juan, Puerto Rico
Michael Lett Gallery, Auckland, New Zealand
Wrong Gallery @ Tate Modern, Tate Modern, London, England
‘Work No. 547,’ Johnen Galerie, Berlin, Germany
‘The Lights Off,’ Haubrokshows, private apartment, Berlin, Germany
‘Big Dogs,’ MC, Los Angeles, CA
Fondazione Nicola Trussardi, Milan, Italy
Hauser & Wirth, Zurich, Switzerland

2005
Gavin Brown’s enterprise, New York, NY
‘The lights going on and off,’ Comptoir du Nylon, Brussels, Belgium
Graves Art Gallery, Sheffield, England
Van Abbe Museum, Eindhoven, The Netherlands
Ikon Gallery, Birmingham, England
‘Lachen,’ Saint Peter’s Church, Cologne, Germany
‘The Lights Off,’ ACCA, Melbourne, Australia
Galerie Rudiger, Munich, Germany

2004
‘Work No. 360,’ Johnen Galerie, Berlin, Germany
Hauser & Wirth, London, England
‘TWG @ CCA,’ Centre for Contemporary Art, Kitakyushu, Japan
Ujazdowski Castle, Warsaw, Poland (cat.)
‘Work No. 330,’ Galerie Emmanuel Perrotin, Paris, France

2003
Kunsthalle Bern, Bern, Switzerland. Curated by Bernhard Fibicher
'Beaucoup de Bruit pour Rien,' (with Marylene Negro) Frac Languedoc–Roussillon, Montpellier . Curated by Emmanuel Lattreille
‘SMALL THINGS,’ Galerie Analix Forever, Geneva, Switzerland
‘Work No. 289: Everything is Going to be Alright,’ British School, Rome. Curated by Christiana Perrella

2002
The Wrong Gallery, New York, NY
'A large piece of furniture partially obstructing a door,' Alberto Peola Arte Contemporanea, Turin, Italy

2001
‘The lights off,’ Galerie Johnen & Schöttle, Cologne, Germany
Work No. 265, Micromuseum for Contemporary Art, Palermo, Italy, curated by Paolo Falcone
Hamilton Art Gallery, Hamilton, Canada. (cat.)

2000
‘MARTIN CREEDWORKS,’ Camden Art Center, London, England. Curated by Godfrey Worsdale. (cat.)
‘Work No. 252,’ Saint Peter's Church, Cologne, Germany
‘The Lights Going on and Off,’ Gavin Brown's enterprise, New York, NY
‘Work No. 225,’ Times Square, New York, NY (commissioned by Public Art Fund)
Work No. 232: the whole world + the work = the whole world, Tate Britain, London, England (booklet)
‘MARTIN CREEDWORKS,’ Southampton City Art Gallery, England (and toured to Leeds City Art Gallery, Leeds and Bluecoat Gallery, Liverpool). Curated by Godfrey Worsdale. (cat.)

1999
Marc Foxx, Los Angeles, CA
Art Metropole, Toronto, Canada
Galerie Praz-Delavallade, Paris, France
Cabinet Gallery, London, England
‘Work No. 203,’ The Portico, London, England (curated by Ingrid Swenson)
‘Work No. 160,’ Space 1999, London, England (curated by Matthew Higgs)
Alberto Peola Arte Contemporanea, Turin, Italy

1998
Galerie Analix B & L Polla, Geneva, Switzerland

1997
Galleria Paolo Vitolo, Milan, Italy
Victoria Miro Gallery, London, England
The British School at Rome, Rome, Italy

1995
Galerie Analix B & L Polla, Geneva, Switzerland (cat.)
Galleria Paolo Vitolo, Milan, Italy
Camden Arts Centre, London, England
Javier Lopez Gallery, London, England

1994
Cubitt Gallery, London, England (Part 3 of Weekenders curated by Matthew Higgs)
Marc Jancou Gallery, London, England

1993
‘Work No. 78,’ Starkmann Limited, London, England


Group Exhibitions

2011
Tate St. Ives, Porthmeor Beach, Cornwall, GB
“Mothers,” installation, 54th International Art Biennale Venice 2011, “ILLUMInations” curated by Bice Curiger, Giardini and Arsenale, Venice

2010
'Living with Art: Collecting Contemporary in Metro New York." Neuberger Museum, NY
'At Home/Not at Home', Hessel Museum of Art, New York
Heldelberger Kunstverein, Heldelberg, Germany
‘The Gathering,’ Londside Gallery, Yorkshire, England
‘Silent Revolution,’ K21, Kunstsammlung Nordrhein-Westfalen, Dusseldorf,
Germany
‘Party!,’ The New Art Gallery, Walsall, England
‘Phil Collins presents Auto-Kino!,’ Temporare Kunsthalle, Berlin, Germany
2009 ‘Tonite,’ The Modern Institute, Glasgow, Scotland
‘Paper: Pressed, Stained, Slashed, Folded,’ Museum of Modern Art, New York
‘English Lounge,’ Tang Contemporary, Beijing, China

2008
‘Artist’s Choice: Vik Muniz, Rebus,’ Museum of Modern Art, New York
‘Spheres 2008,’ Galleria Continua, France
‘Standard Sizes,’ Andrew Kreps, NY, curated by Joao Ribas
‘History in the Making: A Retrospective of the Turner Prize,’ Mori Art Museum, Tokyo, Japan
‘So Ist Es Und Anders,’ Museum Abteiberg, Germany

2007
‘Delusive Orders,’ Muzeum Sztuki w Lodzi, Poland
‘The Turner Prize: A Retrospective,’ Tate Britain, London, England
‘Insubstantial Pageant Faded,’ Western Bridge Gallery, Seattle, WA
‘The Future of Futurism,’ Galleria d’Arte Moderna e Contemporanea, Bergamo,
Italy
‘Words Fail Me,’ Museum of Contemporary Art Detroit, curated by Matthew Higgs
‘Shallow,’ I-20 Gallery, New York NY, curated by Stefan Brüggemann
‘Ensemble,’ ICA Philadelphia, PA, curated by Christian Marclay
‘Hot for Teacher,’ Nog Gallery, London, England
‘Mouth Open Teeth Showing,’ Henry Art Gallery, Seattle, WA
‘The Lath Picture Show,’ Friedrich Petzel, New York, NY
‘Half Square, Half Crazy,’ La Villa Arson, Nice, France

2006
‘Galerie Patrick Seguin Invites Hauser & Wirth,’ Galerie Patrick Seguin, Paris, France
‘Strange I’ve Seen That Face Before,’ Museum Abteiberg, Mönchengladbach, Germany
‘Wrestle,’ Hessel Museum of Art, Bard Centre for Curatorial Studies, Annandale-on-Hudson, NY (cat.)
‘Out of Place,’ The New Art Gallery, Walsall, England
‘Scape Biennal of Art in Public space,’ Christchurch, New Zealand
‘I: Act Two,’ Secession, Vienna, Austria
‘Word,’ Deborah Colton Gallery, Houston, TX
‘Concrete Language,’ Contemporary Art Gallery, Vancouver, Canada
‘How to Improve the World,’ Hayward Gallery, London, England
‘Other Room, Other Voices,’ The Israel Museum, Jerusalem, Israel
‘Into Me/ Out of Me,’ PS 1 Contemporary Art Center, Long Island City, NY (cat.)
‘I: Act One,’ Futura, Prague, Czech Republic
‘Noth’ing,’ Schirn Kunsthalle, Frankfurt, Germany
‘Yes Bruce Nauman,’ Zwirner & Wirth, New York, NY
‘Draw a Straight Line and Follow It,’ Bard College, Annandale-on-Hudson, NY
‘Good Vibrations,’ Papesse Centro Arte Contemporanea, Siena, Italy
‘Out of Time: A Contemporary View,’ Museum of Modern Art, New York, NY
‘Of Mice and Men: 4th Berlin Biennial for Contemporary Art,’ Berlin, Germany
‘Haubrokworks: Sounds of Silence,’ Galerie Gisela Capitain, Cologne, Germany
‘Infinity, Etc.,’ Mercer Union, Toronto, Canada, curated by Dave Dyment
‘Surprise, Surprise,’ Institute of Contemporary Art, London, England

2005
‘Experience de la Duree,’ Lyon Biennale, Lyon, France (cat.)
‘Drunk Vs. Stoned 2,’ Gavin Brown’s enterprise, New York, NY
‘Big Bang: Destruction and Creation in 20th Century Art,’ Centre Pompidou, Paris, France

2004
‘Café in Mito,’ Contemporary Art Center: Art Tower Mito, Japan
‘Open,’ Arcadia University Art Gallery, Glenside, PA
‘Genesis Sculpture,’ Domaine de Pommery, Reims, France. Curated by Stephanie Moisdon (cat.)
‘State of Play’, Serpentine Gallery, London, England. Curated by Rochelle Steiner (cat.)

2003
‘Unplugged,’ Galleria Civica di Arte Contemporanea, Trento, Italy
‘Work No. 300,’ ‘Inaugural Exhibition’, Gavin Brown’s enterprise, New York, NY
‘Adorno,’ Kunstverein, Frankfurt, Germany
‘Skulptur 03,’ Galerie Thaddeous Ropac, Salzburg, Germany
‘Soundsystem,’ Kunstverein Salzburg, Salzburg, Germany. Curated by Edek Bartz.
‘Shine,’ Museum Boijmans Van Beuningen, Rotterdam, The Netherlands (cat.)
‘20th Anniversary- Welcome Home,’ Gavin Brown’s enterprise, New York, NY

2002
‘Strike,’ Wolverhampton Art Gallery, London, England (cat.)
‘ON/OFF,’ VistaMare associazione culturale, Pescara, Italy (brochure)
‘My Head is on Fire but my Heart is Full of Love,’ Charlottenborg, Germany
‘Udstillingbygning,’ Copenhagen, Denmark (cat.)
‘To Actuality,’ ARGE Museum, Bolzano, Italy (cat.)
‘Rock My World,’ CCAC, San Francisco, CA. Curated by Ralph Rugoff (cat.)
‘Tempo,’ Museum of Modern Art, New York, NY. (cat.)

2001
Turner Prize 2001, (with Richard Billigham, Isaac Julien and Mike Nelson) Tate
Britain, London, England
‘Space-Jack,’ Yokohama Museum of Art, Art Gallery, Yokohama, Japan (cat.)
‘Works on Paper from Acconci to Zittel,’ Victoria Miro Gallery, London, England
‘Hotel Sub Rosa,’ Cabinet, London, England
‘A Piece if Paper Crumpled into a Ball,’ Blanche, Paris, France
Martin Creed, Anri Sala, Galerie Rudiger Schottle, Munich, Germany

2000
British Art Show 2000, National touring Exhibition organized by the Hayward Gallery for the Arts Council of England, England (cat.)
‘Don’t Worry,’ Chelsea and Westminster Hospital, London, England. Curated by Tamsin Dillon (cat.)
‘Arte All’Arte,’ San Gimignano, Italy. Organized by Art Continua (cat.)

1999
Limit Less, Aktuelle Britische Kunst, Galerie Krinzinger, Vienna, Austria. Curated by Matthew Higgs
‘54x54x54,’ Museum of Contemporary Art, London, England
‘Porcupines/Arthinking,’ 291 Gallery, London, England. Curated by Graham Higgins
‘Searchlight: Conciousness at the Millennium’, CCAC Institute, Oakland/San Francisco, CA. Curated by Lawrence Rinder (cat.)
‘Getting the Corners’, Or Gallery, Vancouver, Canada. Curated by Matthew Higgs
‘Nerve,’ ICA, London, England. Curated by Nerve Systems
‘Serendipity,’ Watou, Belgium. Curated by Giacinto di Pietrantonio

1998
‘Ainsi de suite 3 (deuxieme partie),’ Centre regional d'art contemporain, Sete, France. Curated by Sabine Schaschl
‘Lovecraft,’ Spacex Gallery Exeter, England. Curated by Martin McGeown & Toby Webster
‘Not Today,’ Gavin Brown's enterprise, New York, NY
‘Imitating Christmas,’ Wiensowski & Harbord, Berlin, Germany. Curated by Jens Hoffmann
‘Everyday, 11th Biennale of Sydney,’ Sydney, Australia. Curated by Jonathan Watkins (cat.)
‘Proper: Blind Date 1,’ Titanik, Turku, Finland. Curated by Paula Toppila (cat.)
‘Speed,’ Whitechapel Art Gallery, London, England. Curated by Jeremy Millar (cat.)
‘Crossings,’ Kunsthalle, Vienna, Austria. Curated by Cathrin Pichler
‘Camouflage 2000,’ Galerie Praz-Delavallade, Paris, France. Curated by Robert Garnett
‘Lovecraft,’ South London Gallery, London, England. Curated by Martin McGeown and Toby Webster
‘Sunday,’ Cabinet Gallery, London, England. Curated by Matthew Higgs
‘Not Nothing,’ Todd Gallery, London, England
Delfina, London, England. Curated by Matthew Higgs
‘An Idea of Art / Art and Life,’ Galleria Paolo Vitolo, Milan, Italy

1997
‘Dimensions Variable,’ Helsinki and Stockholm (cat.)
‘Laure Genillard - Une selection et une collection,’ Galerie de l'Ancien College, Chatellerault, France
‘Lovecraft,’ CCA, Glasgow, Scotland. Curated by Martin McGeown and Toby Webster
‘Cairn Gallery’, Nailsworth, Gloucestershire, England
‘Thoughts, City Racing,’ London, England. Curated by Carolina Grau
‘Superstore de Luxe No.1, Up & Co.,’ New York, NY. Curated by Sarah Staton
‘Imprint 93 (and other related ephemera),’ Norwich Gallery, Norwich, England. Curated by Matthew Higgs
‘Answer 'Affirmative' or 'Negative’,’ Art Metropole, Toronto, Canada
Galerie Mot & van den Boogaard, Brussels, Belgium. Curated by Macha Roesnick
‘Snowflakes Falling on the International Dateline,’ CASCO, Utrecht, The Netherlands. Curated by David Lillington

1996
‘Life / Live, Musee d'Art Moderne,’ Paris, France. Curated by Laurence Bosse and Hans Ulrich Obrist (cat.)
‘The Speed of Light, The Speed of Sound,’ Design Institute, Amsterdam, The Netherlands. Curated by Jeremy Millar
‘Against,’ Anthony d'Offay Gallery, London, England
‘Ace!’, Arts Council Collection, Hayward Gallery, London, England (plus toured) (cat.)
‘A Century of Sculptors' Drawings,’ Karsten Schubert, London, England
East International’, Sainsbury Centre for Visual Arts, Norwich, England
‘Trace 1995-96,’ Galleria Paolo Vitolo, Milan, Italy
‘Some Drawings From London,’ The Rooms, London, England. Curated Kate Bernard
‘A4 Favours,’ Three Month Gallery, Liverpool, England. Curated by Padraig Timoney
‘Banana Republic,’ Bund, London, England. "Room" curated by Matthew Higgs
‘Try,’ Royal College of Art, London, England
‘Kiss This,’ Focal Point Gallery, Southend-on-Sea, England
‘Well Morgan,’ Eisfabrik, Hannover, Germany. Curated by Stefan Kalmar

1996
‘Affinata,’ Castello di Rivara, Turin, Italy. Curated by Carolin Lindig

1995
‘Snow Job,’ Forde, Geneva, Switzerland. Curated Lionel Bovier
‘My Darling Ciccolina ...,’ last order(s), London, England
‘Just Do It,’ Cubitt Gallery, London, England
Laure Genillard Gallery, London, England
‘Imprint 93 / City Racing,’ City Racing, London, England. Curated by Matthew Higgs
‘Zombie’ Golf, Bank, London, England
‘Unpop,’ Anthony Wilkinson Fine Art, London, England. Curated by Bob & Roberta Smith
‘Multiple Choice,’ Jibby Beane, London, England
‘The Fall of Man,’ Three Rooms and a Kitchen, Pori, Finland
‘In Search of the Miraculous,’ Starkmann Ltd., London, England
‘Fuori Fase,’ Viafarini, Milan, Italy. Curated by Angela Vettese (cat.)

1994
‘Art Unlimited: Multiples ... from the Arts Council Collection,’ CCA, Glasgow, Scotland (and touring)
‘Todd Gallery,’ London, England
‘Conceptual Living,’ Rhizome, Amsterdam, Netherlands. Curated by Martha Roesnick
‘Potato,’ IAS, London, England. Curated by Gary Thomas, Steven McIntyre & Alison Jacques
‘Sarah Staton's Supastore Boutique,’ Laure Genillard Gallery, London, England
‘The Little House on the Prairie,’ Marc Jancou Gallery, London, England
‘Modern Art,’ Transmission Gallery, Glasgow, Scotland
‘Imprint 93/Cabinet Gallery,’ Cabinet Gallery, London, England. Curated by Matthew Higgs
‘Domestic Violence,’ Gio' Marconi, Milan, Italy. Curated by Alison Jacques (cat.)

1993
‘Wonderful Life,’ Lisson Gallery, London, England

1992
‘Inside a Microcosm,’ Laure Genillard Gallery, London, England. Curated by Gareth Jones
‘Outta Here,’ Transmission Gallery, Glasgow, Scotland. Curated by Douglas Gordon
Angel Row Gallery Touring Show, Nottingham, England. Curated by Mark Dey

1989
‘The Black Bull,’ London, UK. Curated by Tess Jaray


Music Performances (with owada)

2011
Western Bridge Seattle, Washington, USA
The Cultch, Vancouver, CDN

2009
Sadler’s Wells, London’s Dance House, London

2007
Abrons Art Center at Henry Street Settlement, New York

2005
Middlesbrough Institute of Modern Art, Middlesbrough, England
Gavin Brown’s Enterprise, New York, NY

2004
Palais de Tokyo, Paris, France

2002
CCAC, San Francisco, CA
The Scala, London, England
Passerby Stop, New York, NY
Art Metropole, Toronto, Canada
London Guildhall University, London, England
ICA, London, England

2000
Acoustic set, Passer-by, New York, NY
Centre régional d'art contemporain, Sète, France. Curated by Sabine Schaschl
Lux Gallery, London, England

1999
Club Beige & Sneakers, BüroFriedrich, Berlin, Germany

1998
College of Fine Arts, Sydney, Australia
Roslyn Oxley Gallery, Sydney, Australia
Museum of Contemporary Art, Sydney, Australia (part of every day, 11th Biennale of Sydney, Australia)
Dimensions Variable, Kunstsammlungen Chemnitz, Germany. Organized by The British Council

1997
Club 414, Brixton, London, UK. Organized by Cabinet Gallerty, London, England
The Red Eye, London, England
Waves In / Praticels Out, CCA Glasgow, Scotland. Organized by Toby Webster
The Police Station, Bethnal Green, London, England
ICA, London, England
Bring Your Own Walkman, W 139, Amsterdam, Netherlands. Organized by Jack Jaeger
Liste 97, Basel, Switzerland. Organized by Cabinet Gallery, London, England
Museum of Installation, London, England
Warwick Arts Center, Warwickshire, England
Visitor, Stoke-on-Trent, England
Night & Day, Manchester, England
Big Mama's, Rome, Italy
British School at Rome, Rome, Italy
Snowflakes Falling on the International Dateline, CASCO, Utrecht, The Netherlands. Organized by David Lillington)

1996
Gavin Brown's enterprise, New York, NY
Chelsea School of Art, London, England
East International, Norwich, England
Kunstlerpop 2, Manchester, England
St John's Tavern, London, England
Cubitt Gallery, London, England

1995
Jibby's Christmas Party, Hanover Grand, London, England
Kunstlerpop, Manchester, England
Smithy's Wine Bar, London, England
Camden Arts Center, London, England
The Monarch, London, England

1994
Ding Dong Twist Club, London, England


Recordings

1999
I Can't Move, Martin Creed
CD, 7 songs, published by Art Metropole, Toronto, Canada, ARTMET - CD#003
EVERYTHING IS GOING TO BE ALRIGHT, Martin Creed
CD, 3 songs (Work Nos. 207, 208, 209), duration 11:18, commissioned by The Pier
Trust, cat. PIER 01, produced in an edition of 2000

1997
nothing, owada
CD, 23 songs, duration 36:24, released on piano, London, cat. no. piano 508
Bring Your Own Walkman, Various Artists
CD, compilation album from the exhibition Bring Your Own Walkman, W 139, Amsterdam, The Netherlands

1995
Work No. 117, Martin Creed
music cassette, duration 1 min. each side, text on inner sleeve by John O'Reilly, published by Paolo Vitolo, Milan


Bibliography

2011
Bell, Kirsty, “Martin Creed’s “Paintings” at Johnen Gallerie, Berlin,” May 12

2010
Bradley, Fiona, Coles, Alex, ‘Martin Creed: Down Over Up’, Edinburgh: The Fruitmarket Gallery, 2010
Creed, Martin, Gioni, Massimiliano, ‘Martin Creed Works’, London: Thames and Hudson, 2010
Eugenio Lopez Alonso Fundacion / Collection Jumex, ‘Les enfants terribles’, Mexico: Fundacion / Collecion Jumex, 2010
Staatsgalerie Stuttgart, ‘“...Nur Papier, und doch die ganze Welt…“. 200 Jahre Graphische Sammlung’, Stuttgart: Staatsgalerie Stuttgart, 2010
Polla, Barbara, Ardenne, Paul, ‘Peintures. Please, pay attention, please’, Larmont: Editions Le Bord de L’Eau – Collection La Muette, 2010
Goldie, Peter, Schellekens, Elisabeth, ‘Who`s Afraid of Conceptual Art? ‘, New York NY: Routledge, 2010, pp. 44-45, ill.
___, ‘The first ten years: definitely not alright’, London: The art newspaper, January 2010, p. 1
Gioni, Massimiliano, "Martin Creed: I Like Things," What Good is the Moon? The Exhibitions of the Trussardi Foundation, published by Hatje Cantz
Wilson, Michael, “Martin Creed”, Time Out New York, June 2
Bodin, Claudia, “Alle Macht Den Veganern!”, Art Germany Online, May 20 http://www.art-magazin.de/kunst/29766/gavin_brown_new_york
Knafo, Robert, “Martin Creed at Gavin Brown’s Enterprise” (Video), May 12
http://www.newarttv.com/Martin Creed at Gavin Brown's Enterprise
Barone, Mary, “A New World,” ArtinAmericamagazine.com, May 8
Smith, Roberta, “Galleries Being Galleries, but More So,” The New York Times,
May 6 2010

2009
Anderson, Zoe, “A brand new Creed: The Turner prize-winner turns choreographer,” The Independent, October 15
Higgins, Charlotte, “Five positions and a chess move: Martin Creed turns to ballet,” The Guardian, August 21

2008
Jones, Jonathan, “Reviewing Martin Creed with the benefit of reflection,” Guardian.co.uk, July 30
Heuer, Megan, Review, ArtNews, February, p.130

2007
Avgikos, Jan, Review, Artforum, October 2007 p. 368
Edgers, Geoff, “On and Off,” Boston Globe, September 13
Gilbert, Alan, “From Pop to Poop,” Village Voice, August 14
Smith, Roberta, “The Bearable Lightness of Martin Creed,” NY Times, July 13
Neil, Jonathan, “Tales from the City: New York,” ArtReview, June 2007 p. 50
Searle, Adrian, “Beyond the Jokes,” The Guardian, May 8
Stern, Steven, “Theater of the Absurd,” Time Out New York, March 29 – April 4, p. 70
Bonacina, Andrew “Events: Image/Text, Tate Modern,” Frieze, p. 58
“Live From New York,” Modern Painters, March, p. 48

2006
Blancsubé, Michel, “Esquiador en el fondo de un pozo.” published by La Coleccion Jumex, Mexico City
Webster, Toby, et. Al, “Strange I’ve Seen That Face Before,” published by Dumont Verlag, Cologne and Städtisches Museum Abteiburg, Mönchengladbach
Jones, Laura K., “For Whom the Bells toll: Turner winner Creed unveils his Caribbean clangers,” The Guardian, November 2, 2006
Richer, Francesca and Matthew Rosenzweig, “No. 1: First Works by 362 Artists,” published by D.A.P., New York
Vetrocq, Marcia E., “Martin Creed, Artful Dodger,” Art in America, September, pp.146.-49
Griffin, Tim, Review: Lyon Biennale, Artforum, Feb. pp. 205, 230
Perra, Danile, Review, Tema Celeste No. 116, p. 94

2005
“The Artists’ Artists,” Artforum, December, p. 104
“News and Around: Biennale de Lyon,” Tema Celeste, July-August, p. 96
Lafuente, Pablo, “Martin Creed: Philosophical Remarks,” Flash Art, May/June, pp. 112-115
“Something to Work for: Martin Creed Interviewed by Maurizio Cattelan,” Flash Art, May/June, p. 110-111
Bishop, Claire, “On Installation Art,” Tate etc…, Spring, pp. 26-32
Coles, Alex, Review, Frieze, March pp. 130-131
Lafuente, Pablo, Review, Flash Art, January-February, p. 73

2004
Durland, Corinna, “Martin Creed: Twenty (More) Questions.” Wrong Times, #1, pp. 2-3

2004
Gingeras, Alison, “Painting Without Canvas or Sculpting With Paint,” Contemporary, No. 64, p. 22-25.
Cullinan, Nicholas, “State of Play,” Review, Frieze, April, pp.93-94

2003
Higgs, Matthew, “Unplugged,” Work, October-December, pp.20-21
Boijmans Von Beuningen Rotterdam, NAI Publishers

2002
Reindl, Uta, Review, Tema Celeste, April, p. 92

2001
Searle, Adrian, “Appalling Fascination of a Career-enhancing Competetion,” The Guardian, May 31
Millard, Rosie, The Times, June 8, p. 7
Gibbons, Fiachra, “It’s On, It’s Off, but is it Art?,” The Guardian, November 7
Dorment, Richard, “Dullness and Decadence,” The Daily Telegraph, November 7, p. 18
Alberge, Dalya, The Times, November 7, p. 4M
Cumming, Laura, What, no Elephant Dung?, The Observer, November 11, p. 10
Kent, Sarah, A Funny Turner, Time Out London, November 14
McEwen, John, Grave Time for Turner, Telegraph, November 11, p. 6
Alberege, Dalya, Turner Judges see the Lights, The Times, December 10, p. 3
Jury, Louise, The Independent, December 10, p. 3
Vogel, Carol, “A Prize for Lights,” The New York Times, December 14, Arts Section, p. E36
Review Tokyo, “Spacejack!,” Flash Art, October, p. 57
Bush, Kate, “London Field,” Art Forum, September, p. 85

2000
Searle, Adrian. “Is this what they call pop art?” The Guardian, January 18.
Jones, Jonathan, “Let there be Light,” The Observer
Coles, Alex, Review, Art in America, November
MacMillan, Ian, “I’m Saying Nothing,” Modern Painters, pp. 42-44
Lewisohn, Cedar, “Art & Rock Stars,” Flash Art, March-April, pp. 78-81

