RIRKRIT TIRAVANIJA
Born: Buenos Aires, Argentina 1961
Education
The Whitney Independent Studies Program, New York
The School of the Art Institute of Chicago
The Banff Center School of Fine Arts, Banff, Canada
The Ontario College of Art, Toronto, CanadaSolo Exhibitions
2005 Retrospective, ARC, Musee d’Art Moderne de la Ville de Paris, Paris (cat.)
Guggenheim Museum, New York
2004 Retrospective, Museum Bojmans Van Beuningen, Rotterdam, Netherlands (cat.)
Gordon Matta-Clark-In the Belly of Anachitect (with Pierre Huyghe & Pamela M. Lee), Portikus, Frankfurt am Main, Germany (brochure)
Nothing, CMU Art Museum, Chiang Mai, Thailand
Social Pudding, Rirkrit Tiravanija and Superflex, 1301PE, Los Angeles, CA
2003 Demo Station No. 4, Ikon Gallery, Birmingham, UK
In the Future Everything Will Be Chrome, Gavin Brown’s enterprise, New York, NY
Social Pudding, Galerie fur Zeitgenossische Kunst, Leipzig, Germany
2002 Untitled 2002 (He Promised), Secession, Vienna, Austria (cat.)
Untitled 2002 (The Raw & The Cooked), City Opera Gallery, Tokyo, Japan
Demonstration, Sumida River Project, Asahi Beer, Tokyo
oVer station no 2, Astrup Fearnley Museum of Modern Art, Oslo
2001 The Land, Galerie Chantal Crousel, Paris, France
Rirkrit Tiravanija – Over Magazine, Oslo Kunsthall, Oslo, Norway
GAM, Turin Italy
Untitled 2001 (the two sons of Monchengladbach), Stadtisches Museum Abteiberg,
Monchengladbach, Germany
Untitled 2001 (No Fire No Ashes), Neugerriemschneider, Berlin, Germany
Untitled 2001 (Demo Station No. 3), Portikus, Frankfurt, Germany
Kunstverein, Wolfsburg, Germany
2000 Passage Cosmo, Project Gallery, CCA Kitakyushu
Untitled 2000 (oVer Station No.2), Galleria Emi Fontana, Milan, Italy
Untitled 2000 (oVer Station No.1), Gallery Side 2, Tokyo, Japan
Untitled 2000 (demonstrate), Galeria Salvador Diaz, Madrid, Spain
1999 Untitled 1999 (Community Cinema for a Quiet Intersection (After Oldenburg)), The Modern Institute,Glasgow, UK
A Trailer for a Film (in progress for the past several years), 1301 PE, Los Angeles. CA
Helga Maria Klosterfelde, Hamburg, Germany
Dom-Ino Effect, zus. mit Lincoln Tobier Los Angeles County Museum of Art, Los Angeles, CA
Untitled, 1999 (mobile home), Fundacio, “la Caixa”, Barcelona, Spain
Untitled 1999 (tommorrow can shut up and go away), Gavin Brown's enterprise,
New York, NY
1999 dAPERTutto, 48. Esposizione Internazionale d'Arte, La Biennale di Venezia, Venice, Italy (cat.)
Untitled 1999 (reading from right to left), Wexner Center for the Arts, Columbus, OH
Dom-Ino (une demonstration d’automne), Galerie Chantal Crousel, Paris, France
Galerie Micheline Szwajcer, Antwerp, Belgium
1998 Untitled 1998 (Das Soziale Kapital), <migros museum> Museum fur Gegenwartskunst, Zurich, Switzerland
Untitled 1998 (On the Road with Jiew, Jeaw, Jieb, Sri and Moo) Philadelphia Museum of Art, Philadelphia, PA
1997 Untitled 1997 (Playtime), Projects 58, MoMA, New York, NY; Williams College Museum of Art, Williamstown, MA
Untitled 1997 (A Demonstration by Faust as a Sausage and Franz Biberkopf as a Potato), neugerriemschneider, Berlin, Germany
Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg (cat.)
Untitled 1997 (Schupfnudeln), Jan Winkelmann, Munich, Germany
Helga Maria Klosterfelde, Hamburg, Germany
1996 Untitled 1996 (Loup, es-tu-la?), Galleria Emi Fontana, Milano, Italy
Untitled 1996 (traffic), Navin Gallery Bangkok, Thailand
Untitled 1996 (rehearsal Studio No. 6), Kunsthalle St. Gallen, Switzerland Untitled 1996 (Tomorow's Another Day), Kolnischer Kunstverien, Koln, Germany
(cat.)
Untitled 1996 (one revolution per minute), Le Consortium, Centre d'Art Contemporain, Dijon, France
Douglas Gordon/Rirkrit Tiravanija, FRAC Languedoc-Rousillion, Montpellier, France
the pool room, Kunstverein in Hamburg, Hamburg, Germany
In / Out, (a collaborative project with U of I and The Resource Center, Gallery 400 U of I, Circle Campus, Chicago, IL
Untitled 1996 (rehearsal studio no. 6, Silent version), Spiral Garden, Tokyo, Japan
Stitching DeAppel, zus. mit Renee Green, Amsterdam, Netherlands (cat.)
Stormer, Hamburg; Helga Maria Klosterfelde Editionen, Hamburg, Germany
1995 Untitled 1995 (Still), 303 Gallery, New York, NY
Untitled 1995 (Tent), Architektenbüro Alsop & Störmer, Hamburg; Helga Maria Klosterfelde Editionen, Hamburg, Germany
1994 Untitled, 1994 (From Baragas...to Reina Sofia), Reina Sofia, Madrid, Spain
Andy Warhol Rirkrit Tiravanija, Gavin Brown's enterprise, New York, NY
Untitled 1994 (meet tim & burkhard), neugerriemschneider, Berlin, Germany
Untitled 1994 (angst essen seele a uf), Friesenwall 116, Cologne, Germany
Untitled 1994 (Beauty), Jack Hanley Gallery, San Francisco, CA
1993 Untitled 1993 (Live and Eat, Eat and Die), Randolph Street Gallery, Chicago, IL.
Untitled 1993 (Rucksack), 2.9.1994 Architektenbüro Alsop & Störmer, Hamburg, Germany
Helga Maria Klosterfelde Editionen, Hamburg, Germany
1992 Untitled 1992 (Free), 303 Gallery, New York, NY
1990 Untitled 1990 (Blind), Randy Alexander Gallery, New York, NY
Untitled 1990 (Pad Thai), Project Room, Paula Allen Gallery, New York, NY
Group Exhibitions
2004 Small: The Object in Film, Video and Slide Installation. Whitney Museum of American Art, New York, NY
The Big Nothing, Institute of Contemporary Art, Philadelphia, PA
Social Capital, Whitney Museum Of American Art Independent Study Program Exhibition, New York (cat.)