1999
Cotter, Holland, “Surging into Chelsea,” The New York Times, Friday, January 21
McFarland, Dale, “On Martin Creed,” Frieze 1999, pp. 66-69
Buck, Louisa, “A Message to our readers and London calling,” The Art Newspaper, no. 98, December
Meenaghan, Tony, “Q: Is this a screwed up piece of paper or the star of a new art exhibition? A: BOTH,” The Mirror, November 12th
Page, Cara, “This Crumpled Sheet of A4 is a Piece of Art,” Daily Record, November 12th
Mark, Lisa Gabrielle, “Fresh Heir,” C International Contemporary Art, Issue 63, September
Beech, Dave, “Martin Creed,” Art Monthly, Issue 226, May
Lillington, David, “Martin Creed,” Metropolis M, April
Higgs, Matthew, “Martin Creed: 20 Questions,” Untitled, Issue 18, Spring
Jones, Jonathan, “What so Minimal about 15,000 Balloons?,” The Observer, March 14th
McLver, Brian, “Meet the Modern Artist Who Admits his Work is Rubbish,” Saturday Times, Glasgow, March 6th

1998
Buck, Louisa, “UK Artists Q&A,” The Art Newspaper, Issue 86, November
Stephens, Craig, “Live scene: Owada,” Revolver, Sydney, September 28h
H-O, Paul and Pigott, “Hadrian, Go into a Sshop and Ask for Nothing,” Very, Issue 2
Green, David, “Minimal Interventions,” Contemporary Visual Arts, Issue 17
Wilson, Andrew, “Band Art,” Art Monthly, London, Issue 210, October
Archer, Michael, “The Object of Art,” Art Monthly, Issue 208, July-August
Kyriacou, Sotiris, “Propositions,” Art Monthly, Issue 208, July-August
Freedman, Carl, Generation W(eird), The Guardian, May 27th
Joliffe, Kira, “The Idler Presents: Owada,” The Idler, Issue 18, Spring
Coles, Alex, “Martin Creed No Entry,” Art + Text, no. 56, February-April
Van den Boogaard, Oscar, “Zonder TItel 1 T/M 4,” Metropolis M, No. 1, February

1996
Williams, Gilda, “Martin Creed Tabula Rasa,” Art Monthly, London, Issue 195, April
Piccoli, Cloe, “Martin Creed,” Flash Art, December-January, p. 110

1995
Kent, Sarah, “Sound & Vision,” Time Out, London, August 30th
The Ruby Kelly Column, Art Review, Vol. 47, June
Lederman, Erika, “Unlimited Works at Starkmann Limited,” Art Monthly, Issue 185, April
OReilly, John, “Art for Bart’s Sake,” The Modern Review, Vol. 1, Issue 16, August - September

1994
Searle, Adrian, “Martin Creed & Sam Samore,” Time Out, London, July 21

1992
Collings, Matthew, “Matthiew Colling on Some Kind of Sculpture Show at Laure Genillard,” City Limits, January


Publications

2006
Pierini, Marco, “Good Vibrations,” published by Giunti Editore, Florence, Milan
“Nothing” published by Schirn Kunsthalle Frankfurt, Frankfurt, a.M., and Hatje Cantz, Ostfildern, edited by Martina Weinhart and Max Hollein
2004
‘State of Play, ‘ published by the Serpentine Gallery, London, edited by Rochelle Steiner
Genesis Sculpture, published by Beaux Arts Magazine, Hors Serie, edited by Stephanie Moisdon
2003
Shine: Wishful Fantasies and Visions of the Future in Contemporary Art, published by Museum Boijmans Van Beuningen / Nai Uitgevers, Rotterdam
2002
Sans, Jerome, “On Stage,” The Curator’s Egg, No. 3
Art Now, published by Taschen, edited by Uta Grosenick and Burkhard Riemschneider, text by Nina Montmann, Koln
Tempo, published by the Museum of Modern Art, New York, NY
My Head is on Fire but my Heart is Full of Love, published by Charlottenborg Udstillingsbygning, Denmark
Rock My World, published by CCAC Wattis Institute for Contemporary Arts, San
Francisco
2001
Arte All’Arte ’00. edited by Art Continua, published by Gli Ori, Italy
Space-Jack, published by Yokohama Museum of Art, Art Gallery, Yokohama, Japan
2000
Martin Creed Works, published by Southampton City Art Gallery, Scotland
1999
Searchlight: Consciousness at the Millenium, edited by Lawrence Rinder. Published by Thames & Hudson, London
This is Modern Art by Matthiew Collings. Published by Weide Feld & Nicolson, London
Contemporary Sculpture in Scotland by Andrew Patrizio. Published by Craftsman House
Serendipiteit by Giacinto di Pietrantonio and Gwy Mandelinck. Published by Watou Poeziezomer


AWARD

2001
Turner Prize, London

VERNE DAWSON


Born 1961, Meridianville, AL
Lives and works in New York


Education:

1980 The Cooper Union School of Art, New York, NY.
1978 Art Student's League of New York, NY.


Solo Exhibitions:

2011
Evan Presenhuber, Paris (forthcoming)

2009
Gavin Brown’s enterprise, New York

2008
‘The Paradise,’ Douglas Hyde Gallery, Dublin, Ireland

2007
‘Paintings,’ Galerie Eva Presenhuber, Zurich

2006
Le Consortium, Dijon
‘Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday,’ Gavin Brown’s enterprise, New York
Victoria Miro Gallery, London

2005
Camden Art Center, London (brochure)

2004
‘The Days of the Week and other paintings,’ Gavin Brown’s enterprise, New York
Douglas Hyde Gallery, Dublin, Ireland (cat.)

2003
‘Wheel of Fortune’ Victoria Miro Gallery, London
‘Aerialists’, Galerie Hauser & Wirth & Presenhuber, Zurich

2002
Kunsthalle Zurich, Zurich (cat.)

2001
Gavin Brown’s enterprise, New York, NY

2000
Monica de Cardenas, Milan, Italy

1999
Gavin Brown's enterprise, New York, NY

1997
Gavin Brown's enterprise, New York, NY

1995
Gavin Brown's enterprise, New York, NY

1989
Viafora Gallery, New York, NY

1985
The Portrait Studio, New York, NY


Group Exhibitions:

2011
"Our Magic Hour," Yokohama Triennale, Yokohama, Japan
2010
“In The Company of Alice,” Victoria Miro Gallery, London
"At Home/Not at Home," Hessel Museum of Art, New York
“2010: Whitney Biennial,” Whitney Museum of American Art, New York, curated
by Francesco Bonami and Gary Carrion-Murayari
2009
“We are sun-kissed and snow-blind,” Galerie Patrick Seguin, Paris with Galerie Eva Presenhuber
“Cave Painting: Installment #1,” Gresham’s Ghost, New York, curated by Bob
Nickas and Ajay Kurian
“Hello, Mrs. MacGruder,” Benson Keyes Arts, Southampton, NY, curated by
Michele Maccarone
“Cave Painting,” PSM Gallery, Berlin curated by Bob Nickas
2008 “Future Tense: Reshaping the Landscape,” Neuberger Museum of Art, Purchase College, NY
Gallery Hyundai/doART Seoul, Korea
Gallery Hyundai/doART Beijing, China
ESTRATOS Art Festival, Murcia, Spain
2007
‘The Third Mind,’ Palais de Tokyo, Paris curated by Ugo Rondinone (cat.)
‘Painting as Fact – Fact as Fiction’ de Pury & Luxembourg, Zurich, organized by Bob Nickas (cat.)
2006
‘Panic Room,’ Deste Foundation, Athens
2005
‘Down by Law,’ Whitney Museum of American Art, New York
‘Translation,’ Palais de Tokyo, Paris
Lyon Biennale, Lyon, France (cat.)
‘Interested Painting,’ Gallery 400, University of Illinois, Chicago, IL
2004
‘Huts’ Douglas Hyde Gallery, Dublin, Ireland
2003
‘Game Over,’ Grimm Rosenfeld, Munich
‘Utopia Station,’ Venice Biennial, Venice (cat.)
‘Breathing Under Water,’ Hauser & Wirth & Presenhuber Galerie, Zurich
‘Dirty Pictures,’ The Approach, London
‘20th Anniversary- Welcome home,’ Gavin Brown’s enterprise, New York
2002
‘Five Years’, Jousse Entreprise, Paris
‘From the Observatory’, Paula Cooper Gallery, New York, curated by Bob Nickas (cat.)
‘Urgent Painting’, Musee d’Art Moderne de la Ville de Paris, Paris (cat.)
2001
‘Best of the Season’, The Aldrich Museum of Contemporary Art, CT
‘Works on Paper from Acconci to Zittel’, Victoria Miro Gallery, London
‘Extended Painting’, Monica de Cardenas, Milan, Italy
‘Nvisible Museum’, Memphis, TN
Victoria Miro Gallery, London
‘How is Everything? Everything’s going to be…Alright.’ Elizabeth Cherry Fine Arts, Tucson, AZ, curated by Bob Nickas
2000
‘Ghosts’, Invisible Museum, Memphis, TN
‘Cosmobiology’, Bellweather, Brooklyn, NY
'There is no Spirit in Painting', Le Consortium, Dijon, France
‘Collected (in Mind)’, Sandra Gering Gallery, New York, NY, curated by Bob Nickas
1999
'Another Country', Lawrence Rubin Greenberg Van Doren Fine Art, New York, NY
'Titles for Drawings', AC Project Room, New York, NY
1998
'Pets', Bronwyn Keenan Gallery, New York, NY
1997
'Landscape USA', Bronwyn Keenan Gallery, New York, N.Y
1996
Gavin Brown's enterprise, New York, N.Y
1996
AC Project Room, New York , N.Y
1993
‘Little Things” Fesek (Municipal Art Gallery of the Artists’ Union of Budapest), Budapest, Hungary
Art in General, New York, NY
Randolph Street Gallery, Chicago
Delta Axis Center, Memphis, TN
1990
Nicole Klagsbrun Gallery, New York, NY
1987
Ridge Street Gallery, New York, NY
1986
Ridge Street Gallery, New York, NY
1985
The Portrait Studio, New York, NY
1984
Sharpe Gallery, New York, NY
King Street Gallery, New York, NY
1983
Olson Gallery, New York, NY
1982
Olson Gallery, New York, NY
1981
The Mint Museum, Charlotte, NC
High Museum of Art, Atlanta, GA
Columbia Museum of Art, Columbia, SC.
Greenville Art Museum, Greenville, SC


Bibliography

2011
“Procession of the Equinoxes Paintings 1994-2010,” les presses du réel
2009
Johnson, Ken, Review, New York Times, June 12
Halle, Howard, Review, Time Out New York, June 11
2006
Williams, Eliza, Review, Flash Art, May–June, p. 128
Adams, Brooks, “Report from Lyon: Time After Time,” Art in America, February, pp. 56-63
2005
“Translation: A commemorative publication by M/M (Paris) celebrating the exhibition ‘Translation’ published by The Deste Foundation, Athens
“News and Around: Biennale de Lyon”, Tema Celeste, July-August, p. 96
Herbert, Martin, “Round and round again,” Time Out, London, May 25 – June 1, p. 66 Hutchinson, John, and Tal R, “Huts” published by The Douglas Hyde Gallery, Dublin
Vincent, Steven, Review, Art in America, April 2005, pp.142-43
2004
Nickas, Bob, “People Take Pictures of Each Other,” Influence, Issue 2, pp. 90-109
Westcott, James. Review, Art Review, Dec/Jan Vol. LIV, p.105
Dawson, Verne, “432, “ published by The Douglas Hyde Gallery, Dublin, Ireland
Dunne, Aidan, ‘Scene Stealing?”, The Irish Times, April
Ford, Felecity, Review, CIRCA Art Magazine March/May
Iremonger, Anne, Review, The Dubliner May
McKeith, Eimear, “Everyday Art,” The Event Guide March/April
White, Barry, “A round of golf on the moon- The Art of Verne Dawson,’’ Trinity News, April 13
Reust, Hans Rudolf, Review, Artforum, May, p. 221
Hase, Bettina von, “A Monument to passion”, ArtReview, Volume 2 Number 6
p. 90-93
2003
Denny, Ned, “Infinitely Fabulous,” New Statesman, March 10
Hubbard, Sue, Review, The Independent, February 25
Guner, Fishun, Review, Metro London, February 19
Nickas, Bob ‘From the Observatory’, published by Paula Cooper Gallery, New York, 2003
Campbell-Johnson, Rachel, “Best London Exhibitions,” The Times, February 15
Finel Honigman, Ana, Review, Time Out London, March 19.
Ratcliff, Carter, “Prehistory Man,” Tate, January/February, pp.34-41
2002
Ruf, Beatrix, “Verne Dawson, Heaven and Earth: Twenty-One Paintings,” published by Kunsthalle Zurich, 2002
Obrist, Hans-Ulrich, Vitamin P, Phaidon Press, London, pp. 76-79
Obrist, Hans-Ulrich,Laurence Bossé, et. Al.,“Urgent Painting.” published by Paris-Musées: Paris,
Cattelan, Maurizio, “Interstellar Overdrive,” Flash Art, October, pp. 62-65
Harper’s, September, p. 26 (Ill.)
LaBelle, Charles, “Celestial Bodies,” Frieze, June/July/August, pp. 98-101
Montague, Jemima, ‘Urgent Painting,’ Frieze. April 2002, pp. 88-89
2001
Nickas, Bob, ‘Eternal Returns’, Artforum, November, pp. 132-135
Saltz, Jerry, ‘Primordial Seasonings’, Village Voice, June 19, p. 61
Paper, Review, June, p. 104
The New Yorker, Review, June 4
Smith, Roberta, New York Times, Review, June 1
Yablonsky, Linda, Time Out New York, Review, May 31- June 7
Nickas, Bob, Dutch, January-February
2000
Flash Art, November-December
Johnson, Ken, The New York Times, Review, March 24
Smith, Roberta, The New York Times, Review, February 18
1999
Jones, Ronald, frieze, Review, issue #46, May
Johnson, Ken, The New York Times, Review, January 8
Halle, Howard, Time Out New York, Review, January 14-21
1990
Ash, John, Art in America, March (Color illustration, Bachelor), p. 207
1989
Smith, Roberta, The New York Times, Oct 20, p. c28
Flash Art, Supplement, May-June, p. 3
1983
Moufarrage, Nicolas, Flash Art, March,

JEREMY DELLER


1965
Born in London
Lives and works in London


Education

1985-1988
Courtauld Institute of Art, London

1991-1992
Sussex University


Selected Solo Exhibitions

2011
Upstairs at the Modern Institute, Glasgow

2010
'Baghdad, 5 March 2007: A New Display with Jeremy Deller', Imperial War Museum, London
"Local Artist," Void, Derry, Ireland

2009
Jeremy Deller British Council Collection: My Yard, Gallery 7, Whitechapel Gallery, London (curated with Alan Kane)
Three M Project, New Commissions: “It Is What It Is: Conversations About Iraq,” New Museum of Contemporary Art, New York, touring: Hammer
Museum, Los Angeles; Museum of Contemporary Art, Chicago

2008
D’une revolution à l’autre: Carte Blanche à Jeremy Deller, Palais de Tokyo,
Paris, France
Marlon Brando, Pocahontas, and Me, Aspen Art Museum, CO

2006
The Art Gallery at York University, Toronto, Canada
Edited Rushes 1998-2001 With Extras, Modern Institute, Glasgow
Mercer Union, Toronto
de la Warr Pavilion, Bexhill on Sea, UK
Folk Archive, The New Art Gallery, Walsall UK
Villa Arson, Nice
Down By Law, The Wrong Gallery, Whitney Museum, New York

2005
BAWAG Foundation, Vienna, Austria (screening of “Battle of Orgreave”)
Kunsthalle, Basel, Switzerland
Kunstverein, Munich
Folk Archive: Contemporary Popular Art from the UK; Barbican Art Gallery, London (curated by Jeremy Deller and Alan Kane), touring: Milton Keynes Gallery, Spacex Gallery, Exeter; New Art Gallery Walsall

2004
This is Us, Music from Appenzell, Neue Kunst Halle St. Gallen, Germany
The Uses of Literacy, Gavin Brown’s enterprise, New York

2003
New Works: 03.3, Art Pace, San Antonio, TX
Memory Bucket, Art Pace, San Antonio, TX
This is Us, a CD produced in association with the center for Curatorial Studies, Red Hook, NY

2002
I Love Melancholy, Low Gallery, Los Angeles
After the Goldrush, a guidebook and treasure hunt around California. Commissioned by the Wattis Institute, San Francisco, CA
Art : Concept, Paris

2001
The Battle of Orgreave, with Mike Figgis, Orgreave, South Yorkshire, co-production Artangel/Tate Britain, London

1999
Unconvention, Centre for Visual Arts, Cardiff

1998
Art : Concept, Paris

1997
The Uses of Literacy, Norwich Art Gallery, Norwich

1996
At Home, Cabinet Gallery, London
Migrateurs, Musée d’art Moderne de la Ville de Paris, Paris

1994
Paris Loves Croydon, Poster Studio, 148 Charing Cross Road, London
The Search for Bez, Weekenders / Kings Cross, London


Selected Group Exhibitions

2010
No Soul for Sale: A Festival of Independents, Tate Modern, London
Sao Paulo Biennale, Sao Paolo
At Home/Not At Home (From the collection of Martin and Rebecca Eisenberg), Hessel Museum, Bard College, New York

2009
Parades & Processions: Here Comes Everybody, Parasol Unit, London

2008
Experimenta Folklore, Frankfurter Kunstverein, Germany
Accessories to an Artwork, Paul Stolper Gallery, London
The Cinema Effect Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC
Folkestone Triennial: Tales of Time and Space, Folkestone, Kent
Amateurs, CCA Wattis Institute, San Francisco, CA, curated by Ralph Rugoff
On Procession, Indianapolis Museum of Art, Indiana
Just Play: Music As Social Praxis, Edith Russ Site for Media Art, Oldenburg,
Germany

2007
History Will Repeat Itself, KW Institute for Contemporary Art, Berlin
Centre of the Creative Universe: Liverpool and the Avant-Garde, Tate
Liverpool, UK
Breaking Step, Museum of Contemporary Art, Belgrade
Sympathy for the Devil, Museum of Contemporary Art, Chicago
Turner Prize Retrospective, Tate Britain, London
The World as a Stage, Tate Modern, London
Words Fail Me, Museum of Contemporary Art, Detroit, curated by
Matthew Higgs
Silence, Listen to the Show, Fondazione Sandretto Re Rebaudengo, Torino,
Italy
Sound of Music, Broelmuseum Kortrijk, Belgium, France
Memorial to the Iraq War, ICA, London
Sculpture Project Muenster ’07 (cat.)

2006
Thank You For the Music (London Beat), Sprüth Magers Lee, London
Paranoia, Leeds City Art Gallery: Focal Point Gallery, Southend; Freud Museum, London
Whitney Biennial 2006: Day For Night, Whitney Museum of American Art, New York, NY
A historic Occasion: Artists Making History, Mass MOCA, North Adams, MA
Of Mice and Men: 4th Berlin Biennial for Contemporary Art, Berlin, Germany

2005
Thank You For the Music, Sprüth Magers Projekte, Munich, Germany
In the Poem About Love You Don’t Write the Word Love, CCA, Glasgow
Variety, de la Warr Pavilion, Bexhill on Sea, England
Interstate, Nicole Klagsbrun Gallery, New York, curated by Adam McEwen Faces in the Crowd, Castello Di Rivoli, Torino
Populism,:Contemporary Art Center, Vilnius; National Museum of Art and Architecture, Oslo; Stedelijk Museum, Amsterdam; Frankfurter Kunstverein, Frankfurt

2004
‘An Injury to One is an Injury to all,’ The Battle of Orgreave Archive, Art Unlimited, Art Basel, Basel, Switzerland
Carnegie International, Carnegie, PA
Taipai Biennale, Taipai, Taiwan
From Aural Sculpture to Sound by Ink, Art: Concept, Paris
Turner Prize, Tate Britain, London (winner)
Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain
Recall, Museum of Modern Art Oxford, Oxford, England (with Phil Collins,
Jasmila Zbanic)
Candyland Zoo, Herbert Read Gallery, Canterbury
Britannia Works, Brititsh Council at Ileana Tounta Contemporary Art Center, Athens
Monument to Now, Deste Foundation, Athens
This Much is Certain, The Royal College of Art, London

2003
Utopia Station, Venice Biennial, Venice
Selected Group Exhibitions (cont.)
The 4th Age, Pitti Imagine, Florence
Electric Earth, British Council touring video show, Saint Russian Museum, St Petersburg
III Communication, Dundee Contemporary Arts, Dundee, UK
Art & Music Unite, Govett Brewster Museum, New Zealand
Inaugural Group Exhibition, Gavin Brown’s enterprise, NY
Don’t hate the Media, Become the Media, Videozartes, Espace Delrue, Nantes
Brighton Photo Biennial, Brighton

2002
Rock My World, CCAC Gallery, San Francisco
Biennale de l’Image en Movement, Geneva
Happy Outsiders, Zacheta Gallery, Warsaw

2001
Century City: Art and Culture in the Modern Metropolis, Tate Modern, London
Pyramids on Mars, Barbican Art Gallery, London
Record All-Over, mamco, Geneva
City Racing 1988-1998: a partial account, ICA, London

2000
Social Hackers, Muv Gallery, Helsinki; Centre d’édition contemporaine, Geneva
Protest and Survive, The Whitechapel Art Gallery, London
Democracy!, Royal College of Art, London
The British Art Show 5, National Touring Exhibitions (Hayward Gallery, London)
Presumes Innocents, CAPC, Bordeaux
Village Disco, Cabinet, London
Intelligence: New British Art 2000, Tate Triennial, London

1999
Expander 1.0, Galerie Jousse Seguin, Paris
Changing the Air, Musee d’Art Moderne, Villeneuve d’Asq

1998
Crossing, Kunsthalle, Wein; Galerie Rudolfinum, Prague
White Night, Musee d’Art Moderne de la Ville de Paris, Paris
Voiceover, National Touring Exhibitions (Hayward Gallery, London)
Lovecraft, CCA, Glasgow; South London Gallery, London

1996
Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris and tour
Co-operators, Southampton City Art Gallery, Southampton

1995
The Butterfly Ball, with Alan Kane and Peter Stringfellow, Stringfellows Nightclub, London
Knob, organised by Jeremy Deller, Phoenix Hotel, San Francisco

1994
Imprint 93, Cabinet Gallery, London

1993
Group Show, City Racing, London
The Love Show, Daniel Bucholz Galerie, Cologne


Selected Projects

2009
The Posters Came From The Walls, a film by Jeremy Deller and Nick Abrahams, Artprojx in association with Gavin Brown’s enterprise and the Modern Institute, London

2006
Steam Powered Computer with Internet Access, commissioned by Turner Contemporary

2003
This is Us, a CD project made in association with the Center for Curatorial Studies, Red Hook, NY

2002
After the Goldrush, an interactive guidebook to California

2000
Folk Archive, with Alan Kane, www.folkarchive.co.uk

1999
Now It Is Allowable, event at the Swedenborg Society, London

1998
Billboards for the Museum in Progress, located throughout Europe
Selected Projects (cont.)

1997
Throwing Stones at Next Doors Pussy, South London Gallery, London
Acid Brass, live concerts with the Williams Fairy Brass Band

1994
Constable can’t you see my Predicament?, Clacton-on-sea
Brian Epstein Died For You, street sign, London

1993
The Chelsea


Selected Bibliography

2011
Azimi, Negar. “Good Intentions,” Frieze, March 2011

2010
Babayan, Siran, “A New Documentary Profiles Obsessed Depeche Mode Fans
Around the World,” LA Weekly, January 28
Longworth, Karina, “Depeche Monde,” LA Weekly, January 28

2009
Hatherley, Owen, “A Curious Faith,” Sight & Sound, December
“Chrissie Iles: Best of 2009 Film Picks,” Arforum, December
Pulver, Andrew, Review “The Posters Came from the Walls,” The Guardian, November 30
Sparham, Maddy, “Jeremy Deller on Depeche Mode: The Posters Came From the Walls,” The Quietus, September 30
Lack, Hannah, “Jeremy Deller Captures a Particular Obsession,” Another Magazine, August 20
Prince, Suzy, “In the Mode,” Nude Magazine, August 12, p. 40-44
Estreich, Cecilia, “It Is What It Is, But What Is It?” Flavorwire, March 9
Hromack, Sarah, “What It Is: A Conversation With Jeremy Deller,” Art in America, March 4
Carlin, T. J., “Jeremy Deller at the New Museum”, TimeOut.com, February 26, 2009
Devi, Sharmila, “Art Project has people talking about Iraq”, TheNational.ae, February 16, 2009
Johnson, Ken, “From China, Iraq and Beyond, but Is IT Art?” The New York Times, February 19, 2009
The Associated Press, Review, International Herald Tribune, February 11, 2009
Kilston, Lyra, “Jeremy Deller on Conversations About Iraq,” Artinfo, February 10

2008
PALAIS Magazine 07, Autumn 2008
Rabottini, Alessandro, “From One Revolution to Another,” frieze, September
Davies, Lillian, “Report Carte,” Scene & Herd, Artforum.com, September 30
Oksenhorn, Stewart, “American History,” Aspen Times Weekly, February 2008
Collings, Matthew, Modern Painters, February 2008
McDaniel, Liz, “Father Time,” Men’s Vogue, February 2008

2007
Morgan, Jessica, “It’s All True,” Tate Etc., Issue 11, Autumn 2007, p. 70-75
Bush, Kate, “Provisional Authority,” Artforum, September 2007, p. 418-423
Franzen, Brigitte, ed., Sculpture Projects Muenster 07, p. 60-73
Volz, Jochen „Looking Back: Biennials/Survey Shows“ Frieze, January-February,
p. 126

2006
Gronlund, Melissa, ed., Frieze Projects: Artists’ Commissions and Talks, p. 46-47, 174-185
Moulène, Claire, “Imaginaire: Mode d’Emploi, ‘Art contemporain et lien social’” published by Editions Cercle d’Art, Paris
Teerlinck, Hilde “What……now” published by CRAC Alsace, Altkirch, France
Tramaseur, Stacey, “Creating a sense of unease in the viewer,” Bexhill Observer, Sept. 1, p. 23
Wright, Karen, “Mechanical Rainbows, Politics Enliven U.K. Shows,” Bloomberg.com,
August 23
Graham-Dixon, Andrew, “His Heart Belongs to Dada,” Sunday Telegraph: Seven Magazine, Aug. 6, pp.30-31
Smith, Matt, “From riddler to bat man,” Times, July 18, Sec. 2, p. 19
Gronlund, Melissa, “Opening Doors,” ArtReview, March, pp. 48-49

2006
Bonami, Francesco and The Wrong Gallery, “The Wrong Way,” Modern Painters, March. pp. 86-91
Bishop, Claire, “The Social Turn: Collaboration and Its Discontents,” Artforum,
Feb. , pp.178-83

2005
Grosenick, Uta, “Art Now: Vol. 2,” published by Taschen
Korotkin, Joyce, “Outside the Box,” ArtReview, December, pp. 45-46
Morton, Tom, Review, “Folk Archive:Barbican Gallery,” Frieze, September, pp.133-34
Jacob, Sam, “Jeremy Deller and Alan Kane’s Folk Archive,” Modern Painters, May, pp. 75-77
Deller Jeremy; Kane, Alan; ‘Folk Archive: Contemporary Popular Art from the UK,’ published by Book Works, London
Feaver, Wiliam, “Reviews: International,” ArtNews, March, p.126
Volk, Gregory, “Report From Pittsburgh: Let’s Get Metaphysical,” Art in America March
Lingwood, James and John Slycem , “Artangel,” Arco Contemporary Art, Winter 2005
pp. 26-29
Trainor, James, Review: “Back -2004 Carnegie Int’l,” Frieze, Jan./Feb. p. 109
“News: Prizes and Competitions”, Flash Art, January-February, p. 45

2004
Wright, Modern Painters, December-January 04/05, p. 116
Wainwright, Jean, “The Carnegie International,” Art Monthly, Dec. ‘04 –Jan ‘05, pp. 282-83
Johnson, Ken, “Pittsburgh Rounds Up a Globe Full of Work Made in Novel Ways,” The New York Times, November 4, pp. 1,6
Jones, Jonathan, “I heart Jeremy Deller,” The Guardian, Wednesday October 20, pp. 12-13
Scotini, Marco, “Gazing at the New Europe: Two Views of Manifest 5,” Flash Art, July- September,p. 39, 56.
“Electoral Collage, a portfolio,” Artforum, September, Vol XLIII, No. 1, p. 237

2003
King, Emily, Frieze September, p. 99
Morton, Tom, “Mining for Gold.” Frieze, January February, pp. 70-75.
Slyce, John, “Fables of the Reconstruction,” Flash Art, January-February, p. 74-76

2002
The English Civil War Part II: personal accounts of the 1984-85 miners’ strike, Artangel, London,
After the Gold Rush, CCAC Wattis Institute for Contemporary Arts, San Francisco

2001
Etchells, Tim, “The Battle of Orgreave,” Tate 26, Autumn
Farquharson, Alex, “Jeremy Deller The Battle of Orgreave,” Frieze, p 108
Butler, David, “Battle of Orgreave, “ [a-n] Magazine for Artists, p. 24
Beech, Dave, “Jeremy Deller,” Art Monthly, July-August pp. 38-39
Morrison, Richard, ‘”Battle of Orgreave,” The Times, November 22, p. 7
Life is to Blame for Everything: Collected work and projects 1992-1999, Salon 3, London

1998
Bradley, Will; Blincoe, Nicholas, “The Uses of Illiteracy,” Afterall, No. 1, pp. 9-23

1997
Freedman, Carl, “Acid Brass,” Frieze, November/December, pp. 38-39


Awards

2004
Turner Prize

PETER DOIG

1959
Born Edinburgh, Scotland
1962 - 1966
Lived in Trinidad
1966 - 1979
Lived in Canada
1979 - 2002
Lived in London
1995 - 2000
Trustee of Tate Gallery, London
2002
Moved to Trinidad
2005
Professor at Düsseldorf State Academy of Art


Education

1979 - 80
Wimbledon School of Art
1980 - 83
St Martin's School of Art, BFA
1989 - 90
Chelsea School of Art, MFA


Solo Exhibitions

2011
Musée d'art Moderne, Paris

2009
Gavin Brown’s enterprise and Michael Werner Gallery, New York
“Peter Doig: Not for Sale,” Contemporary Fine Arts, Berlin

2008
Tate Britain, London, UK (travels to Musee d’Art Moderne de la Ville de Paris,
France; Schirn Kunsthalle Frankfurt, Germany)

2006
“Go West Young Man,” Museum der Bildenden Kunste, Leipzig
“StudioFilmClub”, Ballroom Marfa, Marfa, TX

2005
“Works on Paper”, Dallas Museum of Art, Dallas, TX; tours Gallery of Windsor, Florida (cat.)
“StudioFilmClub”, Ludwig Museum, Koln; Kunsthalle Zurich
Galerie Daniel Buchholz, Koln (with Jochen Klein)

2004
“Metropolitain,” Pinakothek der Moderne, Munich; Kestnergellschaft, Hannover, Germany (cat.)

2003
“Charley’s Space,” Bonnefanten, Maastricht, Netherlands
“Charley’s Space,” Carre d’Art Contemporain, Nimes, France
The Arts Club of Chicago, Chicago, IL

2002
“100 years ago”, Victoria Miro Gallery, London, UK
“Peter Doig: Works on Paper,” Michael Werner Gallery, New York
“Peter Doig the Prints”, The Bailey Collection, Toronto

2001
“Peter Doig”, Morris and Helen Belkin Art Gallery, Vancouver (travels to National Gallery of Canada, Ottowa, Power Plant Contemporary Art Gallery, Toronto) (cat.)

2000
"Echo-Lake", Berkeley Art Museum, Berkeley, CA (traveled to Museum of
Contemporary Art, Miami, FL; St. Louis Art Museum, St. Louis, MO)
“Almost Grown”, The Douglas Hyde Gallery, Dublin, Ireland
Solo Exhibitions (cont’d)

1999
"wing-mirror", Gavin Brown's enterprise, New York, N.Y.
"version (drawings)", Gavin Brown's enterprise, New York, N.Y.
"version", Kunsthaus Glarus, Glarus, Switzerland (cat.)
"country-rock", Contemporary Fine Arts, Berlin, Germany
Fruitmarket Gallery (with Udomsak Krisanamis), Edinburgh, Scotland.

1998
Arnolfini (with Udomsak Krisanamis), Bristol, England (cat)
“Blizzard seventy-seven", Kunsthalle Nurnberg, Germany (toured to Kunsthalle zu Kiel, Germany; Whitechapel Art Gallery, London, England) (cat.)
"Buffalo Station", Victoria Miro Gallery, London, England

1996
Gavin Brown's enterprise, New York, N.Y.
"Freestyle", Victoria Miro Gallery, London, UK
"Homely", Gesellschaft fur Aktuelle Kunst, Bremen, Germany (cat.)
"Small Paintings", Riding House Editions, London, England

1995
"Blotter", Contemporary Fine Arts, Berlin, Germany (cat.)

1994
Gavin Brown's enterprise, New York, NY
"Concrete Cabins", Victoria Miro Gallery, London, England

1991
"Whitechapel Artist Award", Whitechapel Art Gallery, London, England

1990
"Articule", Montreal, Quebec, Canada

1986
"The Naked City", Air Gallery, London, England

1984
Metropolitan Gallery, London, England


Group Exhibitions

2010
"At Home/Not at Home", Hessel Museum of Art, New York
2009
“Quodlibet” Galerie Daniel Buchholz, Berlin
“Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection,” Museum of Modern Art, New York
2008
“Marlon Brando, Pocahontas, and Me,” Aspen Art Museum, CO, curated by
Jeremy Deller
2007
“The Painting of Modern Life,” Hayward Gallery, London, UK (cat.)
“Very Abstract and Hyper Figurative,” Thomas Dane Gallery, London, curated by Jens Hoffmann
“Hunky Dory,” Gary Tatintsian Gallery, Moscow
2006
“Altered Image,” Equinox Gallery, Vancouver
“Secret Public. The Last Days of the British Underground 1978-1988,” Kunstverein Munich
SITE Santa Fe Biennial, Sante Fe, New Mexico
“Whitney Biennial: Day For NIght” Whitney Museum of American Art, New York
Tate Triennial, Tate, London
“Surprise, Surprise,” Institute of Contemporary Art, London
2005
“Rene Daniels, Peter Doig, Silke Otto-Knapp,” Gavin Brown’s enterprise, New York “Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper,” Andrea Rosen Gallery
“Ideal Worlds: New Romanticism in Contemporary Art,” Schirn Kunsthalle, Frankfurt, Germany
“The Big Bang,” Centre Pompidou , Paris
“The Triumph of Painting,” Saatchi Gallery. London, England (cat.)
2004
‘Huts’ Douglas Hyde Gallery, Dublin Ireland (cat.)
Carnegie International, Carnegie Museum, Pittsburgh, PA (cat.)
“Contemporary Painting,” Colby College Museum of Art, Waterville, ME, curated by Alex Katz (cat.)
2003
“Pittura/Painting: From Rauschenberg to Murakami 1964-2003,” 50th Venice Biennale, Venice, Italy (cat.)
“Days Like These,” Tate Triennale Exhibition of Contemporary Art, Tate Britain, London
2002
“DEAR PAINTER…Paint Me,” Centre G. Pompidou, Paris, touring to Kunsthalle Wien, Vienna and Schirn Kunsthalle Frankfurt (cat.)
‘Art + Mountains: Conquistadors of the Useless,” The Alpine Club, London, England
“Cavepainting”, Santa Monica Museum of Modern Art, with Chris Ofili and Laura Owens, Santa Monica, CA (cat.)
2001
“Fig-1, 50 projects in 50 weeks,” conceived and developed by Mark Francis and Jay Jopling, London (cat.)
“Camera Works: The Photographic Impulse in Contemporary Art”, Marianne Boesky Gallery, New York
“The Way I See It”, Galerie Jennifer Flay, Paris
“Works on Paper”, The Kerlin Gallery, Dublin
“Extended Painting”, Monica de Cardenas, Milan, Italy
“EU”, Stephen Friedman Gallery, London, UK
“About the Bayberry Bush”, The Parrish Art Museum, Southampton, NY
“Works on Paper from Acconci to Zittel”, Victoria Miro Gallery, London
2000
“From a Distance: Approaching Landscape”, The Institute of Contemporary Art, Boston
“Peter Doig, Michael Raedecker,” Raucci/Santamaria Gallery, Naples, Italy
“Twisted: Urban and Visionary Landscapes in contemporary Painting”, Van Abbemuseum, Eindhover, Netherlands
“Spot On”, Victoria Miro Gallery, London, England
“00” Barbara Gladstone Gallery, New York, NY (Cat.)
1999
“From A-B and Back Again,” Royal College of Art, London
"River Deep Mountain High", Gallery Westland Place, London, England (curated by Kelly Taylor)
Anthony Wilkinson Gallery, London, England (curated by Matthew Higgs)
"Contemplating Pollock", Victoria Miro Gallery, London, England
Galerie Ghislaine Hussenot, Paris, France
"Peter Doig and Udomsak Krisanamis", The Fruitmarket Gallery, Edinburgh, Scotland and Arnolfini Gallery, Bristol, England
"Examining Pictures", Museum of Contemporary Art, Chicago, IL (cat.)
"Group Show", Bonakdar Jancou Gallery, New York, NY
1998
"Sunday", Cabinet Gallery, London, England
"About Vision: New British Paintings in the 1990", Laing Art Gallery, Newcastle
1997
"New Found Landscape", Kerlin Gallery, Dublin, Ireland
"Alpenblick", Kunsthalle, Wien, Austria (curated by Wolfgang Kos)
"Malerei 4", Galerie Monika Spruth, Dusseldorf, Germany
"About Vision: New British Paintings in the 1990", Christchurch Mansion, Ipswich
"Package Holiday, New British Art in the Ophiuchus Collection", The Hydra Workshop, Hydra, Greece
1996
"Drawings from the M.A.B. Library", AC Project Room
Galerie Ghislaine Hussenot, Paris, France
"There's a painting on the wall", a collaboration with Matthew Higgs, Anthony Wilkinson Fine Art, London, England
"Answered prayers", Contemporary Fine Arts, Berlin, Germany
"Belladonna", ICA, London, England
"Faustrecht der Freiheit", Kunstsammlung Gera, Neues Museum Weserberg, Bremen, Germany"About Vision: New British Painting in the 90's", Museum of Modern Art, Oxford, England"About Vision: New British Paintings in the 1990", The Fruitmarket Gallery, Edinburgh, Scotland
1995
"Zombie Golf", Burbage House, London, England (curated by BANK
1994
"The Turner Prize Exhibition", Tate Gallery, London, England
"Moyra Davey, Peter Doig", Gavin Brown's enterprise, New York, NY
"Unbound: Possibilities in Painting", Hayward Gallery, London, England (cat.) (curated by Adrian Searle and Greg Hilty)
"Prix Eliette von Karajan", Tour: Salzburg, Vienna, Paris (1st Prize winner) (cat.)
"New Voices", British Council touring exhibition (cat.)
Imprint 93, Cabinet Gallery, London, curated by Matthew Higgs
"Here and Now", Serpentine Gallery, London, England
Victoria Miro Gallery, Group Painting exhibition, London, England
1993
"Moving into View", Royal Festival Hall, London, England
"Twelve Stars", Barbican Center. London, England
"Project Unite Firminy", Firminy Vert, France
John Moores Exhibition 18, Liverpool, England, (1st prize winner)
1992
"Inside a Microcosm", curated by Gareth Jones, Laure Genillard Gallery, London, England
"New Voices", Centre Albert Borschette, Brussels, Belgium
1991
"Barclays Young Artist Award", Serpentine Gallery, London, England
1990
"Into the Nineties", Mall Galleries, London, England
1985
"Things as They Are", Riverside Studios, London, England
1983
"New Contemporaries", I.C.A., London, England
1982
"New Contemporaries", I.C.A., London, England


Bibliography
2011
H.H., "Peter Doig," The Art Economist, issue 5, June 2011
2010
Mark Rappolt, "Self-Consciousness," Art Review, July
2009
Mendelsohn, Adam, Review, Flash Art, March/April
Lindquist, Greg, “Pierre Bonnard & Peter Doig,” The Brooklyn Rail, March
Falconer, Morgan, Review, Saatchi Online, February
Cotter, Holland, Review, The New York Times, February 13
Armin, Janine, Critics’ Picks, Artforum.com, February 13
Robinson, Walter, “Weekend Update,” artnet.com, February 6
Halle, Howard, Review, Time Out New York, February 5-11, p. 54
Schjeldahl, Peter, “Return Trip,” Critic’s Notebook, The New Yorker, February 9
2008
Solway, Diane, “Peter Doig,” W Magazine, November, p. 266-279
Schwabsky, Barry, “Glimpses Beyond the Edge,” Art in America, May, p. 168-173
Stonard, John-Paul, Review, Artforum, April, p. 361
Hensher, Philip, “A Landscape Painter of Humanity,” Mail on Sunday, April 20
Falconer, Morgan, “Modern Romance,” Art World, February, p. 32-39
Darwent, Charles, “Painting Found in Art Gallery. Whatever Next?” The
Independent, Feb. 10, p. 55
Cumming, Laura, “Landscape as seen by a Visionary,” The Observer, Feb. 10
Wullschagler, Jackie, “Canvases Light and Lethal,” Financial Times, Feb. 9, p. 16
Lewis, Ben, “Old Doig with New Tricks,” Evening Standard, Feb. 8, p. 41-42
Searle, Adrian, “Stillness in a Trembling World,” The Guardian, Feb. 5, p. 23-25
Sooke, Alastair, “Journey to the Edge of Abstraction,” Daily Telegraph, Feb. 5
Campbell-Johnston, Rachel, “It’s a Doig-Eat-Doig World,” The Times (London),
February 5
“Local Color,” Modern Painters, Feburary 2008, p. 34
Laughlin, Nicholas, “Inspirational Island,” Culture + Travel, Jan/Feb 2008
Cottam, F.G., “A Perfectionist in Paradise,” The Independent, Jan. 31, p. 12-13
Adams, Tim, “Peter Doig,” The Observer, Jan. 27, p. 8-9
2007
Ellis, Patricia, “The 11.3 Million Dollar Man,” Spike Art Quarterly, Fall, p. 84-91
Herbert, Martin, “Book Reviews: Peter Doig,” Artreview, April, p. 151
2006
“Another Thing I Wanted to Tell You, by Elizabeth Peyton, Artist,” Another Magazine, Spring/Summer, p. 114
Schmidt, Hans-Werner; and Rudi Fuchs, “Peter Doig: Go West Young Man,” published by Museum der Bildenden Kunste, Leipzig
Lindeman, Adam, et. Al, “Collecting Contemporary,” published by Taschen, Cologne, p. 206
Ruf, Beatrix, “Tate Triennial: New British Art,” published by Tate, London, 2006
Peter Plagens, “The Art of the Deal,” Newsweek, March 6, pp.56-58
2006
Saltz, Jerry, “Biennial in Babylon,” Village Voice, March 1
Iles, Chrissie and Philippe Vergne, Whitney Biennial: Day For Night, exhibition catalog, published by The Whitney Museum of American Art, 2006
Dorment, Richard, “Haunted by Concepts of the Past,” Daily Telegraph, March 7
Bailey, David, “Keeping It Real: Interview with Peter Doig,” Modern Painters, March, pp. 66-71
2005
Wege, Astrid, Review, Artforum, November, pp. 264-65
Galloway, David, Review, Artnews, April 2005, p.138
Saltz, Jerry, “The Richter Resolution,” Modern Painters, April pp. 28-29
Wright. Karen. “Gallery” Modern Painters, February p. 116
Trainor, James, Review: “Back -2004 Carnegie Int’l,” Frieze, Jan./Feb. p. 109
Siegel, Katie, “Review: 2004 Carnegie Int’l,” Artforum, January, p. 175
2004
Knight, Christopher, “A Global Cacophony [Carnegie International],” Los Angeles Times
Milroy, Sarah, Review: Carnegie International, The Globe and Mail, November 6, pp. V1,V8
Johnson, Ken, “Pittsburgh Rounds Up a Globe Full of Work Made in Novel Ways,” The New York Times, November 4, pp. 1,6
Schwalb, Harry, “Up Now: Carnegie International,” alb, Harry, “Up Now: Carnegie International,” Artnews
Nimes Carre d’Art – Musee d’Art Contemporain de Nimes, Contemporary, Issue 60 March, p. 68
2003
Parkett, No. 67, pp. 65-85
Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins, p. 173
“The 80’s”, Artforum, March, p. 58
Days Like These, Tate Triennial Exhibition of Contemporary British Art, pp. 80-85
(catalogue)
Morton, Tom, “Days Like These,” Tate, March/April, pp. 74-77
Artner, Alan G., Review, Chicago Tribune, February 6
Halle, Howard, Review, Time Out New York, January 16-23. p. 55
2002
Dexter, Emma, Vitamin P, Phaidon Press, London, pp. 92-95
Mack, Gerhard, Art, April, No. 4, pp. 32-43
Brown, Robert, Review, Contemporary, June-July-August, p. 161
Cunning, Laura, “Painting on Thin Ice,” The Observer, April 14
Higgie, Jennifer, Review, Frieze, June/July/August, pp. 102-103
Searle, Adrian. “Wild Blue Yonder,’ Guardian Unlimited, April, 16
2001
Milroy, Sarah, “The big one the got away”, globeandmail.com
Sheir, Reid, Art + Text, May-June, No. 73
2000
Peter Doig, Canadian Art, fall, p. 66
Sloane, Johanne, “Rainbows and Other Ruins,” Afterall, Issue No.1, February, pp. 84 – 94
2000
Richter, Daniel, “Dots on Doig,” Afterall, Issue No. 1, February, pp. 95 - 96
Hill, Joe, “Review”, Art In America, No. 4, April, pp. 151-152
Ziolkowski, Thad, "Review" Artforum, Feb. p. 119
Pollack, Barbara, " New York Reviews", Art News, Feb. p. 164
1999
Rawsthorn, Alice, "Peter Doig - Scanning the post-conceptual landscape", Elle Decor, December-January, pp. 96-99
Turner, Elisa, “Touch of the Movies”, The Miami Herald, September 24
Johnson, Ken, "Art in Review", The New York Times Friday, Dec. 10
Saltz, Jerry, " Out of the Fog" Village Voice , Dec. 21, p.123
1998
Pietsch, Hans, "Ausstellungs-Vorschau, Kiel: Peter Doig. Die Natur besiegt de
GroBstadt", Art, pp. 80-81
"Peter Doig, Whitechapel Art Gallery - Preview", Artforum, May, p.69
Edelstein, Leo, "Peter Doig, Losing Oneself in the Looking", Flash Art, May- June, pp. 84-86
Murphy, Anna, "A picture of a man looking in a puddle. Just how deep is it?", Observer Life, June 24, p. 23
Hilton, Tim, "Have I seen you somewhere before?", Independent, June
Greengerg, Sarah, "Doig's View", Elle Decoration, June
Searle, Adrian, "Nature of the Beast", The Guardian (Art, Visual Arts section), June 16; pp. 10-11
Cork, Richard, "Cold comfort in a land of snow”, The Times (Arts), June 23 Lubbock, Tom, "Anything possible on the road to excess", The independent (the Tuesday review), June 16
Feaver, William, "Darkest Canada", The Observer Review, June 21
Gisbourne, Mark, "Mark Gisbourne on the narrative of North, siksi, summer
Moszynska, Anna, "Daytime Astronomy", Tate, summer, pp.30-35
1997
Bailey, W. Bruce C., "Cabin Fever", Canadian Art, Vol. 14., Spring 97
1996
Cotter, Holland, "Peter Doig", The New York Times, December, 3
Hilton, Tim, "The Best Painting in Britain", The Independent , Nov. 17, p. 30
Fricke, Harald, "Mit einem Van Gogh Film in der Kamera", dei tageszeitung,
Aug. 6
Stange, Raimar, "Peter Doig in der Gesellschaft fur Aktuelle Kunst", Neue Bildendede Kunst, Jul-Aug, p.37
Gisbourne, Mark, "Peter Doig/Victoria Miro", Untitled, No. 10, Spring
Cruz, Juan, "Peter Doig", review in Art Monthly, Mar.
McEwan, John, "Critics Choice", No. 56, The Sunday Telegraph, Feb. 11
Bevan, Roger, "Peters Friends", The Art Newspaper, No 56, Feb., pp.31
Carlisle, Isabel, "Peter Doig on -What the Genius of Cezanne means to us", The Times, Mon. Feb. 5 , p14
Collings, Matthew, Diary: " A Shuffle on the Wild Side", Modern Painters, Spring, No. 1 Vol. 9, pp. 61-62
1996
Doig, Peter " A Brush With Genius: Peter Doig on Edward Hopper", The Guardian, Tuesday, Mar. 5, pp. 8
Searle, Adrian, "Peter Doig / Victoria Miro", Time Out, Feb, No. 1330, pp.14-21
Wright, Michael , Interview with Peter Doig, "A Week In the Arts", The Daily Telegraph, Sat, Jan. 13
Hersteuth, peter, "Peter Doig: Contemporary Fine Arts", Flash Art International, No. 186, Jan./Feb., pp.108-09
1995
Pietsch, Hans, "Visionen einer inneren Wildnis, Art No. 10, Oct.
Schreiber, Susanne, "Sinnliche Malerei und Kuehle Installation", Handelsblatt, June 23, p.G4
Lubbock, Tom, "Anything's possible on the road to excess", The Independent, June, 16
Fricke, Harald, "Abgesenkter Klassifikationsdrang", Die Tageszeitung, June17, p. 29
Berg, Roland, "Die ewig nackte Sirene", Der Tagesspiegel, June 10, p.22
Tannert, Christoph, "Peter Doig, Auftakt Fruehkritik", Radio Brandenburg, May
Lillington, David, "Invervalste Romantiek", Metropolis M, February, No 1 (interview)
1994
Searle, Adrian, "The Twilight Zone", The Independent, Oct. 21, (profile)
Smith, Roberta, "Peter Doig", The New York Times, September, 30, Art in Review
Bonaventura, Paul, "Hunter in the Snow", Artefactum, September
Roberts, Alison, "What's the betting on the Turner", July, 21, Evening Standard, Lillington, David, "Zeit Geist", Time Out London, September 3
Pile, Stephen, "Outrage at the Tate", The Daily Telegraph, July, 23, p.18
A.T., "A Figurative Aberration", Financial Times, July, 20, pp.28-29
Herbert, Susannah, "'Real" art is back in fashion as Turner Prize jury makes a break with oddball tradition", The Daily Telegraph, July, 20
Jury, Louise, "Body moulder builds big lead in Turner Prize line-up", The Guardian, July, 20
Feaver, William, Review, ArtNews, May
Norman, Geraldine, "The Contemporary Capital", The Independent, March, p. 70
McKay, Ian, " Back to Basics", March, 23
Packer, William, "Hidebound by Rhetoric", Financial Times, March, 15
"Sort of, almost, in a way, nearly", The Independent, March, 13
Januszczak, Waldemar, "A State of Confusion", The Times, March, 13, p. 28
Auty, Giles, "A Tug on the Chain", Spectator, March, 12
Hall, James, "Repetitive Art. Come Again?", The Guardian, January 3
Feaver, William, "Chorus line of long faces from Pigalle", The Observer, Jan.16
Grant, Simon, "Rising Star, Peter Doig", ES Magazine, January 7
Milner, Catherine, "A Brighter Picture", Times Magazine, January, 29
1993
Wilson, Andrew, "Wet Paint", Royal Academy Magazine, # 41, Winter
Hilton, Tim, "Moores the merrier, but for how long?" The Independent on Sunday, October 24
Packer, William, "A prize commitment to painting", Financial Times, November 2
Feaver, William, "Congratulations to a blotter on the landscape", The Observer, October 24
1992
Jones, Gareth, "Weird Places, Strange Folk", Frieze, Issue 6, Sept/Oct


Catalogues and books

2008
Nesbitt, Judith, “Peter Doig,” published by Tate Publishing, London
2007
Searle, Adrian, Kitty Scott, and Catherine Grenier, “Peter Doig,” published by Phaidon,
London/New York
2006
Nakanishi, Hiroyuki, “Essential Painting,” published by The Naitonal Museum of Art Osaka, Osaka
Richer, Francesca and Matthew Rosenzweig, “No. 1: First Works by 362 Artists,” published by D.A.P., New York
Ruf, Beatrix, “Tate Triennial: New British Art,” published by Tate, London, 2006
Iles, Chrissie and Philippe Vergne, Whitney Biennial: Day For Night, exhibition catalog, published by The Whitney Museum of American Art, 2006
2005
Grosenick, Uta, Art Now: Vol. 2, published by Taschen, Cologne
“Peter Doig: Works On Paper,” published by Windsor Press, Vero Beach, London
Hutchinson, John, and Tal R, “Huts” published by The Douglas Hyde Gallery, Dublin
Koegel, Alice; Laughlin, Nicholas, ‘STUDIOFILMCLUB,’ published by Museum Ludwig and Walther Koenig, Koln
“Peter Doig, Jochen Klein,” text: Manfred Hermes, published by Galerie Daniel Buchholz, Cologne, 2005
2004
Hoptman, Laura, et. Al, “54th Carnegie International,“ published by Carnegie Museum of Art, Carnegie Institute, Pittsburgh, 2004
“Metropolitain,” published by Verlag der Buchhandlung Walther Konig, Koln, Germany
“Contemporary Painting,” published by Colby College Museum of Art, Waterville, ME
2003
“Days Like These,” Tate Triennale Exhibition of Contemporary British Art, Tate Britain, London
“Charley’s Space,” Hatje Cantz publishers, Germany
2002
“100 Years Ago,” published by Victoria Miro Gallery, London
“Art Now,” published by Taschen, edited by Uta Grosenick and Burkhard Riemschneider, text by Rochelle Steiner, Koln
“DEAR PAINTER…Paint Me,” pubblished by the Centre Georges Pompidou, Paris
“Cavepainting,” published by the Santa Mnica Museum of Art, Santa Monica, CA
2001
“Peter Doig”, Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, Canada
2000
“Almost Grown, Paintings by Peter Doig” Douglas Hyde Gallery, Dublin and Victoria Miro Gallery, London
 “Landscape,” published by The British Council, London, 2000
1999
“Examining Pictures”, Whitechapel Gallery, London
"Peter Doig version", Kunsthaus Glarus, Switzerland
1998
"Peter Doig / Udomsak Krisanamis", Arnolfini, Bristol, UK, texts by Ian Hunt and Jake Chapman
"Blizzard Seventy-Seven", Kunsthalle zu Kiel, Kunsthalle Nuernberg, Whitechapel Art Gallery, texts by Eva Meyer-Hermann; Felicity Lunn; Hans-WernerSchmidt; and Terry R. Myers
1997
"The Turner Prize", Virginia Button, Tate Gallery Publishing Ltd., London
"Alpenblick. Die zeitgenoessische Kunst und das Alpine", Wolfgang Kos und Kunsthalle Wien
1996
"Homely", Gesellschaft Fur Aktuelle Kunst, Bremen, text by Eva Schmidt
1995
"Peter Doig: Blotter", published by Contemporary Fine Art, Berlin, Victoria Miro Gallery, London
1994
Prix eliette von Karajan'94, Preise Osterfestspiele Salzberg, Brandl/Doig, text by Norman Rosenthal
" Unbound: Possibilities In Painting", Hayward gallery, London, texts by Adrian Searle and Greg Hilty.
"New Voices", British Council