2003 Elephant Juice (sexo entro amigos), Kurimanzutto, Mexico City, Mexico
Inaugural Group Exhibition, Gavin Brown’s enterprise, New York, NY
Perfect Timeless Repetition, Alte Gerhardsen, Berlin
2002 En Route, Serpentine Gallery, London
40 Jahre Fluxus nd die Folgen, Nassauischer Kunstverein und Projektburo des Stadtmuseums Wiesbaden
No Ghost Just a Shell, Kunsthalle Zurich, Zurich
To Eat or Not to Eat, Centro de Arte de Salamanca, Spain (cat.)
Public Affairs, Kunsthaus Zurich, Zurich, Switzerland (cat.)
Liverpool Biennial, Liverpool, UK
The Object Sculpture, Henry Moore Institute, Leeds, UK (cat)
void, Rice Gallery G2, Tokyo, JAP.
Comfort Zone, Fabric Work Shop, Philadelphia, PA
2001 4Free, Buro Friedrich, Berlin, D.
Points of Departure, SF MoMA, San Francisco, CA
Fig-1, 50 projects in 50 weeks, conceived and developed by Mark Francis and Jay Jopling, London (cat.)
Watou Poeziezomer, Watou, B
Yokohama Triennale, Yokohama, Jap.
orientale 1 ; ACC Galerie Weimar, D.
Kleine Paradiese, Gutspark Bockel, Ostwestfalen, Lippe, D. (kat.)
GAM, Turin, I.
Heimaten, Galerie fur Zeitgenossische Kunst, Leipzig, D.
cushy job, Swiss Institute--- Contemporary Art, New York, USA
Public Offerings, MOCA, Los Angeles, CA, curated by Paul Schimmel (cat.)
Beautiful Productions Parkett, Whitechapel Art Gallery, London
Il Dono, offerta ospitalita insidia, Palazzo Delle Papesse, Centro Arte Contempoanea, Sienna, Italy
plug in--- Einheit and Mobilitat, Westfalisches Landesmuseum, Munster, D.
Germania, Palazzo delle Papesse, Centro Arte Contemporanea, Sienna, Italy
The Beauty of Intimacy, Gemeentemuseum, Den Haag, Netherlands/Staatliche Kunsthalle, Baden-Baden, D.
The Beauty of Intimacy, Kunstraum Innsbruck, A
Freestyle, Werke aus der Sammlung Boros, Museum Morsbroich, Leverkusen, Germany
Egofugal, 7th International Istanbul Biennial, Istanbul, Turkey (cat.)
2000 Finale di Partita, Chiostro di Ognissanti, Firenze, Italy
More Works about Buildings and Food, Fundiçao de Oeiras, Hangar K7, Oeiras, Portugal
“Editions and Multiples 1990-2000”, Helga Maria Klosterfelde, Hamburg, Germany
AutoWerke, Deichhtorhallen Hamburg, Hamburg, Germany
Vicinato 2, Friedrich Petzel, New York
Taxa, Navin Gallery Bankok, and Onepercent Copenhagen, Copenhagen, Danemark
2000 Re_public, Grazer Kunstverein, Graz, Austria
Loneliness in the City, Migros Museum, Zurich, Switzerland (with Franz Ackermann)
1301 PE, Los Angeles, CA
M Art in (n), M Art in (n) c/o Martin Schibli, Helsingborg, Sweden
LKW, Lebenskunstwerke, Kunst in der Stadt 4, Kunsthaus Bregenz, Austria (cat.)
Ein/raümen-Arbeiten im Museum, Hamburger Kunsthalle, Hamburg, Germany
Berühmte Künstler Helfen Koch und Kesslau, Koch und Kesslau, Berlin, Germany
M(odel)4∞, BüroFriedrich, Berlin, Germany
Das Unheimliche Heim, Kunstverein, Wolfsburg, Germany
Continental Shift, Ludwig Forum Aachen, Germany; Bonnefantenmuseum, Maastricht; Stadsgalerij Heerlen, Netherlands; Musee d’Art Moderne, Liege, Belgium (cat.)
Artworkers, curated by Melissa Feldman, Oriel Mostyn Gallery, Llandudno, Wales
1999 Project Row Houses: Street Life (Round 11), curated by Jerôme Sans, Houston, TX
Embedded Metaphor, curated by Nina Felshin, organized by ICI, New York, traveling exhibition (1996-99)
Une histoire parmi d' autres, FRAC Nord-Pas de Calais, Dunkerque, France (cat.)
Peace, <migros museum>, Museum fur Gegenwartskunst, Zurich, Switzerland (cat.)
Moving Images-Film Reflexion in der kunst, Galerie fur Zeitgenossische Kunst Leipzig, Germany (cat.)
Locally Interested, ICA, Nationl Gallery for Foreign Art, Sofia, Bulgaria
dAPERTutto, 48. Esposizione Internazionale d’Arte, La Biennale di Venezia, Venedig, I (Kat.)
go away: artists and travel, Royal College of Art, London, UK (cat.)
A Piece of Furniture..., Galerie Anselm Dreher, Berlin, Germany
1st Fukuoka Triennale, Fukuoka Asian Art Musem, Fukuoka, Japan
Talk.Show. Die Kunst der Kommunikation in den 90er Jahen, Von der Heydt-Museum Wuppertal, Wuppertal, Germany (cat.)
Photography Salon, Elizabeth Cherry Contemporary Art, Tucson, AZ
FROM/TO, Internatinal Film festival Rotterdam/Witte de With, Rotterdam,NL
Cities on the move, Artspace 1%. Louisiana Museum of Madern Art, Copenhagen, Denmark
Konstruktionszeichnungen, Kunst- Werke, Berlin, Germany
Places to stay #5 M(usic), Buro Friedrich, Berlin, Germany
Kunst-Welten im Dialog, Museum Ludwig Koln, D (Kat.)
Blown Away, 6th International Caribbean Biennal, St. Kitts, Caribbean Islands
1998 Berlin Biennale
Sydney Biennale
Leisure and Travel, Paula Cooper Gallery, New York, NY
Crossings, National Gallery of Canada, Ottawa, Ontario
Not Today, Gavin Brown's enterprise, New York, NY
Wounds: between democracy and redemption in contemporary art, Moderna Museet, Stockholm, Sweden
Dad's Art, neugerriemschnungen, kunst-Werke, Berlin, Germany
"__, 1994untitled, 1994 (meettim&burkhard)brancsi, 1997", Grazer
Kunstverein, Austria
Le proces de pol pot, Magasin Centre National d'Art Contemporain de Grenoble, Grenoble, France
Sindey Biennale, Sidney, Australia (cat.)