Collections

Arts Council of Great Britain
Bonnefanten Museum, Maastricht
British Council, London
Carnegie Museum of Art, Pittsburgh
Centre Georges Pompidou, Paris, France
Collection Berardo Sintra, Portugal
Contemporary Arts Society, London
European Parliament, Brussels
John Moores Collection, Walker Art Gallery, Liverpool
Museum of Modern Art, New York
National Gallery of Canada, Ottawa
Philadelphia Museum of Art, Philadelphia
Pinakothek der Moderne, Munich
Provinzial, Dusseldorf, Germany
Tate Gallery, London
The Art Institute of Chicago, Chicago

URS FISCHER

1973 born in Zurich, Switzerland
Lives and works New York and Zurich


Education

Studied ‘Photography‘ at the Schule für Gestaltung, Zurich
Visited ‘de ateliers‘, Amsterdam
Artist in residence, Delfina Studios, London


Solo Exhibitions

2012  
Kunsthalle Wien, Vienna (forthcoming)

2010  
“Douglas Sirk,” Sadie Coles HQ, 4 New Burlington Place, London
"Oscar the Grouch," The Brant Foundation Art Study Center, Greenwich Connecticut

2009  
“Urs Fischer: Marguerite de Ponty,” New Museum, New York, NY
“Dear _________! We _____ on ________, hysterically. It has to be _____ that                   _____.     No? It is now ______ and the whole _______ has changed ______. all the             _____, ______” (with Mark Handforth and Georg Herold), Kunstnernes Hus, Oslo                  (with Mark Handforth and Georg Herold)

2008   
‘Blurry Renoir Debussy,’ Galerie Eva Presenhuber, Zurich
‘Who’s Afraid of Jasper Johns?’ Tony Shafrazi Gallery, New York, curated with Gavin             Brown

2007  
‘Agnes Martin,’ Regen Projects, Los Angeles
‘you,’ Gavin Brown’s enterprise, New York
‘Uh…,’Sadie Coles HQ, London
‘large, dark & empty,’ Galerie Eva Presenhuber, Zurich
“get up girl a sun is running the world” (with Ugo Rondinone), Church San Stae, Venice         Biennale
Cockatoo Island, Kaldor Art Project and the Sydney Harbour Federation Trust, Sydney

2006  
Massimo de Carlo, Milan (with Rudolf Stingel)
‘Oh. Sad. I see.,’ The Modern Institute, Glasgow
‘Mary Poppins,’ Blaffer Gallery, Houston, TX
Galerie Eva Presenhuber, Zurich
‘Paris 1919,’ Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

2005  
Nationalgalerie im Hamburger Bahnhof –Museum für Gegenwart, Berlin
Pauline Karpidas GR Hydra Workshop, Greece
Camden Art Centre, London, UK
Fondazione Nicola Trussardi,, Milan, Italy
‘Fig, Nut & Pear,’ Gavin Brown’s enterprise, New York

2004  
‘Elton John?,’ Sadie Coles HQ, London
‘Feige, Nuss, und Birne,’ Gruppe Oesterreichische Guggenheim, Vienna, Austria
‘Kir Royal,’ Kunsthaus Zurich, Zurich (cat.)
espace 315, Centre Pompidou, Paris (cat.)

2003  
‘Portrait of a Single Raindrop,’ Gavin Brown’s enterprise, New York
‘need no chair when walking,’ HQ Sadie Coles, London

2002  
Project room, Santa Monica Museum of Art, Los Angeles
‘Mystique Mistake,’ The Modern Institute, Glasgow
‘Bing Crosby,’ Contemporary Fine Arts, Berlin

2001  
‘Mastering the Complaint,’ Galerie Hauser & Wirth & Presenhuber, Zurich

2000  
'Capillon – Urs just does it for the girls,‘ Delfina, (with Amy Adler) London
'Tagessuppen/Soups of the Days' and 'Domestic Pairs Project,' Kunsthaus Glarus, (with         Keith Tyson), Glarus, Zwitzerland
Stedelijk Museum Bureau, Amsterdam
‘Without a Fist - Like a Bird,‘, Institute of Contemporary Art (ICA), London

1999   
‘Espressoqueen – Worries and other stuff you have to think about before you get             ready  for the big easy,’ Galerie Hauser & Wirth & Presenhuber, Zurich

1997   
‘Hammer,’ Galerie Walcheturm, Zurich

1996  
‘Frs Uischer‘, Galerie Walcheturm, Zurich


Group Exhibitions

2011   
“Lustwarande 2011—Blemishes,” Park De Oude Warande, Museum De Pont, Tilburg,             The Netherlands
“Chefs d’oeuvre: Rodin et les ambassadeurs,” Musée Rodin, Paris
“Sympathy for the Devil,” Vanhaerents Art Collection, Brussels
“Modern British Sculpture,” Royal Academy of Arts, London

2010   
“Divine Comedy,” Sotheby’s, New York
“Post Monument: XIV Biennale Internazionale di Scultura di Carrara,” Carrara, Italy
"The New Decor", The Hayward Gallery, UK
“Alpha Omega: Works from the Dakis Joannou Collection,” Deste Foundation                  Contemporary Art, Athens
“High Ideals & Crazy Dreams,” Galerie Vera Munro, Hamburg
“Voici un dessin suisse (1990–2010) / Here Is a Swiss Drawing,” Musée Rath, Geneva           (will travel to Aargauer Kunsthaus, Aarau, Switzerland)
“Skin Fruit: Selections from the Dakis Joannou Collection,” New Museum, New York

2009  
“Beg Borrow and Steal,” Rubell Family Collection, Miami FL
“We are sun-kissed and snow-blind,” Galerie Patrick Seguin in Paris invites Galerie Eva       Presenhuber
“The living and the dead,” Gavin Brown’s enterprise, New York

2008   
“Ombres,” New Galerie de France, Paris
“God Is Design,” Galpao Fortes Vilaca, Sao Paulo, Brasil, curated by Neville Wakefield
“Countdown,” CCS Bard, Annandale-on-Hudson, New York

2007   
“Unmonumental,” New Museum for Contemporary Art, New York
“Makers and Modelers,” Barbara Gladstone, New York
“Fractured Figure,” Deste Foundation Centre for Contemporary Art, Athens
“The Hamster Wheel,” Festival Printemps de Septembre, Toulouse
“Dream and Trauma,” Kunsthalle Wien, Austria
“The Hamster Wheel,” Tese della Novissima, Arsenale di Venezia, Venice
“Disorder in the House,” Vanhaerents Collection, Brussels
“Domestic Irony,” Muselon, Bozen
Pinault Collection, Palazzo Grassi, Venice
Biennale de Lyon, Lyon
“The Third Mind,” Palais de Tokyo, Paris curated by Ugo Rondinone (cat.)

2006  
“The Studio”, Dublin City Gallery, The Hugh Lane, Dublin
“Defamation of Character,” PS1 Contemporary Art Center, New York
“Contrabando,” Galeria Luisa Strina, Sao Paulo
Palazzo Grassi, Venice, Italy
Vincent Prize, Stedelijk Museum, Amsterdam, The Netherlands
“Strange I’ve Seen That Face Before,” Museum Abteiberg, Mönchengladbach, Germany
“Infinite Painting,” Villa Manin Centre for Contemporary Art, Codroipo. Italy
“Whitney Biennial: Day for Night,” Whitney Museum of American Art, New York (cat.)
“The Studio,” Hugh Lane Museum, Dublin, Ireland
“The Big Bang,” Centre Pompidou , Paris

2005  
“Ma Non Al Sud,” Galerie Civica d’Arte Contemporanea di Siracusa, Syracuse, Italy
Cobra Museum of Modern Art, Amstelveen, Amsterdam
Reykjavik Art Museum, Reykjavik,
“Put It In Your Mouth/ I’ll see you on the dark side of the prune,” Rivington Arms, New York
“Closing Down.” Bortolami Dayan, New York
“Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper,” Andrea Rosen Gallery
“Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo,” Curated by               Franceso Bonami,  Turin, Italy
“Universal Experience,” MCA, Chicago (cat.)
‘(Swiss Made) The Art of Falling Apart,’ Sammlung Hauser & Wirth, St Gallen

2004    
‘L’Air du Temps,’ Migros Museum, Zurich
Regen Projects, Los Angeles
“Monument to Now,” Deste Foundation, Athens
‘Sculpture, Precarious Realism Between the Melancholy and the Comical’ Kunsthalle Wien, Vienna

2003  
‘Silver Convention,’ Galerie Giti Nourbakhsch, Berlin
Inaugural Exhibition, Gavin Brown’s enterprise, New York
‘Game Over,’ Grimm Rosenfeld, Munich
‘Kunstpreis der Boettcherstrasse.,’ Kunsthalle Bremen, Bremen
‘Dreams and Conflicts: TheViewer’s Dictatorship,’ Venice Biennial, Venice (cat.)
‘Durchzug-Draft,” Zurich Kunsthalle Zurich
“Bewitched Bothered and Bewildered,” Migros Museum, Zurich

2002  
NICC< Exile on Main Street, Antwerpen
The Henry Moore Foundation, Sculpture/Triple Base at the Hernry Moore Institute,            Leeds/UK
‘My head is on fire but my heart is full of Love,’ Charlottenborg exhibition space,             Kopenhagen/DK (cat.)
‘Lowland Lullaby, ‘Swiss Institute, New York

2001  
'Squatters,' Museo Serralves, Porto/P
'Ziviler Ungehorsam,’ Kestner-Gesellschaft, Hannover/D
'Enduring Love,’ Klemens Gasser & Tanja Grunert, New York

1999  
'Drawings,’ Sommer Contemporary Art, Tel Aviv
‘Manifesta 3,’ European Biennial of Contemporary Art Ljubljana
'Sammlung (1). The Oldest Possible Memory,’ Sammlung Hauser und Wirth in der            Lokremise St. Gallen, Switzerland

1999   
‘Eidgenössische Preise für Freie Kunst,’ Kunsthalle Zürich, Zurich
‘Le repubbliche dell’arte,’ Palazzo delle Pappesse, Siena
“999,” Centro d’Arte Contemporanea Ticino, Bellinzona
‘Holding Court‘, Entwistle Gallery, London

1998   
‘ironisch/ironic‘, Museum für Gegenwartskunst, Zurich
‘de ateliers‘, De Ateliers, Amsterdam

1997  
‘Dokumentation‘, Hotel, Zurich
Fondazione Sandretto Re Rebaudengo per l’Arte, Torino
'été 97‘, Centre Genevois de Gravure Contemporain, Geneva
1995/96 “Calypso,” Stedelijk Museum Bureau, Amsterdam
‘Assistent‘, Binz 39, with Maurus Gmür, Zurich
‘Karaoke 444&222 too‘, South London Gallery, London
‘Bundesstipendianten‘, Kunsthaus Glarus, Glarus


Awards and Grants

1999   
Providentia-Preis, YoungArt
Eidgenössisches Stipendium für freie Kunst

1997   
Kiefer-Hablitzel Stipendium

1995   
Eidgenössisches Stipendium für freie Kunst


Audiovisuals

2000
CNN, Inside Europe, January


Selected Bibliography

2010   
Markus, Liz, " Art and Death in Connecticut: Urs Fischer at the Brandt Foundation             Art Center," TheHuffingtonPost.com, July 17
Gioni, Massimiliano, "Urs Fischer: Jet Set Lady," What Good is the Moon? The               Exhibitions of the Trussardi Foundation, published by Hatje Cantz
Herold, Georg, “Urs Fischer” and “You can Call Inside Me”, (Supplement) The  Journal (entry 28)

2009   
Brown, Gavin, “Urs Fischer”, Interview, December, 2009
Saltz, Jerry, “A Whole New Muesum The Urs Fischer-izing of a four story Institution,            New York Magazine, November 9, 2009
Kuo, Michelle, “Taste Tests,” Artforum, November, 2009
Smith, Roberta, “Exploration of Space,” The New York Times, October 29, 2009
Tomkins, Calvin, “The Imperfectionist,” New Yorker, October 19, 2009

2008  
Best of 2008, Artforum, December, p. 98, 266, 292
Brown, Gavin, Interview with Urs Fischer, Interview, Dec/Jan, p.186-191
Lewis, Ben, “Who’s Afraid of Jasper Johns?” pluk magazine, Autumn 2008
Volzke, Daniel, “Neues vom Trickser,” Monopol, July/August, p. 62-71
Bedford, Christopher, “Who’s Afraid of Jasper Johns?” Frieze.com, July 3
Saltz, Jerry, “Two Coats of Painting,” New York Magazine, June 23
Sholis, Brian, Critic’s Pick, Artforum.com, May 23
Halle, Howard, “Who’s Afraid of Jasper Johns?” Time Out New York, May 22
Smith, Roberta, “When Artworks Collide,” New York Times, May 16
Marchand, Antoine, “Down in a Hole,” 02 Magazine, p. 50
Boucher, Brian, Review, Art in America, March 2008, p. 166-67
Review, Modern Painters, February 2008, p. 91

2007  
Camhi, Leslie, “The Corrections,” Village Voice, December 2007, p. 50
Cattelan, Maurizio, Interview, Mousse, November 2007, p. 28-31
Saltz, Jerry, Review, New York Magazine, December 3, 2007, p. 92
Cotter, Holland, Review, New York Times, November 23, 2007
Kitnick, Alex, Review, Time Out New York, November 15-21, 2007, p. 85
Jones, Kristin, Review, Frieze.com, November 2007
“The Art of Production,” Artforum, October 2007, p. 351
Stolz, Noah, “San Stae: Urs Fischer e Ugo Rondinone,” Kunst Bulletin, No. 8,
July/August 2007, p. 49-50
Cerbini, Lorenza, “Urs Fischer,” L’Uomo Vogue, May/June 2007
Vogel, Carol, “In for a Penny, In for the Pounce,” New York Times, June 14 2007
Searle, Adrian, “Venice Takes Flight,” The Guardian, June 12 2007
Hauger, Caroline Micaela, “Blitzkarriere,” Schweizer Illustrierte, No. 24, June 11
2007, p. 37-40
Wust, Karl, “Farben, Schatten und tote Bäume,” Der Zürcher Oberlander, June
11 2007
Mack, Gerhard, “Urs Fischer and Ugo Rondinone in San Stae,” NZZ am Sonntag,
June 10 2007, p. 68
Chaplin, Julia, “A Night Out With: Alison Gingeras – Follow that Motoscafo,” New
York Times, June 10 2007
Ringel, Stephanie, “Anarchie in der Lagune,” Sonntagsblick, June 10 2007, p. 44
Mathonnet, Phillipe, “A Venise, l’art s’humanise,” Le Temps, June 9 2007, p. 19
Jana, Reena, “The Dancing Camel,” Art on Paper no. 5, May/June 2007 p. 38-39
Higson, Rosalie, “Visions on a Haunted Isle,” The Australian, April 17 2007
Fitzgerald, Michael, “Impresario of the New,” Time, March 22 2007
Berard, Emmanuel, Mazzonis, Emanuela (ed.), ’Sequence 1. Collection François
Pinault’, Palazzo Grassi, Venice, 2007, p. 94-95; p. 140-141; p. 302-317
Hoffmann, Jens and Christina Kennedy, “The Studio,” published by Dublin
City Gallery The Hugh Lane, Dublin
Greene, Tamsen, “Basel Dazzle,” Zink, Summer 2007, p. 6
Garbarino, Laura, Review, Flash Art, March/April, p. 81

2006   
“Cinq Milliards d’Annees,” (illus.), Palais/, Fall/Winter 2006-7, p. 31
Webster, Toby, et. Al, “Strange I’ve Seen That Face Before,” published by
Dumont Verlag, Cologne and Städtisches Museum Abteiburg, Mönchengladbach
Ruf, Beatrix et. Al, “ The Vincent van Gogh Biennial Award for Contemporary
Art in Europe, 2006,” published by Stichting Stedelijk Museum Amsterdam
Yablonsky, Linda, “Art Miami Fair, Art Market Showed its Blood and Bones,”
Bloomberg, Dec. 12 2006
Smith, Roberta, “More Than You Can See: Storm of Art Engulfs Miami,” New
York Times, Dec 9 2006
Neil, Jonathan T.D., “The Fischer King,” Art Review, issue 6, December p. 70-74
Fischer, Urs, “Paris 1919,” JRP Ringier, Zurich, 2006
Wahler, Marc-Olivier, PALAIS Magazine 01, Fall/Winter 2006, p. 30-31
Vetrocq, Marcia E., “A Museum of His Own,” Art in America, no. 9, October 2006
p. 96-101
Cerizza, Luca, “City Report,” Frieze, no. 102, October 2006, p. 253
Gortzak, Roos, The Vincent Van Gogh Biennial Award for Contemporary Art in
Europe 2006, Stedelijk Museum, Amsterdam, p. 14-27
McNally, Whitney, “Talent Show,” W Magazine, November, p. 200
Lindeman, Adam, et. Al, “Collecting Contemporary,” published by Taschen,
Cologne, pp. 49, 20
Sultan, Terrie, Schmukli, Claudia, “Mary Poppins,” published by the Blaffer
Gallery, Houston
Goncharov, Kathleen, “Review: Whitney Biennial,” Tema Celeste, No. 116, pp.
86-87 (illus.)
Plagens, Peter, “Madison Avenue Ennui,” Art in America, no. 6, June/July 2006
Gioni, Massimiliano, “Le monde instable de Urs Fischer,” art press, no. 324, June
2006, p. 27-33
Klaasmeyer, Kelly, “Space and Quiet,” Houston Press, June 22
“In the Modern World,” Dwell, July/August 2006, p. 144
Davenport, Bill, Review The Houston Chronicle, June 2, 2006
“Crème de Yvette,” Another Magazine, no. 10, Spring 2006
Kerwin, Jessica, “On With the Show, W Magazine, May 2006, p. 128, 130
“Urs Fischer,” AD, March 30 2006, p. 26
Iles, Chrissie and Philippe Verge, Whitney Biennial: Day For Night, exhibitions
catalog, published by The Whitney Museum of American Art

2005    
Vitamin D: New Perspectives in Drawing published by Phaidon, London
“Mr. Watson --- Come Here --- I Want to See You.” Published by Sadie Coles,
HQ, London, 2005
Gingeras, Alison M., “Best of 2005,” Artforum, December, pp.245-45
Vincent, Steven, “Urs Fischer at Gavin Brown’s enterprise,” Art in America,
October 2005
Romeo, Filippo, Review, Artforum, September, pp.313-14
Fulco, Elisa, “Spotlight: Urs Fischer,” Flash Art Italia, June/July p. 118
Romeo, Filippo, Review, Artforum.com, May 23
Rossi, Mariella, “Urs Fischer,” Lapiz, May, p. 89.
“Urs Fischer: da vedere,” Flash Art Italia, April/May 2005, p. 57
Kranz, Walter, “Mimicry-Works,” Artnet.com
Blume, Eugen; Nichols, Catherine, Catalog, Museum für Gegenwart,Berlin
Gingeras, Alison, ‘Purple News,’ Purple Fashion, No. 3, Spring/Summer, p. 34
Smith, Roberta, The Listings, The New York Times, Arts & Leisure section, February              25, p. E25
listings, The New Yorker, March 7, p. 16
Richadson, Brenda, ‘ Postcard from America,’ pp. 58 – 64; Ruf, Beatrix,
‘wanted to turn the music on but it was already playing,’ pp. 70-76; Weissman,
Benjamin, ‘Garden of Earthly Hate,’ pp. 82-88 in Parkett, no. 72
Rondinone, Ugo, “Urs Fischer,” Camden Arts Center, London 2005 (brochure)
Jones, Jonathan, “Urs Fischer: Arts Review,” The Guardian, January 7

2004      
Herbert, Martin, “Urs Fischer” (review), Time Out Magazine, January 5-12
Brockington, Horace, “Some Other Spring: Urs Fischer (#1) (#2)”, NY Arts, Issue               11/12, Nov/Dec issue, p. 54
Bollen, Christopher, ‘Sculpture Culture,’ Vman, Issue 3, Fall/Winter, p. 63
Heiser, Jorg; Hainley, Bruce, “Kir Royal,” published by JRP/RIngier
Gingeras, Alison, “Urs Fischer,” Artforum, October 2004
Morton, Tom, “Roll with It,” Frieze, Issue 86, October, p. 138-141
‘Good Smell Make-Up Tree,’ published by JRP/Ringier, Zurich
Manchester, Clare, “Review” Flash Art May-June 2004 p.145
Carmine, Giovanni, “Personal Weather,” Flash Art, January-February 2004, pp. 84-87.
Gingeras, Alison, “Urs Fischer, espace 315,” Editions du Centre Pompidou, livre No. 2, Paris
Hase, Bettina von, “A Monument to passion”, ArtReview, Volume 2 Number 6
p. 90-93

2003     
Gingeras, Alison, “Unplugged,” Work, October-December, pp. 22-23
Clem, Chivas, review, Time Out New York, May 8-15, p. 63
“Sculpture Forever,” Flash Art, May-June 2003, p. 124
Review, Village Voice, April 30-May 6, p. 102
Gingeras, Alison, Openings, Artforum, May, pp. 158-159
Lafuente, Pablo, The failure man, ArtReview, London, January, p. 64
Ruf, Beatrix, Wie wär’s in Wachs, Du Schöne?, Katalog, Kunstpreis der                         Böttcherstrasse, Bremen, März-April, p.21
Urs Fischer: need no chair when walking, Sadie Coles, The Art Newspaper,
No. 33, February 2003
Coomer, Martin, Review, Time Out London, p. 47

2002     
Dezeuze, Anna, The Object Sculpture, in: Art Monthly, London, July-August
Schwabsky, Barry, The Object Sculpture, in: Artforum, www.artforum.com, Summer
Hickling, Alfred, The Object Sculpture, in: The Guardian, June
Lubbock, Tom, Colourvision, in: The Independent, Review, June
Curtis, Penelope, Firing Line, in: Artscene, UK, June 2002, p. 3
Lowland Lullaby, in: The New Yorker, April 22 & 29, 2002, p.36
Schlaegel, Andreas, Urs Fischer: Contemporary Fine Arts, Flash Art, March /
April 2002, pp. 107.
Bell, Kirsty, Urs Fischer: Contemporary Fine Arts Berlin, Frieze2002, p. 103.
Frieze Contemporary Art and Culture, London, Mai 2002, Issue 67, p. 10
Ugo Rondinone with John Giorno and Urs Fischer, in: Village Voice, New
York, April 16, 2002, p.97
in: New York Magazine, April 15, 2002, p.63, p.85
Ugo Rondinone with John Giorno and Urs Fischer, in: Village Voice, Voice
Choices, New York, April 2, 2002, p.89
Ugo Rondinone, John Giorno & Urs Fischer, in: Village Voice, Spring Arts,
March 5, 2002, p.79
Daniels, Corinna, Neues von Urs Fischer bei Contemporary Fine Arts Der
Allgemeine Zeitung, Frankfurt, no. 29, Feb.4, 2002, p. BS 6, ill.
Schweizer hat keine Angst vor Kitsch, in: Die Welt, Berlin, February 8, 2002,
p. 34,ill.
Siepen, Nicolas, Nichts für Bing Crosby, in: Berliner Seiten, Frankfurter
Brigitte Werneburg schaut sich in den Galerien von Berlin um, in: die
Tageszeitung, Berlin Jan. 15, 2002, internet issue

2001   
W.D. Wenn der Tod noch schnell seine Zähne putzt, in: Schweizer Illustrierte,
Zürich, Nr. 41, October 8, 2001, p. 87, ill.
Spinelli, Claudia, Berührend skurril. Hauser & Wirth & Presenhuber zeigen Urs
Fischer, in: Neue Zürcher Zeitung, Zurich, no. 207, September 7, 2001, p.46
2000 Ruf, Beatrix (ed.), Urs Fischer. Time Waste. Radio-Cookie und kaum Zeit, kaum
Rat, Glarus: Edition Unikate, 2000, ill. (exh. cat.)
Obrist, Hans-Ulrich, Manifesta 3. Borderline Syndrome. Energies of Defence.
European Biennial of Contemporary Art, Cankarjev dom, Cultural and
Congress Centre: Ljubljana, 2000, p. 69 (exh. cat.)
Becker, Jochen, Manifesta 3, in: Kunstforum International, no. 152, October-
December 2000, pp. 438-442, ill.
Kölnische Gemischtwaren. Kunstmesse Art Cologne 2000 mit breitem
Angebot, in: Südkurier, Konstanz, November 11, 2000, p.10
Meier, Philipp, Der leise Seufzer der Kunst, Die Art Cologne-Deutschlands
führende Modernmesse, in: Neue Zürcher Zeitung, Zurich, November 11/1
Schroeder, Annette, Prima leben im Videobunker. Förderprogramm auf der Art
Cologne präsentiert 21 Künstler, in: Kölnische Rundschau, Cologne,
November 8, 2000
Baumer, Dorothea, Köln ist ein guter, ein idealer Platz. Die 34. Art Cologne, in:
Süddeutsche Zeitung, Munich, November 6, 2000
Meister, Helga, Zu viele kindliche Seelen, in: Düsseldorfer Nachrichten,
Düsseldorf, November 6, 2000
Posca, Claudia, Die Kunst, Kunst zu sehen. Eindrücke von der 34. Art Cologne,
in: Neue Rhein Zeitung, Düsseldorf, November 6, 2000
Nebelung, Sigrid, Kronleuchter aus Plastiktüten. 21 Künstler profitieren in
diesem Jahr vom Förderprogramm der Art Cologne. Der Trend geht zur
Installation, in: Handelsblatt, Düsseldorf, November 3, 2000
Sandmann, Monika, Installationen dominieren. Förderprogramme, in: Weltkunst
Moderne, Munich, no. 10, 2000
Urs Fischer im Kunsthaus Glarus, in: Kunst-Bulletin, Zurich, June 2000, p.49, ill.
Urs Fischer, in: De Witte Raat, May/ June, 2000
Wessling, Janneke, Staketsels zonder inhoud, in: NRC, May 1, 2000, ill.
Von Arb, Eugen, Der Schöne und das Biest, Urs Fischer, in: Die
Südostschweiz, Glarus, April 7, 2000, p.5, ill.
Goldschmeding, Eugénie, Speelsheid is het sleutelwoord, in: Bldz., May , ill.
Urs Fischer, in: Cash, Zurich, April 4, 2000, p.99
Maurer, Simon, Der Künstler als 'Büetzer', in: Tages Anzeiger, Zurich, no. 63,
April 25, 2000, p. 63
Annäherungen an die Oberflächen einer Wirklichkeit, in: Die Südostschweiz, Glarus,             February 28, 2000, p.7
Coomer, Martin, Urs Fischer. ICA (Museums), in: Time Out, London, February 16-23, 2000, p. 54
Jones, Jonathan, Exhibitions. Urs Fischer, in: The Guardian, London, January 24
Allfree, Claire, Art. Miriam Bäckström and Urs Fischer: Art from Europe, in: Metro,             London, January 20, 2000
Miriam Bäckström and Urs Fischer/ ICA London, in: ?, London, January 2000

1999   
Bonami, Francesco, Obrist, Hans Ulrich (ed.), Sogni/Dreams. 48th                                 Internazionale d‘ Arte – The Venice Biennial of Visual Arts, Turin                 Fondazione
Sandretto Re Rebaudengo per l‘ Arte, 1999, p. 43 (exh. cat.)
Eidgenössische Preise für Freie Kunst 1999, Zurich: Kunsthalle Zürich, (exh cat.)
Helwing, Anna, Urs Fischer, in: Le Repubbliche dell'Arte, Schweiz. Suisse.
Svizzera. Svizra: Palazzo delle Papesse. Contemporary Art Centre, Siena,
1999, o. P., ill. (exh. cat.)
Helwing, Anna, Fundamentgefummel. «Stormy weather» von Urs Fischer, in: Kunst-          Bulletin, Zurich, no. 3, March 1999, pp. 18-24
Nicolaus, Heinrich, Papesse: una finistra sulla Svizzera, in: La Voce del
Campo, ?, no. 31, August 26, 1999, p. 6
Chelotti, Chiara, Le Repubbliche dell’Arte, in: Flash Art, Milan, vol. 32, no. 217,
Summer 1999, p. 91
Coomer, Martin, 'Holding Court'. Entwistle (Upmarket), in: Time Out, London,
February 3, 1999, p. 49
Gespenstige Welt der Dinge. Urs Fischer bei Hauser & Wirth, in: Neue Zurcher                   Zeitgung        Zurich, January 27, 1999, p. 50
smr, Surfen/Pilgern. Urs Fischer, Gemütsmensch, in: Züri Tipp, Zurich, January 4, 1999

1998   
Wolfs, Rein (ed.), ironisch / ironic. maurizio cattelan, urs fischer, alicia framis,
steve mcqueen, aernout mik/marjoleine boonstra, Zurich: Migros Museum für
Gegenwartskunst Zürich, 1998, pp. 144-156, ill. (exh. cat.)
Gerster, Ulrich, Mindestens amüsant - Ironisches im Museum für Gegenwartskunst,            Zürich, in: Neue Zürcher Zeitung, Zurich, July 28, 1998
Feller, Elisabeth, Ironie oder blosse Eselei ? in: Südkurier, ?, July 21,
Altdorfer, Sabine, Ironie, Verballhornung oder was ? Verfremdung von Realität im            Museum für Gegenwartskunst Zürich, in: Limmattaler Tagblatt, Zurich, July 22,              1998/Aargauer Zeitung, Aarau, July 22, 1998
Ironie ist, wenn man trotzdem lacht, in: Voralberger Nachrichten, July 11, 1998
Maurer, Simon, Das apportierwillige Hundeskelett, in: Tages Anzeiger, Zurich, June 30,         1998
sfd, Hinterfragte Wirklichkeit, in: Berner Rundschau Bern, June 27, 1998

1997  
Fondazione Sandretto Re Rebaudengo per l'Arte (ed.), Guarene Arte 97,
Turin: Neos Edizioni, 1997, pp. 29-33, ill. (exh. cat.)
Stp, Alles mögliche nebeneinander, in: Stehplatz, Bern, no. 54, September.
Une Fiac aux couleurs de la Suisse, in: Le Journal des Arts, no. 44, September 26,            1997, pp. 13-14

1996  
Spinelli, Claudia, Urs Fischer in der Galerie Walcheturm, in: Das Kunst-Bulletin, Zurich, no. 4, April 1996, p. 40
Ugr., Besetzt. Urs Fischer in der Galerie Walcheturm, in: Neue Zürcher Zeitung, Zurich,       no. 77, April 1, 1996
Maurer, Simon, Sexy Kuhfladen, in: züritip, Zurich, ?, p.

1968 Born, Bad Kreuznach, Germany
Lives and works in Miami, FL


Education

University of Miami, School of Motion Pictures, MFA, Miami
The Slade School of Fine Art, University College, London, United Kingdom
Städelschule, Frankfurt am Main, Germany
Vassar College, Poughkeepsie


Solo Exhibitions

2011
“Dancer,” MAM, Miami
“Dancer,” Gavin Brown’s enterprise, New York

2009
“Shooting Gallery,” Number Three: Here and Now, Julia Stoschek Collection, Düsseldorf, Germany
“Musical,” Museum of Modern Art, New York

2008
“Musical,” Gavin Brown’s enterprise, New York

2007
“Musical,” Public Art Fund, New York
“Tigertail,” Gavin Brown’s enterprise, New York

2005
“Sunset Island,” The Kitchen, New York

2004
The Wrong Gallery, New York

2002
Gavin Brown’s enterprise, New York
“Dara Friedman,” Kunstmuseum Thun, Switzerland, (cat.)
Galleria Massimo Minini, Brescia, Italy
“Lemon Sky: Projects & Editions,” Los Angeles
Museum of Contemporary Art, Los Angeles (screenings)

2001
Miami Art Museum, Miami
Site Santa Fe, Santa Fe (cat.)

2000
Gavin Brown's enterprise, New York

1998
Museum of Contemporary Art, Chicago
“Total,” Miami Art Museum, Miami
Gavin Brown's enterprise, New York (with Mark Handforth)

1997
“Government Cut freestyle,” Miami Arts Project, Miami International Airport, Miami

1996
“she is stupid, I am worried,” Frederic Snitzer Gallery, Coral Gables (with Mark Handforth)

1992
“Maxilla Axilla: Films by Dara Friedman,” London Film-makers co-op, London, United Kingdom


Selected Group Exhibitions

2011
“I Hate Karl Marx, Merry Christmas,” Espacio1414, Santurce, Puerto Rico
“Our Darkness,” Kunstlerhaus Stuttgart, Suttgard, Germany (curated by Viktor Newman)
“At Capacity,” MoCA NoMi, Miami

2010
"How Soon Now," Rubell Family Collection/ Contemporary Arts Foundation, Miami
“Off the Wall: Part 1 – Thirty Performative Actions,” The Whitney Museum of American Art, New York (travels to Serralves Museum, Porto, Portugal)
"Greater New York: 5 year review," P.S.1, Long Island City

2009
“Underwater,” Western Bridge, Seattle
“Playing the City,” Schirn Kunsthalle Frankfurt, Germany

2008
“Multiplex,” Western Bridge, Seattle
"Number One: Destroy, She Said," Julia Stoschek Collection, Düssledorf, Germany

2005
“Ange Leccia, Anselm Reyle, Dara Friedman,” Galerie Almine Rech, Paris, France

2004
“Hysterical,” Galerie Dennis Kimmerich, Düsseldorf, Germany (curated by Michele Maccarone)
“Never Never Landscape,” Atle Gerhardsen Gallery, Berlin, Germany (curated by Kirsty Bell)
Impakt Film Festival, Utrecht, Holland
Brand New and Retro, Up Projects, London, United Kingdom (cat.)

2003
“As Heavy as the Heavens- Transformation of Gravity,” Graz 2003 – Cultural City of Europe, Graz, Austria
Reg Vardy Galley, University of Sunderland, Sunderland, United Kingdom
“20th Anniversary - Welcome home,” Gavin Brown’s enterprise, New York

2002
“Inter. Play,” The Moore building, Miami (curated by Silvia Karman Cubina and Patrick Charpenel) (cat.)
“Videodrome ll,” New Museum of Contemporary Art, New York
“There is no accounting for other people’s relationships,” Ormeau Baths Gallery, Belfast, Ireland
“Aquaria,” Landesgalerie, Linz, Austria (curated by Barbara Wall)

2001
“The Americans New Art,” Barbican Gallery, London, United Kingdom (curated by Mark Sladen), (cat.)
American Academy in Rome, Italy (cat.)
“Gravita Zero,” Palazzo delle Esposizioni, Rome, Italy (curated by Bartolomeo Pietromarchi and Maria Grazia Tolomeo), (cat.)

2000
Whitney Biennial, Whitney Museum of American Art, New York (cat.)
“Black Box,” CCAC Institute, Oakland (curated by Larry Rinder)
“Making Time: Considering Time as a Material in Contemporary Art Film & Video,” Palm, Beach Institute of Contemporary Art, Palm Beach, UCLA Hammer Museum, Los Angeles (curated by Amy Cappelazzo), (cat.)

1999
“Heads Up,” Museum of Contemporary Art, Miami, (curated by Bonnie Clearwater), (cat.)
“Déjà vu,” Art Miami, (curated by Amanda Cruz)
“Leftover Festivities,” Nature Morte, New Delhi, India (curated by Clarissa Dalrymple)

1998
“New Art South Florida,” Museum of Contemporary Art, Miami
“Independing Loop,” Swiss Institute, New York (curated by Annette Schindler), (cat.)

1997
“Celluloid Cave, Thread Waxing Space,” New York (curated by Dara Friedman), (cat.)

1994
“Filmic Self-Portraits,” Galerie Voges & Deisen, Frankfurt, Germany

1993
“One week's Public Teaching in Search of the Essence of Film,” Austrian Film Museum, Vienna, Austria, (curated by Peter Kubelka)


Awards

2000-2001
Rome Prize, American Academy in Rome, Rome, Italy

1999
Louis Comfort Tiffany Foundation, New York

1998
Cultural Consortium Fellowship, Miami

1997
New Forms Miami, Miami




Selected Bibliography

2010
Sherman, John, Bombsite.com, August
Johnson, Ken, “The Avant-Garde, No Longer Avant,” The New York Times, July 29

2008
Johnson, Ken, “Review,” The New York Times, June 20
Knowles, David, “Miami Minimal,” Men’s Vogue, February, p. 184-187
Licht, Alan, “Reality Show,” ArtReview, January 2008, p. 48-51

2007
Decter, Joshua, Review, Artforum, December 2007
Robertson, Campbell, “Turning All of Manhattan Into a Broadway Stage,” New York
Times, September 30
Garwood, Deborah, review, The New York Sun, May 3, p.22
Falconer, Morgan, review, Time Out New York, May 3-9, p. 73

2005
Cornell, Lauren, review, Time Out New York, October 6-12, p. 78
Camhi, Leslie, review, The Village Voice, September 28, p. 84
De Monchaux, Thomas, “Scene & Herd: The Artforum Diary”, Artforum.com, Sept.24

2003
Verlag, Wilhelm Fink, Himmel Schwer: Transformationen der Schwerkaft, München
(cat.)
Review, Flash Art, Jan/Feb

2002
Chasin, Noah, review, Time Out New York, November 7-14, p/ 83
Leuenberger, Samuel, review, Frieze, October, p. 101
Hattinger, Gottfried, “Kunst Sprünge,” kursiv, 9-2/02, p.38
DeCruz, Gemma, Make, Special Edition 92, p. 10-11
“Pulsschlage,” Neue Zurcher Seitung, June 15/16, No. 136, p. 60
Dambrot s Shana, “Reviews,” Tema Celeste, May/June, p. 96
Schneider, Caroline, “Preview,” Artforum, May 2002
Farquharson, Alex, “The Americans; New Art”, Art Forum, March 2002, P 136

2001
Sarah Kent, Time Out, London
Moreno, Gean, “Art (of Relation)”, Flash Art, November-December, pp. 72-73
Sladen, Mark, “Young Americans”, Blue Print, November, pp. 50-52
Moreno, Gean, Review, Flash Art, July- September, pp. 122-123
Wallach, Amei, “In Miami, a Hot Spot of Art, the Temperature’s Rising,” The New York
Times, September 16th, pp. 33-36
Van Cleve, Emily, “Fact, Fiction Intersect in Exhibit”, Albuquerque Journal, Sunday,
February 4
Pulkka, Wesley, Review, Albuquerque Journal, Sunday, March 4
Cline, Lynn, “Double Take”, The Santa Fe New Mexican, February 9-15
GariotStejskal, Richard, Review, Crosswinds Weekly, March 29- April 5
Clemmer, David, Review, The Magazine, April
Allen, Steven Robert, “Still and Moving Life”, Alibi Magazine, February 8-14
Kesterson, Marc, “Time and Again”, Dutch, No. 32, March-April, p. 56

2000
Cruz, Amanda, Fresh Cream, Phaidon Press, pp. 280
Moreno, Gean, “Déjà Vu, review” New Art Examiner, May 2000
Moreno, Gean, “Sound Check, Gean Moreno visits Dara Friedman”, Art Papers Magazine, July/ August, 2000
Saltz, Jerry, “My Sixth Sense”, Village Voice, April 4, p. 69
Review, The New Yorker, May 8
Vogel, Carol, “Biennial Buys”, The New York Times, Friday, June 2
Smith, Roberta, “Dara Friedman, Art in Review”, The New York Times, April 28

1999
Turner, Elisa, "Beach artist picked by N.Y. museum", The Miami Herald, Dec. 10
Turner, Elisa, "Moca's 'Banging art' Heralds the New and Notable", The Miami Herald, July 18
Vogel, Carol, "Surprises in Whitney's Biennial Selections", The New York Times, December 8
Feinstein, Roni, "Report from Miami: Part I, Museum Salsa", Art in America, May
Dietsch, Deborah, "Two ways about it: postwar permanence", Sun Sentinel, July 8

1998
Brackman, Yvette, "Dara Friedman + Mark Handforth", Time Out New York, Feb. 12-19, issue 125, p. 49
Clearwater, Bonnie, "new art: south florida", (catalogue), Museum of Contemporary Art, Miami, May
Dellinger, Jade, "Cityscape Miami", Flash Art (interview), March-April, p. 72
Johnson, Ken, "Art in review: Dara Friedman and Mark Handforth", The New York Times, Feb. 6
Molon, Dominic, "Dara Friedman, Creator/Destroyer, Museum of Contemporary Art, Chicago", Aug. 31 - Oct. 19
Purcell, Greg, "Dara Friedman", New Art Examiner (Chicago), Nov., p. 49
Turner, Elisa, "Prints, videos are art fellows' canvas of choice", The Miami Herald (exhibition review New Art: South Florida), May 17

1997
"Celluloid Cave", Contemporary Visual Arts (New York), issue 14, p. 94
Smith, Roberta, "Art in Review: Young artists play with film", New York Times, June 27
Young, Lisa and Friedman, Lisa, "celluloid cave" (exhibition booklet)

1996 Cantor, Judy, "Art: Techno Trashing", New Times (Miami), July 18-24

Publications

2002
“Dara Friedman,” Kunstmuseum Thun, Thun, Austria
“Dara Friedman,” Site Santa Fe, Santa Fe

MARK HANDFORTH


1969 Born Hong Kong
Lives and works in Miami, FL

Education

1988-92 The Slade School of Fine Art, University College, London, UK
1990-91 Staatliche Hochschule fur Bildende Kunste, Stadelschule, Frankfurt am Main, Germany

Solo Exhibitions

2011
Museum of Contemporary Art, North Miami curated by Bonnie Clearwater (forthcoming)
Hessel Museum of Art and CCS galleries, Annandale-on-Hudson, New York
Museum of Contemporary Art, Chicago

2010
Gavin Brown’s enterprise, New York
The Modern Institute, Glasgow, Scotland

2009
Kunstnernes Hus, Oslo (with Urs Fischer and Georg Herold)

2008
Galerie Almine Rech, Paris
Galerie Eva Presenhuber, Zurich, Switzerland
Gavin Brown’s enterprise, New York

2007
Platz, Galerie Eva Presenhuber/Tessinerplatz, Zurich
Concentrations 51: Mark Handforth, Dallas Museum of Art, Dallas, TX

2006
Galerie Eva Presenhuber, Zurich, Switzerland
The Modern Institute, offsite, Glasgow, Scotland

2005
Stroom, The Haghe, Netherlands
Galerie Almine Rech, Paris
Fondation Vasarely, Aix-en-Provence, France (cat.)
Gavin Brown’s enterprise, New York
Kunsthaus, Zurich (cat.)

2004
Roma Roma Roma, Rome
The Modern Institute, Glasgow, Scotland

2003
Le Consortium, Dijon, France
Lamppost, a Public Art Fund commission, New York, NY

2002
UCLA Hammer Museum, Los Angeles, CA (brochure)
Gavin Brown’s enterprise, New York, NY
Galleria Franco Noero, Turin, Italy

2000
free bird, Gavin Brown's enterprise, New York, NY

1998
Gavin Brown's enterprise (with Dara Friedman), New York, NY

1997
Miami Arts Project, four bus shelters for Metro-Dade Art in Public Places,
Miami, FL

1996
she is stupid I am worried (with Dara Friedman), Frederic Snitzer Gallery,
Miami, FL
not from where I'm standing, Project Room, Museum of Contemporary Art,
Miami, FL

1994
cheap, Jason Rubell Gallery (with Adam Kuczynski), Miami Beach, FL

1991
Galerie Krieg, Frankfurt am Main, Germany





Group Exhibitions

2010
At Home/Not at Home, Hessel Museum of Art, New York

2009
Tonite, The Modern Institute, Glasgow, Scotland

2008
Pivot Points: Defining MOCA’s Collection, Museum of Contemporary Art, North Miami, FL
The Freak Show, Musee de la Monnaie, Paris, France
The Complexity of the Simple, L & M Arts, New York

2007
Château de Tokyo/Tokyo Redux, Ile de Vassivière, France
From Site to Site: Light Art in Parks, Villas, and Museums, Internationale Lichttage Winterthur, Switzerland
The Freak Show, Musee d’Art Contemporain de Lyon, Lyon

2006
The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington, DC (cat.)
5 Milliards d’Annees, Palais de Tokyo, Paris
La Force de l’Art, Le Grand Palais, Paris
Optik Schröder, Sammlung Alexander Schröder, Kunstberein Braunschweig
Boomrang, Swiss Institute, New York

2005
Light Art from Artificial Light, ZKM Museum for Contemporary Art, Karlsruhe, Germany (cat.)
Lotissement de Cimaises, Villa Arson, Nice, France (cat.)

2004
Never Never Landscape, Atle Gerhardsen, Berlin, curated by Kirsty Bell
Terminal 5, JFK Airport, New York, NY (cat.)
Regen Projects, Los Angeles
It’s all an Illusion, Migros Museum, Zurich, Switzerland
Galerie Almine Rech, Paris, France
Keep Your Head to the Sky, Gavin Brown’s enterprise, New York
Genesis Sculpture, Domaine de Pommery, Reims, France (cat.)
Whitney Biennial, Whitney Museum of American Art, New York, NY (cat.)

2003
Inaugural Group Exhibition, Gavin Brown’s enterprise, New York
Coollustre, Collection Lambert en Avignon, Avignon, France, curated by Eric Troncy (cat.)
It Happened Tomorrow, Lyon Biennale, Lyon, France (cat.)
Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
20th Anniversary- Welcome home, Gavin Brown’s enterprise, New York, NY

2002
My head is on fire but my heart is full of love, Charlottenborg Exhibition Hall, Copenhagen, Denmark (cat.)

2001
Humid., The Moore building, Miami, FL, curated by Dominic Molon (cat.)
Lokalzeit, Johanniterbrucke, Basel, Switzerland

2000
Making Art in Miami: Travels in Hyperreality, MoCA, Miami, FL
Deja-Vu, Art Miami, Miami, FL, curated by Amanda Cruz

1999
Heads-up, Museum of Contemporary Art, Miami, FL
Leftover Festivities , Nature Morte, Delhi, India, curated by Clarissa Dalrymple

1998
new art: south florida, MoCA, Miami, FL (cat.)
Oriental Nights performance at Gavin Brown's enterprise, New York, NY

1997
Bobois, Galerie Krinzinger, Art Miami, Miami, FL

1996
Joint Venture, Galerie Krinzinger, Vienna, Austria

1993
Jason Rubell Gallery, Miami Beach, FL

1991
Zwischen Durer und Holbein, Stadel, Frankfurt am Main, Germany




Bibliography

2009
Frieze Art Fair Yearbook, “Mark Handforth,” 2009

2008
Sheets, Hilarie, Critic’s Pick, ArtNews, November 2008
Cairns, Steven, MAP Magazine, Summer 2008
Feinstein, Roni, “Handforth’s Fallen Angels,” Art in America, May, p. 180-183
The New Yorker, March 31
Baker, R.C., Best in Show, Village Voice, March 25
Rosenberg, Karen, Review, New York Times, March 21
Kerr, Merrily, Review, Time Out New York, March 19-25
Knowles, David, “Miami Minimal,” Men’s Vogue, Feburary, p. 184-187

2007
Gayer, John, “The Uncertainty of Objects and Ideas; Review,” Art Papers, March/April, pp. 46-47 (illus.)
Kuo, Michelle, “The Uncertainty of Objects and Ideas: Recent Sculpture; Review,” (illus.) Artforum, February, p. 2007
“Looking Back,” (illus.) Frieze, January-February, pp16-17

2006
“Cinq Milliards d’Annees,” (illus.), Palais/, Fall/Winter 2006-7, pp. 6-7, 24, 26-27
Ulmer, Brigitte, “Kunstszene unter Palmen,” Bolero, December pp. 78-80
Burton, Johanna and Anne Ellegood, “The Uncertainty of Objects and Ideas: Recent
Sculpture,” published by Hirschhorn Museum and Sculpture Garden, Washington, D.C.

2005
The New Yorker, May 23, p. 20
“13 Questions for Dara Friedman and Mark Handforth by The Wrong Gallery,” The Wrong Times,
p. 1
Ribas, Joao, Review, Time Out, May 12 – 18, p. 74
Lunn, Felicity, Review, Artforum, May, p. 242
Trocy, Eric; Varadinis, Mirjam; “Mark Handforth,” published by JRP/Ringier, Zurich
Bonnet, Frederic; Varadinis, Mirjam; “Mark Handforth,” published by Les Presses du Reel, Dijon
Lauf, Cornelia, Review, Art In America, January, pp. 134-135
‘Work in Progress,’ photo by Jason Schmidt, V Magazine, April, p. 106

2004
Ribas, João, “The Other Side of Paradise,” Art Review, Dec/Jan 04-05 pp.94-97
Trainor, James, “Road to Ruin,” Frieze, Issue 85, September, pp. 89 – 91; 62-63 (ill.)
Mottram, Jack, “Making His Mark,” Sunday Herald, Aug 1, 2004 p. 19 (UK)
Diez, Renato, “Alla Biennale del Whitney,” Arte, May, pp. 104-111
“American Art in the Spotllght” Whitney 2004 Biennial, NY Times (ill.)
Walker, Andrew Lee; Ward, Rachel K.’ “Terminal 5,” published by Lukas & Sternberg, New York
Weyland, Jocko, “American Splendor,” Time Out New York, March 4-11,
pp.12-15
Moreno, Gean, “Art Basel 2003,” Loft, December-January 2004, p. 60
Kimmelman, Michael, “The Whitney’s Heavy Lifters Look Back,” The New York Times, May 30, p. 22 (Ill.)
Heartney, Eleanor, “The Well-Tempered Biennial,” Art in America, June/July, p.70-77
Genesis Sculpture, published by Beaux Arts Magazine, Hors Serie, edited by Stephanie Moisdon

2003
de Brugerolle, Marie, “It Happened Tomorrow: Lyon Biennale,” Flash Art, November-December, pp. 41, 50
Bonnet, Frederic, “A Changing World,” Excerpt from 10 Floridians Catalog, Miami Art Central, City Miami
Frédéric Bonnet, "Troubles quotidiens", in Mouvement, n° 25,
novembre-décembre, pp. 56-59
“Lamp Unto Thy Feet,” The New York Times, April 30, p. B4
Troncy, Eric, “Decryptage,” Numero, March, pp. 323-328
Troncy, Eric, “A Future One Would Like to Be Able to Defer,” Parkett No. 79, p189-196.
Troncy, Eric, Coollustre, published by Les Presses du Réel, Dijon
Casadio, Maruccia, “Archeologic,” Vogue Italia, October, No. 626, pp. 677-681

2002
Smith, Roberta, “Art in Review,” The New York Times, March 22, 2002 p E36
Adm, No. 134, July, p. 118
González, Manuel E., et. Al, 10 Floridians, published by Miami Art Central

2001
Molon, Dominic, Humid., published by The Moore Building, Miami
Moreno, Gean, “Cityscape Miami”, Flash Art, November/December, pp. 59-60
Wallach, Amei, “In Miami, a Hot Spot of Art, the Temperature’s Rising,” The New York Times, September 16th, pp. 33-36

1999
Gean, Moreno, 'Mark Handforth: Studio View', New Art Examiner, October
Feinstein, Roni, 'Report from Miami', Art in America, May

1998
Basualdo, Carlos, 'cream: contemporary art in culture', Phaidon Press, London
Brackman, Yvette, 'Dara Friedman & Mark Handforth', Time Out New York (review), February 12-19
Johnson, Ken. “ CONTACT _Con-439D7E8D72 \c \s \l Dara Friedman and Mark Handforth” New York Times, Feb 6
Dellinger, Jade, 'Flash Art Cityscape' (interview), Flash Art Magazine,
March-April
Turner, Elisa, 'Art Fellows, canvas of choice', The Miami Herald (review), June 27

1996
Busse, Bettina, 'Joint Venture', Galerie Krinzinger, Vienna, Austria, October (cat.)
Cantor, Judy, 'Techno Trashing', New Times, July 18
Turner, Elisa, 'Latest MOCA installation speaks of art without an angle', The Miami Herald (review), June
Clearwater, Bonnie, 'not from where I'm standing', Museum of Contemporary Art, Miami, May
Kimmelman, Michael, 'Ambitious Miami Reaches for a Place in the Sun', New York Times, March 31

1994
Kohen, Helen, 'Revenge of the Artists', The Miami Herald, April 15
Zarko, Cyn, 'Basic Instinct,' Ocean Drive magazine, June

1993
Kohen, Helen, 'a Glimpse at a Chosen Few', The Miami Herald, July 23

Selected collections

Dallas Museum of Art
Le Consortium
FRAC Centre
Museum of Contemporary Art, North Miami
Museum of Contemporary Art, Los Angeles
Francois Pinault Collection
Rachofsky Collection
Rubell Family Collection
Whitney Museum of American Art