1998 Cities on the Move, Wiener Secession, Wien, A. (Kat.)
BerlinBiennale, Berlin, Germany (cat.)
Mostrato. Fuori Uso '98, Mercati Ortofrutticoli, Pescari, I (cat.)
National Gallery of Canada, Ottawa, Ontario, Canada
Inside..Outside, Stadtisches Museum Leverkusen. SchloB Morsbroich, Germany
ONTOMtm, Galerie fur Zeitgenossische Kunst, Leipzig, Germany (cat,)
Kunstlerlnnen, 40 positionen zeitgenossischer internationaler Kunst in Videoportaits, museurm in progress in Zusammenarbeit mit dern Kundthaus Bregenz/ Kunstlerhaus Bethanien, Berlin, Germany
Kunst und papier auf dem Laufsteg, Deutsche Guggenheirm Berlin, Germany
Deserted & Embraced, Goethe-Institue Bankok, Thailand (cat.)
1997 Cities on the Move, CAPC Bordeaux, France (cat.)
enterprise, ICA, The Institute of Comtemporary Art, Boston, MA
Kunst...Arbeit, Sudwest LB, Stuttgart, Germany (cat.)
Deserted & Embraced, Chiang Mai, Thailland (cat.)
Helga Maria Klosterfelde, Hamburg, Germany
Truce: Echoes of Art in an Age of Endless Conclusions, Site Santa Fe, NM
Medium of Exchange, Congress Centrum Hamburg, Confinea 1997, Hamburg, Germany
Letter and Event, Apex Art C.P. New York, NY
Performance Anxiety, MCA Chicago, IL, MCA San Diego, CA, USA
skulptur.projekte, Munster 97, Munster, Germany
A Summer Group Show, Neugerriemschneider, Berlin, Germany
Wandstucke IV, Gallerie Bob Van Orsouw, Zurich, CH
Thinking Print, Museum of Modern Art, New York
Campo 6, the Spiral Village, Bonnefantenmuseum, Maastricht, NL
Fiat, Stuttgart/Umbauraum, Germany
Supastore De Luxe, Up & Co, New York, NY
1996 a/drift, curated by Joshua Decter, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA
Campo 6, Fondazione Sandretto Rebaudengo per L'Arte, Galleria Civica d'Arte Moderna di Torino, Turin, Italy
almost invisible/fast nichts, Umspannwerk Singen, Singen/Hohnentwiel, curated by Jan Winkelmann, Alle Neue, ACC Galerie, Weimar, Germany
Manifesta 1, Rotterdam, Holland
Oporto Festival, Oporto, Portugal
Gary Hume, Udomsak Krisanamis, Rirkrit Tiravanija, Gavin Brown's enterprise,
New York, NY
Vicinato, Air de Paris, Paris, France
Vicinato, Schipper & Krome, Koln, Germany
In/Out, (a collaborative project with U of I and the Resource Center), Gallery 400, U of I, Circle Campus, Chicago, IL
Kunst in der neuen Messe Leipzig, Leipzig, Germany
TRAFFIC, CAPC Musee d'Art Contemporain, Bordeaux, France
Thinking Print, Henry Art Gallery, Seattle,WA
Campo 6, The spiral Village, Bonnefantenmuseum, Maastricht, Holland
Fiat, Stuttgart/Umbauraum, Stuttgart, Germany
Supastore De Luxe, Up & Co, New York, NY
Annandale-on-Hudson, NY
1996 Thinking Print, MoMA, New York, NY
Kofferkunst, Lagerraum, Frankfurt am Main, Germany
Modema di Torino, Turin, Italy (cat.)
almost invisable / fast nichts, Umspannwerk Singen, Curated by Jan Winkelmann, Singen/Hohentwiel, Germany
Alle Neune, ACC Galerie, Weimar, Germany
1995 Kwangju Biennale
Biennale D'Art Contemporain De Lyon, Lyon, France (cat.)
The Carnegie International, The Carnegie Museum of Art, Pittsburgh, PA (cat.)
Carsten Holler, Philippe Parreno, Rirkrit Tiravanija, Studio Guenzani, Milano, Italy
Kwangju Biennale, Kwangju, Republic of Korea (cat.)
Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung Schürmann, Kunsthalle der Hypo - Kulturstiftung, Munich, Germany
The Moral Maze, Le Consorsium, Dijon, France (cat.)
Configura II: Dialog der Kulturen, Erfurt, Germany (cat.)
Nutopi, Rooseum, Malmö, Denmark (cat.)
Shift, De Appel, Amsterdam, Holland (cat.)
House in Time, Moderna Galerija Ljublijana, Slovenia, (cat.)
The Whitney Biennial, Whitney Museum, NY (cat.)
Economies, Walker Art Center, Minneapolis, MN (with Hans Accola)
Africus, Johannesburg Biennale, Johannesburg, South Africa
Carsten Holler, Phillppe Parreno, Rirkrit Tiravanija, Studio Guenzani, Milan, Italy
Rewind, City Racing, London, UK (Curated by Eric Troncy)
Moral Maze, Le Consortium, Centre d’Art Contemporain, Dijon, F.
Kunsthalle der Hypo-Kulturstiftung, Munchen, Germany (cat.)
1994 Untitled 1994 (Fear Eats the Soul), Galerie Esther Schipper, Koln
Cocido y Crudo, (curated by D. Cameron) Reina Sofia, Madrid, Spain (cat.)
Der Stand der Dinge, Kölnischer Kunstverein, Köln, Germany (cat.)
Lost Paradise, kuratiert von Barbara Steiner, Kunstraum, Wien, Austria (cat.)
Esprit d ‘Amusement, Kunstverein Graz, Austria
new reality mix, Högbergsgatan 18, Stockholm, Sweden
Multiple, Deichtorhallen Hamburg, Germany (cat.)
Out Side the Frame, Contemporary Art Center, Cleveland, OH (cat.)
SPNY, Galerie Camargo Vilaca, Sao Paulo BRA.(cat.)
Drawing on Sculpture, Cohen Gallery, New York, NY
Residence Secondaire, Paris, France
Untitled Group Show, organized by Friedrich Petzel, Metro Pictures, New York, NY
Surface de Reparations, organized by Eric Troncy, Le Consortium, Centre d'Art Contemporain, Dijon, France (cat.)