JONATHAN HOROWITZ


Born in New York City, 1966
Education: B.A. Philosophy, Wesleyan University


Solo Exhibitions

2011
“Art, History,” Sadie Coles HQ, London

2010
"Minimalist Works from the Holocaust Museum," Dundee Contemporary Arts
"Go Vegan!," LaFrieda Meats/Gavin Brown's enterprise, New York

2009
"And/Or," P.S.1 Contemporary Art Center, New York, curated by Klaus Biesenbach
"Apocalypto Now," Museum Ludwig, Cologne
"Free Store," Sadie Coles HQ, London

2008
“Obama ‘08,” Gavin Brown’s enterprise, New York

2007 "People Like War Movies," Galerie Barbara Weiss, Berlin

2006 “Rome,” Sadie Coles HQ, London

2005
“The New Communism,” Gavin Brown’s enterprise, New York
“Silent Movie,” Yvon Lambert Gallery, New York

2004
Galerie Barbara Weiss, Berlin

2003
"Silent Movie," Martix 151, Wadsworth Atheneum Museum of Art, Hartford, CT
"Surreal Estate," with Rob Pruitt, Gavin Brown's enterprise, New York
Buero Friedrich, Berlin
Galerie Yvon Lambert, Paris

2002
"Go Vegan!," Greene Naftali Gallery, New York
"Pillow Talk," Sadie Coles HQ, London

2001
"Time, Life, People: Jonathan Horowitz at Kunsthalle St. Gallen," Kunsthalle St. Gallen, Switzerland
Galerie Yvon Lambert, Paris
"We the People," China Art Objects Galleries, Los Angeles
"In Person," Bard College Center for Curatorial Studies, Annandale-on-
Hudson, NY, curated by Kim Simon

2000
"The Jonathan Horowitz Show," Greene Naftali Gallery, New York
"The Universal Calendar/talking without thinking," Van Laere
Contemporary Art, Antwerp, Belgium

1998
"Bach Two Part Invention #9," Kenny Schachter/Rove, New York
"Maxell," Greene Naftali Gallery," New York


Selected Group Exhibitions

2011
“Day of the Locust," White Flags Projects, St. Louis
“Wit,” paddle 8, New York
“Secret Societies,” Schirn Kunsthalle, Frankfurt. Travels to Bordeaux, Le CAPC Museé d’art Contemporain de Bordeaux
“Evolution Revolution” Arena 1 Gallery, Santa Monica
“LOL,” Baltimore Contemporary, Baltimore

2010
"Christmas in July," Yvon Lambert Gallery, New York
"Moving Images: Artists & Video/Film", Museum Ludwig, cologne
“The woods that see and hear,” Dertien Hectare, The Netherlands
"Che cosa sono le nuvole? Artworks from the Enea Righi Collection," Museion - Museum of Modern and Contemporary Art, Bolzano, Italy
SIR Cinema, Sculpture International Rotterdam, Netherlands

2009
"Beg Borrow and Steal," Rubell Family Collection, Miami, Florida
"Saints and Sinners," Rose Art Museum, Brandeis University, Massachusetts

2008
"An Unruly History of the Readymade," La Coleccion Jumex, Mexico, curated by Jessica Morgan
“Sudden White” (After London) Royal Academy of Arts, London
“Moral Imagination – Contemporary Art and Climate Change,” Kunstmuseum Thurgau, Ittinger Museum, and Museum Morsbroich Leverkusen
"Italia Italie Italien Italy Wlochy," ARCOS Museo d'Arte Contemporanea Annio, Benevento, Italy, curated by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Viliani (catalog)
"Good News for People Who Love Bad News," Swiss Institute, New York, curated by Gianni Jetzer
"Other Than Yourself - An Investigation Between Inner and Outer Space," Thyssen - Bornemisza Art Contemporary, Vienna (catalog)

2007
"RAW," Museum of Modern Art, New York
"In The Poem About Love You Don't Write The Word Love," Overgarden Institute of Contemporary Art, Copenhagen, curated by Tanya Leighton
"Playback," ARC/Musee d’Art moderne de la Ville de Paris, France (catalog)
"The Future of Futurism," GAMeC/Museum of Modern and Contemporary Art, Bergamo, Italy
"MARTa is silent. Garde le silence, le silence te gardera," MARTa Herford Museum, Herford, Germany
"New York: State of Mind," House of World Cultures, Berlin; Queens Museum, New York, curated by Shaheen Merali (catalog)
"Lines, Grids, Stains, Words," Museum of Modern Art, New York, organized by Christian Rattemeyer; traveled to Museu de Arte Contemporanea de Serralves, Portugal, and Museum Wiesbaden, Germany (catalog)
"Love Addiction: Practices in Video Art from ’61 to the Present," Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy, curated by Andrea Bruciati
"Das Kapital - Blue Chips and Masterpieces," Museum fur Moderne Kunst, Frankfurt
“Art in America: 300 Years of Innovation,” National Art Museum of China, Beijing; Shanghai Museum and the Museum of Contemporary Art Shanghai, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art (catalog)
“Raw. Among the Ruins,” Marres Center for Contemporary Art, Maastricht, The Netherlands, curated by Lisette Smits and Alexis Vaillant (catalog)

2006
“Defamation of Character,” P.S. 1 Contemporary Art Center, New York, curated by Neville Wakefield
“Repeat Redux, Screening and Performance Series,” Whitney Museum of American Art at Altria, New York
“Into Me/ Out of Me,” P.S. 1 Contemporary Art Center, New York; KW Institute for Contemporary Art, Berlin; MACRO Museum of Contemporary Art at Mattatoio, Rome, curated by Klaus Biesenbach (catalog)
“Down by Law,” Whitney Museum of American Art, New York, curated by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick (catalog)
“The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960,” Museum Ludwig, Cologne, curated by Kasper Konig and Frank Wagner (catalog)
“The Kate Show,” Foam Fotografiemuseum Amsterdam, Amsterdam, curated by Rita Ackermann and Olivier Zahm
“Figures de l‘acteur: Le Paradoxe du comedien,” Collection Lambert, Avignon, France (catalog)
“Modern Times,” Museo d'Arte Provincia di Nuoro, Nuoro, Italy, curated by Maria Rosa Sossai (catalog)
“The Name of the Show Is Not ‘Gay Art Now’,” Paul Kasmin Gallery, New York, curated by Jack Pierson
“Survivor,” Bortolami Dayan Gallery, curated by David Rimanelli, New York, (catalog),
“Take One,” Glassell School of Art, Museum of Fine Arts, Houston, TX, curated by Domenick Ammirati
“The Fact, Abstract,” Dorsky Gallery Curatorial Programs, Long Island City, New York, curated by Claire Barliant

2005
“Superstars, The Celebrity Factor. From Warhol to Madonna,” Kunstahlle Wien, Vienna, Austria (catalog)
"Log Cabin," Artists Space, New York, curated by Jeffrey Uslip
“Realit;-)t. 30 Video Works from the Goetz Collection in Munich. From Olaf Breuning to Sam Taylor-Wood,” Seedamm Kulturzentrum, Pfaffikon, Switzerland
“Jump Cut Nights,” SK Stiftung Kultur, Koln
“Museumsnacht,” SK Stiftung Kultur, Koln
“What’s New Pussycat?,” Museum fur Modern Kunst, Frankfurt am Main (catalog)
“5 ans,” Collection Lambert en Avignon, Avignon, France
"Theorema. Une Collection Privee en Italie la Collection d'Enea Righi," Collection Lambert, Avignon, France
“The Wonderful Fund Collection,” La Musée de Marrakech, Morocco (catalog)

2004
"The Future Has a Silver Lining. Geneologies of Glamour," Migros Museum fur Gegenwartskunst, Zurich (catalog)
"The Ten Commandments," The Deutsches Hygiene-Museum, Dresden, Germany, curated by Klaus Biesenbach (catalog)
"100 Artists See God," The Jewish Museum San Francisco, CA; Laguana Art Museum, Laguana Beach, CA; Contemporary Art Center of Virginia, Virginia Beach (2005); ICA London, London (2005), curated by John Baldessari and Meg Cranston (catalog)
"A Fripon, Frion et Demi. Pour une Ecole Buissonniere," Collection Lambert, Avignon, France
"Drunk vs. Stoned," Gavin Brown's enterprise at Passerby, New York, organised by The General Store
"Marilyn: from Anastasi to Weegee," Sean Kelly Gallery, New York
"Aus acktuellem Anlass," Johann Konig, Berlin
"Let the Bullshit Run a Marathon," Nicole Klagsbrun, New York, curated by Nate Lowman

2003
"Love," Bregenzer Art Association and Magazin 4, Berlin (catalog)
"Dust Memories," Swiss Institute, New York
"First Person," Mercer Union, Toronto, Canada, curated by Kim Simon
"Homeland," The Whitney Independent Study Program, New York
"20th Anniversary Exhibition," Gavin Brown's enterprise, New York
"Nation," Kunstverein Frankfurt, Germany, curated by Rene Zechlin (catalog)
"La Nuit Americaine," Yvon Lambert New York, New York
"Parle a Mes Peres," Collection Lambert at PhotoEspana, Madrid

2002
"Just Love Me: Post/Feminist Positions of the 1990s from the Goetz Collection," Bergen
Kunstmuseum, Bergen; Staatlich Kunsthalle, Baden-Baden; Sammlung Goetz, Munich
(2002-3) (catolog)
"The Object Sculpture," The Henry Moore Institute, Leeds, Great Britain, selected by
Tobias Rehberger, Joelle Tuerlinckx and Keith Wilson, curated by Penelope Curtis (catalog)
"Tableaux Vivants," Kunsthalle Wien, Austria, curated by Sabine Folie and Michael Glasmeier (catalog)
"Non-Places," Kunstverein Frankfurt, Germany (catalog)
"Dark Spring," Ursual Blickle Stiftung, Kraichtal-Unterowisheim, Germany, curated by Liam Gillick (catalog)
"Zusammenhaenge Herstellen," Kunstverein in Hamburg, Germany (catalog)
"Mensaje De Texto," Galeria Helga De Alvear, Madrid

2001
"The Americans. New Art," Barbican Art Gallery, London (catalog)
"Casino 2001," Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, curated by Jeanne Greenberg (catalog)
"Tele(visions)," Kunsthalle Wein, Austria, curated by Joshua Decter (catalog)
"4FREE," Burofriedrich, Berlin (catalog)
"Video Mania," Migros Museum fur Gegenwartskunst, Zurich, Switzerland
"Annonyme," Rencontres Internationales de La Photographie, Arles, France (catalog)
"Fresh: The Altoids Curiously Strong Collection, 1998-2000," The New Museum, New York
"Desins," Ecole Regionale Des Beaux-Artes, Dunkerque, France
"Pause," Marc Foxx Gallery, Los Angeles
“Metropolis Now” Borusan Culture and Art Center, Istanbul (cat.)

2000
"Over the Edges," Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, curated by Jan Hoet and Giacinto di Pietrantonio (catalog)
"Greater New York: New Art in New York Now," P.S. 1, New York (catalog)
"Making Time: Considering Time as a Material in Contemporary Film &
Video," Palm Beach Institute for Contemporary Art, Palm Beach, Florida; UCLA Hammer Mueum, Los Angeles, curated by Amy Cappellazzo (catalog)
2000 "New York Projects," Delfina Project Space, London, curated by Luke Dowd
"Achieving Failure: Gym Culture 2000," Thread Waxing Space, New York, curated by Bill Arning
"New Work from New York," Cheekwood Museum of Art, Nashville, TN
"Pop Unlimited," Special Program, International Short Film Festival
Oberhausen, Germany (catalog)

1999
"Zeitwenden -The Outlook," Kunstmuseum Bonn, Germany; Museum
Moderner Kunst Stiftung Wein, Austria (catalog)
"Regarding Beauty in Performance and Media Arts, 1967-1998; Program III- Icons of Beauty," Hirschorn Museum and Sculpture Garden, Washington DC; Haus der Kunst, Munich (catalog)
"The Opening. the Collection in the New Museum of Contemporary Art," Stedelijk
Museum voor Actuele Kunst, Ghent, Belgium (catalog)
"Exit," Chisenhale, London, curated by Allison Gingeras
"Persuasion: Tales of Commerce and the Avant-garde," University at Buffalo Art Gallery/Research Center in Art + Culture (catalog)
"interplay," The Contemporary Museum of Art, Tucson, Arizona, curated by Caitlin
Masley
"New York Neither/Nor," Grand Arts, Kansas City, MO, curated by Bill Arning
"Conceptual Art as Neurobiological Praxis," Thread Waxing Space, New York, curated by Warren Neidich
"A Place Called Lovely," Greene Naftali Gallery, New York, curated by Sima Familant

1998
"Invited Exhibition of Visual Art 1998," Limerick City Gallery of Art,
Limerick, Ireland (catalog)
"Cambio," Museo Universitario del Chopo, Mexico City, Mexico (catalog)
"Oriental Nights," Gavin Brown's enterprise, New York
Group Show, The Fifth International, curated by Jennifer Bornstein and Chivas Clem, New York
"Biovoid," Museum of Natural History, Lisbon, Portugal (catalog)
"Tune In," Lawing Gallery, Houston, TX
"Superfreaks: Post Pop & the New Generation; Part I, Trash," Greene Naftali Gallery, New York

1997
"Bring Your Own Walkman," Achterzaal, Amsterdam, Holland, curated by Jack Jaeger
"Thriller," 303 Gallery, New York, curated by Tom Borgese
Group Show, Andrew Kreps Gallery, New York
Hotel 17 performance series, 192 Third Avenue, New York

1996
"Password: Ferdydurke," Postmasters Gallery, New York
"The Strange Power of Cheap Sentiment," White Columns, New York, curated by Bill Arning
"Facing the Millennium," The Arlington Museum of Art, Arlington, TX, curated by Kenny Schacter

1995
"Gang Warfare," Independent Art Space, London; McKinney Avenue Contemporary, Dallas, TX; The Consortium, Dijon, France, curated by Michael Corris (catalog)
"Looky Loo," Sculpture Center, New York, curated by Kenny Schachter
(catalog)

1994
"Played," Printed Matter, New York, curated by Kenny Schachter

1993
Arts Festival of Atlanta, Atlanta, GA (catalog)

1992
"Morality Cafe," Postmasters Gallery, New York

1991
"Unlearning," 142 Greene Street, New York, curated by Kenny Schachter

1989
"Document and Dream," Artists Space, New York, curated by Dan Walworth (catalog)



Solo Screenings


2009
Light Industry, Brooklyn, New York

2005
L'Entrepot, Paris, presented by Ann Bonnin

2000
"Personal Cinema Program," Millennium, New York


Curatorial Projects

"Two Friends and So On," curated by Jonathan Horowitz & Rob Pruitt,
Andrew Kreps Gallery, New York, 2006; Marc Foxx Gallery, Los Angeles, 2001; Andrew Kreps Gallery, New York, 2000.
"Howard the Duck," zing magazine Autumn-Winter, 1996.

Publications by Artist

This is This, Mousse Magazine Peephole #04, Spring 2010
Help Name My Cat. Kunsthalle St. Gallen, 2001.
The Universal Calendar. Kunstmuseum Bonn, 1999.
Bach Two Part Invention #9. Audio CD, self-published, 1998.
Stairmaster Anthology. Self-published, 1997.

Bibliography

2010
Cosgrove, Jessica. “An Artist’s Impression,” The Courier, December 15
Black, Catriona, "Maximising Impact," The Herald Scotland, November 26
Cairns, Steve, "In Conversation: Jonathan Horowitz," MAP, Autumn Issue
Harris, Jane, "Dinner Conversation", Art in America, June 16
Singer, Jasmin, video interview with Jonathan Horowitz, Our Hen House Online,
HYPERLINK "http://www.ourhenhouse.org/2010/05/jonathan-horowitz-art-of-the-animal/" http://www.ourhenhouse.org/2010/05/jonathan-horowitz-art-of-the-animal/
Bodin, Claudia, “Alle Macht Den Veganern!”, Art Germany Online, May 20

HYPERLINK "http://www.art-magazin.de/kunst/29766/gavin_brown_new_york" http://www.art-magazin.de/kunst/29766/gavin_brown_new_york
Yablonsky, Linda. “A Vegan Meat Locker with a Heartbeat,” T Magazine,
May 13
Jackson, Candace. “Downtown Art Show Sends Meat Packing,” The Wall Street Journal,
May 8
Siegel, Miranda. “Going the Way of All Flesh,” New York Magazine, May 7
"Fashion People Are People Too." Project. V Magazine 63, Spring Preview: 52-3

2009
Bell, Kirsty. “State of the Nation,” Frieze Nov./Dec.: 112-117
McGinley, Ryan. “My Top 10 Art Films.” Vice Magazine Sept.: 40-1
Tollmann, Vera. “Jonathan Horowitz, Apocolypto Now.” goethe.de/climate. Online. Sept.
<< http://www.goethe.de/ges/umw/prj/kuk/wwt/nor/jho/en4967053.htm>>
Rabottini, Alessandro. "As Tim Gunn Would Say." Interview. Mousse Summer: 23-5
“Was ihr wolt,” Monopol July: 45
Lack, Jessica. “Artist of the Week: Jonathan Horowitz,” Guardian UK Online 20 May
“Rebranding America.” Project. Paper Magazine May: 62
Ochalla, Bryan. "Acting Up." Interview. A&U: America's AIDS Magazine April: 18-21
Schreiber, Daniel. “Der diskrete Democrat.” Monopol April: 74-81
Pulimood, Steve. “Jonathan Horowitz: And/Or,” Art in America April
Hawgood, Alex. “The Insider: Jonathan Horowitz.” Interview. T Magazine Blog. Online. 13 March
<< http://tmagazine.blogs.nytimes.com/2009/03/13/the-insider-jonathan-horowitz/ >>
Cordeiro, Will. “NYC’s P.S.1 Offers The Good and The Ugly.” The Cornell Daily Sun 24 March
Halle, Howard. Review of “And/Or.” Time Out New York March: 19-25
“Pillow Talk at Calvin Klein Collection Flagship.” WWD.com. Online. 13 March
<< http://www.wwd.com/fashion-news/fashion-scoops/pillow-talk-at-calvin-klein-collection-flagship-2070485// >>
Beasley, Mark. “What to see this month by Mark Beasley.” Art Review March
Cotter, Holland. “When a Can of Worms Is Opened, An Artist Does Some Fishing.” Review of "And/Or" at P.S. 1. New York Times 25 Feb.: C1, 7
Decter, Joshua. Review of "Obama '08." Artforum Jan.: 207-8

2008
Bollen, Christopher. “15 for ’09.” Interview. Interview Dec/Jan.:
della Porta Raffo, Mauro. “Obama Story.” Vanity Fair Italia 11 Dec.: 1, 46-48
Kley, Elisabeth. “Gotham Art & Theater.” Artnet Magazine 2 Dec.
<< http://www.artnet.com/magazineus/reviews/kley/kley12-01-08.asp >>
Hintz, Katie. “Celebrating Art, Commerce, Oh And History, At Gavin Brown.” style.com. Online. 5 Nov. << http://www.style.com/stylefile/2008/11/celebrating-art-commerce-oh-and-history-at-gavin-brown/ >>
Pearse, Emma, “Artist Jonathan Horowitz Is Just As Excited As You Are.” New York Magazine Vulture Blog. Online. 5 Nov.
<< http://nymag.com/daily/entertainment/2008/11/artist_jonathan_horowitz.html >>
Alexsander, Irina. “Art Meets Life! If Obama Loses, Gavin Brown Will Have a Lot of Extra Balloons.” The New York Observer. Online. 4 Nov.
<< http://www.observer.com/2008/o2/art-meets-life-if-obama-loses-gavin-brown-will-have-lot-extra-balloons >>

2007
Johnson, Ken. "Never Mind the Map: Sometimes New York is More of an Idea." New York Times 21 Dec.
Baier, Simon. Jonathan Horowitz at Galerie Barbara Weiss, Berllin. Text Zur Kunst 68, Dec.
2007 Uovo Magazine, Collaboration with Rob Pruitt, Issue 15, Oct – Dec., p. 286-89, 312-13
Lyall, Sarah, "In London, Art and Commerce Scratch Backs," New York Times 13 Oct.
Searle, Adrian, "Frieze Art Fair: Tenner For Your Thoughts, Dinos?" The Guardian 11 Oct.
Williames, Eliza. "Collecting Overview: Vanessa Branson." Flash Art Oct.
Heiser, Jörg. "Jonathan Horowitz, Galerie Barbara Weiss, Berlin, Germany."
          Frieze.com. Online. 2 Sept. <<http://www.frieze.com/shows/review/jonathan_horowitz/>>
Reichensperger, Petra, "Krieg und Kultur," Zitty, das Hauptstadsmagazin 19 Sept.
           Brigitte Werneburg, "Kunstrundgang, Jonathan Horowitz, People Like War Movies," die
Tageszeitung 5 Sept.
           Stange, Raimar. "Jonathan Horowitz, People Like War Movies." Spike Art Quarterly 13: 110-111.
Stange, Raimar. "Reviews: Jonathan Horowitz, Galerie Barbara Weiss." Modern Painters Nov.: 99

2006
Smith, Roberta, "Menace, Glitter and Rock in Visions of Dystopia." New York Times 29 Dec.
Smith, Roberta, "Critic's Notebook; Chelsea Is a Battlefield: Galleries Muster Groups." New York Times 28 July.
Biesenbach, Klaus, “Into Me / Out of Me,” Flash Art , May/June 06: (ill. p 104)
Coomer, Martin. Rev. of "Rome." Time Out London 26 Sept.
Saltz, Jerry, “Our Crowds: a two headed butterfly flapping its wings,” Village Voice,
July 6
The Wrong Gallery. “Tarzan and Jane: America – Kara Wallker and Jonathan Horowitz.”
Interview/project. Domus 891, April: 122-5.
Wang, Michael. “Scene and Herd: Fair Game.” Artforum.com. Online. 15 March
<<http://www.artforum.com/diary/id=10598>>
Saltz, Jerry. “Biennial in Babylon.” Village Voice 8 March: 86.

2005
Higgs, Mathew. “Best of 2005.” Artforum Dec.: 258-9.
Belaief, Margherita. Rev. of “The New Communism.” Exibart Nov.: 56.
Rimanelli, David. “Scene and Herd: The More the Scarier.” Artforum.com. Online. 21 Oct. <<http://www.artforum.com/diary/id=9670>>
Maekawa, Akane. Ryuko Tsushin vol. 505, July: 62-63.
Ammirati, Dominick. "Profile: Jonathan Horowitz." Contemporary 71: 62-5.
Horowitz, Jonathan and Pruitt, Rob. “A Peacock Hill Family Album.” Photo portfolio. Zing Magazine 20, Winter: 216-31.
Cotter, Holland. Rev. of "Log Cabin." New York Times 28 Jan.
Gray, Zoe. Rev. of "Genealogies of Glamour." Contemporary 70.
The Wonderful Fund Collection, published by The Wonderful Fund, Great Britain
Gingeras, Alison. “Purple News.” Purple Fashion No. 3, Spring/Summer: 38.

2004
Gingeras, Alison. "Best of 2004." Artforum Dec.: 151-2, cover.
DeBellevue, Lucky. "The Artists' Artists." Artforum Dec.: 76.
Bollen, Christopher. "Art Lives: Jonathan Horowitz." Interview. Vman Fall-Winter: 71.
Horowitz, Jonathan, as told to Dominick Ammirati. "My Pop." Artforum Oct.: 48.
"Electoral Collage: A Portfolio." Commissioned artwork. Artforum Sept.: 237.
2004 Baker, Christopher, photographer. "About Face." Martha Stewart Holiday Halloween: 44-
51, cover.
Huster, Wiebke. "Was die Filme verschweigen." Rev. of Jonathan Horowitz at Galerie
Barbara Weiss. Frankfurter Allgemeine Zeitung 21 Aug.: 47.
Scharrer, Eva. "Critics Picks." Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Artforum.com. Online. 19 Aug. <<http://www.artforum.com/archive/id=7408>>
Herbstreuth, Peter. "Mischbrot mit Peitsche." Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Tagesspiegel 24 July: 24.
Muller, Katrin Bettina. "Irrlichternde Einzelbilder." Rev. of Jonathan Horowitz at Galerie Barbara Weiss. Tageszeitung 5 July: 23.
Jana, Reena. Rev. of "La Nuit Americaine." ARTnews May.
Verdier, Evence. Rev. of Jonathan Horowitz at Galerie Yvon Lambert. Artpress Feb:
80-81.

2003
Rosenberg, Karen. Rev. of "Dust Memories." Frieze Oct.: 126-7.
Yablonsky, Linda. Rev. of "Dust Memories." Time Out New York 19 June: 60.
"Focus Video and Film, Contemporary Video Art (Part II): Jonathan Horowitz."
Flash Art Mar.-Apr.: 94.
Exley, Roy. Rev. of "Pillow Talk." Flash Art Feb.: 114.
Hammonds, Chris. Rev. of "Pillow Talk." Tema Celeste 95, Feb.: 96.
Johnson, Ken. Rev. of "Surreal Estate." New York Times 6 June.
Lafreniere, Steve. "Rob Pruitt and Jonathan Horowitz with Steve Lafreniere." Interview. Index Sept.-Oct.: 62-68.
Levin, Kim. "Short List: Jonathan Horowitz and Rob Pruitt." Village Voice
11 June.
"NYC: Overrated and Underrated." Time Out New York 20 Feb.: 11.
Mulvihill, Keith. "American Gothic." Time Out New York 29 May: 28-9.
Schwendener, Maria. Rev of "Surreal Estate." Artforum.com. Online. 4 June.
<<http://artforum.com/archive/id=4948>>

2002
Clem, Chivas. Rev. of "Go Vegan!" Time Out New York 5 Dec.: 65.
Herbert, Martin. Rev. of "Pillow Talk." Time Out London. 30 Oct.
Johnson, Ken. Rev. of "Go Vegan!" New York Times 13 Dec.: E44.
Colman, David. "House of 8 Gables, Back in Black." New York Times 31 Oct.: F1+.
Keil, Frank. "Schwimmtofu an Schweineportrat." Rev. of "Zusammenhaenge Herstellen." Frankfurter Rundschau 7 Aug.
Schone, Veronika. "Diat im Kontext." Rev. of "Zusammenhaenge Herstellen." Szene Hamburg Aug.: 62-3.
Dezeuze, Anna. Rev. of "The Object Sulpture." Art Monthly July-Aug.
Schellen, Petra. "Nach dem Mull-clash." Rev. of Zusammenhaenge Herstellen." Tageszeitung 2 July.
Lubbock, Tom. "Colourvision." Rev. of "The Object Sculpture." Independent Review 4 June.
Fricke, Harald. Rev. of "4FREE." Artforum Mar.: 149.
Farquharson, Alex. Rev. of "The Americans: New Art." Artforum Mar.: 136.