Camping, Galerie Jennifer Flay, Paris, France
Don't Look Now, organized by Joshua Decter, Threadwaxing Space, New York, NY (cat.)
art after collecting, kuratiert von Rainer Ganahl, Philomene Magers, Koln, D.
L'Hiver de l'Amour, Musée d'Art Moderne de la Ville de Paris, Paris, France; and P.S.1, Long Island City, New York (cat.)
1993 Viennese Stories, curated by Jerome Sans, Wiener Secession, Wien, Austria (cat.)
Real, Real, Wiener Secession, Wien, Austria (cat.)
Holly Solomon Gallery, New York, NY
1993 Backstage, Hamburger Kunstverein, Hamburg; and Kunstmuseum, Luzern, Switzerland, (1994) (cat.)
Migrateurs, Musée d'Art Moderne de la Ville de Paris, Paris, France (cat.), curated by Hans-Ulrich Obrist
Real Time, curated by Gavin Brown, Institute of Contemporary Art, London, UK, (cat)
Jorge Pardo, Sarah Seager, Rirkrit Tiravanija, Lincoln Tobier, 1301, Santa Monica, CA
Künstlerhaus Bethanien, organized by Tim Neuger, Berlin, Germany
Spielhölle, organized by Kaspar König and Robert Fleck, Grazer Kunstverein, Graz, Austria; and Galerie Sylvana Lorenz, Paris, France (cat.)
Aperto, Biennale Venedig, Venice, Italy, (curator: M. Slotover) (cat.)
Sleepless Nights, curated by Zdenka Gabalova, PS1 Museum, Queens, NY
Galerie Max Hetzler, organized by Tim Neuger, Köln, Germany
Simply Made in America, Aldrich Museum of Contemporary Art, CT (cat.)
Fever, Exit Art, New York, NY
Kunstmuseum, Luzern, Switzerland
Sleepless Nights, curated by Zdenka Gabalova, PS1 Museum, Queens, New York
1992 Transgressions in the White Cube: Territorial Mapping, organized by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT (cat.)
Writings on the Wall, 303 Gallery, New York, NY
Home Improvements, 209 W 97th St, Apt. 7B, New York, NY, curated by Gavin Brown Consumed, Goethe Haus, New York, NY
Insignificant, 10 E 39th St., Suite 525, New York, NY, curated by Gavin Brown
1991 One Leading to Another, 303 Gallery, New York, NY
The Big Nothing or Le Presque Rien, The New Museum of Contemporary Art, New York, NY (cat.)
Brooklyn, Jack Tilton Gallery, New York, NY
Wealth of Nations, Center for Contemporary Arts, Ujazdowski Castle, Warsaw, Poland Dis Mantling Invisibility: Asian & Pacific Islander Artists Response to the AIDS Crisis, Art in General, New York, NY
Shooters Hill, AC Project Room, New York, NY
Arriving, Leonor Datil Perez Gallery, New York, NY
Home?, Home for Contemporary Theater & Art, New York, NY
True to Life, curated by Gavin Brown, 303 Gallery, New York, NY
Fluxattitude, Hallwalls, Buffalo, NY; and The New Museum for Contemporary Art, New York, NY, (1992) (cat.)
Marginal Majority, (Artists Against Racial Prejudice), Arron Davis Hall,
New York, NY (cat.)
The New Museum for Contemporary Art, New York, USA
1990 Post-Consumerism, The Storefront for Art & Architecture, New York, NY
Work on Paper, Paula Allen Gallery, New York, NY
4th Annual Invitational, Cold City Gallery, Toronto, Canada
1989 Caught in a Revolving Door, The Alumni Association of the School of the Art Institute of Chicago, Chicago, IL (cat.)
Outside the Clock: Beyond Good & Elvis, Scott Hanson Gallery, New York, NY
Lotto as Metaphor, Hallwalls, Buffalo, New York, NY (cat.)
Film work
1997 Vicinato 2, with Philippe Parreno, Douglas Gordon, Liam Gillick, Carsten Holler, Pierre Huyghe, Friedrich Petzel Gallery, New York; neugerriemschneider, Berlin, Germany
1991 Video Event, Tom Cugliani Gallery, New York, NY
1985 New Film Maker, The Collective for Living Cinema, New York, NY
Super super 8, The Museum of Moving Image, LIC , New York, NY
Super 8 NY, San Francisco Cinemateque, San Francisco, CA
Projects
1990 The Arrival, Message to the Public, Spectracolor Board at Times Square, New York, NYBibliography
2005 Bishop, Claire, “But is it –Installation Art?” Tate, Etc., Issue 3, Spring, pp. 26-35
Lutticken, Sven, Review, Artforum, XLIII, No. 6, February, pp. 164-165
Sheets, Hilarie M., “Underrated Overrated (Paul Ha)”, ARTnews. January, p. 108
“News: Prizes”, ARTnews. January, p.54
“News: Prizes and Competitions”, Flash Art, January-February, p. 45
2004 Parreno, Philippe; Sterling, Bruce; Tiravanija, Rirkrit; “A Retrospective (Tomorrow is another fine day)”, pubished by Museum Boijmans Van Beuningen, Rotterdam
Bajo, Delia and Carey, Brainard, “In Conversation,” The Brooklyn Rail, February, pp. 21-22
“Social Capital, Forms of Interaction,” published by Whitney Museum of American Art Independent Study Program Exhibition, New York
2003 Review, The New Yorker, November 10, p. 27
Bollen, Christopher, “Critics Picks,” Artforum.com, October
Cavallucci, Fabio, Work, Art in Progress, April-June, p. 10
Floriani, Giorgia, Work, Art in Progress, April-June, p. 9
Culpan, Laura Jane, Work, Art in Progress, April-June, p. 22
Tetsuya, Ozaki, Invitation, June, p. 59
Quote, ArtReview, July/August, p. 49
Gopnik, Blake. “Rirkrit Tiravanija Wins Smithsonian’s Lucelia Artist Award” Washington
Post-Style, Wed April 9
Secession, Vienna, Austria (cat.)
Stange, Raimar, Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins, p. 119
“The 80’s”, Artforum, March, p. 214
2002 Dusini, Mathias, Review Secession, Vienna, Frieze, November, p. 110
Boers, Waling, Interview pp. 96-97, in Public Affairs, published by Kunsthaus Zurich, Zurich, Switzerland
Curtis, Penelope, “The Object Sculpture,” published by The Henry Moore Institute, Leeds, UK
Kempkes, Anke, “Art Now,” published by Taschen, Koln
Fallon, Roberta, “Spiritual Comfort,” Artnet.com
Canvas, Art News, May 2002
2001 Dziewior, Yilmaz, “Art Now”, Taschen, Koln
Baldon, Diana, “Ein/raümen in Hamburg”, Tema Celeste, January-February, p.116
2001 Herbstreuth, Peter: Held der Arbeit; Der Tagesspiegel, 28. July,/Nr. 17480
Chapuis, Yvone; “L’Espace d’action Inconditionnelle”,
Press Release, “Kunstverein Wolfsburg” March 9, 2001
Erickson, Karl; “The Free Spot”, In These Times, 20. August.