2001
Mac Giolla Leith, Caoimhin. Rev. of "The Americans. New Art." Modern Painters Winter.
Rose, Matthew. "The Unexplained Explained ... Sort Of..." Interview. art-the magazine. Online. May. <<http://www.art-themagazine.com/pages/paris4.htm>>
Boyer, Charles-Arthur. Rev. of Jonathan Horowitz and Slater Bradley at Galerie Yvon
Lambert. Art Press 269.
Von Schlegell, Mark. "Luis Gispert, Jonathan Horowitz, John Williams." Rev. of "Pause." Artext May-July: 76-7.
Reproduced artwork. Issue 5 1.5: 143.
Arning, Bill. "Defeating the Universal Spectator." NU: The Nordic Art
Review vol. lll, no. 1: 68-71.
Moffatt, Laura. Rev. of "New York Projects." Art Monthly Sept.: 48-9.
Coomer, Martin. Rev. of "New York Projects." TimeOut London 23 Aug.: 52.
Eagly, Ursula. Rev. of "The Jonathan Horowitz Show." Art News Summer: 210.
Haye, Christian. "Not Afraid of Love." Reproduced artwork. Dutch May-June: 26-7.
Schmerler, Sarah. Rev. of "The Jonathan Horowitz Show." TimeOut New York 27 Apr.: 70.

2000
Anton, Saul. "Openings: Jonathan Horowitz." Artforum Nov.: 142-3.
Hainley, Bruce. "Blow Up." Reproduced artwork. Frieze May: 72.
Hunt, David. "Pumping Iron." Rev. of "Achieving Failure: Gym Culture 2000." TimeOut NY 13 Apr.: 69.
Levin, Kim. Rev. of "The Jonathan Horowitz Show." Village Voice 25 Apr.
Anton, Saul. Rev. of "The Jonathan Horowitz Show." Citysearch.com. Online. Apr.
Mendelsohn, Meredith. "Weekend Update." Artnet.com. Online. 4 Apr. <<www.artnet.com/magazine/reviews/mmendelsohn/mendelsohn4-4-00.asp>>
Skelton, Carl. "Bewitched." Rev. of "A Place Called Lovely." dART International 3.1: 36+.

1999
Ellegood, Anne. Rev. of "A Place Called Lovely." NY Arts Oct.
Van-Huy, Bernadette and Kelsey, John. "Tea No. 2: Rob Pruitt and
Jonathan Horowitz." Interview. Made in U.S.A. Fall-Winter: 58-62.
Thornson, Alice. "But Seriously-Or Not." Rev. of "New York Neither/Nor." Kansas City Star 4 July.
van der Hamsvoord, Jos. "American Contemporary Artists: Jonathan Horowitz." Artnet Academy Mar.: 37.
Smith, Roberta. Rev. of "Free Coke." New York Times Feb. 6.
Arning, Bill. Rev. of "Maxell." Art in America Jan.: 98-9.

1998
Fahl, David. Rev. of "Tune In." Artlies 19.
Schmerler, Sarah. Rev. of "Superfreaks-Post Pop & the New Generation." TimeOut New York 12 Mar.
Schachter, Kenny, et. Al, Cambio, published by The Mexican Cultural Institute of New York, New York, NY

1997
Schulz, J. Rev. of "Password: Ferdydurke." World Art 12: 91.

1996
Mitchell, Charles Dee. "Eastern Seaboard." Rev. of "Facing the Millenium." Dallas Morning Star 28 Nov.
Levin, Kim. Rev. of "Password: Ferdydurke." Villiage Voice 12 Nov.

1995
Barrett, David. Rev. of "Sex and Drugs and Explosives." Art Monthly May.

Publications

Bovier, Lionel, and Taylor, Kelly, eds. And/Or: Jonathan Horowitz. Zurich. JRP Ringier, 2009.
Rattemeyer, Volker, ed. Lines, Grids, Stains, Words. Spangeberg: Werbedruck GmbH, 2008.
Goetz, Ingvild, and Urbaschek, Stephan, eds. Fast Forward. Media Art Sammlung Goetz. Ingvild Goetz, 2004.
Grosenick, Uta. Art Now. New York: Taschen, 2002.
Muller, Markus, and Groos, Ulrike, eds. Make it funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst. Cologne: Oktagon,1998.



Public Collections

Museum Ludwig, Cologne
Centre Georges Pompidou, Paris
Museum of Modern Art, New York
Museum für Moderne Kunst Frankfurt am Main, Germany
Tate Modern, London
Metropolitan Museum of Art, New York
Stedelijk Museum voor Actuele Kunst, Ghent, Belgium
Museum of Contemporary Art, San Diego, CA
Migros Museum Museum fur Gegenwartskunst, Zurich
Collection Lambert, Avignon, France
New Museum of Contemporary Art, New York
Sammlung Goetz, Munich
Le Musee d’Art Moderne Gand-Duc Jean, Luxembourg

Born 1927, New York
Lives and works in New York


Solo Exhibitions

2012
Alex Katz, Colby Museum, Maine, USA (forthcoming)
Alex Katz, MFA Boston, Boston, USA (forthcoming)
Alex Katz, Tate St. Ives, Cornwall, Great Britain (forthcoming)

2011
Alex Katz, Museum Ostwall, Dortmund, Germany (forthcoming)
Alex Katz, Kestnergesellschaft, Hannover, Germany (forthcoming)
Alex Katz – Prints, Paintings, Cutouts, Kunsthalle Würth, Schäbisch Hall, Germany (forthcoming)
Alex Katz – Cool Prints, Jewish Museum, Frankfurt am Main, Germany
Gavin Brown’s enterprise, New York
Philadelphia Museum of Art

2010
Timothy Taylor Gallery, London, UK
“Alex Katz Portraits,” National Portrait Gallery, London, UK
“Alex Katz: Prints,” The Albertina, Vienna, Austria

2009
Sara Hilden Art Museum, Tampere, Finland
Galerie Thaddeus Ropac, Paris, France
“Seeing, Drawing, Making,” Parrish Art Museum, Southampton, New York PaceWildenstein, New York, USA
Musee Grenoble, Grenoble, France
Museum Kurhaus Kleve, Kleve, Germany

2008
“Seeing, Drawing, Making,” The Gallery at Windsor, Florida
Galleria Monica De Cardenas, Milan, Italy

2007
Galleria Monica De Cardenas, Zouz, Switzerland
“One Flight Up,” Timothy Taylor Gallery, London, UK
“Alex Katz: Drawings,” Galerie Thaddaeus Ropac, Salzburg, Austria
“Alex Katz: Paintings, studies, cartoons,” Galeria Toni Tàpies, Barcelona, Spain
“Cutouts: Alex Katz,” Galleria Javier López, Madrid, Spain
“Selections from the Whitney Museum of American Art,” New York State Museum, Albany
“Early Paintings from The Farnsworth Museum of Art,” The Gallery at the Park Bank, New York
“New York,” Irish Museum of Modern Art, Dublin, Ireland
“Smile,” Peter Blum, New York

2006
“Woodcuts and Linocuts,” Colby College Museum of Modern Art, Waterville, ME
“Alex Katz Small Paintings,” Galerie Bernd Klüser, Munich, Germany
“Alex Katz in European Collections,” The Langen Foundation, Germany and touring to the Scheringa Museum voor Realisme, Holland
“The Sixties,” Pace Wildenstein Gallery, New York
“Alex Katz Paints Ada, 1957-2005,” Jewish Museum, New York
“Alex Katz: New Paintings,” Richard Gray Gallery, Chicago, USA Alex Katz, Texas Gallery, Houston, Texas

2005
Monica de Cardenas Galleria, Milan, Italy
“First Sight Working drawings from 1965 to 2002,” Peter Blum, Blumarts Inc., New York
CAC Malaga, Spain
The University of South of Florida, Tampa, Florida
“Collages,” Colby College Art Museum, Waterville, ME
Farnsworth Art Museum, Rockland, ME

2004
“Cartoons and Paintings,” Albertina Museum, Vienna, Austria
“Twelve Paintings,” Pace Wildenstein, New York
Timothy Taylor Gallery, London, UK
Stella Gallery, Moscow, Russia
Jablonka Galerie, Cologne, Germany

2003
“Alex Katz Cutouts,” Deichtorhallen Hamburg, Germany
Museum Moderner Kunst Karnten, Klagenfurt, Austria
Galerie Thaddaeus Ropac, Paris, France
“Flowers & Landscapes,” Pace Wildenstein, New York
“Cartoons,” Peter Blum, New York
“Portraits,” Fondazione Bevilacqua La Masa Venice, Italy
Galleria DʼArte Contemporanea Emilio Mazzoli, Modena, Italy

2002
“Beach Party,” Galerie Thaddeus Ropac, Paris, France
“In Your Face,” Kunstmuseum Bonn, Bonn, Germany
“Small Paintings 1951-2002,” Timothy Taylor Gallery, London, UK

2001
“Small Paintings,” Addison Gallery of American Art, Phillips Academy, Andover, MA
Whitney Museum of American Art, New York
Whitney Museum of American Art at Philip Morris, New York
Kemper Museum of Contemporary Art, Kansas City, MO
Oklahoma City Museum, Oklahoma City, OK
The Austin Museum of Art, Austin, TX
Galleria Emilio Mazzoli Modena, Italy
Galerie Barbara Thumm Berlin, Germany
Galeria Monica de Cardenas in Venice, Italy Alex Katz, Pace Wildenstein, New York “The Complete Woodcuts,” Peter Blum Gallery, New York

2000
“Paintings of the 60's,” Jablonka Galerie, Cologne, Germany
Arts Club of Chicago, IL
“Regarding Alex Katz,” Carnegie Museum of Art, Pittsburgh, PA
“Alex Katz; Paintings of the 1980s”, Galerie Thaddaeus Ropac, Salzburg, Austria

1999
“Change of Scene,” Museum fur Moderne Kunst, Frankfurt am Main, Germany
Galleria Civica di Arte Contemporanea, Trento, Italy
“Marines And More,” Galerie Thaddaeus Ropac, Salzburg, Austria
Marlborough Gallery, New York
“Alex Katz: Works on Paper,” Brent Sikkema, New York

1998
“Twenty Five Years of Painting,” The Saatchi Collection, London, UK
Galerie Thaddaeus Ropac, Paris, France
Kulturring Sundern, Sundern, Germany
“New Works,” Galerie Barabara Thumm, Berlin, Germany
Centro Cultural Recoleta, Buenos Aires, Argentina
“Alex Katz Recent Paintings,” Galerie Bernd Kluser, Munich, Germany
Thamm Gallerie, Kusnacht-Zurich, Switzerland
Art and Public, Geneva, Switzerland

1997
“Landscapes and Figures,” Fred Hoffman Fine Art, Santa Monica, CA
“Small Paintings,” Greene Naftali Gallery, New York
Jablonka Galerie, Cologne, Germany 1996
Arij Gasiunasen Fine Art, Palm Beach, Florida
“Alex Katz: Dawn,” Peter Blum, New York
“Alex Katz: Recent Paintings,” Marlborough Gallery, New York
“Alex Katz Under the Stars: Landscapes 1951-1995,” Baltimore Museum of Art, Baltimore, Maryland
Norton Museum of Art, West Palm Beach, Florida; Portland Museum of Art, Portland, Maine
ICA London/ PS1 New York
“Alex Katz at Colby College,” Colby College Museum of Art, Waterville, Maine I V A M Centre Julio Gonzalez, Valencia, Spain
“Alex Katz: New Cutouts,” Robert Miller Gallery, New York

1995
“Alex Katz: Small Drawings-Small Paintings,” Marlborough Gallery, New York “Alex Katz: Paintings and Works on Paper,” Baldwin Gallery, Aspen, Colorado “Alex Katz: American Landscape,” Staatliche Kunsthalle, Baden-Baden, Germany
“Alex Katz: Recent Work,” Gerald Peters Gallery, Dallas, Texas

1994
“Alex Katz: Landscapes 1954-1956,” Robert Miller Gallery, New York
Galería Marlborough, Madrid, Spain
Suzanne Hillberry Gallery, Birmingham, Michigan

1993
Robert Miller Gallery, New York
Rubenstein/Diacono Gallery, Nebraska
Allene Lapides Gallery, Santa Fe, New Mexico
“Alex Katz: Paintings,” Marlborough Gallery, New York

1992
“Alex Katz: Drawings1946-1989,” Colby College Museum of Art, Waterville, Maine
“Alex Katz at Colby College,” Colby College Museum of Art, Waterville, Maine
Munson-Williams-Proctor Institute, Utica, New York

1991
“Alex Katz: Small Paintings 1952-1991,” Michael Kohn Gallery, Santa Monica, California
“Alex Katz: Small Paintings,” Contemporary Museum, Honolulu, Hawaii, USA
Marlborough Gallery, New York, USA (cat.)
“Alex Katz: A Drawing Retrospective,” Munson-Williams-Proctor Institute, Utica, New York
Colby College Museum of Art, Waterville, Maine
The Arkansas Arts Center, Little Rock, Arkansas

1990
“Alex Katz: Paintings,” Hokin Gallery, Palm Beach, Florida
“Alex Katz: Pinturas y Dibujos,” Fandos Galeria de Arte Moderno, Valencia, Spain
Galerie Ascan Crone, Hamburg, West Germany
“Alex Katz: Paintings, Drawings and Cutouts,” Orlando Museum of Art, Florida
“Alex Katz: Recent Paintings and Prints,” Mira Godard Gallery, Toronto, Canada “Making Faces: Self-Portraits by Alex Katz,” North Carolina Museum of Art, Raleigh The Newark Museum of Art, New Jersey; J B Speed Art Museum, Louisville, Kentucky
“Alex Katz: Recent Paintings,” Institute of Contemporary Arts, London, UK
Galleria Emilio Mazzoli, Modena, Italy
Dominion Gallery, Montreal, in association with Mira Godard Gallery, Toronto, Canada
Marlborough Fine Art, Tokyo, Japan
“Alex Katz: Recent Works from the Collection of Paul J Schupf,” Galerie Bernd Klüser, Munich, Germany

1989
“Alex Katz: Print Retrospective 1951-1988,” Susanne Hilberry Gallery, Birmingham, Michigan
“Alex Katz: Selected Paintings,” Riva Yares Gallery, Scottsdale, Arizona Galerie Bernd Klüser, Munich, Germany
Mario Diacono Gallery, Boston, Massachusetts
“Alex Katz: New Painting,” Michael Kohn Gallery, Los Angeles

1988
“Alex Katz: A Print Retrospective,” The Brooklyn Museum, New York
Galerie Daniel Templon, Paris, France
“Alex Katz: Dark Paintings,” Marlborough Gallery, New York
Massimo Audiello Gallery, New York
The Seibu Museum of Art, The Seed Hall, Tokyo, Japan
Parco Studio, Osaka, Japan
“Alex Katz: Nocturnal Paintings,” The Cleveland Museum of Art, Ohio
Elizabeth Galasso Fine Art, Ossining, New York
“Alex Katz: Paintings,” Erika Meyerovitz Gallery, San Francisco, California

1987
Hokin Gallery, Palm Beach, Florida
“Alex Katz from the Early 60's,” Robert Miller Gallery, New York
Galerie Inge Baecker, Cologne, Germany

1986
“Alex Katz, retrospective exhibition,” Whitney Museum of American Art, New York
Center for the Fine Arts, Miami, Florida
Recent Paintings, Marlborough Gallery, New York
“Alex Katz: Recent Paintings,” Erika Meyerovitz Gallery, San Francisco

1985
“Alex Katz Paints a Picture,” Houghton Gallery, Cooper Union for the Advancement of Science and Art, New York
“Alex Katz: An Exhibition of Recent Cut-outs,” Robert Miller Gallery, New York Marlborough Fine Art, Tokyo, Japan
William A Farnsworth Library and Art Museum, Rockland, Maine
“Alex Katz: An Exhibition Featuring Works from the Collection of Paul J. Schupf,” Colby College Museum of Art, Waterville, Maine
Bowdoin College, Museum of Art, Brunswick, Maine
“Twelve Hours,” Mario Diacono Gallery, Boston, Massachusetts “Paintings by Alex Katz,” Edwin A. Ulrich Museum of Art, Wichita State University, Kansas

1984
“Alex Katz: Small Paintings from the1950's to the Present,” Robert Miller Gallery, New York
Michael H. Lord Gallery, Milwaukee, Wisconsin
Benjamin Mangel Gallery, Philadelphia, Pennsylvania
“Alex Katz: Paintings,” Asher/Faure Gallery, Los Angeles, California
“Alex Katz-- Process and Development: Small Paintings from the Collection of Paul J. Schupf '58',” The Picker Art Gallery, Charles A. Dana Creative Arts Center, Colgate University, Hamilton, New York

1983
“Alex Katz: Recent Paintings,” Marlborough Gallery Inc., New York
“Alex Katz: Small Paintings,” Hokin Gallery, Palm Beach, Florida
“Alex Katz: Small Paintings,” Susanne Hilberry Gallery, Birmingham, Michigan
“Alex Katz: Recent Cut-outs,” Texas Gallery, Houston, Texas
Harcus Gallery, Boston, Massachusetts

1982
“Alex Katz: Drawings,” Susanne Hilberry Gallery, Birmingham, Michigan
“Alex Katz: Recent Paintings,” Marlborough Fine Art, London, UK
“Alex Katz: Cut-outs,” John C . Stoller and Co, Minneapolis, Minnesota
“Alex Katz: Drawings 1944-81,” Marlborough Gallery, New York
“Alex Katz: Recent Prints,” Brooke Alexander Gallery, New York
“Alex Katz: Drawings,” Mira Godard Gallery, Toronto, Canada
“Alex Katz: Cut-outs,” Hokin Gallery, Chicago, Illinois

1981
“Alex Katz: 1957-59,” Robert Miller Gallery, New York
Portland Center for the Visual Arts, Oregon
“Alex Katz: Paintings,” Susanne Hilberry Gallery, Birmingham, Michigan
Birmingham Museum of Art, Alabama
“Alex Katz: Paintings and Drawings 1959-79,” Contemporary Arts Center, Cincinnati, Ohio
“Alex Katz: Painted Metal Cut-outs,” Mira Godard Gallery, Toronto, Canada
“Alex Katz: Cut-outs,” Middendorf/Lane Gallery, Washington D.C.

1980
“Rush--An Environmental Wall Piece,” Hartnell College, Salinas, California University Art Museum, University of California, Santa Barbara, California
Marlborough Gallery, New York
“Alex Katz: Scale and Gesture,” The Queens Museum, Flushing, New York
“Ada,” Fine Arts Gallery, State University of New York, Stony Brook, New York
Mira Godard Gallery, Toronto, Canada
“Alex Katz: Cut-outs,” Middendorf/Lane Gallery, Washington D.C.
“Alex Katz: Drawings, Paintings, Sculpture & Prints,” Fay Gold Gallery, Atlanta, Georgia
Centro Colombo-Americano, Bogota, Colombia

1979
“Alex Katz: Prints,” Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina
“Alex Katz: Face of the Poet,” Brooke Alexander Gallery, New York
“Alex Katz: Cutouts,” Robert Miller Gallery, New York
“Alex Katz: Cutouts,” Benjamin Mangel Gallery, Philadelphia, Pennsylvania
“Alex Katz: Cutouts and Drawings,” Susanne Hilberry Gallery, Birmingham, Michigan

1978
“Alex Katz: Recent Paintings,” Marlborough Gallery, New York
Richard Eugene Fuller Art Gallery, Beaver College, Glendale, Pennsylvania
“Alex Katz: Recent Paintings,” Mira Godard Gallery, Toronto, Canada
Susanne Hilberry Gallery, Birmingham, Michigan
“Alex Katz: Paintings,” Hokin Gallery, Chicago, Illinois
“Alex Katz in the Seventies,” Rose Art Museum, Brandeis University, Waltham, Massachusetts
“Alex Katz and His Beautiful People,” Benjamin Mangel Gallery, Philadelphia, Pennsylvania
“Alex Katz: Selected Prints,” Wilcox Gallery, Swarthmore College, Swarthmore, Pennsylvania

1977
“Alex Katz: Recent Paintings,” Fresno Arts Center and Museum, California
California State University, Long Beach, California
Seattle Art Museum, Seattle, Washington
Vancouver Art Gallery, British Columbia, Canada
Galerie Roger d'Amécourt, Paris, France
Marlborough Galerie AG, Zurich, Switzerland

1976
Alex Katz: Recent Works, Marlborough Gallery, New York
“Alex Katz: Recent Works,” Marlborough Godard Gallery, Toronto, Canada
“Alex Katz: Exhibition of Graphics 1972-75,” Benjamin Mangel Gallery, Philadelphia, Pennsylvania

1975
Marlborough Fine Art, London, UK
Galerie Arnesen, Copenhagen, Denmark
“Alex Katz: Recent Works,” Galerie Marguérite Lamy, Paris, France
“Alex Katz: Exhibition of Graphics 1972-75,” Marlborough Gallery Inc. New York

1974
“Alex Katz: Recent Works from the Collection of Paul J. Schupf,” The Picker Art Gallery, Charles A. Dana Creative Arts Center, Colgate University, Hamilton, New York
Marlborough Godard Gallery, Toronto, Canada
Davison Art Center, Wesleyan University, Middletown, Connecticut
“Alex Katz: Prints,” Whitney Museum of American Art, New York
Virginia Museum of Fine Arts, Richmond, Virginia
Utah Museum of Fine Arts, Salt Lake City, Utah
The Santa Barbara Museum of Art, California
University Gallery, University of Minnesota, Minneapolis, Minnesota
Indianapolis Museum of Art, Indianapolis, Indiana

1973
“The American Neo-Realist: Alex Katz,” Assa Galleria, Helsinki, Finland
Marlborough Gallery, New York

1972
Reed College Art Gallery, Portland, Oregon

1971
Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah
The Art Gallery, University of California, San Diego, California
Minnesota Museum of Art, St Paul, Minnesota
Wadsworth Atheneum, Hartford, Connecticut
Galerie Brusberg, Hannover, Germany
“Alex Katz: Cut-outs--Paintings,” Phyllis Kind Gallery, Chicago, Illinois
“Alex Katz: Prints,” Fischbach Gallery, New York
“Alex Katz: Cut-outs,” Fischbach Gallery, New York
Galerie Thelen, Cologne, Germany

1970
“Alex Katz: New Paintings,” Fischbach Gallery, New York

1969
Alex Katz at Cheat Lake, Mont Chateau Lodge, West Virginia University,
Morgantown, West Virginia
Phyllis Kind Gallery, Chicago

1968
Fischbach Gallery, New York

1967
“Alex Katz: Cut-outs,” Fischbach Gallery, New York

1966
David Stuart Gallery, Los Angeles

1965
“Alex Katz: Cut-outs 1955-65,” Fischbach Gallery, New York
“Alex Katz: Paintings,” Fischbach Gallery, New York

1964
“Alex Katz: Cut-outs 1955-65,” Fischbach Gallery, New York

1963
Thibaut Gallery, New York

1962
“Alex Katz: Flat Statues,” Tanager Gallery, New York
“Alex Katz: The Set for 'George Washington Crossing the Delaware'”, Martha Jackson
Gallery, New York

1961
Stable Gallery, New York
“Alex Katz: Recent Paintings,” Mili-Jay Gallery, Woodstock, New York

1960
Stable Gallery, New York

1959
Tanager Gallery, New York

1958
The Sun Gallery, Provincetown, Massachusetts

1957
“Alex Katz: Paintings,” Roko Gallery, New York

1954
“Alex Katz: Paintings,” Roko Gallery, New York

Group Exhibitions

2011
"September 11," P.S.1, New York
2007
“Monet to Picasso - The Batliner Collection
,” The Albertina,
 Vienna

2006
“Painting Summer in New England,” Peabody Essex Museum, Salem, Massachusetts
“Essential Painting,” National Museum of Art, Osaka, Japan
“Back to the Figure: Contemporary Painting,” Museum Franz Gertsch, Burgdorf, Germany
“Surface Broken,” Galerie Sabine Knust, Munich, Germany

2005
“Paint the City,” B-bar and Grill, New York City, USA

2004
“Faces in the Crowd: Picturing Modern Life from Manet to Today,” Whitechapel Art
Gallery, London, UK
“Paint on Metal: Modern and Contemporary Explorations and Discoveries,” Tucson Museum of Art, Tucson, Arizona
“Die Neue Kunsthalle III materiell-immateriell,” Kunsthalle Mannheim, Germany

2003
“Pictura Magistra Vitae,” Fondazione Cassa di Risparmio, Bologna; Collezioni d'Arte e di Storia San Giorgio, Poggiale, Italy

2002
“Cher Peintre : Peintures figuratives depuis lʼultime Picabia,” Centre Pompidou, Paris, France; Kunsthalle Wien, Vienna, Austria; Schirn Kunsthalle, Frankfurt, Germany

2001
“Alex Katz,” American Academy, Berlin, Germany
“The Contemporary Face: From Pablo Picasso to Alex Katz,” Deichtorhallen Hamburg, Germany
“Alex Katz and Ed Ruscha,” American Academy in Rome, Rome, Italy

1999
“Essl Collection,” Essl Collection, Klostennenberg, Austria
“Woods,” Monica de Cardenas Gallery, Milan, Italy
“Winter,” Brent Sikemma Gallery, New York
“Realism and 'New Internationalism',” Carnegie International 1999-2000, Pittsburgh, Pennsylvania
Musee Pour Demain? L'Art Contemporain Dans des Collections Privee Vaudoises, Musee de Beaux-Art, Lausanne, Switzerland
Figuration, Blickle Stiftung, Kraichtal, Germany; Rupertinum, Salzburg, Austria; Museion, Bolzano, Italy

1998
Painting, Wooster Gardens-Brent Sikkema, New York, USA

1997
Views from Abroad: European Perspectives on American Art, Museum fur Moderne
Kunst, Frankfurt am Main, Germany
Birth of the Cool, Deichtorhallen, Hamburg, Germany;
Kusthaus Zurich, Zurich, Switzerland (cat.)
Queens Artists: Highlights of the 20th Century, Queens Museum of Art, Queens, New York, USA
Feminine Image, Nassau County Museum of Art, Roslyn Harbor, New York, USA
ART 1997 CHICAGO: 5th Annual Expo of International Galleries Featuring Modern and Contemporary Art, Navy Pier, Chicago, Illinois, USA
CityScapes, Marlborough Gallery, New York, USA
Art 28 97: The International Fair, Twentieth Century Art, Messe Basel, Switzerland

1996-97
Pintura Estadounidense, Expressionismo Abstracto, Centro Cultural Arte Contemporaneo, Mexico City, Mexico
Views from Abroad: European Perspectives on American Art 2, Whitney Museum of American Art, New York, New York, USA;
MMK, Frankfurt, Germany, (cat.) a/drift, Center for Curatorial Studies Museum Bard College, Annandale on Hudson, New York, USA
Destiny Manifest: American Landscape Painting in the Nineties, Samuel P. Harn
Museum of Art, University of Florida, Gainesville, Florida, USA

1996
Screen, Friedrich Petzel Gallery, New York, New York, USA
By Night, Foundation Cartier pour líart Contemporain, Paris France
Face to Face, Victoria Miro Gallery, London, UK
Rediscovering The Landscape of the Americas, Gerald Peters Gallery, Santa Fe, New Mexico: Art Museum of South Texas, Corpus Christi, Texas;
Western Gallery of Western Washington University, Bellingham, Washington;
Memorial Art Gallery of University of Rochester, Rochester, New York; Gibbes Museum of Art, Charleston, South Carolina, USA
On Paper, The Hopper House Art Center, New York, USA
Portraits, Galleria d'arte il gabbiano, Rome, Italy;
James Graham & Sons, New York, USA

1995
American Art Today: Night Paintings, Art Museum at Florida International University, Miami, Florida, USA
MV Century Art Collection, Celebrity Cruises, New York, USA

1994-95
Kenneth Koch: Collaborations with Artists, Tibor de Nagy Gallery, New York, USA

1994
New York Realism: Past and Present, The Japan Association of Art Museums,
Tokyo; Odakyu Museum, Tokyo; Kagoshima City Museum of Art, Kagoshima; Kitakyushu Municipal Museum of Art, Kitakyushu; The Museum of Art, Kintetsu, Osaka;
Fukushima Prefectural Museum of Art, Fukushima, Japan
Let's Face It, Galerie Barbara Farber, Amsterdam, The Netherlands
American Art Today: Heads Only, Art Museum at Florida International University, Miami, Florida, USA (cat.)
Face Off: The Portrait in Recent Years, Institute of Contemporary Art, University of P ennsylvania, Philadelphia, Pennsylvania, USA

1993
Autoportraits Contemporains', Espace Lyonnais D'Art Contemporain, Lyon, France (cat.)
Mainscapes: 1900-1992, The Ogunquit Museum of Art, Ogunquit, Maine, USA (cat.)