Frangenberg, Frank; Frentzens welke Kranze, Suddeustche Zeitung, 26. June, Nr. 144., p. 17
2000 Stange, Raimar; “ein/raumen” in der Hamburg Kunsthalle; Das Kunstbulletin; Nr. 12/2000, p.36
Winter, Peter; Katzen, Kassen, Karl V; Frankfurter Allgemeine Zeitung; 20. November, Nr. 270, p. 54
Vergez, Juan; Review ARCO 2000: Elective Affinities; ARCO Noticias; September Nr. 18 p. 14
Franz Ackerman/ Rirkrit Tiravanija; Ausst. Kat. RE public; Grazer Kunstverein Oct, p. 63-65
Wolfs, Rein; The Sociale Capital Today; Art Land; Vol. 6, Nr.1, p. 5
Boers, Waling; Reality is a friend of mine, Interview with mit Rirkrit Tiravanija; material; Fruhling/Sommer 2000, Nr. 3, pp. 44-46.
Continental Shift; Ausst. Kat. Ludwig Forum Aachen, D/ Bonnefantenmuseum Maastricht, NL/Stadsgalerij Heerlen NL/Musee d’Art modern Liege, B, 2000.
Wittneven, Kathrin; Zeichne dich selbst; Der Tagesspiegel; 15. Juli 2000, Nr. 17111, S.32
Citytripping.com; ”Free Rent: Rirkrit Tiravanija’s Experiment in Living”, Aug. 1
Berwick, Carly; “While Some Live for Art, Others Live In It”, The New York Times, Aug 1
Lintzel, Aram; Liebst du much wirklich?; Frankfurter Allegemeine Zeitung; 14 July, Nr. 161, p. BS 6
Gardner, Belinda Grace; Verfuhrung des Blicks. Das Haus der Kunst, Munchen, Hamburg, p. 175.
Memba, Javier; Okupas “yvagabundos acuden a cenar a una galeria de arte” El Mundo, 14 February.
Murria, Alicia; Rirkrit Tiravanija; Revista Lapiz, Nr. 161, March
Llorca, Pablo; Modelo de artista; El Periodico del Arte, Februar 2000, Nr. 30
Ririkrit Tiravanija. Arte publico. Antiquaria
Stange, Raimar; Rirkrit Tiravanija; Artist Kunstmagazin, Heft Nr. 42, January, pp. 22-26
“The Art of Eating Curry”, Composite, Tokyo, No. 16, June
Figaro Japon, No. 181, Ma y
Spa, Tokyo, May
Brutus, Tokyo, April
Stange, Raimar, “Ein/raümen”, in der Hamburgen Kunsthalle; Das Kunstbulletin; No. 12,
1999 Lonehood, Lex, "Free Rent: Rirkrit Tiravanija's Experiment in Living", City Tripping.com, Berwick, Carly, "While Some Live for Art, Others Live in It", The New York Times, August1, Sunday, August, 8.
Boggs, Sheri; “Sitting Down to Art” The Inland Way, April 14
Knight, Christopher, "L.A. Map Makes the Invisible Plain", Los Angeles Times, July, 23, Art Reviews.
Hunt, David, "Faraway and Nearby, The Province of Telepresence", Camerawork, Spring/Summer, pp.26-29
Scott, Andrea K., "Mi casa, su casa", Time Out New York, June 10-17, in Art Reviews.
Wong, Gloria M.," Quick Takes", Bazaar, June, pg.88.
"Living with Art at Gavin Brown's Enterprise", The Art Newspaper, June.
1999 Saltz, Jerry, "Rising Tide", The Village Voice, June 29, pg.157
Saltz, Jerry, "Resident Alien", The Village Voice, July 7, pg.157
Gilson, Nancy, "Eye of the beholder", The Columbus Dispatch, January 27, p.8E
Pettus, Jason, " Extended Stay", Cake walk, Fall 1999,p. 58-59
Joyce,Julie, "Rirkrit Tiravanija and Licoln Tobier" , Art/Text ,#67, p.90.
Gilson, Nancy; “Eye of the beholder”, The Columbus Dispatch, Jan. 27
Gellatly, Andrew," Cities on the Move", Frieze,
Siegel, Katy," Rirkrit Tiravanija", ArtForum, October, p. 146
Kazakov, Rafaelo, " Rirkrit Tiravanija", The New York Art World, September, p. M 14
Elms, Anthony, "Rirkrit Tiravanija", The New Art Examiner, October 1999, p.47-48
Pinchbeck, Daniel, " NY artist Q & A, Rirkrit Tiravanija" The Art Newspaper, July-August
Boggs, Sheri, " Sitting down to art", The Inlander, April 14, 1999
Sachs, Brita; Bei Anruf Kunst, Frankfurter Allgemeine Zeitung, 16 Dec., p. 53
Sanders, Joel; Frames of mind; Artforum, November 1999, S. 126-131
Nomblot, Javier Rubio; Rirkrit Tiravanija :diez propuestas para Madrid, El punto de las Artes, 10-20. December
Szeeman. Harald; Rirkrit Tiravanija, Katalog zur Ausstellung dAPERTutto, 48.
Esposizone Internazionale d’Arte, La Biennale di Venezia, p. 162-165
N.N., Museum Het Domein presenteert Ex-tension, Trompetter, 30 Juni.