1992
100 Years of American Art, Colby College Collection at Port Washington Public
Library, Port Washington, New York, USA
Easel Painting: Alex Katz, Donald Baechler, Ross Bleckner, Tony Scherman, Eric Fischl, Perry Rubenstein Gallery, New York, USA
On Paper, Marlborough Gallery, New York, USA An Ode to Gardens and Flowers, Nassau County Museum of Art, Roslyn Harbor, New York, USA
One The Edge: Forty Years of Maine Painting 1952-1992, Maine Coast Artists Gallery, Rockport, Maine;
University of Maine at Presque Isle, Maine, USA
Der Gefrorene Leopard, Galerie Bernd Klüser, Munich, Germany

1991
Artist's Choice: Chuck Close, Head On/The Modern Portrait, Museum of Modern Art, New York, USA
Images & Likeness: Figurative Works from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York; Whitney Museum of American Art, Fairfield County, Connecticut, USA (pamphlet)
American Art from the Colby College Museum of Art, Richard York Gallery, New York, USA (cat.) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, USA (cat.)
The Carnegie Hall Portfolio, Marlborough Gallery, New York, USA
Donald Kuspit: A Dialogue of Images, Galerie Pfefferle, Munich, Germany (cat.)
American Realism & Figurative Art, The Miyagi Museum of Art, Sendai; Sogo Museum of Art, Yokohama,; The Tokushima Modern Art Museum, Tokushima; The Museum of Modern Art, Shiba, Otsu; Kochi Prefectural Museum of Folk Art, Kochi, Japan (cat.)
15 Carlos Place London W1K 2EX Telephone 020 7409 3344 Facsimile 020 7409 1316 Open Mon-Fri 10-6pm Sat 10-2pm
Paintings, Sculpture and Works on Paper by: Abakanowicz, Arikha, Auerbach, Bacon, Botero, Bravo, Grooms, Katz, Kitaj, Lipchitz, López García, Rivers, Schwitters, Valdés, Marlborough Gallery, New York, USA

1990-91
The Commonwealth: 20th Century Masterpieces from Virginia Collections, Roanoke Museum of Fine Arts, Virginia, USA

1990
American Art Today: The City, Art Museum at Florida International University, Miami, Florida, USA (cat.)
Marlborough en Pelaires, Centre Cultural Contemporani Pelaires, Palma de Mallorca, Spain (cat.) Long Island Collects: The Figure & Landscape, 1870's-1980's, Nassau County Museum of Art, Roslyn Harbor, New York, USA (cat.)

1989
Art in Bloom: The Flower as Subject, Jacksonville Art Museum, Florida, USA (cat.) Wirklichkeit als Konzept, Galerie Inge Baecker, Cologne, Germany Nocturnal Visions in Contemporary Painting, Whitney Museum of American Art at Equitable Center, New York, USA (brochure)
Exposition Inaugurale, Fondation Daniel Templon Musée Temporaire, Fréjus, France (cat.) A Decade of American Drawing 1980-1989, Daniel Weinberg Gallery, Los Angeles, USA
Aldo Crommelynck: Master Prints with American Artists, Whitney Museum of American Art at Equitable Center, New York, USA Painting Beyond the Death of Painting: American Imagistic and Abstract Work, Kuznetsky Most Exhibition Hall, Moscow, Russia

1988
Selections from the Ellen & Jerome Westheimer Collection, Oklahoma Art Center, Oklahoma City, USA (cat.)
Made in the Sixties: Painting and Sculpture from the Permanent Collection, The Whitney Museum of American Art, Downtown Branch, New York, USA Exhibition of Works by Newly Elected Members and Recipients of Awards, American Academy and Institute of Arts and Letters, New York, USA
Portraits: Here's Looking at You, Anchorage Historical and Fine Arts Museum, Anchorage, Alaska, USA (cat.) The Figurative Fifties: New York Figurative Expressionism, Newport Harbor Art Museum, Newport Beach, California; Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania; McNay Art Museum, San Antonio, Texas, USA (cat.)

1987
Today: The Portrait, The Art Gallery at Florida International University, Miami, Florida American Art, USA (cat.)
Ten at the Rose, Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA (cat.) Friends Collect: Selections from Private Collections of Friends of Art at Colby, Colby College Museum of Art, Waterville, Maine, USA (cat.)
Connecticut Contemporary Cut-outs, The Whitney Museum of American Art, Fairfield County, Stamford, USA (cat.) Recent Works by Arikha, Bacon, Botero, Bravo, Grooms, Katz, Kitaj, Lûpez GarcÌa, Mason, Rivers, Welliver, Marlborough Gallery, New York, USA (cat.)

1986
Painting and Sculpture, Since 1940, Museum of Art, Fort Lauderdale, Florida, USA (cat.)
Connecticut Collects: American Art Since 1960, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, USA (cat.) After Matisse, Queens Museum, Flushing, New York; Chrysler Museum, Norfolk, Virginia; Portland Museum of Art, Maine; Bass Museum of Art, Miami Beach, Florida;
15 Carlos Place London W1K 2EX Telephone 020 7409 3344 Facsimile 020 7409 1316 Open Mon-Fri 10-6pm Sat 10-2pm
The Phillips Collection, Washington, D.C.; Dayton Art Institute, Ohio; Worcester Art Museum, Massachusetts, USA (cat.) Interiors and Exteriors: Contemporary Realist Prints, Yale University Art Gallery, New Haven, Connecticut, USA (cat.)
50th National Mid-Year Exhibition, Butler Institute of American Art, Youngstown, Ohio, USA (cat.) The Faces of the City, University Art Gallery of the University at Albany, New York, USA (cat.)
Contemporary Cut-outs, Whitney Museum of American Art at Philip Morris, New York, USA (cat.) The Foundation Veranneman Invites Marlborough, Veranneman Foundation, Kriushoutem, Belgium (cat.)

1985
Large Drawings, Bass Museum of Art, Miami Beach, Florida, USA (cat.) Recent Acquisitions, The Tate Gallery, London, UK Curator's Choice, The Parrish Art Museum, Southampton, New York, USA

1984
Flower as the Image in Contemporary Art, Wave Hill, Bronx, New York, USA (cat.) International Masters of Contemporary Figuration, Marlborough Fine Art, Tokyo, Japan (cat.) Paintings and Sculpture by Candidates for Art Awards, American Academy and Institute of Arts and Letters, New York, USA
American Art Since 1970: Painting, Sculpture, and Drawings from the Collection of the Whitney Museum of American Art, New York, Whitney Museum of American Art, New York; La Jolla Museum of Contemporary Art, California; North Carolina Museum of Art, Raleigh, North Carolina; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska; Center for the Fine Arts, Miami, Florida, USA (cat.) Artist in the Theatre, Hillwood Art Gallery, C W Post Center, Greenvale, New York; Guild Hall Museum, East Hampton, New York, USA (cat.) Painting Naturally: Fairfield Porter and His Influences, The Parrish Art Museum, Southampton, New York, USA (cat.) America Seen: Contemporary American Artists View America, Adams- Middleton Gallery, Dallas, Texas, USA (cat.)

1983
The Sailor 1930-45: The Image of an American Demigod, The Chrysler Museum, Norfolk, Virginia, USA (cat.)
Faces Since the 50s: A Generation of American Portraiture, Center Gallery, Bucknell University, Lewisburg, Pennsylvania, USA (cat.) The Painterly Figure, Galerie Zabriskie, Paris, France Quatre Americains, The Parrish Art Museum, Southampton, New York, USA (cat.) Self-Portraits, Linda Farris Gallery, Seattle, Washington, USA (cat.)
The American Artist as Printmaker, The Brooklyn Museum, New York, USA (cat.) Art for Nuclear Weapons Freeze: an exhibition and auction, Brooke Alexander, Inc, New York, USA (cat.) Time Out: Sport and Leisure in America Today, Tampa Museum, Tampa, Florida, USA (cat.)

1982
Twentieth-Century Images of George Washington, Zabriskie Gallery, New York, USA Flat and Figurative 20th Century Wall Sculpture, Fraunces Tavern Museum, New
York, USA (brochure) A Private Vision: Contemporary Art from the Graham Gund Collection, Museum of Fine Arts, Boston, USA (cat.) Recent Trends in Collecting: Twentieth-Century Painting and Sculpture from the National Museum of American Art, National Museum of American Art, Washington, D
15 Carlos Place London W1K 2EX Telephone 020 7409 3344 Facsimile 020 7409 1316 Open Mon-Fri 10-6pm Sat 10-2pm
C, USA (cat.) An Appreciation of Realism, Munson-Williams-Proctor Institute Museum of Art, Utica, New York, USA (cat.) The Human Figure, Contemporary Arts Center, New Orleans, Louisiana, USA (cat.) Five Artists and the Figure, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, USA (brochure) Focus on the Figure: Twenty Years, Whitney Museum of American Art, New York, USA (brochure) Homo Sapiens: The Many Images, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA (cat.) 20th-Century Figural Images on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro; Tulane University, New Orleans, Louisiana; Gertrude Herbert Memorial Institute of Art, Augusta, Georgia; Columbus College Art Gallery, Columbus, Georgia; University of Tennessee, Knoxville, Tennessee; University of North Carolina, Charlotte, North Carolina, USA (cat.) Contemporary Realists Painting, Museum of Fine Arts, Boston, Massachusetts, USA Perspectives on Contemporary American Realism: Works of Art on Paper from the Collection of Jalane and Richard Davidson, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania; Art Institute of Chicago, Chicago, Illinois, USA (cat.)

1981
The Human Form: Interpretations, The Maryland Institute College of Art, Baltimore, Maryland, USA (brochure)
A Seventies Selection: An Exhibition of Works from the Permanent Collection of the Whitney Museum of American Art, Miami University Art Museum, Oxford, Ohio, USA (cat.) Real, Really Real, Super Real, San Antonio Museum of Art, Texas; Indianapolis Museum of Art, Indianapolis, Indiana; Tucson Museum of Art, Tucson, Arizona; Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania, USA (cat.)
Recent Drawing Acquisition, The Museum of Modern Art, New York, USA The Contemporary American Landscape, Hirschl and Adler Modern, New York, USA (cat.) The Sun Gallery, Provincetown Art Association and Museum, Massachusetts, USA (cat.) The Image in American Painting and Sculpture: 1950-80, Akron Art Museum, Ohio, USA (cat.) Contemporary American Realism Since 1960, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, USA; Virginia Museum of Fine Arts, Richmond, Virginia, USA; The Oakland Museum, Oakland, California, USA; Gulbenkian Foundation, Lisbon, Portugal; Salas y Exposiciones, Madrid, Spain; Kunsthalle, Nuremberg, Germany (cat.) The American Landscape: Recent Developments, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, USA (brochure) Sculpture in the 70s: The Figure, Pratt Manhattan Center Gallery, Pratt Institute, New York; Arizona State University, Tempe, Arizona; Dartmouth College Museum, Hanover, New Hampshire, USA (cat.) Arte Contemporaneo Internacional, Museo Rufino Tamayo, Mexico City, Mexico (cat.) International Painting, Drawing, and Sculpture, Sara Hilden Art Museum, Suomi, Finland (cat.)

1980
Woman: Images on Paper, The Hickory Museum of Art, Hickory, North Carolina; Sheraton Square Gallery, Charlotte, North Carolina; Fayetteville Museum of Art,
15 Carlos Place London W1K 2EX Telephone 020 7409 3344 Facsimile 020 7409 1316 Open Mon-Fri 10-6pm Sat 10-2pm
Fayetteville, North Carolina; Asheville Art Museum, Asheville, North Carolina; St Johns Museum of Art, Wilmington, North Carolina; Wilkes Art Gallery, North Wilkesboro, North Carolina The Olympics in Art: An Exhibition of Works Related to Olympic Sports, Munson- Williams-Proctor Institute Museum of Art, Utica, New York, USA (cat.)
Printed Art: A View of Two Decades, The Museum of Modern Art, New York, USA (cat.) American Painting of the Sixties and Seventies: The Real/The Ideal/The Fantastic: Selections from the Whitney Museum of American Art, Montgomery Museum of Fine Arts, Alabama; Joslyn Art Museum, Omaha, Nebraska; Museum of Fine Arts of St. Petersburg, Florida; Columbus Museum of Art, Ohio; Colorado Springs Fine Arts Center, Colorado; Sierra Nevada Museum of Art, Reno, Nevada, USA (cat.)
Aspects of the 70s: Directions in Realism, Danforth Museum, Framingham, Massachusetts, USA (cat.) Contemporary Naturalism: Works of the 1970s, Nassau County Museum of Fine Art, Roslyn Harbor, New York, USA (cat.)
The Figurative Tradition and The Whitney Museum of American Art: Paintings and Sculpture from the Permanent Collection, Whitney Museum of American Art, New York, USA (cat.) An American Collection, McIntosh-Drysdale Gallery, Washington, D C; University of Virginia Art Museum, Charlottesville, Virginia, USA (cat.)
2nd Canadian Biennale of Prints and Drawings, The Edmonton Art Gallery, Edmonton, Alberta, Canada (cat.) The Changing Canvas, Cranbrook Academy of Art Museum, Bloomfield Hills, Michigan, USA (cat.)
Realism/Photorealism, Philbrook Art Center, Tulsa, Oklahoma, USA (cat.) American Figure Painting 1950-80, The Chrysler Museum, Norfolk, Virginia, USA (cat.) American Drawing in Black and White: 1970-80, The Brooklyn Museum, New York, USA (brochure)

1979
Biennial Exhibition, Whitney Museum of American Art, New York, USA (cat.) Six Painters of the Figure, Fine Arts Gallery, University of Colorado, Boulder, Colorado, USA (cat.) 24th Annual Contemporary American Painting Exhibition: The Revival of Realism, Ralph Wilson Gallery, Lehigh University, Bethlehem, Pennsylvania, USA (cat.)
16 Realists of New York, Centro Colombo-Americano, Bogota, Colombia, USA (cat.) The Decade in Review: Selections from the 1970s, Whitney Museum of American Art, New York, USA (brochure) As We See Ourselves: Artists Self-Portraits, Heckscher Museum, Huntington, New York, USA (cat.)
American Portraits of the Sixties & Seventies, Aspen Center for the Visual Arts, Colorado, USA (cat.) Recent Acquisitions from the Department of Twentieth-Century Art, The Metropolitan Museum of Art, New York, USA
Poets & Painters, The Denver Art Museum, Colorado, USA (cat.) Four Realist Artists Selected by Jack Beal and Alex Katz, Dorothy Rosenthal Gallery,
Chicago, Illinois, USA

1978
Artists Sets and Costumes: Recent Collaborations Between Painters and Sculptors and Dance, Opera and Theatre, Sarah Lawrence College Art Gallery, Bronxville, New York, USA
15 Carlos Place London W1K 2EX Telephone 020 7409 3344 Facsimile 020 7409 1316 Open Mon-Fri 10-6pm Sat 10-2pm
Drawings: Five Years of Acquisitions, Whitney Museum of American Art, New York, USA (cat.) Children in America: A Study of Images and Attitudes, The High Museum of Art, Atlanta, Georgia, USA (cat.)
Late Twentieth Century Art, The Sydney and Frances Lewis Foundation Collection,
Richmond, Virginia, USA (cat.) 1977 Works on Paper: American Art 1945-75, Museum of Art, Washington State
University, Pullman, Washington, USA (cat.) Provincetown Painters: 1890s-1970s, Everson Museum of Art, Syracuse, New York; Provincetown Art Association, Provincetown, Massachusetts, USA (cat.) Studies and Other Initial Works, Vancouver Art Gallery, British Columbia, Canada (cat.) New York: The State of Art, New York State Museum, Albany, New York, USA (cat.) Outside the City Limits: Landscape by New York Artists, Thorpe Intermedia Gallery, Sparkill, New York, USA (cat.) Artists Sets and Costumes, Philadelphia College of Art, Philadelphia, Pennsylvania,
USA (cat.) 1976 In Praise of Space: Part II--Recent American Landscape Art, Westminster College
Art Gallery, New Wilmington, Pennsylvania; Parson School of Design Galleries, New York; Gross-McCleaf Galleries, Philadelphia, Pennsylvania, USA (cat.) America

1976
A Bicentennial Exhibition, sponsored by the U.S. Department of the Interior, The Corcoran Art Gallery, Washington, D C; Wadsworth Atheneum, Hartford, Connecticut; Fogg Art Museum, Harvard University, Cambridge, Massachusetts; Institute of Contemporary Art, Boston, Massachusetts; The Minneapolis Institute of Arts, Minneapolis, Minnesota; Milwaukee Art Center, Milwaukee, Wisconsin; Fort Worth Art Museum, Fort Worth, Texas; San Francisco Museum of Art, San Francisco, California; The High Museum of Art, Atlanta, Georgia; The Brooklyn Museum, New York, USA (cat.)
A Selection of American Art: The Skowhegan School 1946-76, Institute of Contemporary Art, Boston, Massachusetts; Colby Museum of Art, Colby College, Waterville, Maine, USA (cat.) Inaugural Exhibition: New York University Grey Art Gallery and Study Center, The Grey Art Gallery and Study Center, New York University, USA (cat.)
Art on Paper 1976, Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina, USA (cat.) 30 Years of American Printmaking, The Brooklyn Museum, New York, USA (cat.)

1975
Watercolors and Drawings: American Realists, Louis K Meisel Gallery, New York, USA (cat.)
Portrait Painting 1970-75: A Survey of Informal Portraiture in the USA, Allan Frumkin Gallery, New York, USA (cat.) Lithography I: First Biennial Exhibition of Contemporary Lithography, University Art Museum, University of New Mexico, Albuquerque, New Mexico, USA (cat.)
Modern Views of George Washington, New Jersey State Museum, Trenton, New Jersey, USA Candid Painting; American Genre 1950-75, De Cordova and Dana Museum and Park, Lincoln, Massachusetts, USA (cat.)
Figure as Form: American Painting, Museum of Fine Arts of St Petersburg, Florida; Florida Center for the Arts, University of South Florida, Tampa, Florida; Columbus Museum of Arts and Crafts, Columbus, Georgia, USA (cat.)

1974
American Painting in Watershed Year '61, Allan Frumkin Gallery, New York, USA
15 Carlos Place London W1K 2EX Telephone 020 7409 3344 Facsimile 020 7409 1316 Open Mon-Fri 10-6pm Sat 10-2pm
(cat.) Contemporary Portraits by American Painters, Lowe Art Museum, University of Miami, Coral Gables, Florida, USA (cat.) New Portraits, Whitney Museum of American Art, Downtown Branch, New York, USA (brochure) New Images: Figuration in American Painting, The Queens Museum, Flushing, New York, USA (cat.) 19th National Print Exhibition, The Brooklyn Museum, New York; Fine Arts Gallery of San Diego, San Diego, California, USA (cat.)

1973
Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York, USA (cat.)
Selections from the New York University Art Collection, The William Benton Museum of Art, University of Connecticut, Storrs, Connecticut, USA (cat.) American Drawings

1972 Art on Paper 1971, Weatherspoon Art Gallery, University of North Carolina,
Greensboro, North Carolina, USA (cat.) Return to the Figure, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, USA Color/Constructivism/Realism in Contemporary Graphics, San Francisco Museum of Art, San Francisco, California, USA (cat.)

1971
Thirty-second Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington D C, USA (cat.)
An Exhibition of Contemporary Painting and Sculpture, American Academy and Institute of Arts and Letters, New York, USA The Contemporary Figure and a New Realism, Suffolk Museum, Stony Brook, New York , USA (cat.)
20th-Century Painting and Sculpture, Hudson River Museum, Yonkers, New York, USA (cat.)

1970
Warmwind: Amerikanska Realister, Konsthallen, Göteborg, Sweden (cat.) Landscape in Maine: 1820-1970, Colby College Art Museum, Waterville, Maine; Bowdoin College Museum of Art, Brunswick, Maine; Carnegie Gallery, University of Maine, Orono, USA (cat.) Painting & Sculpture Today, Indianapolis Museum of Art, Indianapolis, Indiana, USA (cat.) American Art Since 1960, Princeton University Art Museum, Princeton, New Jersey, USA (cat.) Figures--Environments, Walker Art Center, Minneapolis, Minnesota, Cincinnati Art Museum, Cincinnati, Ohio; Dallas Museum of Fine Arts, Dallas, Texas, USA (cat.)

1969
Patriotic Images in American Art, American Federation of Arts, New York; Cedar Rapids Art Center, Iowa; Decatur Art Center, Illinois; Greenville County Museum of Art, South Carolina, USA The American Sense of Realism, Philbrook Art Center, Tulsa, Oklahoma; University of Oklahoma Museum of Art, Norman, Oklahoma; Oklahoma Art Center, Oklahoma
15 Carlos Place London W1K 2EX Telephone 020 7409 3344 Facsimile 020 7409 1316 Open Mon-Fri 10-6pm Sat 10-2pm
City, Oklahoma, USA (cat.) The Romantic Landscape in Contemporary Art, Windham College, Putney, Vermont, USA (cat.) Directions 2: Aspects of a New Realism, Milwaukee Art Center, Milwakee, Wisconsin; Contemporary Arts Museum, Houston, Texas; Akron Art Institute, Ohio, USA (cat.) Contemporary Portraits, The Museum of Modern Art, New York, USA (cat.) Inflated Images, The Museum of Modern Art, New York, USA (cat.)

1968
Realism Now, Vassar College Art Gallery, Poughkeepsie, New York, USA (cat.) Skowhegan School of Painting & Sculpture: Annual Art Exhibition & Sale, Galleries of the National Academy of Design, New York, USA (cat.) Art on Paper 1968, Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina, USA (cat.) The Dominant Woman, Finch College Art Gallery, New York, USA (cat.)

1967
The Helen W and Robert M Benjamin Collection, Yale University Art Gallery, New Haven, Connecticut, USA (cat.)
Large-Scale American Paintings, The Jewish Museum, New York, USA Recent Figurative Art, Susanne Lemberg Usdan Gallery, Bennington College, Bennington, Vermont, USA 1967 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York, USA (cat.)

1966
Recent Still Life, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA (cat.)
Harry N Abrams Family Collection, The Jewish Museum, New York, USA (brochure) The Inner Circle, Milwaukee Art Center, Milwaukee, Wisconsin, USA (cat.) Amerikaanse Schilderijen Collages, Museum Boymans-van Beuningen, Rotterdam, The Netherlands (cat.)
The Walter K Gutman Collection, Bowdoin College Museum of Art, Brunswick, Maine, USA (cat.) Two Decades of American Painting, The Museum of Modern Art, New York, USA

1965
Art on Paper 1965, Weatherspoon Art Gallery, University of North Carolina,
Greensboro, North Carolina, USA (cat.)
American Collages, The Museum of Modern Art, New York (cat.) 1964 Contemporary American Figure Painting: Group Show, Wadsworth Antheneum,
Hartford, Connecticut, USA Maine: 100 Artists of the 20th Century, Colby College Museum of Art, Waterville, Maine, USA (cat.) Two Generations of Modern American Painting, Wilcox Gallery, Swathmore College, Swathmore, Pennsylvania, USA (cat.) Recent Landscapes by Eight Americans, The Museum of Modern Art, New York, USA (cat.)

1963
Recent Acquisitions: The Gevirtz-Mnuchin Collection and Related Gifts, The Poses Institute of Fine Arts, Brandeis University, Waltham, Massachusetts; The Kootz Gallery, New York; Rose Art Museum, Brandeis University, Waltham, Massachusetts, USA (cat)
New Directions in American Painting, The Poses Institute of Fine Arts, Brandeis University, Waltham Massachusetts; Munson-Williams-Proctor Institute Museum of Art, Utica, New York; Isaac Delgado Museum of Art, New Orleans, Louisiana; Atlanta Art Association, Atlanta, Georgia; J B Speed Art Museum, Louisville, Kentucky;
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Indiana University Art Museum, Bloomington, Indiana; Washington University, St Louis, Missouri; The Detroit Institute of Arts, Detroit, Michigan, USA (cat.) Maine and It's Artists: 1710-1963, Colby College Museum of Art, Waterville, Maine,
USA (cat.) 1962 Figures, Kornblee Gallery, New York, USA (cat.)

1961
64th American Exhibition: Paintings and Sculpture, The Art Institute of Chicago, Chicago, Illinois, USA (cat.)
The Figure: Then and Now, Visual Arts Gallery, School of Visual Arts, New York,

1960-61
Young America 1960: Thirty American Painters under Thirty-six, Whitney Museum of
American Art, New York; Baltimore Museum of Art, Baltimore, Maryland; Contemporary Arts Center, Cincinnati, Ohio; City Art Museum of St Louis, St Louis, Missouri; Columbus Gallery of Fine Arts, Columbus, Ohio, USA (cat.) Appearance and Reality, David Herbert Gallery, Los Angeles, California, USA (cat.)

1960
The One Hundred and Fifty fifth Annual Exhibition: American Painting and Sculpture, The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, USA (cat.) Elaine de Kooning, Jane Freilicher, Alex Katz, Tanager Gallery, New York, USA

1959
Metropolitan Younger Artists, Tanager Gallery, New York, USA (cat.) 1957 Tom Boutis and Alex Katz: Collages, Tanager Gallery, New York, USA 1956 The New York Artists Annual, Stable Gallery, New York, USA 1955 The New York Artists Annual, Stable Gallery, New York, USA

1954
Paintings and Sculpture, Tanager Gallery, New York, USA 1953 Lois Dodd and Alex Katz: Paintings, Tanager Gallery, New York, USA 1951 Jean Cohen and Alex Katz: Paintings, Peter Cooper Gallery, New York, USA
Monographs and Catalogues 2006 Alex Katz: The Sixties, essay by Barry Schwabsky, Edizioni Charta, Milano 2005 No. 1, First Works by 362 Artists, edited by Francesca Richer & Matthew
Rosenzweig Alex Katz: First Sight, Peter Blum Edition, New York Alex Katz: Recent Paintings, essays by Fernando Huici and Vincent Katz, CAC Malaga Alex Katz Collages, Colby College Museum of Art