Fischer, Tine/Eskjaer, Mikkel; Spis en film, Kun stmagasinet 1%, #5 February
Tiravanija, Rirkrit; Dreams, hrsg. v. Francesco Bonami u. Hans Ulrich Obrist
Lind, Maria; Raumnachbildungen und Erfahrungsraume, Parkett Nr. 54, pp. 186-190
Wuffen, Thomas u.a., Berlin Biennale, Kunstforum International, Fan./ Feb., Bd. 143, S. 290-310
Artist Comment, BT, Feb., p. 41
Berg, Ronald; Jeder Mensch ein Pop-Star, Zitty, Nr. 2, p. 50
Wolfs, Rein; Ein bisschen Wirklichkeit und bisschen Kunst, fon 33, S. 2-4
Phillips, Christopher ; Art for an Unfinished City, Art in America, Jan.,S. 62-69
1998 Strauss, Dorothea; "Basic Needs", Kunst Bulletin, Sep., p.22
Ammann Rene, Review, Artforum, p. 110, November
Kraynak, Janet, "Rirkrit Tiravanija's Liability*", Documents, Fall, pp. 26-40
Koh, Cermaine; “Crossings” 1998
Seidel, Miriam, "On the Road", Philadelphia Weekly, April, 29
Sozanski, Edward J., "It's a cross-country trip-- but is it art?, The Philadelphia Inquirer, April, 19, F12
New York Time newsaper clipping, May 1, 1998
Hou Hanru, Hans Ulrich-Obrist; Cities on the Move, Secession, Capc Musee d'Art Contemporain de Bordeaux, France
Kunstlerhaus Bregenz, KunstlerInnen. 50 Gesprache, pp.229-231
Koh, Germaine, " Crossings" (Catalogue), p.168
m.b., Schnee und Nudeln, Salzburg Nachrichten, 5. December.
Greenleaf, Ken; “Bowdoin has a sleeper in ‘Embedded Metaphor’” Art Review, 1998, Feb. 22
Art Review of Embedded Metaphor, Virginia Beach Sun, 1998 April 17
Nigelhell, Franz, Symbolische Architektur, Neue Zeit, 4. December.
Hofmann-Sewera, Kathi, Kommunikative Kunstverkaufer, Kleine Zeitung, 29. Nov.
Stefani, Guido, Der Kunstler R.T. zu seiner Ausstellung, Interview
Stefani, Gudio, Der Kurator Rein Wolfs zur Ausstellung “Das soziale Kapital”, Interview
1998 Strauss, Dorthea, Basic Needs, Kunst-Bulletin, Sept.,S. 22-29
Descombes, Mireille, Achetez vos spaghetti au musee, L’Hebdo, 27. Aug.
Haag, Vera; Jammen inmitten von Thaiduften, Toaster, Juli/Aug.
Cruvell (kcd.); Galeriesprengend, Frankfurter Allgemeine Zeitung, 28. Nov., S.41
Saltz, Jerry (hrsg.); An Ideal Syllabus, London.
Phataranawik, Phatarawadee; Rirkrit Tiravanija, in :cream. contemporary art culture, London (Phaidon), S.400-403
Gorris, Lothar u. Wiensowski, Ingeborg, Kunst-oder was?, Spiegel Kultur Extra, Oktober, S. 12-17
Beil, Ralf; Rirkrit Tiravanija, Kunstforum International, Okt.-Nov., Bd. 142, S. 452-3
Imdahl, Georg; Leben im Supermarkt, Frankfurter Allgemein Zeitung, 6 Okt., S.46
Rirkrit Tiravanija, Flash Art, Vol. XXXI, Summer, S.85
Rooseum, Center for Contemporary Art, Katalog zum 10-jahrigen Bestehen, S. 36 Hrsg. Kunsthaus Bregenz; KunstlerInnen. 50 Gesprache, S. 229-231
Lind, Maria; Copies. Reflections. Models, Index, Nr. 21, 1, S. 68-75
Nemeczek, Alfred; Kunst als Dienstleistung, Art Nr. 5, Mai, S. 26-35
Herbstreuth, Peter; Rirkrit Tiravanija, Kunstforum, Bd. 140 April-Juni, S.349-350
Hrsg. Hou Hanru, Hans-Ulrich Obrist; Cities on the Move, Secession u. capc Musee d’Art Contemporain de Bordeaux
1997 Smith, Roberta, "Finding Art in the Artifacts of the Masses", The New York Times, Dec.1, pp.43
Rimanelli, David, "A/Drift", Artforum, February, pp. 83
Ekeberg, Jonas, "Rirkrit Tiravanija", Hyperfoto, no.3-4, p.25
Lufty, Carol and Lynn Gumpert , "A lot to Digest", Art News, May, pp. 150-3
Review. Time Out New York, April 24-May 1, pp. 47
"Performance Anxiety", Catalog, MCA Chicago, IL
"Thinking Print", catalog, MOMA New York, NY
Berger, Laurel, ARTnews, March, p. 94
Dziewior, Yilmaz, "Gastfreundlich", neue bilbende kunst, Feb./Mar., p. 8
Decter, Joshua, "a/drift", catalogue, Oct.96- Jan. 97, p.10
Schaechterle, Beatrice, "Die Kunst Des Handelns", Noema, Dec/Jan 96/97, p. 48
Tiravanija, Rirkrit, "Rirkrit Tiravanija Talks with Peter Fischli and David Weiss", Artforum, Oct., pp 78
Kawai, Sumi; Rirkrit Tiravanija, BT, June, pp. 41-44
Smith, Roberta, "Savoring a Medium Whose Bite Has Grown With Age", The New York Times, June, 21
Kittelmann, Udo, "Rirkrit Tiravanija Untitled, 1996 ( tommorrow is another day)” (Catalogue)
Detterer, Gabriele (ed.); Art Recollection. Artist’s Interviews and Statements in the Nineties, hierin: Rirkrit Tiravanija in einem Interview mit Rochelle Steiner (1995), p. 217-222
N.N. (ze), Kommunikatives Maltaschen-Mahl statt einer steifen Vernissage, Ludwigsburger Kreiszeitung, 28. April.
N.N., Rirkrit Tiravanija in der Villa Franck, Ludwigsburger Wochenblatt, 30. April Winkelmann, Jan,...und noch ein Essen, Blitz Review
N.N., Spezifische Situationen, Lift, 6
Fechner-Smarsly, thomas, Einbaukunst, Frankfurter Rundschau, 7. July
Hoffmann, Gabriele, Kochkunst, Kultur, Juni
Schaecher, Marko, Radieschen fur die Statisten. Stuttgarter Nachrichten. 26. Juni.
1997 Schroter, Lorenz, Maultasche goes Art. Alles ist Kunst, Cosmosguide, Mai Review, Time Out New York, 24. April-1.Mai, S.47
Stellwaag, Karin,Kunsttest-die interessantesten Ausstellungen in April, Prinz, Kunst..Arbeit Katalog, Sudwest LB. Stuttgart, S. 60/61, 146-149
Steiner, Barbara, Kunstverein Ludwigsburg (Hrsg); Rirkrit Tiravanija-Kochbuch, Ludwigsburger
Institut fur moderne Kunst Nurnberg (Hrsg); Waling through society, Jahrbuch, Nurnberg
Marcori, Roxana; Murphy, Diana; Sinaiko, eve (Hrsg.); New Art. New York von Hantelmann, Dorothea; Faust und Biberkopf, zitty Nr. 23, S. 86
Dobrynski, Judith; A Popular Couple Charge into the Futureof Art, but in Opposite Directions, The New York Times, 2. September, S. C11/C13
Kisters, Jurgen; rirkrit Tiravanija , Kunstforum Bd. 136 “Asthetik des Reisens” Febr-Mai, S.412-414
S.W. “A Cue from Kids” Art and uhhipues, 1997 Dec.
Kisters, Jurgen, Zum Feiern und Schlafen in den Kolner Kunstverein,Kolner Stadtanzeiger, Nr. 2,3. Januar S.1
Herbstreuth, Peter; Wie im Bild, so im Leben, Der Tagesspiegel, 8 Marz, S.21
1996 Hainley, Bruce. “Where Are We Going? And What are we Doing? Rirkrit Tiravanija’s Art of Living, “ Artforum February, p. 54.
Tiravanija, Rirkrit, Rirkrit Tiravanija Talks with Peter Fischli and David Weiss, Art forum, Okt., S.78
VN-kapi; Kunsthalle als interaktives Studio, Voralberger Nachrichten, 24 Dez. Blase, Christoph; Die Beobachtung einer Teestube, FAZ, Nr. 296, 19. Dezember, S.34
Steiner, Juri; “Rehearsal Studio No. 6”. Neue Zuricher Zeitung, 13. dez.
Hedinger, Johannes M., Rirkrit Tiravanija, Saiten, Dez.
Aukeman, Anastasia; Small Budgets, Large Ambitions, ART News special, S.48-54
Thiele, Carmela; Des Kunstlers New Yorker Studio fur Koln kopiert, Art Nr. 11, November, p. 148
Badrutt, Schoch, Ursula; Mobel schleppen und reden, St. Galler Tagblatt, 28 Nov.
Mettler, Louis; Ver-rucktes, Raume, Begegnungen, Appenzeller Zeitung, 23. Nov., p.17
Maurer, Simon; Jam un Minestrone, buddhistisch, Tagesanzeiger, 27. Nov., p.81
N.N. (vt); Von Krusi bis Techno, Anzeiger, 26. Nov.
Mettler, Louis; Tiravanijas und Altenburgera “Sozialskulpturen” in der Kunsthalle: Dinge ver-rucken, Raume schafen, begegnen, Die Ostschweiz, 23. Nov.,
Dziewor, Yilmaz; Rirkrit Tiravanija, Artforum International Sept. 1996, p. 14
Marger, Mary Ann; “Not-so-sweet dreams”, The New York Times, 11. October
N.N., Art, Nr. 11, November, S.14
Real Time, (cat.), essays by Gavin Brown & Emma Dexter, Institute of Contemporary Art, London, GroBbritannien
Aperto, (cat.), Biennale Venedig, Venedig, Italien, (Kurator: Matthew Slotover)
Volkart, Yvonne; Kommunikation, annabelle, Nr. 22, p. 15
Strauss, Dorothea; Let’s play together, fon, Nr. 2
Wiensowski, Ingeborg; Rirkrit Tiravanijas, Spiegels Extra, 11, p. 22
Rohr-Bongard, Linde; Kunstkompass, Capital, Nov., S. 282-283
Weh, Vitus, Fast nichts/almost invisible, Kunstforum International, Okt. ‘96- Jan. 97
Stellwaag, Karin, Beinahe unsichtbar. Stuttgarter Zeitung, 7. Aug.
Pesch, Martin, Kleine winzige und unauffallige Kunst, Die Tageszeitung, 20. Aug.
1996 Schwitzler, Joachim, Viel mehr als nichts, Thurgauer Volksfreund, 16. Juli Kawai , Sumi; Rirkrit Tiravanija, BT, Juni, p. 41-44
Biehler, Matthias, “Fast nichts” im Umspannwerk, Sudkurier, 27. June
Saltz, Jerry; A Short History of Rirkrit Tiravanija, Art in America, February, p. 82-85
Bloomberg, Katja; Hauptsache, es schmeckt, FAZ, 21. Feb.
1995 Cubarrubia, Eydie; “’Embedded exhibit foes under the covers’” Herald Features, Sept. 20
Press release from Navin Gallery Bangkok, “Untitled 1996 (traffic)”
Karcher, Eva; Die Stadt lockt..., ART, December, p.130
Martinson, Suzanne, "Edible Art", Pittsburgh Post Gazette, November, 26, p.H6-7
Lind, Maria; Letter and Event, Parallel and Palindrome, Paletten, April #223 Jr.56 p46
Cameron, Dan, "Cocido y crudo", from the Reina Sofia catalogue
Lind, Maria; Letter and Event, Parallel and Palindrome, Paletten, 4, Nr. 223, Jhg. S. 40
Harcher, Eva; Die Stadt lockt...,ART, December, p. 130
Parkett No. 44, p. 106-108
N.N., Whitney Biennial, frieze, 23, Sommer
Richard Flood/Rochelle Steiner; En Route, Parkett Nr. 44, p. 114-123
Steiner, Barbara; Spiegel, Andreas, Rirkrit...,Paletten, 4, p. 4
Rohr-Bongard, Linde; KunstkompaB 95, Capital, 11, p. 362
Jones, Ronald; Rirkrit Tiravanija and Andy Warhol, frieze, January-February, p. 6
Herbstreuth, Peter; “Meet Tim & Burkhard,” Der Tagesspiegel, 29. Oktober, S. 21, Sommer, S. 102
Melo, Alexandre; “Guess Who's Coming to Dinner”, Parkett, #44 pp.96-129
Gillick, Liam; “Forget about the Ball and Get on with the Game”, Parkett, #44 pp.96-129
Flood, Richard & Steiner, Rochelle; “En Route”, Parkett, #44 pp.96-129
Bertilsson, Sofia, and Host-Ekstrom, Mans, "The Small World", Paletten, August, p56-58
Smith, Roberta, "Art in Review", The New York Times, June, 23
Saltz, Jerry, "Live through this", The New Art Examiner, May, pp. 19-22,
Jones, Ronald; “Rirkrit Tiravanija and Andy Warhol”, Frieze, January-February 1995, p. 60
NBK, Neue Bildende Kunst, January, p. 18
Hainley, Bruce, "Rirkrit Tiravanija", Artforum, January
Cotter, Holand, "A critic's Dozen to catch at the Biennial", The New York Times, March12
Weinstein, Jeff, "Eating Around", The Village Voice, July 18
1994 Relyea, Lane, "Fear and loathing at the Whitney"', Frieze, summer, pp. 39-41.
Herbstreuth, Peter; "Meet Tim & Burkhard", Der Tagesspiegel, 29. October, p. 21
Föll, Heike; interview, “Ich brauche kein Atelier”, zitty, Nr. 22/1994, p.40
Foster, Hal; interview, Feed, work, #1, p. 22-27
Brown, Gavin; “Other Things Elsewhere”, Flash Art, summer, p. 102
Schumacher, Rainald; Köln Kritik, Flash Art, summer, p. 51
Troncy‚ Eric; “It’ Alive!”‚ Flash Art, summer, p. 105
Cameron, Dan; “Food for Thought”, Frieze, issue 17, p. 50
Metzger, Rainer; Der Angriff der Kunst auf das ubrige Leben,Der Standard, 22./23. October, p. 32
Levin, Kim; Rirkrit Tiravanija, Kunstforum, Jan./Feb. ,pp. 170-173
Besson, Christian; “Surface de Reparation”, Flash Art, Mai/June, p. 122
Surface de Reparations, (cat.), organized by Eric Troncy,
Le Consortium, Centre d'Art Contemporain, Dijon, Frankreich
1994 Don't Look Now, (cat.), essay by Joshua Decter, Threadwaxing Space, New York, NY
L'Hiver de L'Amour, (cat.), Musée d'Art de la Ville de Paris, Paris, France
Rirkrit Tiravanija, interview, documents, February, no. 5, p. 33
1993 Bonami, Francesco, The Real Stuff (Dion, Grey, joo, Pippin, Tiravanija). Flash Art, May/June, p. 80, 82-93, p. 11-14
Weitzer, Ludo; “The Accidental Tourist”, Flash Art, October, p. 44-45
Hixon, Kathrin; “Trouble in Paradise”, New Art Examiner, October, p. 31
Schiff, Hajo, "Kunst und Schutt", Kultur, September, 10
Myoda, Paul; “Amateure der Genealogie”, Neue Bildende Kunst, 2-93, p. 11-14
Backstage, (cat.), Hamburg Kunstverein, Hamburg
Fleck, Robert; Spielhölle- Ästhetik und Gewalt, Rogue, #17, p. 17-37
Holmquist, Karl; “Hole in the Wall” siksi, The Nordic Art Review, issue 4
Real Time, (cat.), essays by Gavin Brown & Emma Dexter, Institute of Contemporary Art, London, Great Britain
Aperto, (cat.), Biennale Venedig, Venedig, Italy, (Kurator: Matthew Slotover)
“When the Music’s Over” New Art Examiner Jan. 1993
Eating with Publicsfear, project for Publicsfear, volume 1, #2, p. 38
Myers, Terry; Review, Tema Celeste, winter, p. 83
Sleepless Nights, exhibition pamphlet, PS1 Museum, Queens, NY
Weil, Benjamin; Ouverture, Flash Art, January/February, p. 79
Simply Made in America, (cat.), Aldrich Museum of Contemporary Art
Wealth of Nations, (cat.), Center for Contemporary Arts, Ujazdowski Castle, Warsaw, Poland
Sans, Jerome, " Viennese Story” (cat.)
1992 Transgression in the White Cube: Territorial Mapping, (cat.), organized by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT
Nesbitt, Lois; Review, Artforum, December, p. 95
“Rirkrit Tiravanija” The New Yorker, 5. Oct.
Smith, Roberta; The Gallery is the Message, The New York Times, 4 October, p. 35
1991 Hess, Elizabeth; The White Rabbit, (Among Other Alternatives), The Village Voice, 17. December
Heartney, Eleanor; Review, Art in America, June
Faust, Gretchen; Review, Arts, April
1990 Joseph, Regina; Being in Nothingness, The West Side Spirit, 4. Feb.
Nesbitt, Lois E., "New York", Art Issues, Sept./Oct.
Kelly, Deidre; Works Strange but True, The Globe & Mail, 17. August
Hume, Christopher; Freeze Out, Toronto Star, 10. August
Faust, Gretchen; Review, Arts, May
Phora, Pia; Review, Contemporanea, Vol. 3 No. 2, February
Hodkin, Carter; Review, Nike Magazine, January
1989 Hodgkin, Carter, "Review", Nike, vol. 30, Oct./Nov., p. 53
Kramer, Hilton; Soho Show; Prestigious, maybe, but just more shopworn farce,
The New York Observer, 31. July
Smith, Roberta; Review, The New York Times, 21. July
Wallach, Amei; The Young Turks' Old Master, New York Newsday, 16. July
Teaching
Columbia University, Associate Professor of Professional Practice, Faculty of the Arts, 2001/present.
IUAV University of Venice, Associate Professor, Graduate Course in Visual Arts, Faculty of Arts and Design, 2003-2004
Columbia University, Adjunct Assistant Professor, Faculty of the Arts, 1999-2000
Royal Danish Art Academy, Guest Professor, Dept. Walls and Space, 2001-2002
Stadelschule Staalich Hochschule of Bildende Kunst, Frankfurt, Guest Professor, 2001
National Academy of Fine Arts, Oslo, Norway, Guest Professor/Visiting Artist, 2001
Society Memberships and Appointments
President, The Land Foundation
Advisory Board Member, New Media Institute, University of Chiang Mai, Thailand, 2003
Advisory Board Member, CCA, Kytakyshu, Japan, 2003
Advisory Board Member, Tokyo Wondersite Cultural Arts Center Tokyo, 2003
Advisory Board Member, Carnegie International, 2002-2004
Grants and Awards
Hugo Boss Prize
Benesse, Naoshima Contemporary Art Museum, Japan
Smithsonian American Art Museum's Lucelia Artist Award
Gordon Matta Clark Grant
Louis Comfort Tiffany Award
NEA
Central Kunst Prize
Public Collections
Astrup Fearnley Museum of Modern Art, Oslo, Norway
Bangkok Museum of Contemporary Art, Bangkok, Thailand
Carnegie Museum of Arts, Pittsburgh, USA
Fond National d’Art Contemporain, France
Fond Regional d’Art COntemporain Languedoc-Roussillon, Montpellier, France
Fondazione Sandretto Re Rebaudengo, Turin, Italy
Fundacîon Tantica, Buenos Aires, Argentina
Guggenheim Museum, New York
Le Consortium, Dijon, France
Louisiana Museum for Moderne Kunst, Humlebæk, Denmark
Migros Museum, Zurich, Switzerland
Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain
Museum of Contemporary Art, Los Angeles, USA
Museum of Modern Art, New York, USA
Saint Louis Art Museum, Saint Louis, USA
Sammlung der BRD, Berlin, Germany
The Walker Art Center, Minneapolis, USA
West LB, Stuttgart, Germany